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For Gen Z, the Oasis reunion tour is creating a rare emotional bond with older generations

How the Gallagher brothers became an unlikely symbol of hope and joy.

Courtesy Big Brother Recordings

Oasis brothers Liam and Noel Gallagher wrap the U.S. leg of their reunion tour with two concerts at the Rose Bowl.

Something happened while Oasis was broken up. In the 16 years since the British rock icons famously imploded during a backstage fight in Paris, their fanbase quietly grew — or, in this case, grew up. At the Oasis Live ‘25 reunion tour, which has sold out stadiums in both the United Kingdom and North America, the crowd has been a surprising mix of equally enthusiastic older and younger fans.

Jack Dione, 24, was eight years old when Oasis broke up in 2009. “I was just a little kid, but I listened to them all the time,” he told Upworthy. “I was not going to miss seeing them when they came to the Rose Bowl, to L.A.”

“They’re like our Beatles,” added a teary-eyed Emma Mackenzie, who was 13 when the Gallagher brothers called it quits. “For us, this is like the Beatles getting back together.”

Oasis, fans, Gen Z, Millennial, Rose Bowl, Los Angeles, Pasadena Best friends Emma Mackenzie and Alena Brophy share an emotional moment during Oasis concert at the Rose Bowl in Pasadena, CA.Photo by Denise Quan

Ironically, Noel Gallagher was soundly lambasted for daring to proclaim that his band was “bigger than the Beatles” in 1996, following the worldwide success of Oasis’ first two albums, Definitely Maybe and (What’s the Story) Morning Glory. Nearly three decades later, their Manchester-bred brashness and unapologetic swagger is still polarizing.

“Liam thinks he’s a gift from God. They are cocky sons of bitches, and I love that about them,” says Tim Plumley, a music industry executive who has not worked with Oasis, but has worked with members of the Beatles — who were also known for complicated interpersonal dynamics.

When tickets for Oasis Live ‘25 went on sale last year, Las Vegas oddsmakers gave the Gallagher brothers a 4/1 chance of making it through the end of their scheduled dates. Fans were more than willing to take the gamble. The North American leg of their tour reportedly sold out in less than one hour.

Oasismania exploded on social media and spilled onto the streets, with branded bucket hats, T-shirts and soccer jerseys spotted with increasing frequency on people from 17 to 70. Oasis pop-up shops appeared overnight in select cities. The Hollywood location alone drew 600 customers per day, according to a security guard. Among the merch offerings: Oasis baby onesies, replicas of Liam’s signature parka, and a retro Adidas tracksuit that hits a sweet spot between “then” and “now,” just like the band has managed to do. Liam was even spotted on an L.A. hiking trail wearing shorts and posing with fans — one of whom was clad, of course, in Oasis gear.

When all is said and done, the Live ‘25 tour is expected to bring in upwards of $1 billion in revenue at the completion of its 41 dates — more, if the reunion is extended.

“In terms of marketing, it was a blow-out,” says Plumley. “There’s a whole generation that never got to see them, and they’ve achieved this mythical-like status, so it’s a much bigger audience than they could ever play previously.”

Todd Nakamine, a fan since the ‘90s, traveled to London to see a pair of reunion shows (one on his birthday) before seeing them two more times in his L.A. hometown. He believes Oasis was the right band, at the right moment, to engineer a comeback for guitar-driven music. “Everybody’s been saying rock and roll has kind of died, and we need a rock and roll band, and we need rock stars. And they are rock stars,” he told Upworthy. “For our age, it’s very nostalgic.”

Melissa Dragich was one of the band’s publicists at Epic Records from 1996-2002. She attended one of the L.A. shows at the Rose Bowl in Pasadena with her 19-year-old son, Jack Cordero. Conditions couldn’t have been more perfect. The stage was illuminated by a brilliant full moon, and the night was balmy. At least a dozen friends were dotted around the stadium. “It brings us back to that happy time, when we were all in our 20s and just starting our lives,” Dragich says. “I played Oasis for my kids because I worked with them, but they’re also a band I really enjoy. And once my son knew he was going, he immersed himself in the albums, and he fell in love with them.”

“I think it was the best concert I’ve been to,” says Cordero. “Even better than Green Day.”

Oasis, family, tour, Rose Bowl, Los Angeles, son, daughter 'Oasis Live '25' is a family affair for Jack Cordero, Melissa Dragich, Jamie Jones and Joie Jones.Courtesy Melissa Dragich

One young girl named Sam sobbed her way through the show in the front row. Noel dedicated “Don’t Look Back in Anger” to her, which made her sob even more.

A number of celebrities attended the concerts in L.A., including Leonardo DiCaprio, Kristen Stewart, Sofia Vergara, Noah Cyrus, Mark Zuckerberg and Paul McCartney — the latter caught shooting video on his phone in the audience, and responding “Fabulous!” when paparazzi asked him about the show as he left the venue.

122K views · 5.7K reactions | Paul McCartney filming Oasis. The biggest bands you can think of are Oasis fans. 🇺🇸#oasis #liamgallagher #noelgallagher #oasislive25 #oasislive | Realty Rocker www.facebook.com

It’s been a cruel summer in Los Angeles, with the city on edge due to ICE raids, protests, and the rising cost of life in an urban area. The Rose Bowl itself lies a scant mile from the Altadena neighborhood where 7,500 structures burned to the ground and 19 people lost their lives in January’s Eaton fire.

But for two glorious nights at the Rose Bowl, people put aside their worries and their differences, and joined in a multi-generational sing-along led by two brothers who finally learned how to get along — and, as a bonus, were endorsed by a Beatle.

Yes, it was about nostalgia.

“Oasis brings us back to how we felt in the ‘90s, which was so different from how the world is now,” says Dragich.

For Cordero, it was also about the joy of community and shared experience, even if — or especially if — you’re a teenager who attended the Oasis concert with your mom.

“It’s probably best summed up by one of the songs they performed called ‘Some Might Say,’” he concludes. “We need to listen to the lyrics: ‘Some might say we will find a brighter day.’”

Oasis just might be the reunion we never knew we needed — but we’re sure glad it happened.

Even Liam Gallagher seemed moved, telling the crowd in his own irascible way, "I wanna thank you, man...for sticking with us over the years. We must be be a f****** nightmare to support and follow, and we appreciate it, gettin' to play these beautiful stadiums in front of all you beautiful people. Champagne Supernova. Look after yourselves. Take care."

And with that, they were on their way to their next destination, Mexico City, for their final tour stop. Or is it? Maybe they, like us, don't want the feeling to end.

Oasis, concert, tour, generations, Los Angeles, Rose Bowl, fireworks Oasis caps a triumphant U.S. reunion tour with fireworks at the Rose Bowl in Pasadena, CACourtesy Big Brother Recordings

Canva Photos

The "worst rap cliche" actually makes a ton of sense when you learn about its history.

If I were to put you on the spot, right now, and force you to perform a freestyle rap, how would it go? If you're like 99% of the people on the planet who aren't naturally gifted in lyrical storytelling, you'd probably say something like, "My name is Mike and I'm here to say..." to get you off and running, and then your brain would scramble for something easy to rhyme with "say." Probably doing something in a "major way," right?

It's the first thought that comes into almost all of our heads, and it's a heavily used trope on sitcoms and in film. It's deeply embedded in pop culture lore, so much so that we've all absorbed the rhythm and cadence of the rhyme practically by osmosis—even kids who weren't even born during the early hip-hop of the 70s and 80s know it! But where the heck does it actually come from? Certainly, not a lot of real rappers use the line; not anymore. I heard it used on an episode of one of my favorite sitcoms the other night and got to wondering about its origin. I'm always fascinated by our sort of shared consciousness, how we "all" seem to intuitively know and understand things without ever understanding why—so I decided to do some digging.

When it comes to "My name is...and I'm here to say," one of the earliest known uses of the phrase came from, wait for it...a Chiquita Banana commercial created in the 1940s.

The specific line in question, sung by a sultry and unnecessarily-sexy cartoon banana in a low cut dress, goes like this:

"I'm Chiquita Banana and I've come to say / Bananas have to ripen in a certain way / When they're flecked with brown and have a golden hue / Bananas taste the best and are the best for you."

The commercial became iconic (the YouTube clip below, for example, has over three million views) and a staple moment in pop culture. If you can believe it, at that time bananas were relatively new to Americans. The fruit had been around for decades but different distributors and producers jockeying for position had kept it from really reaching the mainstream. The song was catchy as all get out and also helped Americans understand how to store, eat, and use this new exotic fruit; it was a reintroduction of sorts. Chiquita also desperately needed some positive press after the horrific Banana Massacre in 1928.

It's one of the most famous commercial jingles of all time.

- YouTube www.youtube.com

In 1988, Barney Rubble took a page out of Chiquita Banana's playbook and helped further cement the catchy rhyme into the zeitgeist.

If you don't remember the Fruity Pebbles commercials of the 80s and 90s, most of them feature Barney Rubble trying to trick or distract Fred Flintstone in order to steal his cereal. In this clip, Barney pretends to be a rapper, allowing him to (nearly) swipe the Fruity Pebbles while Fred is busy dancing to the beat.

"I'm the Master Rapper and I'm here to say / I love Fruity Pebbles in a major way ... But to get that fruity taste / I've gotta trick Fred"

- YouTube www.youtube.com

Those are two of the earliest iterations of the rhyming intro. But around the same time, the catchy catchphrase was beginning to show up in early hip hop.

Yes, honest to God rappers actually did use the phrase, contrary to popular belief.

In 1979, the legendary "Rapper's Delight" by Sugarhill Gang featured the line: "You see, I am wonder Mike and I'd like to say Hello / To the black, to the white, the red and the brown, the purple and yellow."

In 1983, Melle Mel drops the exact line to perfect in "The Birthday Party" by Grandmaster Flash & The Furious 5: "Melle Mel and I'm here to say / I was born on the 15th day of May"

But you might not have picked up on those if you weren't a big hip-hop listener at the time, so many people actually credit the commercials with "My name is..." catching on beyond the rap world.

At some point soon after, the rhyme became a trope used in sitcoms, more cheesy commercials, and films to portray someone who knows nothing about rap trying to rap.

Think of it like when parents start using their kids' slang, thus ruining it for everyone.

My personal favorite example has to be Will Ferrell's devil character from a Saturday Night Live sketch, struggling to write music, when he finally spits: "I'm the devil and I'm here to say / I'm the most evil rapper in the USA"

- YouTube www.youtube.com

Announcing your name at the start of a rap may seem like a cheesy trope now, but it actually had significance in the days of early rap.

Chaz Kangas writes for The Village Voice: "Whether literally tagging their name in graffiti in public spaces or mastering signature break dancing maneuvers, it was about getting your name in as many eyes and ears as possible. Of course, when it came to rocking the mic at a party to the break-a break-a dawn, there was no better way to have people know who you were than by identifying yourself."

Rappers still do it today, though the script has changed a bit. Most artists find a way, especially early in their career, to work their name into certain songs. It helps give them notoriety and it gives them some recognition for listeners who may have liked one of their guest verses on another artist's track. For crying out loud, one of the most famous and influential rap songs ever is literally called "My Name Is" by Eminem!

And as for the "I'm here to say" part? Well, it's a great segue into whatever comes next, and there are endless words and phrases you can rhyme with "say," so you're pretty much set if you decide to go with the cliched opener.

So, maybe it's not the worst rap trope ever. When you think about the storied history, the importance of name recognition, and the flexibility the rhyme gives you...maybe it's actually the best.

Images via Wikicommons and Cecily Knobler

Dolly Parton and Cecily Knobler

Sometimes, serendipity strikes like a tiny and beautiful lightning bolt.

Dolly Parton has been magnetic since she could walk. Already a proficient songwriter, she was singing on Tennessee radio shows as a child and even performed at the Grand Ole Opry at just 13. In 1967, she joined The Porter Wagoner Show, becoming a popular country duo with Wagoner himself.

After a few hits on her own, she was ready to spread her wings into a solo career. So, in hopes of giving it a little boost, she joined country legend Willie Nelson's tour in January of 1977. One of those shows was in Waco, Texas.

Willie Nelson, ticket, country station, country music, Dolly Parton The original concert ticket for Willie Nelson in WacoCecily Knobler, Canva

In that exact month, in that exact year, I was a precocious six-year-old with pigtails and thick Coke-bottle glasses, also living in Waco, Texas. My dad was the General Manager of an AM country station called K-K-I-K (K-Kick) at the time, and quite frequently, country stars would stop by to promote their new records, sign albums and headshots, and just overall meet the radio crew.

When Dolly came to the tiny station (which incidentally sat above the ballet studio where my mother taught and I danced), I happened to be there—probably in a leotard. My dad introduced us, and my heart thumped like a jackrabbit. I was already a fan, with "I Will Always Love You" (Dolly's original version, obviously) playing on repeat on a scratched-up 45.

I had never met anyone famous before, and Dolly—even then—glowed like a firecracker sizzling against a Texas sky. "Say hello, Cecily," my dad urged. "Hello, Dolly!" Her reply was as big as her hair: "You're just a little baby! Aren't you the cutest baby?" She hugged me like our lives depended on it, and I remember simply floating home. Even then, so young, I knew I had met not only a legend, but a really, really kind one.

The tour itself wasn't entirely successful for her. We went to the show at the Waco Convention Center, and unfortunately, the Willie and Dolly fans didn’t quite gel. I didn't pick up on it at the time, though; I was personally over the moon that she opened her set with "Jolene." But I do remember my parents discussing how scared she looked by the less-than-accepting crowd. (Over time, music journalists would write about it, but thankfully—Dolly and Willie remain friends.)

Willie Nelson, Country star, music, Dolly Parton, country music Willie Nelson strums his guitar. en.m.wikipedia.org

Almost exactly 42 years later, luck would strike again. In December of 2018, I was invited to a party at the Four Seasons Hotel to honor the 2018 film Dumplin’. Dolly just so happened to have written six original songs for the soundtrack, and Netflix was drumming up support for the upcoming "award season."

There were rumors she’d be there, but with busy schedules, one can never be totally sure. As I was drinking a glass of champagne and eating my fourth tuna tartare bite, there was suddenly a palpable buzz in the day-lit room. The cute out-of-work actors turned tray passers parted like it was the Red Sea. If this had been a movie, a golden light would have struck from the heavens as angels sang, "Hallelujah" because just like that—Dolly appeared.

The gravity around a star this bright causes whatever room they enter to fold in on itself. Dolly was no exception! People abandoned their drinks and boring conversations and zoomed quickly in her direction. It actually got a little dangerous, as there were many elderly women on rhinestone-encrusted scooters zipping furiously to get their moment in the sun.

Dolly Parton, dancing, rhinestones, Seth Meyers, Dolly Dolly dancing on Late Night with Seth Meyers Giphy, NBC

Luckily, I can outrun a rhinestone-encrusted scooter. I pushed my way through (gently, of course), elbowed a couple of publicists, and found myself once again, face-to-face with Ms. Parton. Remembering my dad’s prompting, I enthusiastically said, "Hello, Dolly!" This time I added, "You couldn’t possibly remember this. But I met you at a country station in Waco back in the late ’70s. You told me I was the ‘cutest baby!’"

Almost as if she were living her lyrics from "Here You Come Again." she smiled that smile. Her bluish-green eyes glistened as she patted me on the arm. "Well I do remember! And you're still the cutest baby!"

- Dolly Parton sings "Here You Come Again" www.youtube.com, Dolly Parton YouTube page, Vevo

That’s just like Dolly— o make me feel like a million bucks in first grade and then again in my 40s. We had time for a quick photo snap before she was whisked away by a male Dolly impersonator wearing a white pantsuit.

That serendipitous lightning bolt sure did strike again. Only this time, it had rhinestones on it.

Community

Musician Nick Cave reveals the two sentiments 'forever worth declaring'

Nick Cave shares profound thoughts through letters to fans.

Nick Cave sings in concert in 1986

Since the late 70s, Nick Cave has had a lengthy career as a respected musician and writer. He explores themes of death, religion, anger, mercy, and suspicion of the world and all its inhabitants. In one of his most famous songs, "The Mercy Seat," he wrote:

"And the mercy seat is waiting
And I think my head is burning
And in a way I’m yearning
To be done with all this measuring of truth.
And an eye for an eye
And a tooth for a tooth
And anyway I told the truth
And I’m not afraid to die."

This is a man, who alongside his bandmates, has not been afraid to go into the darkest corners of thought and question everything. Even his gentler ballad-type songs have tinges of goth, drama, and intensity.

- YouTubewww.youtube.com

In 2018 (and to this day), he began operating a newsletter called The Red Hand Files, wherein fans can send in questions about whatever they'd please: music, philosophy, love, etc.

He writes on the site how and why it all started: "The Red Hand Files began in September of 2018 as a simple idea – a place where I would answer questions from my fans. Over the years, The Red Hand Files has burst the boundaries of its original concept to become a strange exercise in communal vulnerability and transparency. Hundreds of letters come in each week, asking an extraordinarily diverse array of questions, from the playful to the profound, the deeply personal to the flat-out nutty."

He takes these letters very seriously:

"I read them all and try my best to answer a question each week. The Red Hand Files has no moderator, and it is not monetized, and I am the only one who has access to the questions that sit patiently waiting to be answered."

In his latest issue, Amy from Los Angeles asks Cave, "My dad died suddenly and unexpectedly. We moved and only saw him for two weeks of what turned out to be his last year on earth. Now I feel like I have failed him so terribly. How do you apologize to someone who is gone? How do you say I love you and I’m so sorry when their ears and their heart don’t exist anymore?"

Cave writes back with clarity and grace. In part, "Find a quiet spot where you can be alone and away from distractions, close your eyes, and picture your father. Then say these words, quietly or in your head –

You are my father

I am your daughter

I love you

I am sorry

You may feel uncomfortable or embarrassed when you do this because it seems from your question that you fundamentally believe that your father is gone, that his “ears and heart don’t exist anymore,” and that you are speaking to no one, nothing, a void."

He later writes, "I suspect your father will hear your words, but I do not know. At the very least, by acknowledging the sacred and mysterious nature of things, these words will impact the general condition of the world, not to mention your own injured heart. I believe we must take our subtle spiritual intuitions seriously and view them as the quintessence that underlies the ordinary world. The rejection of the sacred is the fundamental reason for our existential discontent. “I love you” and “I am sorry” spoken into the universe are two sentiments forever worth declaring."

In a recent appearance on The Late Show with Stephen Colbert, Cave shares one of the letters from a man in Stockholm named Valerio. He first reads the question:

"Following the last few years, I'm feeling empty and more cynical than ever. I'm losing faith in other people and I'm scared to pass these feelings onto my little son. Do you still believe in us, human beings?"

Cave then reads his response:

"Much of my early life was spent holding the world and the people in it in contempt. It was a position both seductive and indulgent. The truth is, I was young and had no idea what was coming down the line. It took a devastation to teach me the preciousness of life and the essential goodness of people. It took a devastation to reveal the precariousness of the world—of its very soul—and to understand the world was crying out for help. It took a devastation to find the idea of mortal value. And it took a devastation to find hope."

The studio audience listens silently. Cave continues:

"Unlike cynicism, hopefulness is hard-earned. It makes demands upon us, and can also feel like the most indefensible and lonely place on earth. Hopefulness is not a neutral position. It is adversarial. It is the warrior emotion that can lay waste to cynicism. Each redemptive or loving act, as small as you like—such as reading to your little boy, or showing him a thing you love, or singing him a song, or putting on his shoes—keeps the devil down in the hole.

It says the world and its inhabitants have value and are worth defending. It says the world is worth believing in. In time, we can come to find that this is so. Love, Nick."

This is met with a huge round of applause, as if the audience really simply needed to hear it.