Tracy Chapman makes rare appearance to sing 'Fast Car' with Luke Combs at the Grammys
The late 80s hit is finding new life as a country song—and topping the charts.

Tracy Chapman and Luke Combs performed an epic duet of "Fast Car" at the 2024 Grammys.
It had been rumored that Tracy Chapman might be making an appearance at the Grammys this year, after Luke Combs’ country version of her iconic song “Fast Car” earned a grammy nomination.
Combs' rendition of the late 80s classic, which won him Song of the Year at 2023 Country Music Awards, has been met with both great praise and great criticism.
Many applauded Combs for giving the tune a major resurgence and even bringing it to a whole new audience. At the same time, some took umbrage with the fact that Combs’ version had placed higher on the Billboard Hot 100 charts than Chapman’s original and argued that it was a symptom of long-endured racism within the country music genre.
Chapman eventually came out of her private life to endorse Combs’ cover, saying, “I’m happy for Luke and his success and grateful that new fans have found and embraced ‘Fast Car.’”
Which brings us to the opening half hour of the Grammy 2024 Awards, where both Chapman and Combs appeared on stage in matching all-black outfits to perform a moving duet. This made for a landmark appearance for Chapman, who hadn’t performed publicly in several years.
As they sang, audiences mouthed the words and clapped along. Some songs really do have the power to bring folks of all walks of life together.
Watch:
“Fast Car” has struck a chord with listeners since that seemingly fateful night at Wembley Stadium in 1988, when a few technical difficulties led Chapman to performing it as a backup plan, unwittingly stepping into musical history. Fans love the folk anthem for its raw simplicity and vivid depiction of yearning, brought to life by Chapman’s one-of-a-kind voice.
And even though there’s no replacing her original hit, the collaboration with Combs has led to some amazing genre-busting breakthroughs. Back in November of 2023, Chapman also reached No. 1 on Billboard‘s Country Songwriters chart and won song of the year for “Fast Car,” making her the first Black woman to win a Country Music Association award.
Then a mere moments after Chapman’s Grammy performance with Combs, “Fast Car” shot to No. 1 on iTunes Top Songs. Her debut album from 1988, titled “Tracy Chapman,” also shot to No. 1.
Art is subjective, but it stands to reason that a work of art can be considered great if it continues moving people time and time again. Chapman’s art certainly has this kind of staying power, and it’s wonderful anytime that achievement gets recognition.
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Resurfaced video of French skier's groin incident has people giving the announcer a gold medal
"The boys took a beating on that one."
Downhill skiing is a sport rife with injuries, but not usually this kind.
A good commentator can make all the difference when watching sports, even when an event goes smoothly. But it's when something goes wrong that great announcers rise to the top. There's no better example of a great announcer in a surprise moment than when French skier Yannick Bertrand took a gate to the groin in a 2007 super-G race.
Competitive skiers fly down runs at incredible speeds, often exceeding 60 mph. Hitting something hard at that speed would definitely hurt, but hitting something hard with a particularly sensitive part of your body would be excruciating. So when Bertrand slammed right into a gate family-jewels-first, his high-pitched scream was unsurprising. What was surprising was the perfect commentary that immediately followed.
This is a clip you really just have to see and hear to fully appreciate:
- YouTube youtu.be
It's unclear who the announcer is, even after multiple Google inquiries, which is unfortunate because that gentleman deserves a medal. The commentary gets better with each repeated viewing, with highlights like:
"The gate the groin for Yannick Bertrand, and you could hear it. And if you're a man, you could feel it."
"Oh, the Frenchman. Oh-ho, monsieurrrrrr."
"The boys took a beating on that one."
"That guy needs a hug."
"Those are the moments that change your life if you're a man, I tell you what."
"When you crash through a gate, when you do it at high rate of speed, it's gonna hurt and it's going to leave a mark in most cases. And in this particular case, not the area where you want to leave a mark."
Imagine watching a man take a hit to the privates at 60 mph and having to make impromptu commentary straddling the line between professionalism and acknowledging the universal reality of what just happened. There are certain things you can't say on network television that you might feel compelled to say. There's a visceral element to this scenario that could easily be taken too far in the commentary, and the inherent humor element could be seen as insensitive and offensive if not handled just right.
The announcer nailed it. 10/10. No notes.
The clip frequently resurfaces during the Winter Olympic Games, though the incident didn't happen during an Olympic event. Yannick Bertrand was competing at the FIS World Cup super-G race in Kvitfjell, Norway in 2007, when the unfortunate accident occurred. Bertrand had competed at the Turin Olympics the year before, however, coming in 24th in the downhill and super-G events.
As painful as the gate to the groin clearly as, Bertrand did not appear to suffer any damage that kept him from the sport. In fact, he continued competing in international downhill and super-G races until 2014.
According to a 2018 study, Alpine skiing is a notoriously dangerous sport with a reported injury rate of 36.7 per 100 World Cup athletes per season. Of course, it's the knees and not the coin purse that are the most common casualty of ski racing, which we saw clearly in U.S. skier Lindsey Vonn's harrowing experiences at the 2026 Olympics. Vonn was competing with a torn ACL and ended up being helicoptered off of the mountain after an ugly crash that did additional damage to her legs, requiring multiple surgeries (though what caused the crash was reportedly unrelated to her ACL tear). Still, she says she has no regrets.
As Bertrand's return to the slopes shows, the risk of injury doesn't stop those who live for the thrill of victory, even when the agony of defeat hits them right in the rocks.