A man is free after over 45 years. See how artists helped make a difference.

On Feb. 19, 2016, Albert Woodfox turned 69 years old. On that same day, he walked out of a Louisiana prison a free man after serving over 45 years — 43 of them in solitary confinement, which is longer than anyone else in U.S. history.

It was, as he told DemocracyNow!, "quite the birthday gift."


All images via Canvases of Courage/Vimeo.

Woodfox's case had long been the object of passionate protest and advocacy from civil and human rights groups around the world who believed that the 23 hours a day he spent in a 6-foot-by-9-foot cell for over half of his life was not only inhumane but particularly unfathomable for a man whose charges were believed to be based on false evidence and politically motivated. (To learn more about his case, do some research on The Angola Three, the name given to him and two others placed in solitary confinement for the same event in 1972.)

But it wasn't just hardcore human rights activists and civil rights historians who knew Woodfox's name.

When news of the 69-year-old's release spread, thousands across the country rejoiced.



How and why did so many people know about a man incarcerated over 45 years ago?

There are probably many reasons. But an undeniable factor in the spread of one man's unjust treatment was the fact that more than once, the story of Woodfox's case, imprisonment, and resilience has been told through arguably the most universal language known to man: art.

Last December, a group of 12 visual artists gathered in New Orleans to create original works representing ongoing cases of human rights violations around the world.

The artists who participated, convened by Art for Amnesty's creative director Marvin Bing, are those who see their purpose as not only to tell stories that reflect the rich diversity of cultures and experiences that they know as artists of color. They also believe it is their responsibility to tell stories that tangibly make people's lives — and the world — better.

Woodfox's case was one of those stories.

Philadelphia artist Jesse Krimes, who himself spent a year in solitary confinement in federal prison, built a simulated cell for the installation for people to experience the size of such inhumane imprisonment. Artsit Brandan "B-Mike" Odums did just that, standing in it to "physically step inside that reality, that physical space" and bring another level of empathy to the mural tribute to Woodfox that he would be painting.

A New Orleans native, Odums ascribes to the idea that art's purpose is to speak truth.

" I can't pretend to speak my truth without trying to embody a sensitivity to the sufferings of everyday people. ... It's important that we keep saying these people's names, that we keep telling their stories so that we can't escape from the reality of what is happening. "

Woodfox's story was just the tip of the iceberg for other cases creatively rendered that day.

Artist Katie Yamasaki's work told the story of Teodora del Carmen Vásquez, an El Salvadoran woman sentenced to 30 years in prison for "aggravated homicide" after suffering a still-birth at work.

Teodora, mother of an 11-year-old boy, was expecting a new baby when she started experiencing increasingly severe pain. She called emergency services, but before they arrived, she went unconscious and ultimately gave birth.

When she woke up, she was bleeding profusely and her newborn baby was dead. When police arrived, they took her to the hospital where she could get the urgent treatment she needed. But not before handcuffing and arresting her on suspicion of murder.

In El Salvador, women who miscarry or suffer a still-birth during pregnancy are routinely suspected of having had an abortion. Abortion under any circumstance is a crime, even in cases of rape, incest, or where a woman’s life is at risk.

Making the artwork even more meaningful, Yamasaki was an expectant mother herself.

Ordinarily she has a simple reason for her work as a painter: "The purpose of the art is to tell a story. And the purpose of telling a story is to tell a story that might not have been told before or tell a story that needs to be told."

But, she said, telling Teodora's story during her own pregnancy was especially emotional and poignant.

Artist Douglas Miles had a similarly personal reason for his piece on the plight of an imprisoned cartoonist.

As a Native American, Miles believes his role is very clearly "to push back against institutional racism." His work highlighted the Malaysian political cartoonist Zunar, who was imprisoned after posting tweets condemning the jailing of an opposition leader in his country.

Miles said he appreciates the powerful role that social media plays in expanding audience's access to their work which otherwise would not be seen galleries and museums. With that, and the ongoing oppression of Inidigenous peoples, in mind, he visually represented Zunar's story.


Artist Jessica "J-Hand" Strand chose to create a piece exploring the life of Saman Naseem, a 17-year-old juvenile offender who was tortured and still awaits a fair trial.

Previous activism already resulted in Saman's death sentence being stopped. But now, still imprisoned at 21 years old, he has yet to be retried.

Strand's passion for the case connects directly to her roots in New Orleans, a city known for its high levels of incarceration.

Her final work was a visually stunning depiction of not just Saman but of the impact of vision through the lens of torture and imprisonment.

Those are just four of the 12 stories immortalized that day.

From Jerome Lagarrigue's piece highlighting the story of a vicious LGBTQ hate crime in Athens, Greece, to Hebru Brantly's visual reminder that "all truths aren’t considered free" to Bayunga Kialeuka's mural challenging the unjust police regime in the Congo — each brought with it its own astounding level of "I can't believe this is happening in the year 2015. And something must be done."

Fortunately, Amnesty International provided an opportunity to do a powerful something for the over 4,500 attendees who came to watch the artists and show their support at the free event.

The day's events were connected to Amnesty International's Write for Rights, a global letter-writing campaign encouraging people all over the world to write letters in protest of these and other open human rights cases.

When curating the show, Bing knew the art's ultimate power to inspire empathy and action must be met with immediate opportunities to harness the shock, outrage, and passion for justice into something tangible and impactful.

Over 15,000 letters were written that day.

The art's inclusion in that campaign wasn't simply a creative addition to the ongoing work for justice and human rights. It brought hope that our expression, our voices can indeed make a difference.

It was a hope that for Albert Woodfox was finally realized months later when the tireless efforts of activists, lawyers, letter-writers, and, yes, also artists finally paid off.

The artists in New Orleans and the cases that they selected were featured in a beautiful short film "Canvases of Courage," directed by Gerard Bush and Christopher Renz (Bush|Renz) and executive produced by Bing with the support of Amnesty International USA and Art for Amnesty. The film premiered in January 2016 during Golden Globes weekend and is now traveling the country. Take a look to see each of the beautiful murals in full and hear the artists also share their own story.

Courtesy of Farwiza Farhan
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Growing up in Indonesia, Farwiza Farhan always loved the ocean. It's why she decided to study marine biology. But the more she learned, the more she realized that it wasn't enough to work in the ocean. She needed to protect it.

"I see the ocean ecosystem collapsing due to overfishing and climate change," she says. "I felt powerless and didn't know what to do [so] I decided to pursue my master's in environmental management."

This choice led her to work in environmental protection, and it was fate that brought her back home to the Leuser Ecosystem in Sumatra, Indonesia — one of the last places on earth where species such as tigers, orangutans, elephants and Sumatran rhinoceros still live in the wild today. It's also home to over 300 species of birds, eight of which are endemic to the region.

"When I first flew over the Leuser Ecosystem, I saw an intact landscape, a contiguous block of lush, diverse vegetation stretched through hills and valleys. The Leuser is truly a majestic landscape — one of a kind."

She fell in love. "I had my first orangutan encounter in the Leuser Ecosystem," she remembers. "As the baby orangutan swung from the branches, seemingly playing and having fun, the mother was observing us. I was moved by the experience."

Courtesy of Farwiza Farhan

"Over the years," she continues, "the encounters with wildlife, with people, and with the ecosystem itself compounded. My curiosity and interest towards nature have turned into a deep desire to protect this biodiversity."

So, she began working for a government agency tasked to protect it. After the agency dismantled for political reasons in the country, Farhan decided to create the HAkA Foundation.

"The goals [of HAkA] are to protect, conserve and restore the Leuser Ecosystem while at the same time catalyzing and enabling just economic prosperity for the region," she says.

"Wild areas and wild places are rare these days," she continues. "We think gold and diamonds are rare and therefore valuable assets, but wild places and forests, like the Leuser Ecosystems, are the kind of natural assets that essentially provide us with life-sustaining services."

"The rivers that flow through the forest of the Leuser Ecosystem are not too dissimilar to the blood that flows through our veins. It might sound extreme, but tell me — can anyone live without water?"

Courtesy of Farwiza Farhan

So far, HAkA has done a lot of work to protect the region. The organization played a key role in strengthening laws that bring the palm oil companies that burn forests to justice. In fact, their involvement led to an unprecedented, first-of-its-kind court decision that fined one company close to $26 million.

In addition, HAkA helped thwart destructive infrastructure plans that would have damaged critical habitat for the Sumatran elephants and rhinos. They're working to prevent mining destruction by helping communities develop alternative livelihoods that don't damage the forests. They've also trained hundreds of police and government rangers to monitor deforestation, helping to establish the first women ranger teams in the region.

"We have supported multiple villages to create local regulation on river and land protection, effectively empowering communities to regain ownership over their environment."

She is one of Tory Burch's Empowered Women this year. The donation she receives as a nominee is being awarded to the Ecosystem Impact Foundation. The small local foundation is working to protect some of the last remaining habitats of the critically endangered leatherback turtle that lives on the west coast of Sumatra.

"The funds will help the organization keep their ranger employed so they can continue protecting the islands, endangered birds and sea turtle habitats," she says.

To learn more about Tory Burch and Upworthy's Empowered Women program visit https://www.toryburch.com/empoweredwomen. Do you know an inspiring woman like Farwiza? Nominate her today!

Cayce LaCorte explains why virginity doesn't exist.

The concept of virginity is a very loaded issue in American culture. If a woman loses hers when she's too young she can be slut-shamed. If a man remains a virgin for too long, he can be bullied for not being manly enough.

There is also a whole slew of religious mind games associated with virginity that can give people some serious psychological problems associated with sex.

Losing one's virginity has also been blown up way beyond proportion. It's often believed that it's a magical experience—it's usually not. Or that after having sex for the first time people can really start to enjoy living life—not the case.

What if we just dropped all of the stigmas surrounding virginity and instead, replaced them with healthy attitudes toward sex and relationships?

Writer Cayce LaCorte is going viral on TikTok for the simple way she's taught her five daughters to think about virginity. They don't have to. LaCorte shared her parenting ideas on TikTok in response to mom-influencer Nevada Shareef's question: "Name something about the way you raised your kids that people think is weird but you think is healthy."

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Courtesy of Ms. Lopez
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Marcella Lopez didn't always want to be a teacher — but once she became one, she found her passion. That's why she's stayed in the profession for 23 years, spending the past 16 at her current school in Los Angeles, where she mostly teaches children of color.

"I wanted purpose, to give back, to live a life of public service, to light the spark in others to think critically and to be kind human beings," she says. "More importantly, I wanted my students to see themselves when they saw me, to believe they could do it too."

Ms. Lopez didn't encounter a teacher of color until college. "That moment was life-changing for me," she recalls. "It was the first time I felt comfortable in my own skin as a student. Always remembering how I felt in that college class many years ago has kept me grounded year after year."

It's also guided her teaching. Ms. Lopez says she always selects authors and characters that represent her students and celebrate other ethnicities so students can relate to what they read while also learning about other cultures.

"I want them to see themselves in the books they read, respect those that may not look like them and realize they may have lots in common with [other cultures] they read about," she says.

She also wants her students to have a different experience in school than she did.

When Ms. Lopez was in first grade, she "was speaking in Spanish to a new student, showing her where the restroom was when a staff member overheard our conversation and directed me to not speak in Spanish," she recalls. "In 'this school,' we only speak English," she remembers them saying. "From that day forward, I was made to feel less-than and embarrassed to speak the language of my family, my ancestors; the language I learned to speak first."

Part of her job, she says, is to find new ways to promote acceptance and inclusion in her classroom.

"The worldwide movement around social justice following the death of George Floyd amplified my duty as a teacher to learn how to discuss racial equity in a way that made sense to my little learners," she says. "It ignited me to help them see themselves in a positive light, to make our classroom family feel more inclusive, and make our classroom a safe place to have authentic conversations."

One way she did that was by raising money through DonorsChoose to purchase books and other materials for her classroom that feature diverse perspectives.

Courtesy of Ms. Lopez

The Allstate Foundation recently partnered with DonorsChoose to create a Racial Justice and Representation category to encourage teachers like Ms. Lopez to create projects that address racial equity in the classroom. To launch the category, The Allstate Foundation matched all donations to these projects for a total of $1.5 million. Together, they hope to drive awareness and funding to projects that bring diversity, inclusion, and identity-affirming learning materials into classrooms across the country. You can see current projects seeking funding here.

When Ms. Lopez wanted to incorporate inclusive coloring books into her lesson plans, The Allstate Foundation fully funded her project so she was able to purchase them.

"I'm a lifelong learner, striving to be my best version of myself and always working to inspire my little learners to do the same," she says. Each week, Ms. Lopez and the students would focus on a page in the book and discuss its message. And she plans to do the same again this school year.

"DonorsChoose has been a gamechanger for my students. Without the support of all the donors that come together on this platform, we wouldn't have a sliver of what I've been able to provide for my students, especially during the pandemic," she says.

"My passion is to continue striving to be excellent, and to continue to find ways to use literature as an anchor, depicting images that reflect my students," she says.

To help teachers like Ms. Lopez drive this important mission forward, donate on DonorsChoose.

Courtesy of Ms. Lopez

@bluffbakes on Tiktok

Chloe Sexton—baker, business owner, mother—knows all too well about "daddy privilege," that is, when men receive exorbitant amounts of praise for doing normal parental duties. You know, the ones that moms do without so much as a thank you.

In a lighthearted (while nonetheless biting) TikTok video, Chloe shares a "fun little story about 'daddy privilege'" that has now gone viral—no doubt due in part because working moms can relate to this on a deep, personal and infuriating level.

Chloe's TED Talks-worthy rant begins with:

"My husband has a job. I have a business, my husband has a job. Could not make that any clearer, right? Well, my bakery requires that we buy certain wholesale ingredients at this place called Restaurant Depot every week. You've seen me do videos of it before where I'm, like, wearing him or was massively pregnant buying 400 pounds of flour and 100 pounds of butter, and that's a weekly thing. The list goes on and on, like — it's a lot."
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Sure, the pandemic had something to do with that … in addition to the usual way our society treats Hollywood "it" girls, once it grows accustomed to the flavor. But in a recent interview with Vanity Fair, Lawrence opens up about some other reasons she chose to step away for a time.

Lawrence went from being a highly sought-after Oscar-winning actress to starring in less-than-successful films like "Passengers," "Mother!" and "Red Sparrow." The films were not only poorly received among critics, but commercially as well.

"I was not pumping out the quality that I should have," she told VF. "I just think everybody had gotten sick of me. I'd gotten sick of me. It had just gotten to a point where I couldn't do anything right. If I walked a red carpet, it was, 'Why didn't she run?'"

So then, why do it? As any workaholic would know, it's about so much more than money.

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