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Taylor Swift's unreleased demo from when she was just 14 is the surprise gem of 2025

With only a 12-string acoustic guitar, Taylor croons with a slight country twang.

Images via Wikicommons

Taylor Swift at a 2007 concert and in 2019

When Taylor Swift was only 14, she wasn't just dreaming of boys, cats, and cashmere cardigan sweaters. All perfectly reasonable things to dream about, by the way. She was writing songs. In fact, she wrote a whole demo of songs which she ultimately sent to record labels in 2003.

One such song was "Baby Blue," which became the second track on her demo. According to a Taylor Swift fan account called Songs by Taylor Swift (@songsbytaylor) on Instagram, Taylor wrote "Baby Blue" shortly after her family moved to Nashville. It wasn't until August of 2023 that music journalist Brian Mansfield finally leaked it, "giving fans a glimpse of Taylor Swift's early songwriting talent." With only a 12-string acoustic guitar, Taylor croons in a crisp Mezzo Soprano range, with a slight country twang over a pop vibe.

Now, the song is going viral again, and a whole new fanbase is both loving it and finding Easter eggs sprinkled into the lyrics, creating thematic through-lines so very typical of her songwriting. Such classic Swift themes include small towns, sweet young love, and, in this case, the color blue. But we'll come back to that.

The tune begins with the unmistakable sweetness of Taylor's voice singing, "Small town, big blue eyes, little blonde baby with stars in her eyes." The chyron over a teenage photo of Swift explains, "The story follows a blonde girl growing up in a small town with the color blue (her baby gown, bedroom sheets) symbolizing key moments in her life."

taylor swift love GIFGiphy

She continues to sing about having "blue on the mind," but the description on the Insta-reel digs in further. "At 18, she falls in love with a guy named Hank, who takes her to prom. He gives her a blue corsage, and their young love blossoms. The color blue comes back with their newborn baby, nicknamed 'Baby Blue.'"

The chorus is where she really shines, singing in a higher register, "She was an archangel, sweet danger, living and loving and singing her song. Knew what she wanted, and knew what she loved, and she looooooved… Baby Blue."

The online comments from Swifties sparkle with excitement. One shares, "I'm hearing strong The Chicks influence here." Another demands a "Taylor's Version" (of course referring to Taylor rerecording her masters so that she could own her songs again). And another focuses on the color choice. "It's interesting that she used the color blue to symbolize Joe at later times in her life." (Joe refers to Joe Alwyn, an English actor that Taylor dated for over 6 years.)

On the r/TaylorSwift subreddit, someone inquires about the use of blue in her songs, even before this demo leaked, asking, "What does she mean? She uses blue a lot on the Lover album." (She was dating the aforementioned Joe while writing and recording the Lover album, so theories are colliding.) Someone else adds, "I just learned the other day that in filmmaking, blue symbolizes isolation. So maybe it’s another way of saying that Taylor likes that Joe isn’t aiming to get a lot of attention and was more isolated than other guys she’s dated."

Joe Alwyn, Taylor Swift, music, baby blue, Taylor Swift demoJoe Alwynen.m.wikipedia.org

In the same subreddit, but a different thread, someone else brings up the topic. A Redditor writes, "Taylor uses her own meaning of blue, so it's not necessarily just sadness but rather a longing love. She uses it more specifically in her songs about Joe; in her previous lyrics, it has traditional connotations of blue. It seems to symbolize this sort of emotional, difficult, heartbreaking love."

Seeing as how the theme goes back over 20 years, it's possible she simply likes the color blue. But it's Taylor Swift, and usually, every lyric and idea is meticulously crafted to symbolize a feeling or a longing or an A-list actor or a Kansas City Chief. We might never know exactly the meaning behind "Baby Blue," but either way, fans agree—the song sure bops.

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Joy

Country duo gives Dolly Parton's famous '9 to 5' song a twist to reflect modern day work life

"There ain't no time when your job is 9 to 6."

@thedoohickeys/Instagram

You're STILL just a rung on the boss man's ladder.

Have working conditions really gotten better?

On the one hand, with more work-from-home opportunities, more allowances regarding parental leave, more awareness around the importance of taking days off for mental health reasons, and more businesses adopting four day work weeks…you'd think yes, definitely, things are getting better!

And yet, it definitely can feel like a one step forward, two steps back situation a lot of the time. Many people still woefully lament unlivable wages, having to take on extra work just to make ends meet, and somehow having most of their lives revolve around working. In many ways, all the progress we’ve made toward productivity hasn’t made the common person any freer. Rather, it only moved the goalpost further. Which, needless to say, is exhausting.

It’s this phenomenon that inspired a “cheeky country music duo” named The Doohickeys to make a modern day revamp of everybody's favorite twangy anti-work anthem: “9 to 5.”

The tune was made famous by Dolly Parton whose character in a movie by the same title bemoaned the common working man/woman’s curse of toiling day in, day out just to essentially be a cog in the corporate greed machine. Serious subject matter…but a very catchy song!

The Doohickeys’ parody cover shows that things have changed a bit…the most notable change of all being that, as the new title suggests, “9 to 5” is out, and “9 to 6” is in.

“Like everyone, we love Dolly’s song ‘9 to 5,’ but we realized that neither of us have ever actually worked those hours — 9 to 6 would be more accurate…Turns out that additional hour struck a chord with viewers ‘cause people started sharing their insane work schedules in the comments, and boy, some of those hours suck!” Doohickey vocalist Haley Brown told Upworthy.

In this version, our singing hero still stumbles outta bed and tumbles to the kitchen. But instead of pouring herself a cup of ambition, she “checks her phone while she eats to see what she’s missin.’”

There’s no time to yawn and stretch, or even take a shower, you see. This working gal has to rush out the door because “there aint no time when your job is 9 to 6.”

Take a listen below. Holy cow, did Brown really nailed Parton’s signature airy twang.

That’s Part 1. In Part 2, The Doohickeys hilariously sing about the foibles of racking up student debt in college. Surely nothing any Gen Xers and Millennials can relate to. Plus, again, the need to work an additional job…which is 8 to 1.

All in all, the Doohickeys seemingly did the impossible by making their own unique version of a beloved, almost untouchable classic song, while still holding onto the original’s essence. It’s unfortunate that we still are having these issues, to be sure. But that’s another conversation.

And while we might not see sweeping improvements to the workplace quite as fast, the Doohickeys did immediately fulfill the people’s request to make a full version of the song, which you can listen to on Spotify.

But wait, there’s even more awesome ditties where that came from. Follow the Doohickeys on Instagram here

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Watch Patti LaBelle and Dolly Parton harmonize while 'playing' their acrylic nails together

Their voices sound amazing together.

David from Washington, DC (left) Josef Just (right)

Patti LaBelle and Dolly Parton created the genre-busting duet we didn’t know we needed.

If you were to choose two female artists on the opposite ends of the musical spectrum, it wouldn't be a reach to say Dolly Parton and Patti LaBelle. Parton made a name for herself in the country music world long before "crossover artists" diluted the twangy sound of country music to more resemble pop. And Patti LaBelle has long been an R & B, soul and gospel legend, without nary a banjo or yeehaw in sight.

But talent is talent and both of these women have musical talent oozing out of their (highly manicured) fingertips.

A video from 1987 has re-emerged showing the two women talking on Parton's variety show, "Dolly." Parton was explaining to LaBelle how she often uses her fingernails as instruments.

“I write a lot of songs when I don’t have my guitar,” Parton said. “I beat around the dashboard of my car when I’m riding around writing songs, but then I have a little rhythm that we can do with these acrylic nails.”

Then she and LaBelle launched into a nail duet, which morphed into a gorgeous two-part harmony, of the folk classic "Shortnin' Bread."

Watch:

Dolly Parton & Patti LaBelle play 'Shortnin' Bread' on their Acrylic Nails

People loved seeing these big stars' big 80s hair, big nails and big vocal talent.

"Two women who hold a special place in my heart. Probably everyone’s heart," wrote one person.

"I luv how Patty just came right on in with that TIGHT harmony," wrote another. "That's a true vocalist with natural, God given abilities."

"I've always liked Dolly Parton's music, energy, country accent, just her whole vibe. And Patti Labelle is auntie who can shatter crystal with her vocal range," added another.

"Divas. Pure unadulterated talent and joy. God, don't they sound great together? Love you Miss Patti, love you Miss Dolly," shared another.

And by the way, Parton wasn't making a joke when she said she wrote songs with her nails. She literally used them while writing and recording her 1980 hit "9 to 5."

“When I actually wrote ["9 to 5"] I used my acrylic nails on the set when I was writing it. I did because they make noise and it sounded like a typewriter to me,” she told Jimmy Fallon on "The Tonight Show." “I played it on the actual record, it says 'Nails by Dolly' on the album!” she added.

@fallontonight

@Dolly Parton’s nails are credited in #9to5 💅 #FallonFlashback #DollyParton

When musicians have true talent, they can make just about any kind of music sound magical, anywhere, any time, with any instrument—even when all they have are their voices and some fancy fingernails.

It's been nearly 40 years since this clip aired, and both of these rockstar women are still going strong. Dolly Parton has become a beloved national treasure not only for her music and sunny disposition but for her efforts to increase literacy with her Imagination Library book donation program. And "Godmother of Soul" Patti LaBelle has expanded her talents to the business world, launching Patti's Good Life food company in 2007 and growing it into a $200 million venture.

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A new viral R&B version of Dolly Parton's 'Jolene' is such a beautiful mood setter

It's like a completely new, equally good version of the all-time classic.

Representative Image from Canva, Dolly Parton/Youtube

Brb, listening to this 100x on repeat

As Rolling Stone announced that Beyoncé just became the first Black woman artist to have a song hit No. 1 on Billboard's Hot Country Songs chart, let’s keep the celebration of Black women busting through barriers in the genre going, why not?

Singer/songwriter and producer NYA, aka @nya.w0rld on TikTok, has given her followers all kinds of R&B versions of well known songs from artists like Taylor Swift, Justin Bieber and Avril Lavine. She’s even R&B-ified theme songs from popular television shows like “Friends.”

But it’s her recent R&B ballad of Dolly Parton’s “Jolene” that’s so good, people are hoping it finds its way to the Queen of Country herself.

At the start of the clip, NYA asks her viewers if they’re familiar with the 70s hit, leading into “what would it be like if it was an R&B song?”

NYA proceeds to effortlessly glides through a flurry of high and low notes and a percussive beat plays in the background.

Suffice it to say, even in a sea of “Jolene” covers, NYA delivers a completely new version of the song.

Listen:

@nya.w0rld because not enough of you heard the first vrsn of JOLENE that i did #fypp #throwbacksongs #jolene #dollyparton ♬ original sound - NYA

Over 5 million people have watched the video, and that’s not taking into account the other social media platforms that it's been shared to, and many began plotting how this cover could be shared with Parton.

“Someone put this on a cassette player and send it to Dolly Parton,” one fan said.

Another joked “Does anyone have Dolly’s fax number?” referencing the country icon’s famous preference for old school communication.

Perhaps, besides just being a bona fide banger, what makes NYA’s cover resonate so much with listeners is that we are beginning to have a more mainstream conversation about how country music, despite it being rooted in multiple cultures, has predominantly been catered to a white audience.

Those lines are being rightfully blurred now, as more country songs by non-white artists make it into the spotlight, and through meaningful collaborations, such as the iconic Grammys duet of “Fast Car” by Tracy Chapman and Luke Combs.

That’s one of the many great things about music, isn’t it? A song means so much more than the story its lyrics tell. It encapsulates a moment in time. And what this “Jolene” cover seems to contain within it is a merging of new and old in a way that’s oh so timely and important.

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