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Voice actor explores the 100 year journey of women using baby voices in movies and TV

Come for the incredible voice acting. Stay for the awesome history lesson.

@tawnyplatis/Instagram

Tawny Platis gives an incredible vocal performance and even more incredible history lesson.

It’s always fun to watch talented voice actors do their thing, but it's even better if it makes you think in the process. Tawny Platis is certainly a voiceover artist who can deliver both. Just a few seconds of scrolling through her Instagram, and you’ll find all sorts of videos that are delicious for both your ears and your brain—from explaining how to use your voice to be taken seriously to breaking down how AI voices really work, and more.

But one of Platis’ most recent videos, where she takes you on a 100-year journey through the evolution of women using “baby voice,” really takes both entertaining and educational aspects up a notch.

“This is a quick funny little recap of something that has a huge complicated history,” Platis writes in her video’s caption before effortlessly flitting from ultra recognizable character voices which might seem superficial, but have “been a strategic part of women’s culture forever.”

For the 1920s–1940s era, Platis dawned a high-pitched, sing-song, Betty Boop-esque flapper style voice she dubbed the “Cartoon Coquette,” which she noted was “created to rebel against serious Victorian womanhood” and which allowed women to express themselves in a flirtatious way without seeming too threatening or loose.

voice, voiceover, voiceover actor, voiceover actress, history, tawny platis, women's history Boop-boop-be-dupe the patriarchy. media4.giphy.com

Moving onto the 1950s–70s, we have Marilyn Monroe’s signature “Breathy Baby” voice, which was used to “mask a childhood stutter” and subsequently became "branding genius” and, similarly, became a way of appearing “non threatening” to the other sex who might feel “emasculated by a woman’s independence."

voice, voiceover, voiceover actor, voiceover actress, history, tawny platis, women's history She was the master of "strategic infantilization." media4.giphy.com

Then you have the “Valley Girl” voice of the 1980s–90s, which you might not immediately link to a baby voice, until you consider that it served as a “social function” to “survive in a world that tells us smart girls aren’t cool.” So in this case, "airheaded speech” actually “created sisterhood,” Platis noted, “during an era of intense economic competition.”

voice, voiceover, voiceover actor, voiceover actress, history, tawny platis, women's history Assuming girls are dumb because of their voice? As if! media1.giphy.com

The Valley Girl then evolved into the 2000’s “Reality Blonde,” aka the Kim Kardashian/Paris Hilton vocal fry so many people have STRONG feelings about. As Platis explained, this vocal placement, however dumb it sounds, was a “calculated business strategy"—essentially a way to “monetize” being "underestimated."

voice, voiceover, voiceover actor, voiceover actress, history, tawny platis, women's history Voice as branding? That's hot. media4.giphy.com

Pulling off a perfect Jennifer Coolidge impression, Platis then dived into what she called the “Camp Queen” of the 2010s. Again, I personally never would have labeled this as a baby voice, but it totally makes sense when Platis breaks down how it really is “baby talk that’s 'so exaggerated it’s now satire,'” used to make you “question why you thought women who sounded like this weren’t really that smart.”

voice, voiceover, voiceover actor, voiceover actress, history, tawny platis, women's history Does this voice make you want a hotdog real bad? media2.giphy.com

Last but certainly not least, Platis delivers the 2020s “Bimbo Reclamation” voice, which aims to “be adorable and disarm the patriarchy.” It’s attention-grabbing, performative, and very self-aware. As Platis said, “the girlies who get it, get it, and the girlies who don’t, don't."

voice, voiceover, voiceover actor, voiceover actress, history, tawny platis, women's history It's called neo-feminism, bestie. media2.giphy.com

Watch the magic happen here:

Wow, what a fun ride, right? Just so much to love here. Platis’s amazing talent, finding a new appreciation for the way women have navigated a patriarchal society throughout history, learning how seemingly unrelated trends are actually connected, and of course, discovering how our own collective psychology is reflected in literally everything.

Judging from the comments, I wasn't the only one who enjoyed watching:

“Now this is the history class I can actually stay awake for. Very well explained.”

“Yes thank you! I love when a video explains random thoughts that have been flying around my brain for years.”

“Everything you said was factual to the tone and era. Good job.”

“Bruh your talent is phenomenal! Thanks for educating us in a funny manner.”

“Love your deep dives into voice trends 💕”

For even more awesome videos just like this one, give Platis a follow on Instagram.

"Do it. Just say something. No, don’t. Don’t stare," actress Alyson Stoner wrote of her fumbling, adorable first thoughts while falling for someone new. "Side-hug and leave."

Photo by Valerie Macon/AFP/Getty Images.

The now-24-year-old was crushing (and crushing hard) on a dance instructor she'd met at a new workshop. There was just one small — well, overwhelming and disorienting — issue: The instructor was a woman. And these new, uncomfortable feelings were puzzling for Stoner, to say the least.


In a powerful new essay in Teen Vogue, the actress and dancer — known for her roles in Disney Channel's "The Suite Life of Zack & Cody," and films like "Cheaper By the Dozen" and the "Step Up" series — reflected on the first time she fell in love with another woman. It's a story that's equal parts heart-wrenching and delightful.

First came all the relatable feelings of irresistible puppy love.

"My heart raced wildly and my body grew hot," the actress wrote, describing a moment when the instructor corrected her form in class. "Was I nervous to fail in front of an expert? Was I breathing heavily from being out of shape?"

But these butterflies, Stoner soon discovered, went far beyond sisterly or platonic love. The train had already left girl crush station.

Stoner has some fun on a red carpet in 2017. Photo by Phillip Faraone/Getty Images for Awesomeness.

The two women started to hang out outside of class. They began opening up to one another. They Netflixed (and chilled). Pretty soon, it became abundantly clear: "OK, we were in a relationship," Stoner wrote. "I fell in love with a woman."

But, unfortunately, it just wasn't that simple.

Stoner, a person of religious faith, had to unpack many confusing thoughts. She even attempted conversion therapy to avoid embracing these new feelings.

"Like many, I had internalized some of the harmful beliefs and misconceptions about LGBTQ people and identities," Stoner wrote.

She dissected all the factors that could have led her down this road. Was it because she'd experienced abuse from men before? Was it because she was surrounded by open-minded artists and she — even on a subconscious level — wanted a queer identity to help fit in? "Maybe I actually want to be her, and I'm mistaking idolization for romance," she wrote.

Stoner prayed. She turned to reading — both "contemporary and ancient" texts — hoping the words would leap off the page and make it all make sense. She didn't have many queer-affirming voices telling her these feelings were totally normal and perfectly OK.

"Certain pastors and community members tried to reverse and eliminate my attraction to her," she wrote in Teen Vogue.

Conversion therapy — a harmful practice that aims at altering a person's sexual orientation — has been discredited by every mainstream medical and mental health organization in the U.S., according to the Human Rights Campaign. Not only does it not work, but it can lead to depression, anxiety, and suicide for young people at risk.

Photo by Alberto E. Rodriguez/Getty Images.

"Some people in the industry warned me that I’d ruin my career, miss out on possible jobs, and potentially put my life in danger if I ever came out," Stoner wrote. "My dream and all I’d worked tirelessly for since the age of 6 was suddenly at risk by my being ... true to myself."

Finally, after hitting what felt like rock bottom, things began falling into place for Stoner.

"I’ll never forget the night I finally collapsed on my bed with tear-stained cheeks, saying, 'God, if I’m evil, then I accept this and give up,'" Stoner wrote. "I’ve believed you are loving, but I don’t want to live a lie."

Instead of devastation, however, the breakdown filled her with a sense of hope. She began seeing the world around her — "life, God, love, humanity, and (literally) everything" — in a new light.

"I, Alyson, am attracted to men, women, and people who identify in other ways," she finally felt comfortable proclaiming. "It is the soul that captivates me."

Stoner is one of a growing number of young Americans who feel comfortable coming out as LGBTQ.

According to Gallup analysis published last year, 10 million Americans — or 4.1% of U.S. adults — identify as lesbian, gay, bisexual, transgender, and/or queer. That's up from 3.5% in 2012. Millennials, the analysis found, were the most likely age group to identify as LGBTQ, reflecting the growing acceptance of queer Americans — particularly among young people.

Things really are changing for the better, Stoner believes. And if you're wrestling with your sexuality or identity, she's got your back.

"If you’re questioning or struggling with your sexuality, gender identity, or anything else, know that I and so many who’ve gone before us are with you," Stoner wrote. "Whatever your identity, you are lovable and wonderful and enough. I’m on the other side of some of these battles internally, but it’s still a challenge in the outside world. It’s OK. Dare to be yourself anyway." ❤️

Actress Isla Fisher is probably best known for her star-making role in "Wedding Crashers." But these days she's got her own set of "clingers" — her three kids.

Matt Winkelmeyer/Getty Images for WCRF

Fisher recently stopped by "Today" to dish on all things mom-related and to promote her newest adventure: a children's book she wrote based on a silly bedtime improv character she invented called "Marge in Charge."


Most celeb parents, and moms especially, can't seem to dodge the questions that always seems to come next in interviews or conversations like this one: "How do you do it all? What advice do you have for the other moms out there?"

Many moms are more than happy to share their thoughts.

Fisher said in no uncertain terms that being a successful, famous mom, and now author, doesn't mean she's got everything figured out.

She's got her hand in a lot of projects — acting, writing, parenting — but giving out advice to others is one role she'd rather stay away from.

“I try not to get involved and stand on a soapbox and advise anyone how to do anything,” she said. “I don’t want to come out publicly and give advice about mothering.”

In a world where parents are constantly shamed and judged for their choices (breast versus bottle, crib versus co-sleeping, helicopter versus free-range ... where does it end?), Fisher said the last thing we need is one more voice telling parents they might be doing it all wrong.

“Everyone is doing their best,” she said.

Fisher is totally right — the onslaught of well-meaning parenting advice can be counterproductive for parents and kids.

You've heard of imposter syndrome — the constant fear that you're not good enough and will eventually be "found out" by everyone. Well, parents get it too.

Babies don't come home from the hospital with instruction manuals. We buy some in the form of dozens of parenting books. We browse Facebook and Instagram where our friends preach the methods that have worked for them. We turn on the TV and listen to celeb parents who seem to have all the answers.

Much of what we read and hear is contradictory, leaving us even more confused than before.

Fisher should be applauded for refusing to take part. Science shows that celebrities wield an extraordinary level of influence over people due to their status, and while that influence can be used to promote good causes and raise awareness of issues, it can just as easily create noise and confusion.

There's a lot that parents need to know. But the most important thing, as Fisher suggests, is doing your best and finding your own way.

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This 'Parks and Rec' star came out in a powerfully candid must-read essay.

'You're not bad. You're not unholy. You're exactly what God intended you to be.'

On "Parks and Recreation," Natalie Morales' character, Lucy, was the confident, funny girlfriend every fan was rooting for. Behind closed doors, however, Morales wasn't always the self-assured star she became on screen.

The 32-year-old came out as queer in a new essay for Amy Poehler's Smart Girls. In the powerfully personal piece, Morales discussed the confusion and pain she had to overcome as a teen who found herself attracted to both girls and boys, and why — as an actor who values her privacy — she chose to come out in such a public way.


"I thought I was sick," Morales wrote. "I know I thought something was really wrong with me. I was ashamed and I thought I was dirty."

Falling for another girl in high school was a beautiful thing, Morales recalled, but it also came with an onslaught of shameful feelings.

She continued:

"I knew that the church said it was wrong and that God said it was wrong (even though I couldn’t exactly figure out why, if it wasn’t hurting anyone). I was told bisexuals were degenerates who are selfish and just want the best of both worlds. I was told gay men are fine because they’re funny and have good taste, but lesbian women are wastes of space. I was told the idea of two women kissing was disgusting.”

Now an adult who's more comfortable in her own skin, Morales hopes her own story inspires all of us to act and think differently — whether we're LGBTQ or not.

Photo by Randy Shropshire/Getty Images.

"The reason I decided to share this ... is because even though me telling you I’m queer might not be a big deal these days, things are still pretty bad out there for people like me," she wrote.

"There are gay concentration camps in Chechnya where people are being tortured right this second," Morales noted of the human rights abuses quietly taking place halfway around the world.

You don't have to cross an ocean to see how bigotry causes real harm, though, she noted:

"In our very country, 49 people were killed and 58 people were wounded just last year because they were dancing in a gay club. Our safe spaces are not safe. I think it’s important that I tell you that this familiar face you see on your TV is the Q part of LGBTQ, so that if you didn’t know someone who was queer before, you do now."

Morales' point touches on an important finding: Research shows that when you personally know someone who is LGBTQ, you're far more likely to support their rights. When we see queer people as fully human and deserving of respect, that means fewer stories like the atrocities developing in Chechnya or the 2016 Pulse nightclub shooting. Coming out still makes a difference.

"You're not bad," Morales concluded in her essay. "You're not unholy. You're exactly what God intended you to be."

It's a message she wishes she understood a long time ago, Morales said after her essay spread far and wide.