How Emmett Till's murder inspired Rod Serling to create the original 'Twilight Zone' series
Frustrated by censors, Serling went a different route, with great success.
Rod Serling found himself frustrated by censors when he tried to tackle racism.
The original "Twilight Zone" series was unlike anything anyone had ever seen on television. Airing from 1959 to 1964, the sci-fi/horror show frequently referenced in popular culture and cited as one of the best TV shows of all time was the brainchild of Rod Serling.
Serling's inspiration for the show wasn't rooted in science fiction or cinematic horror, but rather in the dark reality of American racism
In 1955, Emmett Till, a 14-year-old African American boy from Chicago, was brutally murdered while visiting relatives in Mississippi. Till had been accused of flirting with a white woman in a store, and the woman's husband and his half-brother kidnapped, mutilated and lynched Till for his "crime." The two men were arrested and a trial was held, but the all-white, all-male jury acquitted the two men of all charges after less than an hour's deliberations.
Till's mother courageously fought for Emmett's story to be told, and she insisted his funeral be open-casket so the world could see what those men had done to her son. Photographs from the funeral made national news and galvanized people across the country, fanning the early sparks of the Civil Rights Movement.
Serling, who was 30 years old at the time, watched Till's story play out in the news. A rising star in the television world, Serling set out to write a teleplay that addressed the racism at the heart of Till's murder. In an interview with Mike Wallace, Serling explained how he'd written a show sponsored by U.S. Steel, and by the time the censors were finished with it, the script was a "lukewarm, vitiated, emasculated" version of what he'd originally created. Every reference to Black or white, the South and anything that even slightly alluded to the South was changed or removed. (Serling describes the censors removing Coca-Cola bottles from a scene because they might have too much of a Southern connotation.)
"It bore no relationship at all to what we had purported to say initially," he told Wallace.
Serling fought back, but ultimately the money holds the power. He felt forced to accept it, though he voiced his feelings about censorship of challenging themes.
"I think it's criminal that we're not permitted to make dramatic note of social evils as they exist, of controversial themes as they are inherent in our society," he told Wallace. "I think it's ridiculous that drama, which by its very nature should make a comment on those things that affect our daily lives, and is in the position, at least in terms of television drama, to take a stand."
As explained in Smithsonian magazine, station owners and advertising agencies catered to white audiences and were fearful of losing money if something offended them. Serling would later say, "From experience, I can tell you that drama, at least in television, must walk tiptoe and in agony lest it offend some cereal buyer from a given state below the Mason-Dixon.”
Serling tried again to frame a show episode around Emmett Till's story, but set it as a lynching in the Southwest. That script also got changed, set back 100 years and erasing all mention of Till and race. But Serling did manage to get a message about "the ugly picture of prejudice and violence" conveyed in the show's closing monologue.
Ultimately, Serling realized that tackling issues like racism and prejudice head-on was not going to work within the power structure of television, so he had to get creative. A show like "The Twilight Zone" would allow for social issues to be addressed through metaphor and allegory. Serling expressed the hopeful belief that people can have their eyes opened to their own inner biases through indirect stories that tap into such themes.
In an interview for the Library of Congress, Serling explained:
"You may have to tell them a story of prejudice in parable form, in which they may step aside as third persons and cluck and say, 'Tsk tsk tsk, how awful we treat our minority groups,' but at least they know that it's an evil, and they will recognize it as such, and by osmosis or some incredible process, will somewhere along the line be faced with a situation in which they too may have to exorcise their prejudice and be conscious of it as an evil. Now on "Twilight Zone," for example, done during just as timorous a time as any other time, we made a comment on prejudice, on conformity, on intolerance, on censorship. But it's easy to do it when you're talking about 'Buck Rogers isn't allowed to write his memoirs in the way he wants to write them, so he puts on his backpack, his rocket-pack, and he zooms over to the publisher.' And they applaud and laugh and think, 'How exciting and interesting.' Now, it may well be that the inner message may never get through, but I think peripherally it does get through."
Though he was never able to bring Emmett Till's story to the screen in the way he wanted to, Serling did manage to push storytelling in a way that—hopefully—helped peel away layers of prejudice that veil people from the truth about themselves.
As he said, "The writer’s role is to menace the public’s conscience. He must have a position, a point of view. He must see the arts as a vehicle of social criticism and he must focus on the issues of his time.”
Serling did menace people's consciences and focus on the issues of his time. He just did it through strange science fiction tales—and he did it well.
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An Irish woman went to the doctor for a routine eye exam. She left with bright neon green eyes.
It's not easy seeing green.
Did she get superpowers?
Going to the eye doctor can be a hassle and a pain. It's not just the routine issues and inconveniences that come along when making a doctor appointment, but sometimes the various devices being used to check your eyes' health feel invasive and uncomfortable. But at least at the end of the appointment, most of us don't look like we're turning into The Incredible Hulk. That wasn't the case for one Irish woman.
Photographer Margerita B. Wargola was just going in for a routine eye exam at the hospital but ended up leaving with her eyes a shocking, bright neon green.
At the doctor's office, the nurse practitioner was prepping Wargola for a test with a machine that Wargola had experienced before. Before the test started, Wargola presumed the nurse had dropped some saline into her eyes, as they were feeling dry. After she blinked, everything went yellow.
Wargola and the nurse initially panicked. Neither knew what was going on as Wargola suddenly had yellow vision and radioactive-looking green eyes. After the initial shock, both realized the issue: the nurse forgot to ask Wargola to remove her contact lenses before putting contrast drops in her eyes for the exam. Wargola and the nurse quickly removed the lenses from her eyes and washed them thoroughly with saline. Fortunately, Wargola's eyes were unharmed. Unfortunately, her contacts were permanently stained and she didn't bring a spare pair.
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Since she has poor vision, Wargola was forced to drive herself home after the eye exam wearing the neon-green contact lenses that make her look like a member of the Green Lantern Corps. She couldn't help but laugh at her predicament and recorded a video explaining it all on social media. Since then, her video has sparked a couple Reddit threads and collected a bunch of comments on Instagram:
“But the REAL question is: do you now have X-Ray vision?”
“You can just say you're a superhero.”
“I would make a few stops on the way home just to freak some people out!”
“I would have lived it up! Grab a coffee, do grocery shopping, walk around a shopping center.”
“This one would pair well with that girl who ate something with turmeric with her invisalign on and walked around Paris smiling at people with seemingly BRIGHT YELLOW TEETH.”
“I would save those for fancy special occasions! WOW!”
“Every time I'd stop I'd turn slowly and stare at the person in the car next to me.”
“Keep them. Tell people what to do. They’ll do your bidding.”
In a follow-up Instagram video, Wargola showed her followers that she was safe at home with normal eyes, showing that the damaged contact lenses were so stained that they turned the saline solution in her contacts case into a bright Gatorade yellow. She wasn't mad at the nurse and, in fact, plans on keeping the lenses to wear on St. Patrick's Day or some other special occasion.
While no harm was done and a good laugh was had, it's still best for doctors, nurses, and patients alike to double-check and ask or tell if contact lenses are being worn before each eye test. If not, there might be more than ultra-green eyes to worry about.