+
upworthy

memories

Joy

There are over 30 years between these amazing before-and-after photos.

"It's important for me for my photography to make people smile."

All photos by Chris Porsz/REX/Shutterstock.

Before and after photos separated by 30 years.


Chris Porsz was tired of studying sociology.

As a university student in the 1970s, he found the talk of economics and statistics completely mind-numbing. So instead, he says, he roamed the streets of his hometown of Peterborough, England, with a camera in hand, snapping pictures of the people he met and listening to their stories. To him, it was a far better way to understand the world.

He always looked for the most eccentric people he could find, anyone who stood out from the crowd. Sometimes he'd snap a single picture of that person and walk away. Other times he'd have lengthy conversations with these strangers.


But eventually, life moved on and so did he. He fell out of love with photography. "Those pictures collected dust for 25 years," he says.

Then, a few years ago, Porsz found those 30- to 40-year-old photos and sent them to be printed in his local newspaper.

Peterborough, reunions, Chris Porsz

Chris Porsz and his camera.

All photos by Chris Porsz/REX/Shutterstock.

And remarkably, people started recognizing much younger versions of themselves in his shots. "There was this lightbulb moment," he says of the first time someone wrote to him about one of his photos.

Eventually, he became curious about the people he'd photographed all those years ago, and he decided he'd try to find some of them. It wouldn't be easy — the photos were taken a long time ago, and Porsz didn't have names or contact information for many of the people in them.

But he did find some of them, sometimes in extraordinary ways. "Some were absolute million-to-one coincidences," he says.

Like the time he went out on a call (he's a parademic these days) at 3 a.m., and the man he was there to treat recognized him as the photographer who'd snapped his picture all those years ago. On another call, he asked a local shopkeeper if he recognized any of the subjects in the photos. He did.

Once Porsz began posting about the project online — he calls it "Reunions" — it became easier and easier to reconnect with his former subjects.

Many were eager to recreate the old shots as best they could, like Layla Gordon, who Porsz originally photographed drinking milk in 1983.

time, memories, photos

The child version drinking milk.

All photos by Chris Porsz/REX/Shutterstock.

milk, history, project

The adult enjoys milk too.

All photos by Chris Porsz/REX/Shutterstock.

Others groups, like these schoolgirls, had fallen out of touch. "Reunions," fittingly enough, brought them back together.

schoolgirls, pose, soul mate

Schoolgirls pose for a photo.

All photos by Chris Porsz/REX/Shutterstock.

best friends, intimate, confidant

The adult versions find time for a group photo.

All photos by Chris Porsz/REX/Shutterstock.

Porsz says that his subjects, like this wild-haired couple, were strangers to him 30 years ago. Now he considers many of them friends.

punk rock, narrative, archive

Pink colored hair and mohawks.

All photos by Chris Porsz/REX/Shutterstock.

record, story, account

The color has moved to the sleeves.

All photos by Chris Porsz/REX/Shutterstock.

In all, Porsz has collected over 130 before-and-afters in his new book.

The response to Porsz's work has been more than he ever imagined.

He's personally heard from people all over the world who've been inspired by his project and want to try to recreate it themselves. But beyond that, he just hopes it brings a little warmth and happiness to the people who see it.

"It's important for me for my photography to make people smile," he says. "Because there is so much sadness in the world."

And while the project is finished for now, don't count out the possibility of "Reunions Part 2" somewhere down the line.

"I'd love to meet these guys in 2046 when I'm 94 years old," Porsz says.


This article originally appeared on 11.30.16

When Abby Van Metre turned 18, she wanted an iPhone. Instead, she got ... a box?

She remembers plopping down on the living room floor of her Cedar Rapids, Iowa, home a few days after her birthday, next to her dog, and staring at the aged brown container. It had been her great-great-aunt's jewelry box. It was over 100 years old and had been passed down to Abby's grandma and, now, to Abby.

But she didn't know what was inside.


Her parents explained that the box was a time capsule filled with letters and keepsakes from Abby's 1st birthday. It had never been opened.

All photos via Abby Van Metre, used with permission.

Instead of gifts, everyone in her family had written young Abby a card or a letter. They also stuffed the box with some newspapers from 1999 and other keepsakes. Then, her parents tucked it away for 17 years. Abby never even knew it existed.

As she started to go through the time capsule's contents, including letters from close relatives who had since passed away, Abby was overcome with emotion.

"I started crying. It was happiness. It wasn't sadness at all," she said. "It was sheer happiness that I got one more conversation with loved ones, one more 'I love you,' one more piece of advice."

One letter, from her uncle who was killed in a car accident three years ago, hit Abby particularly hard.

"It was just a very visceral thing for me, and the moment I started reading it, I couldn't handle it. It was like I was talking to him," she said.

Other letters were lighthearted glimpses into the past.

Abby said one of her cousins — whom she describes as a "big burly Marine" — was 7 when he wrote her a letter for the time capsule.

"In his letter, he attached his favorite Pokemon card, and in his letter he says, 'When you open this, can I please have that back?'"

Abby's mom filmed the whole thing and posted it to Facebook, where it quickly went viral.

"She said, 'Don't worry, it'll just go to my 300 Facebook friends,'" Abby recalled.

When they checked a few days later, the post had racked up millions of views, shares, and comments from around the world.

Letters from Heaven. This week Abby turned 18. For her 1st birthday we asked all our loved ones to write her a letter...

Posted by Susie Aldershof Van Metre on Tuesday, September 27, 2016

"It really put things in perspective for me," Abby said.

"Like, sure, I'd love to have 100 boxes of presents to open and expensive things. But, in reality, I wouldn't trade this gift my parents gave me for anything."

Right now, the box is in Abby's kitchen, where she said she's still going through the letters, two or three at a time, to make sure she's absorbed every word and every ounce of love.

And for the rest of us who wish we'd thought of this ourselves, Abby's story serves as a powerful reminder that, years from now, what we'll value most is the time we shared and the memories we created with our loved ones.

Even if the only place we have to keep them is our hearts.

Most Shared

11 emotional, hilarious, and moving photos from the Museum of Broken Relationships.

A new museum in L.A. is helping people process their broken relationships by treating objects with sentimental value like art.

After she broke up with her boyfriend, this woman says she immediately removed her breast implants.

Her boyfriend had convinced her to get them, and she didn't like them much anyway. But she kept those implants in a drawer as a memory, anyway, thinking that someday she'd figure out what to do with them. When she heard about The Museum of Broken Relationships, she knew she'd found the perfect place.

This heart-wrenching confession from an anonymous donor is one of hundreds of objects and stories sent to the Museum of Broken Relationships every month.


The Museum of Broken Relationships opened in June 2016.

It's located on Hollywood Boulevard and Highland Avenue in Los Angeles, and it's a museum where all material remnants of relationships past can go to tell a story.

The concept of this unique museum comes from Croatia. Founder and president John B. Quinn was on a family vacation in April 2015 when he visited the original Museum of Broken Relationships there, and he thought it would be a great fit for the City of Angels.

According to director Alexis Hyde, the relationships represented in the museum could be with yourself, with your best friend, between a father and daughter, or they could even be about broken relationships with the church.

The museum is laid out in a loop: The first objects are icebreakers so people can get acquainted with the museum's theme.

"There’s a cheerleading costume, a wedding dress stuffed in a jar, a box of love letters, so you really start to get a flavor of what you’re about to be getting into," Hyde said.

"After seven years together, five of them married, my husband told me that he felt stuck and that he 'probably' didn't love me anymore." Wedding dress in a jar. Image via Museum of Broken Relationships Los Angeles/Instagram.

As you go deeper into the museum, the actual physical space becomes smaller.

The ceilings start to get lower, and it becomes a bit more private as heavier subject matters start to show up. That's where you see items dealing with major loss or remnants of long-term relationships gone wrong.

Then, as you loop back around toward the exit, the objects once again become lighthearted.

Hyde said she often watches visitors discuss their relationships with amusement, maturity, respect, and fondness as they walk through the museum.

Hyde said the way people respond to the museum is pretty close to how they respond to broken relationships.

"Everyone responds differently, so we really do get like a whole rainbow of reactions, that's really beautiful," she said.

While some people openly cry right away, others sort of brush off the fact that they're a little uncomfortable by acting silly. And, of course, there are the couples who start making out not long after coming into the exhibit.

As for the most interesting donations they've received, Hyde said they're all pretty wild.

The museum has received over 300 donations so far from all over the country. But Hyde's favorite story is the one behind the breast implants, mentioned earlier.

She said the woman first approached the museum about donating the implants that her ex-boyfriend had convinced her to get. She had to have two reconstructive surgeries to get them right before they broke up and she took the implants out. So they already carried a lot of baggage (literally). He also made her pay him back for them.

The woman wanted to get rid of the implants to remind herself, and others, that no one should dictate her worth or how she should feel about the way she looks. After a long talk with the woman, Hyde said she received a biohazard bag in the mail with the implants inside.

As for why people donate items that have such emotional significance to them personally?

Hyde thinks there are several reasons: There's good old fashioned closure, of course. And it's also a type of catharsis, of letting go of repressed feelings that may still be hurting you.

People come to the museum for similar reasons. They want to feel connected, and they want to find stories that are similar to their own to remind them that they're not alone.

"It's nice for people to honor their relationship or to have a place to put something that isn't the trash or eBay," Hyde said. "It's a way of saying, 'This may be over, but it mattered.'"

This wacky museum reminds us that not every broken relationship is bad.

It's almost impossible to go through life unscathed, without a single broken relationship. But while they were tough, broken relationships are also proof that we were alive and a part of something, and that's why this museum exists.

Here is what I remember: most of it. The day itself, I mean. The interruption of class, the announcement by the fumbling English teacher, the crowding at the window, the black cloud already invading the skyline.

I remember the snarky, oblivious comments — my own, especially. The teachers herded everyone to the school rooftop to sort us into homerooms and take count of where everyone was.

I remember the first few parents arriving, to our surprise, followed by the announcement that students would not be released from school until a parent — anybody’s parent — signed them out. And then my own parents arrived in a flurry, scooping up as many of the downtown kids as they could find, sweeping us all out to the street, seeing a man with the radio walkie-talkie on his shoulder as if we were in another decade. I remember my father’s van becoming a caravan for other people’s children, the way we dropped them off one by one to grateful parents, how sad I was to watch them leave.


Photo by Ezra Shaw/Getty Images.

I remember reaching my father’s office on 17th Street and the black-and-white TV they had set up. It was the only black-and-white TV that I had ever seen up close. I remember that nobody knew who would be able to get home that night and that the bridge and tunnel employees gathered around the TV set, forcing smiles for my brother and me.

I remember my mother deciding we should go buy groceries, leaving my brother in the office and taking me back to the street. I remember Gourmet Garage feeling like Disneyland. Not because it was full of adventure, but because the entire store was one giant line wrapped around and around itself. Everyone else had had the same idea: Trucks had already been stopped from entering or leaving Manhattan. Food deliveries would be halted. I remember gathering what we could carry, winding around the aisles, paying, leaving.

It was while we were walking back to the office that the two men appeared. They were standing against a wall, both wearing yellow hard hats and reflective vests over their dirty grey sweatshirts and jeans.

Dark mud caked their hair and their hands, and there was dust in the lines in their faces. They poured water from bottles into their mouths, creating streams of mud down their chins and necks.

I heard myself say, "Ew." It wasn’t from disgust. It was just what I could come up with. Maybe it was to fill the quiet already starting to settle in the mouths of everyone around me. Maybe it was to hear my own voice. Maybe it was to try and make my mother laugh. She did not laugh. She looked startled and then worried. "Sarah," she said, "you know that is blood."

It was not a question. I did not stop walking. I did turn back to look.

Photo by Mario Tama/Getty Images.

When we got back to the office, my brother was perched on my father’s knee, playing a video game on his computer. I sat on the floor next to my father’s leg while my mother tried to hand out food to the employees in the other room.

I closed my eyes and put my face in the folds of his pants. I could see the faces of the two men like Dust Bowl photographs from history class. The water pouring down their necks. The dark stains on their arms, their chests. For the first time all day, I started to cry.

We spent that first night at my grandmother’s house because she lived uptown. My six-foot-four, 200-something-pound basketball coach father paced the tiny living room for two whole days, watching the news, wringing his hands.

Finally he decided he needed to get back to our apartment. We didn’t know whether the windows had been left open, whether everything we owned was now covered in ash. He announced that he would go downtown, get a change of clothes for each of us, get his bike out of the basement, and bike his way back uptown.

It sounds absurd now. It was two days after the attack. Nobody had any information yet. Nobody was allowed to go downtown. We could have borrowed clothes. I couldn’t stop imagining the towers falling over instead of down, envisioning my home and the entire neighborhood crushed. But my father was sick of pacing.

Photo by Mario Tama/Getty Images.

It took him hours to get downtown because he had to talk his way through every police barrier, and when he finally arrived, he understood why they had been trying to keep everyone out.

The air was thick and gritty. The only other humans around were police and soldiers. In an effort to reach potential survivors, responders had used bulldozers to stack damaged cars and shove them some blocks north, trying to clear as much rubble as possible. Ash and soot and trash covered everything. Later, my father described it like a science-fiction terrain. With no electricity, there was no elevator or light in the stairwell. The air smelled of burning debris.

My father was shaking by the time he got upstairs. He found a backpack. He put in a change of clothes for each member of the family, made sure the windows were closed. Then he caught sight of my childhood loves: a stuffed animal lion and a baby blanket. He did not know if he would ever be back in our apartment again. He did not know what the future held. He took out his change of clothes and put in the blanket and stuffed lion instead.

He zipped the backpack up as far as he could and left the lion with its head sticking out, so that when my father got on the bike to make his way up through the dust and ash and ghosts, the lion’s head lay perched on his shoulder. He said the only way he made it back uptown was by whispering into the lion’s ears the way he had seen me do as a child. "We’re going to make it," he said over and over. "You and I. We’re going to be OK."

We were not OK for a long time. But memory is a terrible beast. It refuses to obey or sit still.

There are holes that will not fill themselves. It was years before I remembered that my mother severely tore ligaments in her ankle the next week, that for all those weeks of aftermath she was hobbling on crutches, a stupid metaphor for her broken city. Why would my brain decide to forget that detail? Why would I need protection from that fact? My brother’s growing silence, his twitching eyes. My father’s time-bomb anger that we tiptoed around. My mother’s desperate attempts to prevent everything from sinking. These things come back only in pieces. The loft we stayed in for weeks is hazy at best.

Photo by Alex Fuchs/AFP/Getty Images.

But the moment we finally returned to our apartment I remember in crystalline detail. The three cars crushed one on top of the other in line with our front door, like some giant had stacked his Hot Wheels and gotten bored with them and smashed his hands down on top. What I can see most clearly is the white flowers that someone had slipped into the cracks of the shattered windshields. The delirious idea that this was all just a series of car crashes, one on top of another, the grey ash everywhere.

I remember knowing I was lucky. There was so much hurt I was spared.

Yes, I watched the black cloud from my classroom window. Yes, I inhaled the ash and the smell. Yes, I was out of my home for a month. Yes, my parents’ marriage became strained. Yes, I lost my soccer coach. Yes, my brother stopped speaking for months. Yes.

But my mother still tucked me in at night. My father still came home from work. All of my limbs worked to help raise me from the pillow each morning. Nothing was so disrupted that I could not continue being an eighth-grade girl, concerned about homework and the upcoming school dance.

I understand that scars are not always visible; they are often as quiet as a prolonged blink, a clenched fist. There are moments that are etched into the deepest parts of us that never leave.

My mother no longer trusts blue skies. I know that buried things do not always stay buried, that damage is a slow unraveling. Sometimes it feels like we are just accumulations of hurt smashed one on top of another. I collect as many flowers as I can. I never know when I will need to slip them into shattered glass.

Years later, I am unsurprised when I break into tears at the smell of an electrical fire. I understand what happens inside me when I see the lights come on each September.

Photo by Stan Honda/AFP/Getty Images.

But how can I explain the late-night train ride more than a decade later? The 4 a.m. trek home. I was alone on the subway car, until I wasn’t.

He was there, across the car, his grey sweatshirt sleeve pulled down over his hand, the clutched water bottle. The yellow hard hat. The reflective vest. The Dust Bowl eyes. The stains.

If God himself had outstretched a hand to me, I would have been less fazed. I did not breathe. I did not look away. My entire body quaked. He looked at me unblinking. I expected — and there is no way to say this except to say it — I expected that he was there to tell me my time had come. I truly believed this. It made perfect sense. He was my last memory of being a child. Now his presence would mark my last memory of being alive.

I do not know how long we rode together. Not another soul got on or off. The train stopped; the doors opened. He stared at me; I stared at him. The doors closed; the train started again. Finally the train reached my stop. The doors opened, and I shook to my feet. He did not look away. I made my way out to the platform, then reached back to hold open the doors. I held eye contact, waiting to see if he would follow. He did not. I let the doors close, and he disappeared. I have never seen him since.