Surprising no one, music festivals are disproportionately dude-heavy again this year.

Every summer, Lollapalooza brings some of the biggest names in music to Chicago for four days of fun.

On March 21, the festival announced its 2018 lineup, highlighting acts like The Weeknd, Bruno Mars, Jack White, Arctic Monkeys, Travis Scott, and dozens of other bands. Almost immediately, people noticed a trend: The headliners were almost entirely made up of guys.

Just 13 of the 85 bands showcased on the festival's announcement tweet were fronted by women. The big name headliners are totally worth the price of admission and are worthy of that sort of top billing. It's just a little frustrating to see some of the country's largest music festivals (like Lollapalooza and Tennessee's Bonnaroo) skip out on booking women in prominent slots.


In recent years, people have become more vocal about underrepresentation at festivals. And yes, it matters.

According to Nielsen Music, 32 million people attended at least one music festival in 2014, with those numbers pretty evenly split between men and women. California's Coachella — which, to its credit, does include acts like Beyoncé, SZA, St. Vincent, HAIM, and Cardi B in prominent spots in the lineup — has struggled to shake its "Brochella" stereotype.

When the 2018 Bonnaroo lineup was released, writer Trish Bendix commented that it was "such a bummer to see so few women on the lineup," and she was right — less than one in five Bonnaroo artists included women. Tegan and Sara, who have performed at the festival in the past, replied, calling for "a movement within the fan world and the press" to challenge gendered imbalances.

Writing at Into, Bendix slammed the imbalance, saying that it contributes to a culture where a festival can become "a very unfriendly place for women and LGBTQs to be as participants or attendees."

Are music festivals "unfriendly places" for women and LGBTQ people? They certainly can be, and some are fighting to change it.

The issue isn't the performers or the bookers, but the crowds. In a May 2017 Los Angeles Times article, music promoter Sara St. Hilaire discussed the time she was harassed at Bonnaroo, saying that a man followed her through the crowd, groping her.

"One time a guy even lifted up my shirt in the crowd," she said. "There's a sense of community and 'we're all in this together' that gets misconstrued at festivals. I remember being younger and not understanding that kind of thing as sexual assault. Society raises everyone to think 'boys will be boys' and it gets excused."

The full Lollapalooza poster.

You may be wondering what this has to do with who gets booked — and that's totally understandable.

The answer lies in a festival culture that promotes a free-for-all with a dangerously loose interpretation of consent.

The Pitchfork Music Festival, also based in Chicago, listed a "zero-tolerance harassment policy" on its 2017 festival website: "The Festival believes everyone should feel safe during the event and works to ensure this. We will help maintain this by not tolerating harmful behaviors, which may include non-consensual touching or verbal harassment. If a participant chooses to break these policies they may be removed from the fest." Lollapalooza's website contains a "Safety" page with a copy of its own harassment policy.

While these are good, important steps towards improving festival culture, change can't truly happen until the most visible women there — the performers — are treated as more than a mere afterthought.

A photo from Lollapalooza 2006. Photo by Roger Kisby/Getty Images.

If you've never seen a Maori haka performed, you're missing out.

The Maori are the indigenous peoples of New Zealand, and their language and customs are an integral part of the island nation. One of the most recognizable Maori traditions outside of New Zealand is the haka, a ceremonial dance or challenge usually performed in a group. The haka represents the pride, strength, and unity of a tribe and is characterized by foot-stamping, body slapping, tongue protrusions, and rhythmic chanting.

Haka is performed at weddings as a sign of reverence and respect for the bride and groom and are also frequently seen before sports competitions, such as rugby matches.

Here's an example of a rugby haka:

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If the past year has taught us nothing else, it's that sending love out into the world through selfless acts of kindness can have a positive ripple effect on people and communities. People all over the United States seemed to have gotten the message — 71% of those surveyed by the World Giving Index helped a stranger in need in 2020. A nonprofit survey found 90% helped others by running errands, calling, texting and sending care packages. Many people needed a boost last year in one way or another and obliging good neighbors heeded the call over and over again — and continue to make a positive impact through their actions in this new year.

Upworthy and P&G Good Everyday wanted to help keep kindness going strong, so they partnered up to create the Lead with Love Fund. The fund awards do-gooders in communities around the country with grants to help them continue on with their unique missions. Hundreds of nominations came pouring in and five winners were selected based on three criteria: the impact of action, uniqueness, and "Upworthy-ness" of their story.

Here's a look at the five winners:

Edith Ornelas, co-creator of Mariposas Collective in Memphis, Tenn.

Edith Ornelas has a deep-rooted connection to the asylum-seeking immigrant families she brings food and supplies to families in Memphis, Tenn. She was born in Jalisco, Mexico, and immigrated to the United States when she was 7 years old with her parents and sister. Edith grew up in Chicago, then moved to Memphis in 2016, where she quickly realized how few community programs existed for immigrants. Two years later, she helped create Mariposas Collective, which initially aimed to help families who had just been released from detention centers and were seeking asylum. The collective started out small but has since grown to approximately 400 volunteers.

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via WFTV

Server Flavaine Carvalho was waiting on her last table of the night at Mrs. Potatohead's, a family restaurant in Orlando, Florida when she noticed something peculiar.

The parents of an 11-year-old boy were ordering food but told her that the child would be having his dinner later that night at home. She glanced at the boy who was wearing a hoodie, glasses, and a face mask and noticed a scratch between his eyes.

A closer look revealed a bruise on his temple.

So Carvalho walked away from the table and wrote a note that said, "Do you need help?" and showed it to the boy from an angle where his parents couldn't see.

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via Good Morning America

Anyone who's an educator knows that teaching is about a lot more than a paycheck. "Teaching is not a job, but a way of life, a lens by which I see the world, and I can't imagine a life that did not include the ups and downs of changing and being changed by other people," Amber Chandler writes in Education Week.

So it's no surprise that Kelly Klein, 54, who's taught at Falcon Heights Elementary in Falcon Heights, Minnesota, for the past 32 years still teaches her kindergarten class even as she is being treated for stage-3 ovarian cancer.

Her class is learning remotely due to the COIVD-19 pandemic, so she is able to continue doing what she loves from her computer at M Health Fairview Lakes Medical Center in Wyoming, Minnesota, even while undergoing chemotherapy.

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