Two summers ago, the world watched with aching empathy as an orca mother, whose baby had died about 30 minutes after it was born, grieved. A group of female orcas surrounded her in a circle for at least two hours after the birth and death—a seemingly clear symbol of sympathy and solidarity. The mother had a hard time letting go, though, as she kept the dead calf afloat for 17 consecutive days. Even through rough waters, when the calf would slip and fall, she'd dive deep to push it back to the surface again.

Expressions of grief are common among marine mammals, but this orca—tagged by researchers as "J35" but known colloquially as Talequah—seemed to show an extreme reaction to the loss. And her grief moved us all, perhaps due to our tendency to anthropomorphize animals or perhaps as a reflection of our own individual losses. Real or attributed, we felt her pain.

But now we can rejoice with her as she has given birth to a healthy calf, and so far, all appears to be well. Ken Balcomb, founder for the Center for Whale Research, said the calf (known as J57) looked "very robust and lively" according to the New York Times.

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Courtesy of Tiffany Obi
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With the COVID-19 pandemic upending her community, Brooklyn-based singer Tiffany Obi turned to healing those who had lost loved ones the way she knew best — through music.

Obi quickly ran into one glaring issue as she began performing solo at memorials. Many of the venues where she performed didn't have the proper equipment for her to play a recorded song to accompany her singing. Often called on to perform the day before a service, Obi couldn't find any pianists to play with her on such short notice.

As she looked at the empty piano at a recent performance, Obi's had a revelation.

"Music just makes everything better," Obi said. "If there was an app to bring musicians together on short notice, we could bring so much joy to the people at those memorials."

Using the coding skills she gained at Pursuit — a rigorous, four-year intensive program that trains adults from underserved backgrounds and no prior experience in programming — Obi turned this market gap into the very first app she created.

She worked alongside four other Pursuit Fellows to build In Tune, an app that connects musicians in close proximity to foster opportunities for collaboration.

When she learned about and applied to Pursuit, Obi was eager to be a part of Pursuit's vision to empower their Fellows to build successful careers in tech. Pursuit's Fellows are representative of the community they want to build: 50% women, 70% Black or Latinx, 40% immigrant, 60% non-Bachelor's degree holders, and more than 50% are public assistance recipients.

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