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Culture

The television and film industries have long collaborated with cops. Will that change now?

The television and film industries have long collaborated with cops. Will that change now?
Photo by Florian Wehde on Unsplash

This article originally appeared on The Conversation. You can read it here.

In a recent interview, Minnesota Attorney General Keith Ellison was asked why it's so difficult to prosecute cases against police officers.

"Just think about all the cop shows you may have watched in your life," he replied. "We're just inundated with this cultural message that these people will do the right thing."

While two of those shows, "Cops" and "Live PD," have just been canceled, Americans have long been awash in a sea of police dramas. In shows like "Hill Street Blues," "Gangbusters," "The Untouchables," "Dragnet," "NYPD Blue" and "Law and Order," audiences view the world from the perspective of law enforcement, in which alternately heroic and beleaguered police fight a series of wars on crime. These shows – and countless others – mythologize the police, ensuring that their point of view has dominated popular culture.

This didn't happen by accident.


As a media historian, I've studied how, beginning in the 1930s, law enforcement agencies worked closely with media producers in order to rehabilitate their image. Many of the shows proved to be hits with viewers, and this symbiotic relationship spawned numerous collaborations that would go on to create a one-sided view of law and order, with the voices of the policed going unheard.

The FBI's PR machine

For FBI director J. Edgar Hoover, police served a primary role: to protect a "vigorous, intelligent, old-fashioned Americanism" that was threatened by what he saw as unreasonable demands for civil rights and liberties.

Hoover wanted his agents to reflect his vision of "Americanism," so he hired agents with an eye toward whether they fit the mold of what he deemed a "good physical specimen": white, Christian and tall. They couldn't suffer from "physical defects" like baldness and impaired vision, nor could they have "foreign" accents.

In the 1930s, Hoover also established a public relations arm within the agency called the Crime Records Division. At the time, the image of the police was sorely in need of rehabilitation, thanks to high-profile federal crime commissions that documented widespread violence, suppression and corruption within police departments.

Hoover realized that broadcast media could serve as a perfect vehicle to disseminate his conception of law enforcement and repair the police's standing with the public.

The Crime Records Division cultivated relationships with "friendly" media owners, producers and journalists who would reliably endorse the FBI's views. In 1935, the FBI partnered with Warner Brothers on the film "'G' Men." A "G-Men" radio series followed, made in collaboration with producer Phillips H. Lord and reviewed by J. Edgar Hoover," who "checked every statement" and made "valuable suggestions," according to the series' credits.

A year later, the FBI worked with Lord again on the radio series "Gang Busters," whose gunshot-filled opening credits boasted of the show's "cooperation with police and federal law enforcement departments throughout the United States" its status as "the only national program that brings you authentic police case histories."

Although Hoover and Lord notoriously clashed over the details – Hoover wanted to emphasize the science of policing and the professionalism of law enforcement, while Lord wanted more drama – the focus on the police as protagonists went largely unquestioned.

The FBI's collaborations continued into the 1970s, with the long-running series "This is Your FBI" (1945-1953) and "The FBI," (1965-1974). Like "G-Men" and "Gang Busters," these programs were based on solved police cases and made the most of their ripped-from-the-headlines realism.

Other writers and producers pursued similar collaborations with law enforcement. The iconic series "Dragnet," for example, was written with the approval of Los Angeles police chief William H. Parker, who notoriously headed the LAPD during the 1965 Watts riots.

images.theconversation.com

Reactionary retaliation

The FBI didn't just collaborate on media production. My research on the television blacklist – a smear campaign to silence anti-racist progressives in the media industry – reveals how the agency routinely retaliated against its critics.

When journalist John Crosby criticized the FBI during a 1952 television broadcast, Hoover scrawled a note on the report of the incident: "This is an outrageous allegation. We ought to nail this. What do our files show on Crosby?"

Shortly afterwards, Crosby was denounced in American Legion Magazine as someone who supported supposedly communist performers and artists.

When lawyer and government official Max Lowenthal was completing a book critical of the FBI in 1950, the Bureau wiretapped his phone and planted stories so disparaging that few copies of the book sold, ending Lowenthal's government career. The Bureau even succeeded in getting at least one writer fired from "This is Your FBI" merely because it believed his wife was not a sufficiently "loyal American citizen." Worse was always visited on black performers, journalists and activists, who were subject to far more intense spying, surveillance and police abuse.

Law enforcement's efforts to control its image through production and repression helped create police dramas that seldom questioned their built-in bias. Meanwhile, the dearth of diversity in writers' rooms reinforced this formula.

Of course, some notable exceptions dulled the police drama's sheen, including David Simon's "The Wire" and "The Corner," and Ava DuVernay's recent miniseries "When They See Us." These dramas upend the traditional police point-of-view, asking viewers to see the police through the eyes of those most often policed and punished.

Time's up for the police drama?

Periodically, Americans have been made aware of the one-sidedness of these media depictions of police conduct. In 1968, for example, the Kerner Commission explored the causes of uprisings in black communities. Its report noted that, within these communities, there was longstanding awareness that "the press has too long basked in a white world looking out of it, if at all, with white men's eyes and white perspective."

Changing that perspective requires more than recognizing the role police dramas have played as propaganda for law enforcement. It means reckoning with the legacy of stories that gloss over police misconduct and violence, which disproportionately affect people of color.

"We want to see more," Rashad Robinson, the executive director of the civil rights advocacy organization Color of Change, told The New York Times after the cancellation of "Cops." "These cop reality shows that glorify police but will never show the deep level of police violence are not reality, they are P.R. arms for law enforcement. Law enforcement doesn't need P.R. They need accountability."


Carol A. Stabile is a professor at the University of Oregon

Science

MIT’s trillion-frames-per-second camera can capture light as it travels

"There's nothing in the universe that looks fast to this camera."

Photo from YouTube video.

Photographing the path of light.

A new camera developed at MIT can photograph a trillion frames per second.

Compare that with a traditional movie camera which takes a mere 24. This new advancement in photographic technology has given scientists the ability to photograph the movement of the fastest thing in the Universe, light.


The actual event occurred in a nano second, but the camera has the ability to slow it down to twenty seconds.

time, science, frames per second, bounced light

The amazing camera.

Photo from YouTube video.

For some perspective, according to New York Times writer, John Markoff, "If a bullet were tracked in the same fashion moving through the same fluid, the resulting movie would last three years."


In the video below, you'll see experimental footage of light photons traveling 600-million-miles-per-hour through water.

It's impossible to directly record light so the camera takes millions of scans to recreate each image. The process has been called femto-photography and according to Andrea Velten, a researcher involved with the project, "There's nothing in the universe that looks fast to this camera."

(H/T Curiosity)


This article originally appeared on 09.08.17

Health

Her mother doesn't get why she's depressed. So she explains the best way she knows how.

Sabrina Benaim eloquently describes what it's like to be depressed.

Sabrina Benaim's “Explaining My Depression to My Mother."

Sabrina Benaim's “Explaining My Depression to My Mother" is pretty powerful on its own.

But, in it, her mother exhibits some of the most common misconceptions about depression, and I'd like to point out three of them here.

Misconception #1: Depression is triggered by a single event or series of traumatic events.

empathy, human condition, humanity

Depression isn’t just over sleeping.

Most people think depression is triggered by a traumatic event: a loved one dying, a job loss, a national tragedy, some THING. The truth is that depression sometimes just appears out of nowhere. So when you think that a friend or loved one is just in an extended bad mood, reconsider. They could be suffering from depression.

Misconception #2: People with depression are only sad.

family, parents, mom, anxiety

The obligation of anxiety.

Most people who have never experienced depression think depression is just an overwhelming sadness. In reality, depression is a complex set of feelings and physical changes in the body. People who suffer from depression are sad, yes, but they can also be anxious, worried, apathetic, and tense, among other things.

Misconception #3: You can snap out of it.

button poetry, medical condition, biological factors

Making fun plans not wanting to have fun.

The thing with depression is that it's a medical condition that affects your brain chemistry. It has to do with environmental or biological factors first and foremost. Sabrina's mother seems to think that if her daughter would only go through the motions of being happy that then she would become happy. But that's not the case. Depression is a biological illness that leaks into your state of being.

Think of it this way: If you had a cold, could you just “snap out of it"?

No? Exactly.

empathy, misconceptions of depression, mental health

Mom doesn’t understand.

via Button Poetry/YouTube

These are only three of the misconceptions about depression. If you know somebody suffering from depression, you should take a look at this video here below to learn the best way to talk to them:

This article originally appeared on 11.24.15

Here's how to be 30% more persuasive.

Everybody wants to see themselves in a positive light. That’s the key to understanding Jonah Berger’s simple tactic that makes people 30% more likely to do what you ask. Berger is a marketing professor at the Wharton School of the University of Pennsylvania and the bestselling author of “Magic Words: What to Say to Get Your Way.”

Berger explained the technique using a Stanford University study involving preschoolers. The researchers messed up a classroom and made two similar requests to groups of 5-year-olds to help clean up.

One group was asked, "Can you help clean?" The other was asked, “Can you be a helper and clean up?" The kids who were asked if they wanted to be a “helper” were 30% more likely to want to clean the classroom. The children weren’t interested in cleaning but wanted to be known as “helpers.”


Berger calls the reframing of the question as turning actions into identities.

"It comes down to the difference between actions and identities. We all want to see ourselves as smart and competent and intelligent in a variety of different things,” Berger told Big Think. “But rather than describing someone as hardworking, describing them as a hard worker will make that trait seem more persistent and more likely to last. Rather than asking people to lead more, tell them, 'Can you be a leader?' Rather than asking them to innovate, can you ask them to 'Be an innovator'? By turning actions into identities, you can make people a lot more likely to engage in those desired actions.”

Berger says that learning to reframe requests to appeal to people’s identities will make you more persuasive.

“Framing actions as opportunities to claim desired identities will make people more likely to do them,” Berger tells CNBC Make It. “If voting becomes an opportunity to show myself and others that I am a voter, I’m more likely to do it.”

This technique doesn’t just work because people want to see themselves in a positive light. It also works for the opposite. People also want to avoid seeing themselves being portrayed negatively.

“Cheating is bad, but being a cheater is worse. Losing is bad, being a loser is worse,” Berger says.

The same tactic can also be used to persuade ourselves to change our self-concept. Saying you like to cook is one thing, but calling yourself a chef is an identity. “I’m a runner. I’m a straight-A student. We tell little kids, ‘You don’t just read, you’re a reader,’” Berger says. “You do these things because that’s the identity you hold.”

Berger’s work shows how important it is to hone our communication skills. By simply changing one word, we can get people to comply with our requests more effectively. But, as Berger says, words are magic and we have to use thgem skillfully. “We think individual words don’t really matter that much. That’s a mistake,” says Berger. “You could have excellent ideas, but excellent ideas aren’t necessarily going to get people to listen to you.”


This article originally appeared on 2.11.24

Pop Culture

A comic about wearing makeup goes from truthful to weird in 4 panels.

A hilariously truthful (and slightly weird) explanation of the "too much makeup" conundrum.

Image set by iri-draws/Tumblr, used with permission.

A comic shows the evolution or devolution from with makeup to without.

Even though I don't wear very much makeup, every few days or so SOMEONE...

(friends, family, internet strangers)

...will weigh in on why I "don't need makeup."


Now, I realize this is meant as a compliment, but this comic offers a hilariously truthful (and slightly weird) explanation of the "too much makeup" conundrum.

social norms, social pressure, friendship, self esteem

“Why do you wear so much makeup?"

Image set by iri-draws/Tumblr, used with permission.

passive aggressive, ego, confidence, beauty

“See, you look pretty without all that makeup on."

Image set by iri-draws/Tumblr, used with permission.

expectations, beauty products, mascara, lipstick

“Wow you look tired, are you sick?"

Image set by iri-draws/Tumblr, used with permission.

lizards, face-painting, hobbies, hilarious comic

When I shed my human skin...

Image set by iri-draws/Tumblr, used with permission.

Not everyone is able to turn into a badass lizard when someone asks about their face-painting hobbies. Don't you kinda wish you could? Just to drive this hilarious comic all the way home, here are four reasons why some women* wear makeup:

*Important side note: Anyone can wear makeup. Not just women. True story.

Four reasons some women* wear makeup:

1. Her cat-eye game is on point.

mascara, eyes, confidence

Her cat-eye game is on point.

Via makeupproject.

2. She has acne or acne scars.

acne, cover up, scarring, medical health

She has acne or acne scars.

Via Carly Humbert.

3. Pink lipstick.

lipstick, beauty products, basics, self-expression

Yes, pink lipstick.

Via Destiny Godley

4. She likes wearing makeup.

appearance, enhancement, creative expression

Happy to be going out and feeling good.

Happy Going Out GIF by Much.

While some people may think putting on makeup is a chore, it can be really fun! For some, makeup is an outlet for creativity and self-expression. For others, it's just a way to feel good about themselves and/or enhance their favorite features.

That's why it feels kinda icky when someone says something along the lines of "You don't need so much makeup!" Now, it's arguable that no one "needs" makeup, but everyone deserves to feel good about the way they look.

For some people, feeling good about their appearance includes wearing makeup. And that's totally OK.


This article originally appeared on 05.28.15

Joy

Adorable 'Haka baby' dance offers a sweet window into Maori culture

Stop what you're doing and let this awesomeness wash over you.

If you've never seen a Maori haka performed, you're missing out.

The Maori are the indigenous peoples of New Zealand, and their language and customs are an integral part of the island nation. One of the most recognizable Maori traditions outside of New Zealand is the haka, a ceremonial dance or challenge usually performed in a group. The haka represents the pride, strength, and unity of a tribe and is characterized by foot-stamping, body slapping, tongue protrusions, and rhythmic chanting.

Haka is performed at weddings as a sign of reverence and respect for the bride and groom and are also frequently seen before sports competitions, such as rugby matches.



The intensity of the haka is the point. It is meant to be a show of strength and elicit a strong response—which makes seeing a tiny toddler learning to do it all the more adorable.

Here's an example of a rugby haka:

Danny Heke, who goes by @focuswithdan on TikTok, shared a video of a baby learning haka and omigosh it is seriously the most adorable thing. When you see most haka, the dancers aren't smiling—their faces are fierce—so this wee one starting off with an infectious grin is just too much. You can see that he's already getting the moves down, facial expressions and all, though.

@focuswithdan When you grow up learning haka! #haka #teachthemyoung #maori #māori #focuswithdan #fyp #foryou #kapahaka ♬ original sound - 𝕱𝖔𝖈𝖚𝖘𝖂𝖎𝖙𝖍𝕯𝖆𝖓

As cute as this video is, it's part of a larger effort by Heke to use his TikTok channel to share and promote Maori culture. His videos cover everything from the Te Reo Maori language to traditional practices to issues of prejudice Maori people face.

Here he briefly goes over the different body parts that make up haka:

@focuswithdan

♬ Ngati - Just2maori

This video explains the purerehua, or bullroarer, which is a Maori instrument that is sometimes used to call rains during a drought.

@focuswithdan Reply to @illumi.is.naughty Some tribes used this to call the rains during drought 🌧 ⛈ #maori #māori #focuswithdan #fyp ♬ Pūrerehua - 𝕱𝖔𝖈𝖚𝖘𝖂𝖎𝖙𝖍𝕯𝖆𝖓

This one shares a demonstration and explanation of the taiaha, a traditional Maori weapon.

@focuswithdan Reply to @shauncalvert Taiaha, one of the most formidable of the Māori Weaponry #taiaha #maori #māori #focuswithdan #fyp #foryou ♬ original sound - 𝕱𝖔𝖈𝖚𝖘𝖂𝖎𝖙𝖍𝕯𝖆𝖓

For another taste of haka, check out this video from a school graduation:

@focuswithdan When your little cuzzy graduates and her school honours her with a haka #maori #māori #haka #focuswithdan #fyp #graduation @its_keshamarley ♬ Te Kura Kaupapa Māori o Ngāti Ruanui - 𝕱𝖔𝖈𝖚𝖘𝖂𝖎𝖙𝖍𝕯𝖆𝖓

Heke even has some fun with the trolls and racists in the comments who try to tell him his culture is dead (what?).

@focuswithdan Credit to you all my AMAZING FOLLOWERS! #focuswithdan #maori #māori #followers #fyp #trolls ♬ original sound - sounds for slomo_bro!

Unfortunately, it's not just ignorant commenters who spew racist bile. A radio interview clip that aired recently called Maori people "genetically predisposed to crime, alcohol, and underperformance," among other terrible things. (The host, a former mayor of Auckland, has been let go for going along with and contributing to the caller's racist narrative.)

@focuswithdan #newzealand radio in 2021 delivering racist commentaries 🤦🏽‍♂️ #māori #maori #focuswithdan #racism DC: @call.me.lettie2.0 ♬ original sound - luna the unicow

That clip highlights why what Heke is sharing is so important. The whole world is enriched when Indigenous people like the Maori have their voices heard and their culture celebrated. The more we learn from each other and our diverse ways of life, the more enjoyable life on Earth will be and the better we'll get at collaborating to confront the challenges we all share.


This article originally appeared on 01.28.21