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Joy

Man hacking his girlfriend's favorite Disney movie might be the best proposal ever

Just wait until you see the ring toss.

Lee Loechler/YouTube

Lee Loechler's incredible "Sleeping Beauty" proposal.

There are creative, romantic proposals, and then there's this one.

Lee Loechler recently proposed to his girlfriend, Sthuthi David, by taking her to a packed theater to see her favorite Disney movie, Sleeping Beauty. Little did she know that Loechler had spent six months altering the animation of the film's most iconic scene, changing the characters to look like the couple themselves and altering the storyline to set up his Big Question. And that's only the beginning.

Watching David's face during the scene change is sheer delight, as her confused look proves that she has no clue what is about to happen.

The set-up is great, but the magical moment when Loechler's illustrated self tosses the engagement ring to his real-life self? That's when we all toss up our hands and say, "OKAY, man. You win at proposing. Everyone else must bow before you now."

The whole proposal—the re-illustrations, the heart jokes (David is a cardiologist), and the bride-to-be's surprise when she finds herself surrounded by friends and family—it's all perfection. Just watch:

Amazing, right? Lee Loechler set the bar ridiculously high, but even the most cynical among us have to give him props for his creativity.

Reddit users' responses to the video were hilarious, and reflect what we all feel watching this masterpiece.

"Welp this guy went and did it, theres no point in any of us proposing now he's out done us all." - XXLpeanuts

"I was just gonna propose to my girlfriend in the Starbucks parking lot where I first told her I loved her. Welp, that ain't gonna do anymore..." - mattrva

"I proposed to my wife in front of Disney Castle in Orlando and I've never felt less proud about it than after watching this video lol. For real though this is one of the best proposals I've ever seen, bravo." - thenaniwatiger

"I thought I was smooth with my bridge and lilyponds on a blacksand beach in Hawaii..... this guy just went and rewrote theatrical history, broke the forth wall, made a 4th dimensional joke and timed it perfectly, made a highbrow doctors joke, conspired with the internet, and filled a theater with family and friends." - ooooopium

"Goddamn I am cold, cynical bastard and you just warmed my heart with how hard you just crushed it, my dude. I'll say it. I am flat out envious." - Dr_Frasier_Bane

Congratulations and best wishes to the lovely couple. May you truly live happily ever after.


This article originally appeared on 01.09.20

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Pop Culture

Grown-ups are saying this 'Bluey' episode might be the best 8 minutes of TV ever made

"Bluey" is made for kids, but adults might love it even more.

Bluey/YouTube

Bluey's little sister Bingo learns to wake up in her own bed in "Sleepytime."

If you're reading this article as an adult who keeps hearing people talk about "Bluey" and are wondering what all the fuss is about, hi there. I used to be you. I'd heard people recommend "Bluey" over and over, but I had no inclination to watch a children's show after already paying my dues in that department. My youngest is a teenager. Why on Earth would I want to watch "Bluey?"

I was wrong. So very wrong. It took my teen checking it out and getting hooked for me to finally cave and watch a few episodes. Initial intrigue morphed into sheer delight, and now I'm a totally unapologetic "Bluey" evangelist.

And I'm not alone. More and more adults are falling for the family of Australian Blue Heeler dogs and comparing their favorite episodes. One fan favorite that comes up frequently is "Sleepytime." Many adults find themselves in a puddle by the end of it. But why?

Blue does a lot of things beautifully, but one of them is creatively highlighting child development milestones. In "Sleepytime," Bingo, the youngest, wants to "do a big girl sleep" and wake up in her own bed in the morning. The episode follows the family through the night, alternating between Bingo's dream world and the "musical beds" happening in the real world.

Really, it's a short tale about growing up, letting go in your own time, knowing Mom is always there even if you can't see her and the reality of sleep in families with young children.

X user Justin Dubin, MD, a first-time "Bluey" watcher, shared his thoughts on "Sleepytime" after seeing that it was ranked as one of the best episodes of TV ever on IMDB.

"Good god, it’s perfect," Dubin wrote. "Rarely do you see such a simple idea considered in such a complex and relatable way. In just 8 minutes it tackles parenthood, growing up, independence, and family dynamics- all with very little dialogue."

While there's much less dialogue in "Sleepytime" than there is in a normal "Bluey" episode, the music (Holst's "Jupiter" from "The Planets") creates a sense of magic as Bingo floats around in space, gravitating toward the warmth of her mother, getting help from her stuffed bunny, Floppy, and friends, and ultimately finding comfort without Mom. And all of that magic is interspersed with real life in which kids are asking for water, climbing into Mom and Dad's bed, kicking in their sleep, sleepwalking, and more.

First of all, a kids' show acknowledging that children end up in parents' or siblings' beds frequently is refreshing to see. So real. Second of all, the tenderness with which Bingo's budding independence is handled is just lovely. People often praise "Bluey" as a show that depicts good parenting examples, and it does. But it does that while being real—there's one episode where Chili, Bluey and Bingo's mom, says, "I JUST NEED 20 MINUTES WHERE NO ONE COMES NEAR ME," and moms everywhere felt it in their bones.

The beginning of the "Sleepytime" episode is shown at the beginning of this video on Bluey's YouTube channel if you want a taste:

But to see more than the first couple of minutes, you'll have to watch the entire episode on Disney + (Season 2, Episode 26). It honestly might be worth the subscription price for a month just to watch all the Bluey episodes.

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Joy

She visited ‘Snow White’ every year of her childhood. We dare you to look at these reunion pics without crying.

The "Snow White" sequel we all needed. ❤️✨❤️

Amber Shaddock Roberts/Facebook

The Snow White she knew as a child is now a Fairy Godmother.

This article originally appeared on 01.11.19


Disney princesses are a magical thing, sometimes most of all for the princesses themselves.

Amber Shaddock Roberts used to visit Disneyland every year as a child. And from ages 2 to 15, she stopped to say hello and take pictures with the woman who was dressed as Snow White.

Amber Shaddock Roberts/Facebook

Amber Shaddock Roberts/Facebook

Roberts says the park employee remembered her by name each year, something that made her annual visits even more magical.

Fast forward several years and Roberts heard that the woman who portrayed Snow White was still working at Disneyland, only now portraying the Fairy Godmother. Roberts was able to track her down and brought her photo album of their shared memories in tow. What ensued was pure, magical bliss. As Roberts wrote in her Facebook post:

When I was 2 years old, I met Snow White. Every single time I saw her until I was 15, she recognized me and knew me by name. She made my Disney childhood so incredibly magical. I haven't seen her in person since, but I knew she was now the Fairy Godmother. Today I tracked her down & got to hug her neck. Best day ever!!(And yes I cried!)

Amber Shaddock Roberts/Facebook

Amber Shaddock Roberts/Facebook

Amber Shaddock Roberts/Facebook

We hear you, Amber. We hear you. Is that fairy dust in our eyes?

And so does the world. The post was barely up on Facebook for 24 hours before it had been shared more than 80,000 times with no sign of slowing down.

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Pop Culture

Don't listen to the critics—Disney's new 'Little Mermaid' brings its own kind of magic

Finally, a live-action remake that breaks out of its shell in a cool way. The haters are just Poor, Unfortunate Souls.

GIPHY

You'll want to be part of this world.

Look, like many, I have utterly loathed Disney’s live-action remakes. In my opinion, they have either been a lazy, frame-by-frame rehashing of what we already know (“Beauty and the Beast,” “Lion King”) or the original essence is lost in trying to be cutting edge or topical (“Mulan”). Either way, audiences young and old are robbed of that special feeling promised by the Disney brand. Instead, we’re left wondering if we’ll ever have that feeling again.

This is, sadly, exactly what I expected for Disney’s live-action remake of 1989’s “The Little Mermaid.” To be more specific, I expected to get a wondrous performance by Halle Bailey as Ariel, which would ultimately be drowned out by mediocre storytelling.

And honestly, why shouldn’t I? Even before the movie premiered, there have been some questionable choices, such as changes to the song lyrics (not inherently bad, IMO, but would lead me to wonder if the songs themselves were dulled in some way), and having the animal characters like Sebastion and Flounder look like they belong in National Geographic…which I guess is still technically Disney nowadays but just ain’t right, ya know?

Headlines that have rolled in since the premiere, cleverly calling the film a “shallow,” “not bad…but not good,” and “poor unfortunate remake” certainly didn’t lessen my skepticism. All that to say, I went in thinking I’d come out completely unchanged, unmoved and unimpressed.

Boy, was I pleasantly surprised.

(Avast! Mild spoilers ahead, though I was purposely cryptic throughout.)

First off—the design is gorgeous. The mermaid kingdom is colorful and mesmerizing. The land kingdom is given a really cool Caribbean, Barbados-y flavor that adds a whole new dimension. The beginning scene on the ship brilliantly captures the mysterious beauty and dangerous majesty of the sea that once filled the hearts of sailors and brought us mermaid lore in the first place. 10/10. No notes.

Scene from "The Little Mermaid."

64.media.tumblr.com


Next, the musical numbers were on point. The classics hit in all the right places but were given a light, fresh touch by the incomparable Lin-Manuel Miranda, who also added in a fun new rap song called “Scuttlebutt,” which as you can imagine, incorporates Miranda’s next-level wordsmith skills.

Also, the supporting characters definitely held their own, not least of which being Melissa McCarthy’s portrayal of the sassy, brassy, kinda scary sea witch Ursula.

via GIPHY

I know that I am probably the only one on the planet who wasn’t entirely excited when it was announced that McCarthy would be playing the role. (She’s talented and lovely, don’t get me wrong…I just don’t normally resonate with her usual shtick.) But, as the kids say, McCarthy ATE AND LEFT NO CRUMBS. The way she honored Ursula’s vocal mannerisms alone had me sold. And that belt at the end of “Poor Unfortunate Souls”…fuggedaboutit.

We even got a much more fleshed out Eric, who sings his own song of yearning from the “Little Mermaid” Broadway show. In the movie, we see that Eric and Ariel really are two kindred spirits with a ton of innocent, heartfelt chemistry. The moment in the “Kiss The Girl” boat scene where Eric learns Ariel’s name using the stars in the sky is romantic and sweet in all the right ways.

via GIPHY

And yes, I can’t believe I’m saying this, but the Sebastian and Flounder designs actually make sense. Looking back, if they had made them closer to the cartoony style we’re familiar with, it would have felt very wonky and out of place. There, I said it.

I haven’t mentioned much about Ariel herself, because what is there to say really other than Bailey is phenomenal. She brings the necessary purity and dreaminess, but adds her own sense of courage and determination. This Ariel steers her own course…quite literally.

via GIPHY

Overall, I think there are plenty of treasures untold to be gleaned from this delightfully creative retelling. It’s a movie that, despite the alluring siren song of criticism, can infuse a healing dose of magic into kids’ hearts—and even the heart of our own inner child, if we let it.

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