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Jordan Davis was killed over loud music. Now his parents tell their story in a gripping new film.

312 minutes.

That's all it took for 45-year-old Michael Dunn to approach black boys listening to loud music at a gas station, shoot 10 bullets into the car of unarmed teens, and leave 17-year-old Jordan Davis dead.

Those 3 12 minutes in Jacksonville, Florida, on Nov. 23, 2012, didn't just end Jordan's life. They sparked a case ("the loud music murder") that transfixed the nation. They added a landmark story to an ongoing movement about gun violence and the deadly impact of racism.


And those 3 12 minutes changed the lives of Jordan's parents, Ron Davis and Lucy McBath, forever.

"312 Minutes: Ten Bullets," the Sundance Award-winning documentary premiering Monday, Nov. 23 on HBO (three years to the day after Jordan's murder), is an intimate look inside the courtroom of the riveting and at times unbelievable trial as well as an up-close and personal look at Jordan's short life.

I had the honor of speaking individually with each of Jordan's parents in advance of the HBO premiere.

I've shared my dialogue with them below, edited for brevity and clarity. At the end of the interview, Lucy gives a chilling reason why you — and everyone — should tune in and watch the film.

EWS: Why was it important for you to share your story, Jordan's story, with the world? Why did you want this film made?

Lucy: Well, because we had paid heed to previous cases, specifically Travyon [Martin]'s case. We watched how Trayvon had been vilified and demonized as a young man of color who was up to no good, even though he wasn't doing anything other than just existing. And so we decided very early on that our truth needed to be told. And it needed to be told by us, his parents. That we didn't need anybody to speak for us. We would tell our story, it would be honest, and it would be raw.

We also wanted to prick the [consciousness] of those that are watching the film. We wanted to open conversations in people's homes and in churches and in businesses and academia about implicit bias, Dunn's racism, and gun violence. We knew that the only way that we could really elevate what we were trying to do is to expose ourselves as a means to motivate people to create some kind of change.

Jordan Davis. Photo by Cady & Cady Studios, courtesy of HBO.

EWS: So how did you know the time was right?

Ron: Very early on, people started approaching us about doing a film, and nothing felt right. But then my lawyer received a letter from Minette Nelson, the woman in charge of The Filmmaker Fund in San Francisco. In the letter, she told me how her son had a friend that was 16 years old who had been killed, and his name was also Jordan. An article about our Jordan in Rolling Stone touched him so much that he brought it to her and she read it and cried and said "Look, I'm going to try to reach out."

When I read the letter, it was so heartfelt. It felt like this person got it. I picked up the phone and called her and we had a 30 minute cry-all conversation, both of us crying and I said, “You get it."

"We decided very early on that our truth needed to be told. And it needed to be told by us, his parents. That we didn't need anybody to speak for us. We would tell our story, it would be honest, and it would be raw."
— Lucy McBath

EWS: How does it feel to go through such personal, emotional moments on film? Did you forget the camera was there or was it always on your mind?

Ron: Most of the time, we forgot the camera was there. You see my emotion at the table when I start taking about Jordan in the beginning of the film and just start crying. I forgot the camera was there then. I was just being emotional. Whether I was talking or swimming or crying, I was just living my life.

Ron Davis grieving and remembering his son at the cemetery. Photo courtesy of HBO.

EWS: There were so many moments like that one, that showed what it was like as a parent who has lost a child. Have you heard from other parents about that?

Ron: Yes. Not just other grieving parents, but also other parents who have experienced something similar. For example, we do work with the family of Oscar Grant [who was killed by a police officer in California and whose story is told in the film "Fruitvale Station"], his Uncle Bobby, his mother.

When Mike Brown was killed in Ferguson, I happened to be speaking at the United Nations conference in Geneva and I was the first person to talk to the UN about it as an example of racial discrimination in the United States.

Then I went to Ferguson and I welcomed Michael Brown's father into a club that no one wants to be a member of, just like Trayvon Martin's father had welcomed me into that club right after Jordan's death.

I also told him to find your voice. When these things happen, it's hard to find your voice. That's why you hear so many representatives — like the Al Sharptons and the Jesse Jacksons — because as a parent you're so devastated, it's hard to find your voice. But for me, I knew that no one was going to tell the story of Jordan right but his parents, because no one knows my son better than us. So I didn't want anyone to speak for us.

EWS: One of the things that struck me about this case is that it got at the heart of so many issues — racism, gun violence, "stand your ground" — has the film been able to spark meaningful conversations around those issues?

Lucy: At a recent film festival, I had grown men coming up to me and crying, crying. Three of them. Two were young white males, millennials, and one was an older black male, maybe in his 40s. All of them bawling.

The older black gentleman said, "I know that this has existed, I know I've experienced it. But I have been remiss in not doing anything about it. And I'm a teacher. And I'm going to go back and have these discussions in my classroom. It awakened a sense of activism in me."

"When you're 17 and you see another 17-year-old get killed, guess what you feel? You feel like it could be you any day, any time. And I hate that. I hate that they have to feel their mortality."
— Ron Davis

One of the young white men was sobbing and saying: “I'm so sorry. I'm so sorry that my people have done this to you." But beyond saying "we're sorry for your loss," people are saying something's got to change and I've got to be a part of the change. And that's what we need people to do. It's like a spiritual awakening in a sense because we're dealing with a heart issue, a moral issue.

People have the propensity to not be concerned about what is not their reality. But when you expose the reality to people, when you show them the truth, anybody that has a sense of moral fiber can't go away from it not being affected.

Lucy McBath testifying before Congress against "stand your ground" laws. Photo courtesy of HBO.

EWS: During one of your prayers in the film, you say “I'm still human because I doubt." What about now? Do you still doubt? Or do you have hope?

Lucy: Well, I have to have hope. You have to have hope to do this kind of justice work. It's a very heavy mantle. Anytime you're doing it, you have to hope that change is gonna come. Ron and I have T-shirts that say "Hope Dealers" because that's what we want to offer the nation and communities that are disproportionately affected by the violence: a sense of hope.

We want them to know that there is an awakening happening now. You've got the Black Lives Matter folks that are mobilizing, you've got gun violence prevention advocacy, you've got mothers groups, grassroots groups popping up all over the country. People are definitely paying attention to what is happening, and that has to instill in you a sense of hope.

People do have to understand that this is going to be a long, long, long fight and battle. When you talk about how long it's taken to build this culture of fear and implicit bias and racism and policing — these structures have been building for years, and you don't tear them down overnight.

Anytime you change a culture — like with LGBT equality, like with Mothers Against Drunk Driving, like with the tobacco industry — it begins long before you see the victories in the newspaper or on TV. But yeah, there's hope because it — protecting the sanctity of life as God intended for us — is the moral, right thing to do.

EWS: What message does Michael Dunn's guilty verdict send to America?

Lucy: I don't think the guilty verdict was enough. It offers some semblance of hope, but it's not enough because we're one of the only cases that did see justice. There are far more cases where they did not receive justice, there's no indictment, there's no conviction than there are cases like ours. So there's a lot more work that needs to be done.

Police interviewing Michael Dunn after Jordan's killing. Photo by Ana Hop, courtesy of HBO.

EWS: And to you, Ron? What did the verdict symbolize to you?

Ron: It said that this black life matters. Also, the state of Florida said that Michael Dunn was not right in coming into Jacksonville and killing one of its citizens. I wanted that validation from the state of Florida to say that Jordan's life matters and that Michael Dunn had no right to kill him.

EWS: Aside from the obvious trauma of losing your son, how have you changed over these past three years? Do you see the world any differently?

Lucy: Like anyone else, when you're working day to day and you're trying to raise children and you're trying to, you know, keep a roof over your head — trying to do all the things that you normally have to do just to exist — you hear the news, hear things that are happening in the country, and in some way you think: “Well, that's not going to happen to me. That's really not going to affect me." And you kind of go on about your own reality and live your life kind of in a bubble.

I thought that this country was more “post-racial" than it actually is. Because to tell you the truth, we lived in an upscale neighborhood, and Jordan had access to good schooling. His father and I did well financially and have always been able to provide. We never struggled. So we were living in our own little reality. I did not really understand the depth of racism in this country until these cases like Trayvon and Jordan. I certainly didn't understand how systemic it is.

"People have the propensity to not be concerned about what is not their reality. But when you expose the reality to people, when you show them the truth, anybody that has a sense of moral fiber can't go away from it not being affected."
— Lucy McBath

I'm shocked because of my experience living in my father's house, entrenched in the civil rights movement, and being hauled around in the car with him as children as he was speaking around the country. I have pictures of my father with Lyndon Baines Johnson as he signed the Civil Rights Act and Eleanor Roosevelt and Roy Wilkins and all the work that he did. And so I can't believe that I'm still fighting the same fight that Daddy fought 50 years later.

EWS: What response do get from young people when they see this film?

Ron: They come up to me and most of them say, “I hope my parents are going to be this strong for me if something ever happens to me." They feel their mortality. When you're 17 and you see another 17-year-old get killed, guess what you feel? You feel like it could be you any day, any time. And I hate that. I hate that they have to feel their mortality. They're supposed to be able to love and embrace life and live like they're gonna live another 80 years, you know?

Young protesters outside the courthouse during Michael Dunn's trial. Photo courtesy of HBO.

EWS: One of the most beautiful and unforgettable moments in the film is when you are watching footage of your son and bobbing your head along with him. What was going through your head in that moment?

Ron: I was remembering how Jordan use to hate riding in my car because I don't have an MP3 receiver, so he used to listen to my Motown records. He knew all the Motown songs.

One of his favorite groups was The Brothers Johnson "Strawberry Letter 23." He liked that bass. So I was thinking about that as I saw him dancing and listening to his music, and I said to myself: “I wish I had more days of listening to his music with him. I wish I had more days of bobbing my head to his music, even though I'm not into hip-hop. I would have loved to just one more time bob my head to his music while he was listening."

And so I felt that kinship with him, and it made me smile. And cry.

Ron Davis and Lucia McBath. Photo courtesy of HBO.

EWS: What do you want this film to do?

Ron: It's gonna reconnect the public with the families and victims. I remember thinking in the Trayvon Martin case, the jury was disconnected from him. They connected more with George Zimmerman. And this is a way to help people who serve on juries, people who don't have exposure to young black kids or to African-Americans period, to see us.

They have to, some way, connect with what we go through and what these kids go through. Looking at this film, they'll connect with us and say, “They look just like us, they have heartaches just like us, they doubt, they hope, and they look for the justice system to prevail just like we do." So I want everyone to take from this film who we are, how much we hurt when we lose a loved one. And our humanity.

EWS: And why should people tune in and watch it?

Lucy: Because their lives may depend upon it.

"312 Minutes" premieres Nov. 23, 2015, on HBO at 9 p.m. ET/PT. It will replay on Nov. 24 at 3:05 a.m. ET/PT and Nov. 28 at 1:45 p.m. ET/PT. It will also be available on HBO Now and HBO Go.

True


Life can be bleak, so we’re going to be celebrating the small joys while we can—whether that’s a sweet snack that boosts your mood (courtesy of our friends at All In), or a dad joke so epic you'll hurt your eyes from rolling them so hard. These momentary mood boosters are everywhere you look—you just have to be able to find them underneath all the noise. And that’s where we come in.

Consider this weekly web series your cheat sheet to the best of the Internet—not just random memes to make you laugh, but examples of people truly finding something extraordinary in the mundane. Each Friday we'll be delivering five pieces of media that allow you to stop for a second, take a breath, and feel just a little bit brighter among the daily stress—and this week, in honor of Father's Day, it's dad-themed.

Ready to smile? Here we go.

1.The "soulmated so hard" trend

@breezeb3a

I’ll never recover from losing you 💓

♬ The Winner Is... Version - DeVotchKa

This is a TikTok trend that’s both wholesome and, at times, actually jaw-dropping. The premise is this: Pets can be our soulmates, and sometimes we “soulmate” so hard that our pets leave a lifelong impression on us. This trend has people showing how big of an impression their pets have made on them, even after they’ve crossed the rainbow bridge. In one video, user Brianna Kay shares an ultrasound of her baby with what looks like the outline of her dog kissing the baby on the forehead. In another video, an owner asks her soulmate cat to send her a sign from beyond the grave that she is at peace. The response (here) will shock you.

2. Dudes getting flowers

Why is it that men (traditionally speaking) are the ones who give flowers, and not usually the ones who get them? We don’t have a good answer for that, but it’s clearly time to flip the script. This week, our friends from All In are hitting the streets of New York and delivering bouquets to men, and they are absolutely loving it. Let’s make this a regular thing.

3. A new grandpa gets good news  

@ellelauricella In my feels today remembering my dad’s reaction to meeting my baby ❤️ We named his middle name after my father and kept it a surprise my whole pregnancy. This was one of the happiest moments of my whole life. #postpartum #dad #dadsoftiktok #dadanddaughter #grandson #firstgrandbaby #birthvlog #hospitalbirth #momsoftiktok #fyp #firsttimemom ♬ Stuff We Did (from 'Up') - Piano Version - your movie soundtrack

Just in time for Father's Day! There’s almost no better way to honor your dad than naming a new baby after him, which is exactly what happens in this video. It’s almost impossible not to cry (happy tears!) seeing this new grandpa learn the good news from his daughter, who’s already weepy from postpartum hormones. (We’re not crying, you’re crying.)

4. Dad's loving dogs

@aubree.avery I had to make a PowerPoint to convice my parents to let me get her & now she is four years old and my parents beg me everyday to let them keep her. #dogmom #doodle #doodlesoftiktok #dogs ♬ Kiss me Sixpence None The Richer - whitelinesprettybabyy

Speaking of adorable dads: It seems like there’s this universal experience where when someone brings a pet into a household, the dad of the household will refuse to bond with it (at least at first). TikTok has latched on to this truth and is now flipping the script, showcasing dads who initially refused to accept the family pet and are now treating it like their precious firstborn. Search “dads and the dog they didn’t want” on TikTok and you’ll find some hilarious examples (like this dad, testing every couch inside a furniture store to make sure he’s able to adequately rub the dog’s belly from his seat on the sofa).

5. A dog who just cannot handle a prank 

@haleyandthepets spoiler bro got mad instantly #foryou #foryoupage #dogs #fyp #dunkindadawg #viral ♬ snoopy von - joro.mixes

We can never share enough dog content, right? (That was a rhetorical question, because the answer is of course not.) Dogs are adorable. They’re hilarious. And they have some very strong feelings. In this video, one easygoing dog gets his “nose stolen” as a prank, and every time he finds out, he shows his owner that he is absolutely not having it. Give that baby her nose back!

For even more “extra”-ordinary moments, come find us on social media (@upworthy) or on upworthy.com!

For scrumptious snacks that add an extra boost of joy to your day, be sure to check out All In.

Photo credit: Public domain

Maria Von Trapp was not in love with Georg when they got married, but that changed.

The Sound of Music has been beloved for generations, partially for the music (and Julie Andrews' angelic voice), partially for the historical storyline, and partially for the love story between Maria and Georg Von Trapp. The idea of a nun-in-training softening the heart of a curmudgeonly widower, falling in love with him, and ultimately becoming a big, happy family is just an irresistible love story.

But it turns out the real love story behind their union is even more fascinating.

maria von trapp, georg von trapp, the sound of music, love story, historyMaria Von Trapp (left) was played by Julie Andrews and her husband Georg was played by Christopher Plummer in "The Sound of Music."Photo credit: Public domain

The National Archives has collected information about what's fact and what's fiction in The Sound of Music, which is based on a real family in Austria named Von Trapp. The film was generally based on the first section of Maria Von Trapp's 1949 autobiography, The Story of the Trapp Family Singers, with some of the details being true and others fictionalized for a movie audience.

For instance, Maria was actually hired on as a tutor for just one of Georg's children, not as a governess for all of them. The children, whose names, ages and sexes were changed, were already musically inclined before Maria arrived. Georg was not the cold, grumpy dad he was portrayed as in the beginning of the film, but rather a warm and involved parent who enjoyed making music with his kids. Maria and Georg were married 11 years before leaving Austria, not right before the Nazi takeover. The Von Trapps left by train, not in a secret excursion over the mountains.

But perhaps the most intriguing detail? Maria was not in love with Georg at all when they got married.

gif, the sound of music, von trapp family, movie, true eventsSound Of Music Flag GIF by The Rodgers & Hammerstein OrganizationGiphy

It doesn't initially make for a great Hollywood romance, but the Von Trapp love story began with marriage for other reasons and evolved into a genuine love story. Maria wrote that she fell in love with Georg's children at first sight, but she wasn't sure about leaving her religious calling when Georg asked her to marry him. The nuns urged her to do God's will and marry him, but for Maria it was all about the children, not him. When Georg proposed, he asked her to stay with him and become a second mother to his children. "God must have made him word it that way," Maria wrote, "because if he had only asked me to marry him I might not have said yes."

"I really and truly was not in love," she wrote. "I liked him but didn't love him. However, I loved the children, so in a way I really married the children."

However, she shared that her feelings for Georg changed over time. "…[B]y and by I learned to love him more than I have ever loved before or after."

- YouTubewww.youtube.com

The idea of marrying someone you don't love is antithetical to every romantic notion our society celebrates, yet the evolution of Maria's love for Georg has been a common occurrence across many cultures throughout history. Romantic love was not always the primary impetus for marriage. It was more often an economic proposition and communal arrangement that united families and peoples, formed the basis of alliances, and enabled individuals to rise through social ranks. Some cultures still practice arranged marriage, which limited research has found has outcomes identical to love-first marriage in reports of passionate love, companionate love, satisfaction, and commitment. The idea of marrying someone you don't already love is anathema to modern Western sensibilities, but the reality is that people have married over the centuries for many reasons, only one of which is falling in love.

Maria's marriage to Georg actually was about falling in love, but not with him. She loved his children and wanted to be with them. It definitely helped that she liked the guy, but she wasn't swept off her feet by him, there were no moonlit confessions of love a la "Something Good," and their happily ever after love story didn't come until much later.

- YouTubewww.youtube.com

Ultimately, Maria and Georg's love story was one for the ages, just not one that fits the Hollywood film trope. And it's a compelling reminder that our unwritten rules and social norms determining what love and marriage should look like aren't set in stone. Do marriages for reasons other than love always evolve into genuine love? No. Do marriages based on falling in love first always last? Also no. Should a marriage that starts with "like" and develops into to a genuine, deep love over years be considered "true love" in the way we usually think of it? Who can say? Lots to ponder over in this love story.

But Maria's description of learning "to love him more than I have ever loved before or after" is a pretty high bar, so clearly it worked for them. The Von Trapps were married for 20 years and had three more children together before Georg died of lung cancer in 1947. Maria would live another four decades and never remarried. She died in 1987 at age 82 and is buried next to Georg on the family's property in Vermont.

Russian novelist Leo Tolstoy.

Leo Tolstoy was a Russian novelist known for epic works such as War and Peace and Anna Karenina. His life experiences—from witnessing war to spiritual quests—profoundly influenced his writings and gave him profound insights into the human soul. His understanding of emotions, motivations and moral dilemmas has made his work stand the test of time, and it still resonates with people today.

Julian de Medeiros, a TikToker who shares his thoughts on philosophy, recently shared how Tolstoy knew if someone was highly intelligent—and his observation says something extraordinary about humanity.

intelligence, thinking, thought process, humanity, humansAn intelligent man's thought process.Canva Photos

“The more intelligent a person is, the more he discovers kindness in others,” Tolstoy once wrote. “For nothing enriches the world more than kindness. It makes mysterious things clear, difficult things easy, and dull things cheerful.”

@julianphilosophy

Intelligent people are kind #intelligent #intelligence #kindness #smart #tolstoy #men #women


De Medeiros boiled down Tolstoy’s thoughts into a simple statement: “Intelligent people are unafraid to be kind.” He then took things a step further by noting that Tolstoy believed in the power of emotional intelligence. "To have emotional intelligence is to see the good in other people, that is what Tolstoy meant, that to be intelligent is to be kind," he added.

It seems that, according to de Medeiros, Tolstoy understood that intelligent people are kind and perceptive of the kindness in others. The intelligent person is conscious of the kindness within themselves and in the world around them.

In a 2024 opinion piece for Inc., author and speaker Jeff Hayden cites organizational psychologist Adam Grant, who says, "Generosity isn't just a sign of virtue. It's also a mark of intelligence. Data: people with high IQs have more unselfish values, give more to charity, and negotiate better deals for others. They prioritize the long-term collective good over short-term self-interest. It's smarter to be a giver than a taker."

Hayden adds on to this statement, saying, "...You can also be smart enough to be generous, thoughtful, and kind. You can be smart enough to build people up instead of tearing them down. You can be smart enough to give before you receive (or better yet, with no expectation of reciprocation.) You can be smart enough to shift the credit from yourself to others."

kindness, intelligence, humanity, human condition, be kindKids showing kindness through sharing. Canva Photos

In other words, these findings certainly line up with what Tolstoy's take on the correlation between kindness and intelligence.

Through Tolstoy's musings, de Medeiros (and Hayden and Grant) makes a point that is often overlooked when people talk about intelligence: truly smart people are as in touch with their hearts as they are with their minds.

This article originally appeared two years ago. It has been updated.

Pop Culture

Brit shares the one-word 'dead giveaway' that American actors can't do an English accent

“There is one word that is a dead giveaway that an English character in a movie or a TV show is being played by an American."

via Warner Bros Discovery

Peter Dinklage on "Game of Thrones"?

When it comes to actors doing accents across the pond, some Americans are known for their great British accents, such as Natalie Portman ("The Other Boleyn Girl"), Robert Downey, Jr. ("Sherlock Holmes"), and Meryl Streep ("The Iron Lady"). Some have taken a lot of heat for their cartoonish or just plain weird-sounding British accents, Dick Van Dyke ("Mary Poppins"), Kevin Costner ("Robin Hood: Prince of Thieves") and Keanu Reeves ("Bram Stoker's Dracula").

Some actors, such as Tom Hardy (“The Drop”) and Hugh Laurie (“House”), have American accents so good that people have no idea they are British. Benedict Townsend, a London-based comedian and host of the “Scroll Deep” podcast, says there is one word that American actors playing characters with a British accent never get right. And no, it’s not the word “Schedule,” which British people pronounce the entire first 3 letters, and Americans boil down to 2. And it’s not “aluminum,” which British and American people seem to pronounce every stinking letter differently.


@benedicttown The one word American actors aways get wrong when doing an English accent
♬ original sound - Benedict Townsend

What word do American actors always get wrong when they do British accents?

“There is one word that is a dead giveaway that an English character in a movie or a TV show is being played by an American. One word that always trips them up. And once you notice it, you can't stop noticing it,” Townsend says. “You would see this lot in ‘Game of Thrones’ and the word that would always trip them up was ‘daughter.’”

Townsend adds that when British people say “daughter,” they pronounce it like the word “door” or “door-tah.” Meanwhile, Americans, even when they are putting on a British accent, say it like “dah-ter.”

“So top tip if you are an actor trying to do an English accent, daughter like a door. Like you're opening a door,” Townsend says.


What word do British actors always get wrong when doing American accents?

Some American commenters returned the favor by sharing the word that British actors never get right when using American accents: “Anything.”

"I can always tell a Brit playing an American by the word anything. An American would say en-ee-thing. Brits say it ena-thing,” Dreaming_of_Gaea wrote. "The dead giveaway for English people playing Americans: ‘Anything.’ Brits always say ‘EH-nuh-thin,’” marliemagill added. "I can always tell an actor is English playing an American when they say ‘anything.’ English people always say it like ‘enny-thin,’” mkmason wrote.


What is the cot-caught merger?

One commenter noted that the problem goes back to the cot-caught merger, when Americans in the western US and Canadians began to merge different sounds into one. People on the East Coast and in Britain pronounce them as different sounds.

“Depending on where you live, you might be thinking one of two things right now: Of course, ‘cot’ and ‘caught’ sound exactly the same! or "There’s no way that ‘cot’ and ‘caught’ sound the same!” Laura McGrath writes at DoYouReadMe. “As a result, although the different spellings remain, the vowel sounds in the words cot/caught, nod/gnawed, stock/stalk are identical for some English speakers and not for others.” For example, a person from New Jersey would pronounce cot and catch it as "caht" and "cawt," while someone from Los Angeles may pronounce them as "caht" and "caht."

To get a better idea of the big difference in how "caught" and "cot" are pronounced in the U.S., you can take a look at the educational video below, produced for a college course on linguistics.


- YouTubeyoutu.be

American actors owe Townsend a debt of gratitude for pointing out the one thing that even the best can’t seem to get right. For some actors, it could mean the difference between a great performance and one that has people scratching their heads. He should also give the commenters a tip of the cap for sharing the big word that British people have trouble with when doing an American accent. Now, if we could just get through to Ewan McGregor and tell him that even though he is fantastic in so many films, his American accent still needs a lot of work.

This article originally appeared last year.

Marc Martel sings with the audience in Santiago, Chile, in May of 2022.

Freddie Mercury was known for many things—his dramatic showmanship, his larger-than-life personality, and his untimely death during the peak of the AIDS epidemic—but he is most remembered for his clear, powerful voice, ranging from rich bass notes to impressive soprano coloratura.

It's hard to do Freddie's voice justice, but Marc Martel has managed to wow millions with his impersonations of the Queen lead singer. If you close your eyes and listen, there are seconds when you might swear you were hearing Freddie himself singing again.

freddie mercury, queenFreddie Mercury knew how to work an audience.Giphy

Martel's cover of "Bohemian Rhapsody" has been viewed 56 million times on YouTube. And another of his videos showcases Martel's ability to captivate an audience with his—or Freddie's—voice.

At a concert in Santiago, Chile, in 2022, Martel began playing the piano intro to "Love of My Life," one of Queen's simplest and most sentimental ballads. As soon as he opened his mouth to sing, the audience did the same—10,000 people all singing along in unison—and it's just beautiful.

Watch:

- YouTubeyoutu.be

Queen fans not only loved the sing-a-long but they were also blown away by how close Martel came to channeling Freddie Mercury with his vocals:

"I'm 63. Heard Queen from the start. This man is unbelievable. Why Queen didn't grab him is unbelievable, beyond belief."

"For those of us who love the Mercury timbre, Martel is a blessing."

"The part "you've hurt me" sounds exactly like Freddie. I also love the fact that people are singing too, it gives me Queen concerts vibes :)"

"When the crowd started singing, it genuinely gave me goosebumps. It was like he was singing with a choir. Some great voices in the audience! Well mixed too. Incredible as always!"

"Never mind the vocal inflections, he plays piano outstandingly. Freddie’s voice was so unique and original, it’s unbelievable how close Marc is."

And if you want to see Martel's "Bohemian Rhapsody" video with 56 million views, here it is. Enjoy:

- YouTubeyoutu.be

Amazingly enough, Martel never took singing lessons, instead learning from imitating his favorite vocalists. He also didn't grow up listening to Queen—he came to appreciate their music later in life.

Martel told Altwire in 2023 how he feels about constantly being compared to the late, great icon, Freddie Mercury:

"It’s obviously an honor, and I’ve been getting that comparison for a while, over 12 years now, on a regular basis, no matter what music I’m singing. Even when I try not to sound like Freddie, people will come up to me and there was a point where I was counting how many people would say that to me after a show, like 'Hey! Has anyone ever told you that you sound like Freddie Mercury?' It was at least 5 every time, without fail.

"It is an honor, there are far worse singers out there to be compared to. I’ve come to terms with it. I’ve accepted it, and it’s something I’m never going to escape, so why bother? If I tried to escape it, or kind of morph my voice into something unnatural. It’s the way I sound and thankfully it’s someone who people genuinely love to hear."

Martel is taking his voice on the road again in 2025, touring the United States through the summer and heading to Europe in fall. If we can't have Freddie Mercury live, singing along with Martel to Queen's classics may just be the next best thing.

You can find more of Marc Martel's Freddie Mercury magic on YouTube.

This article originally appeared two years ago.

The Minnesota state photograph "Grace" by Eric Enstrom depicts traveling salesman Charles Wilden in Bovey, Minnesota.

One of the most popular pieces of 20th-century American art is a painting of an old devout man praying over a bowl of gruel and a loaf of bread in front of a Bible. The piece is called “Grace,” and it can be found in homes, churches, and even restaurants.

I clearly remember a copy hanging on the wall at my corner burger joint, Mack’s Burgers, in Torrance, California, in the ’80s. Sadly, it’s been torn down and is now a Jack in the Box. However ubiquitous the photo may be, a new video by pop culture YouTube user Austin McConnell shows that “Grace” isn’t really what it seems.

“Grace” was originally a photograph taken in 1918, during World War I, by Eric Enstrom, a Swedish American from Bovey, Minnesota. Enstrom was preparing some photographs to take with him to a convention when Charles Wilden, a salesman selling boot scrapers, came to his door, and he know he had to take his photo.

“There was something about the old gentleman’s face that immediately impressed me. I saw that he had a kind face… there weren’t any harsh lines in it,” Enstrom said. “I wanted to take a picture that would show people that even though they had to do without many things because of the war they still had much to be thankful for,” he added.

- YouTubewww.youtube.com

“There was something about the old gentleman’s face that immediately impressed me. I saw that he had a kind face… there weren’t any harsh lines in it,” Enstrom said. “I wanted to take a picture that would show people that even though they had to do without many things because of the war they still had much to be thankful for,” he added.

Enstrom posed Wilden in front of a loaf of bread, a bowl—which may have been empty—and a large book that many assume to be the Bible. But, as McConnell notes, the book is far too large to be the good book, as most people assume. The Grand Forks Herald claims that a receipt for payment from Enstrom to Wilden reveals that the book is a dictionary.

The photograph went on to be a huge hit at the convention, and Enstrom began selling copies about town. After many requested copies of the photo in color, Enstrom’s daughter, Rhoda Nyberg, began hand-painting them in oils and added a streak of light on the left side of the painting. This is the version that people have come to love.



"The intent of the photo is fairly obvious,” McConnell says in the video. “Enstrom wanted an image that conveyed to people that even though they had to do without many provisions because of the ongoing war, there was still much to be thankful for. A picture that seemed to say 'this man doesn't have much of earthly goods, but he has more than most people because he has a thankful heart.'"

Enstrom convinced Wilden to sign over his rights for $5, which gave him the sole copyright. He then licensed the image to the Lutheran-affiliated Augsburg publishing house, which distributed the image across the country. According to McConnell “thousands and thousands” of copies of the photo were sold. The image entered the public domain in 1995.



Although not much is known about Wilden, it is believed that he lived a hard life. "He was living in a very primitive sod hut near Grand Rapids, eking out a very precarious living," retired history professor Don Boese told the Grand Forks Herald. It’s also likely that he wasn’t the devout man we imagine in the photo. "The stories about him centered more around drinking and not accomplishing very much,” Boese said.

So the painting was actually a photo. The Bible, a dictionary, and the subject was more likely to be the town drunk than a saint. But, in the end, does it matter? McConnell believes that its meaning rests in the eye of the beholder.

"If you found out today that everything you thought you knew about this iconic image was actually wrong, would you take it off your wall?” McConnell asks at the end of the video. “Or would you accept that the value in a piece of art isn't merely derived from the knowledge of how it was made? Or who made it?”

Come to think of it, the fact that the man in the painting is an alcoholic may make the painting even more profound. For a person who is down on their luck and may have turned their back on religion, having a moment to be grateful for the small things in life is a wonderful sentiment. It goes to show that anyone can turn their life around. When someone down on their luck is given a second chance, it's one of the most powerful examples of grace.

This article originally appeared three years ago.