Black Women’s Health Imperative CEO Linda Goler Blount on health equity and reproductive justice

You may never have heard of President and CEO of the Black Women’s Health Imperative (BWHI) Linda Goler Blount, but for over 25 years, she’s been doing the arduous and yet vital work of assuring that Black women achieve health equity and reproductive justice. Sometimes working behind the scenes securing funding, and other times in…

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You may never have heard of President and CEO of the Black Women’s Health Imperative (BWHI) Linda Goler Blount, but for over 25 years, she’s been doing the arduous and yet vital work of assuring that Black women achieve health equity and reproductive justice.

Sometimes working behind the scenes securing funding, and other times in front of the cameras or on Capitol Hill fighting what can feel like a Sisyphean feat to move her organization forward in its mission. Blount is resolute in her battle against two of the greatest risk factors to the health of Black women are racism and gender discrimination.

UP: What are some of the biggest challenges facing Black women today — vaccine hesitancy, preventative health, maternal mortality, diet, stress… etc?

LB: Stress is the number one health issue for Black women. Obesity-related syndromes such as hypertension, diabetes, and heart disease have their roots in stress — and microaggressions trigger stress. We know there’s a causal relationship between stress and weight. Black women have about 15% more cortisol in their bloodstream than white women. It changes their metabolism. If you give Black women and white women the same low-fat diet, Black women will lose weight more slowly and if both groups eat a high-fat diet, Black women will gain weight more quickly. We can see this in the DNA level. So, we focus our programs on asking women how they feel about being a Black woman in this environment at this moment. Because if we don’t understand that and more importantly, if providers, policymakers, and corporate leaders don’t understand that, then we’re not going to make the kind of progress we need to improve health outcomes for Black women. And equity is a long way off.


UP: Talk about the connection between racism and the health of Black women.

LB: In 1992, Arline Geronimus published an article on “weathering” where she discussed that Black women are literally aging faster than white women. Between two women, one Black and one White, both age 65, although they may look the same, Black women can be five to seven years older biologically because of the effect of racism and gender oppression. Fleda Mask Jackson found a causal relationship between experiences of racial and gender discrimination and low birth weight and premature deliveries and maternal deaths. We understand the biological response and what that does to the body, but not the psychological impacts. And I’m really interested in the everyday experiences of Black women and what that does [to the body]. When you have to have that talk with your 16-year-old son about driving and when the police stop him. When you see people not getting promoted or things said at work that are just out and out racist. When you go to a store and you’re followed around because you’re Black and they assume you’re going to steal something. We don’t have a full understanding of what that does to us.

UP: What are some of the changes in the health of Black women from when the organization started versus today?

LB: Our roots are in self-care. BWHI started 38 years ago with groups and sister-circles talking about health. Then over time with reproductive health, in particular, the organization needed to deal with policy and structural barriers that prevented us from practice to self-care. The changes have been on evidence-based strategies and calling it out when Black women are not included when drugs, therapeutics, and devices developed without the involvement of Black women as both as participants and as researchers.

More recently, we began working to change the narrative around how we talk about data, gender, and race, and how we tell the story. If we don’t start changing the way we use language, then we’re never going to understand Black women’s health. People will say, ‘Black women die 42% more from breast cancer than white women.’ But, that doesn’t tell the whole story and what a reader is left believing is that this data is the way it is because these women are Black or Latina. It’s not biological or genetic, it’s the lived experience.

UP: What can Black women do today to change their health outcomes?

LB: We talk a lot about meditation or prayer, and breathing. Breathing is critical. The 5-7-9, where you breathe in for 5 seconds, hold for 7 seconds and breathe out for 9 seconds. This can literally reduce cortisol in your bloodstream. We’ve got to take time for ourselves. Be intentional about separating yourself from stuff that isn’t good for you. For me and my team, we try to make it a point to take breaks. This work can be overwhelming. When you’re talking about dealing with hundreds of years of oppression and people who want to keep things exactly as they’ve always been, but who say things that are very different. I try to keep perspective. But it’s hard because there’s exactly one organization to do this work and if we weren’t here to do it, I don’t know what would happen.

UP: Can you give a couple of anecdotes where the health outcome of a Black woman was impacted by one of the BWHI programs?

LB: I would say around screening and mammography. In 2015, the U.S. Preventive Services Task Force (USPSTF) had this brilliant idea to raise the age of mammography for women from 40 to 50 years old. So, in 2016 we worked with several members of Congress on the PALS Act aka Protecting Access to Lifesaving Screening to get a moratorium on recommendations for women to begin screenings at 40 years old. Because if this became policy then insurers would stop paying for mammograms under 50. I attended at least 30 meetings, testified in front of Congress, I met with HHS, and other than the one Black person who’s on the USPSTF, I was the only Black person in the room. It was disheartening, but not surprising. But, these recommendations are based on science. So, here I am face-to-face with my former colleagues at the American Cancer Society who want to raise the age. So, I told them, ‘I know the data.’ These studies were done in Sweden and Canada and there’s not a Black woman in them. Black women get breast cancer 5 to 10 years younger than white women. This highlighted a Black woman’s organization and science and that we know the data just as well as you. While you may interpret it one way, let’s look at the complete story. You’re talking about applying a body of evidence to a group of people who had nothing to do with its creation in the first place.

UP: Do you feel a sense of pressure because, at this moment, the door of interest is open concerning the health and wellness of Black Americans?

LB: It’s an exponentially greater level of stress. We talk all the time about having this open window and being afraid it’s going to slam shut. Like, white people are going to be over this. ‘Okay, you’ve had your moment. We invested millions of dollars and you all need to be happy. So, let’s get back to the way things were. Just shut up and dribble.’ But, while feeling that pressure, there’s not a whole lot that can be done in the six months, nine months or even in a year, so we have to keep the conversation going. Right now, we’re creating a corporate index so that people can look at corporations and say, ‘Well, here’s your statement from last year. Now, what are you really doing?’ If we don’t keep pressure on these folks they get to ignore and pretend they never said what they said.

UP: Are there celebrities or well-known figures you would love to partner with BWHI? Any specific initiatives?

LB: Having Serena [Williams] talk about maternal health would be amazing. We need women across the lifespan. We need Oprah and Alfre Woodard. All these women for whom health is critical and understand the significance of the health of Black women. If we are successful, I think we also need to get Black men involved in this work.

UP: What can people who’re reading this do to move the needle forward on the health of Black women in their lives and/or communities?

LB: They can learn about BWHI and the issues as they really are not what they read, but understand the context in which Black women live and what that means for their health. So, they don’t fall into the trap of blaming the obese Black woman or blaming the woman with hypertension and being mindful of the language they use when they’re talking about race, gender, and health. It takes understanding to get to a level of compassion. And for those who have resources, they can contribute.

UP: Who are some of the women you look to for inspiration?

LB: I’d say Civil Rights activist Gloria Richardson. She’s always been the symbol of what can be done by a Black woman. I want to be the Gloria Richardson of epidemiology and I can say to these scientists, ‘Talk to the hand,’ in the same way she did holding off a national guardsman with a bayonet in his hand and [a fierce side eye].

  • Generation Jones is showing off their Farrah Fawcett feather hairdos from the ’70s in all their voluminous glory
    Generation Jones shows off their Farrah Fawcett–inspired hair from the 1970s.Photo credit: Reddit/Asleep-Cow-6367 & Wikipedia

    Television in the 1970s was packed with unforgettable variety shows and iconic late-night talk shows that showcased some pretty incredible performances. One TV show that had a seismic impact on pop culture in the late 1970s was Charlie’s Angels, which debuted in 1976 and starred the gorgeous Farrah Fawcett.

    It was Fawcett’s legendary coif that set off a major 1970s hair trend. Baby Boomers and Generation Jonesers took cues from Fawcett, opting for feathered shags and voluminous hairstyles that defined the decade.

    On Reddit, users shared photos and discussed the glory of the hair trend back in the day.

    Generation Jones on their feathered hairdos

    Redditor Asleep-Cow-6367 shared a photo of her feathered ‘do, along with a few funny comments. “I wanted to look RAD! 😅,” she wrote. “I didn’t know WTH I was doing, but I had that comb in the back pocket of my H.A.S.H. jeans! Haha. Oh, that blow dryer and round brush.”

    Another Redditor commented on her ‘do: “Nice! You had your hair ‘trained’ as they used to say back when.” She replied, “Kinda. I didn’t like hairspray, so I had that mirror in my locker door, and that comb in my back pocket! Every class break, I am checking my look! LOL.”

    She inspired other Gen Jonesers to share their nostalgic thoughts and memories:

    “Some of us guys pretty much had it too….lol.”

    “I loved my Farrah feather.”

    “I had shorter hair so I had the Dorothy Hamill. I think 90% of the girls were having one or the other.”

    “God the time and hair spray spent on these hairdos!! I looked exactly the same. I’m 63 now.”

    “The wild thing about this hairstyle is it worked on guys and girls. I’m a 64 year old man and I had that exact hairstyle in 1978.”

    “I remember getting the Farrah Fawcett hair style in Junior High. I cried when I washed my hair because it was the first time I had any type of bangs and thought I was bald. Haha I wore that style for several years as a teenager. My 8th grade school picture had the FF hair cut and the ugly baby blue eye shadow. I was next level using the dark blue mascara too.”

    Farrah Fawcett hair history

    Hairstylist Allen Edwards is credited with creating Fawcett’s signature hairdo.

    “The layers around the face are shorter,” Edwards told Stylelist in an August 2009 interview, according to the Huffington Post. “What made it different was that it wasn’t full on top. It was flatter, and the ‘Farrah’ part was the edges, which went flipping back. She had a very strong, squarish jaw, and with her hair long cut [and] moving away from her face, it took your eye away from it.”

    Edwards also told Access Hollywood that he had always wanted to style Fawcett’s naturally curly hair, and that the two finally met through mutual friend Jane Brolin in the mid-1970s.

    “When she came to me they were overbleaching her, and it was dry and didn’t have the luster I gave to it,” he quipped.

  • Bridgerton’s Luke Thompson shared his favorite French phrase. We need something like it in English.
    France isn't the only country with a saying like "un ange passe."Photo credit: Canva

    Luke Thompson has achieved heartthrob status as Benedict Bridgerton, the free-spirited, second-born son of the noble family featured in the popular Bridgerton television series. The show’s fourth season focuses on Benedict’s Cinderella-esque love story with a servant named Sophie, played by Yerin Ha.

    In an interview promoting season four, Thompson and Ha read questions from Bridgerton fans. One person asked Thompson, who grew up in France and speaks fluent French, to share his favorite French phrase.

    @etalkctv

    We can’t think of a better French teacher! 🇫🇷 Luke Thompson revealed what his favourite French phrase is and taught Yerin the language of love in the process! Watch the FULL video of Yerin Ha and Luke Thompson texting fans at the link in our bio. 🔗 Part 1 of ‘Bridgerton’ season 4 is streaming NOW on @Netflix. #LukeThompson #YerinHa #Bridgerton #French #BenedictBridgerton @Yerin Ha

    ♬ original sound – etalk

    “My favorite French phrase is probably…Oh! ‘Un ange passe,’” he said.

    Ha asked what it meant, and Thompson helped her decipher it. Un = a/an. Ange = angel. Passe = pass(es). In English, “Un ange passe” means “An angel passes.”

    “What it means is, when you’re having a conversation, or like just in a group, it’s a nice way of expressing awkward silence,” Thompson explained. “But it’s just those moments where like, just, there’s a bit of a lull and no one says anything. And you say, ‘Un ange passe.’”

    “You say, ‘An angel passes,’” Ha said. “That’s really nice.”

    It is nice. And it appears to be a glaring omission from the English language, since people in the comments shared that they have similar phrases for awkward silences in their cultures:

    “OMG we say the same thing in Arabic!”

    “We say the same in Portuguese… ‘passou um anjo’ ☺️”

    “In Spanish we say that, at least in Chile ‘pasó un angel or ‘un angel pasó.’”

    “In Spanish we say the same thing!! México 🇲🇽”

    “In Philippines we have this too! Haha may dumaang anghel 😂”

    “In Malay we said: malaikat lalu.”

    “We have that phrase in Danish too. But it’s more an angel went through the room.”

    “The Dutch also have this, but a reverend walks by instead of the angel 🙈 Angel is much nicer.”

    “We say that too in Nigeria. ‘Ndị muozi na agafe.’”

    It seems that many cultures have handy phrases like this to make a conversational lull feel mystical or magical instead of uncomfortable and awkward. The wording may differ from place to place—apparently, in Russia and Kazakhstan they say, “A cop was born”—but why don’t we have anything even close to it in English?

    When silence falls over a group of English speakers, we just stand there and shift our gaze, feeling the heavy seconds tick by. Occasionally, someone might acknowledge the silence by saying, “Well, this is awkward…” but that only emphasizes the awkwardness.

    The irony here is that English speakers tend to be particularly uncomfortable with silence, at least compared to cultures in which silence is viewed more positively.

    In his research, linguist Haru Yamada found that Americans consider the length of silence in Japanese speakers’ conversations to be “unbearably long.” Unlike many other cultures, we have no sweet, playful saying to slice through the pregnant pause.

    Not all silence is uncomfortable, of course. It becomes awkward when we expect others to speak—or when we are expected to speak—and no one does.

    According to Rebecca Roache, associate professor of philosophy at the University of London, the awkward feeling of silence comes from fear of how it might be interpreted: “Specifically, we worry about one or both of two things: having others misinterpret our silence, and having others correctly interpret our silence.”

    In other words, we might worry that people think we’re boring if we don’t have something to say, which would be a misinterpretation of our silence. Then again, we might worry that people will think we’re nervous, which may be a totally correct interpretation of our silence—but just not the impression we want to give others.

    The beauty of having a standard phrase like “un ange passe” is that it allows everyone to acknowledge that lulls in conversation are a normal, universal phenomenon. It says, “This is so common, we even have a saying for it.” That alone helps lessen the awkwardness. The English language’s lack of such a phrase now feels like a big, gaping hole in our social lives.

    Where did the idea of saying “un ange passe” come from in the first place? According to the Lawless French website:

    “No one seems to know the origin of the expression, whether the angel’s passing is what causes the silence or if she is attracted by the tranquility, but either way, un ange passe is a nice way to break the tension and continue chatting.”

    Can we just start saying “an angel passes” now? Do we need to ask anyone’s permission for this? It appears to be pretty universal, so maybe we English speakers just missed the boat somewhere along the centuries. It feels well past time to remedy that.

  • Henry Cavill shared a delightful story about a boy’s teacher who refused to believe his uncle was Superman
    Henry Cavill February 10, 2013Photo credit: Sean Reynolds via Wikimedia Commons

    When Henry Cavill was cast as Superman in 2011, most people were thrilled. His nephew Thomas was thrilled too, and he wanted everyone to know about it.

    At school, during a “talk about your family” day, Thomas told his class: “My uncle is Superman.” His classmates were stunned. Nobody believed him. His teacher, less than impressed, told him plainly: “Thomas, we don’t lie in school.”

    Thomas did not back down. “My uncle is Superman,” he insisted.

    The teacher, now genuinely concerned, raised the issue with Thomas’s mother when she came to collect him that afternoon. She walked her through the whole incident, explaining that the school did not encourage children to make things up in front of their peers. Thomas’s mother listened patiently, then delivered the news as gently as she could.

    “I hate to tell you this,” she said, “but it’s all true.”

    Cavill told the story on The Tonight Show with Jay Leno in June 2013, and it got so much mileage that he retold it on Live with Kelly and Ryan in 2018. Both times, audiences loved it for the same reason: Thomas never wavered. He knew what he knew, and no amount of adult skepticism was going to change it.

    “My uncle is Superman” is not the kind of claim most teachers are prepared to receive. But from Thomas’s perspective, it was simply a fact about his life, one that happened to be harder to verify than most. As Cavill told the story, there was no drama, no grand reveal. Just a small boy, stubbornly telling the truth, and a mother who had to gently correct a teacher’s assumptions at school pickup.

    The clip from the Live with Kelly and Ryan appearance has amassed over nine million views, with fans delighting in the specifics. “I hope the teacher replied by saying ‘I’m going to need you to prove that,’” one commenter wrote. “If my uncle was Superman I would brag about it every single day,” said another.

    Thomas, for his part, appears to have handled the whole thing with exactly the composure you’d expect from someone whose uncle saves the world for a living.

    This article originally appeared last year.

  • His classmates wouldn’t sign his yearbook. He signed it himself. Then Paul Rudd got involved.
    Photo of a high school; (Inset) Paul Rudd Photo credit: Gage Skidmore via Wikimedia Commons

    When Brody Ridder came home from school on May 24, 2022, his mom took one look at his yearbook and felt her heart crack open. He’d asked all kinds of kids to sign it. Two had. Two teachers had. And then, on one of the pages, in his own handwriting: “Hope you make some more friends. — Brody Ridder.”

    He had signed his own yearbook. And then wished himself better luck next year.

    Cassandra Ridder posted a photo of the page to the school’s private Facebook parent group that night. She didn’t ask Brody first, but as she told the Washington Post, she knew he’d be fine with it. “Brody has always told me he wants to be part of the solution.” Her message to other parents was simple: talk to your kids about kindness. She had no idea what was about to happen.

    Other parents showed the post to their kids. Seventeen-year-old Joanna Cooper got a text from her mom with a screenshot and made a decision on the spot, as she told KDVR. “We’re going to sign his yearbook,” she said, “because no kid deserves to feel like that.” She started texting friends. Meanwhile, Simone Lightfoot, also an 11th grader, was doing the same thing. “When I was younger, I was bullied a lot like him,” she told the Washington Post. “We walked in and we were like, ‘Where’s Brody at? Is Brody Ridder in here?’ And they’re like, ‘Yeah, he’s in the back.’ And we’re like, ‘Brody! We’re here to sign your yearbook, bud.’”

    The older kids didn’t just sign their names. As Goalcast reported in its coverage, they asked Brody about his hobbies, which turned out to include chess and fencing, and gave him a pep talk. Many of them had been in similar situations at his age. Once the upperclassmen started filling pages, the kids in Brody’s own class started getting up from their seats to sign it too. “It was like a domino effect,” Cassandra told Fox News. “It was beautiful.” By the end of the day, Brody had collected more than 100 signatures, paragraphs of encouragement, and a handful of phone numbers.

    “It just made me feel better as a person,” Brody told KDVR. “I don’t know how to explain it. It just makes me feel better on the inside.”

    The story didn’t stay local for long. After Cassandra posted an update to her personal Facebook, it spread widely. Letters started arriving at the Ridders’ P.O. Box from people across the country and around the world, people of all ages who recognized something in Brody’s story. By July, at least 600 letters had arrived, with more still coming, including one dictated by a three-year-old to his mom.

    Among those who reached out was Paul Rudd. According to the Denver Post, Rudd’s sister saw Cassandra’s post and contacted her to say the actor would love to connect with Brody. Rudd FaceTimed him and sent a care package that included a signed Ant-Man helmet and a handwritten note telling Brody that things get better and that many people, Rudd included, thought he was “the coolest kid there is.”

    Cassandra and Brody have since partnered with The UGLI Foundation, an anti-bullying nonprofit, to keep the conversation going, according to the Denver Post. Cooper, the 11th grader who organized the original yearbook visit, said she planned to push for a schoolwide signing event the following year so no student would face an empty book again.

    Brody said he’s not sure all the kids who refused to sign will become his friends. But something shifted. “It made me feel like there’s hope for the school,” Cassandra said, “there’s hope for humanity, and there are a lot of good kids in this world.”

    This article originally appeared two years ago.

  • ‘I am 55 and I look exactly 55.’ Woman’s viral commentary on aging hits all the right notes.
    It's more than okay to look your age.Photo credit: @tingmystyle/Instagram

    “You look like you’re aging backwards!”

    “You can’t be 50—you don’t look a day over 35!”

    “How do you stay looking so young? What’s your secret?”

    While such comments may be well-intentioned, a woman’s viral video challenges the idea that they are actually compliments. Ting, who posts as @tingmystyle on Instagram, looks directly at the camera and says matter-of-factly, “I am 55 and I look exactly 55. Stop telling a woman, ‘You look younger,’ or ‘You look good for your age.’ It’s not a compliment.”

    Challenging youth-obsessed culture

    Ting says such comments only reinforce our youth-obsessed culture.

    “Everyone ages so differently,” she points out. “What are we even supposed to look like at this age? So tired of hearing that ‘She’s in her 50s but looks 20 years younger.’ Why is that the goal?”

    It’s a question worth asking—and definitely one worth pausing to answer. So often, people go along with what society dictates as the norm, and today that norm means trying to look younger than one’s age. But why? Traditionally, elders have been revered. When did we decide youth was superior?

    As Ting declares, “I don’t survive five decades to be obsessed with looking 30. How many people never made it to 55?”

    Aging is a privilege

    Aging is a privilege not everyone gets. Shouldn’t we feel happy to have lived as long as we have? Part of wanting to look younger may be that getting older reminds us of our mortality. But in reality, none of us knows our timeline, and if we see each day of life as a gift, the more days we’ve lived, the better.

    “Women don’t owe the world youth, beauty frozen in time,” Ting states. “Looking my age, or even older than my age, is not a failure. Youth is not a standard. It’s just a season. And the seasons change.”

    Four images of trees and leaves during the four seasons as a metaphor for the seasons of life
    Every season has its unique beauty. Photo credit: Canva

    Amen. When we hold youthful beauty up on a pedestal, we miss the beauty of every other season. And though women have borne the brunt of the expectation to remain young-looking, men are feeling the pressure to look younger as well. Just look at the Hollywood stars across the gender spectrum getting facelifts and eyelifts. There’s nothing wrong with wanting to look good. But that’s not the same as trying to look young.

    “We look our age not because we’ve let ourselves go, but because we’ve finally let ourselves be,” says Ting. “I am so proud to look my age.”

    Embracing aging with pride

    It feels like an act of defiance to let ourselves look our age, much less be proud of it. But with more than eight million views, middle-agers everywhere heard Ting’s message loud and clear.

    Here’s what people are saying in the comments:

    “Ooooh, youth is not a standard, it’s just a season. Loveeeee.”

    “‘How many people never made it to 55.’ My mum never made it. I would have loved to send this video to her.”

    “Turning 39 next year and I’m excited! Like wow thank you for another year of life! I almost died in 2022 from a stroke and every birthday I’m just so thankful for my life.”

    “Aging is a privilege. I’ve lost too many people who would have loved to be here, wrinkly & full of sun spots and grey hairs.”

    “Yes! I’m 58. Don’t call me ‘young lady.’ Don’t tell me ‘happy 30th,’ on my birthday. Do you imagine I was having this much fun when I was 30? I wasn’t.”

    “Yes! Yes! Yes! When I turned 50 someone said to me – and I quote – ‘That’s ok 50 is the new 30!’ And I immediately shot back – ‘God I hope not. At 30 I was knee deep in diapers, never got any sleep and cared way too much about what other people said.’ At 58 when someone tells me I don’t look my age all I say is yes I do and change the subject.”

    “I’m 55 too. My only goal is to have clear glowing skin. I’m not supposed to look like my kids and I’m okay with that.”

    “I like giving compliments like wow you have amazing skin. Or wow you have such gorgeous shiny hair. Your eyes are bright – etc. You’re so right about youth-based compliments.”

    Examining our own habits

    So many are taking Ting’s message to heart, and it’s something to consider the next time we feel compelled to tell someone they look young for their age. Is this really a goal we want to reinforce? Or is it a social norm that needs to be thoughtfully examined—if not outright done away with?

    Thank you, Ting, for putting it so plainly and for serving as an example for us all.

    You can follow Ting on Instagram here.

  • A non-American asked how lemonade stands work. The responses are an absolute field day.
    Kids in the United States love to have lemonade stands.Photo credit: Canva
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    A non-American asked how lemonade stands work. The responses are an absolute field day.

    “I personally believe it’s illegal to not buy lemonade from a lemonade stand, especially if the kids are young and having fun.”

    Having a lemonade stand is like a rite of passage for children in the United States. So much so that they’ve become a trope in many movies set in America.

    Lemonade stands evoke nostalgia and fond childhood memories for many Americans. According to Smithsonian Magazine, 40% of Baby Boomers reported having a lemonade stand during their childhood.

    So when a non-American on Reddit genuinely asked if lemonade stands are “a real thing” here in the States, they got a flood of emphatic responses.

    Adding that in their country “parents would be embarrassed if their kids did that,” they asked Americans to describe “the vibe” of lemonade stands.

    “Is it seen as a cute hobby or an actual way to learn about money?” they wrote.

    And while many Americans confirmed that lemonade stands are indeed breeding grounds for future entrepreneurs, they also explained why they symbolize so much more in American culture.

    American lemonade stands, explained

    Some American Redditors took a more straightforward approach, describing what lemonade stands are all about and how they support kids with a business mindset:

    “It’s not something kids do to actually support their families. It’s a for fun thing typically done when school is out for pocket money or for fun to learn about running a business.”

    “I’ll also add that many people like to support kids doing this. I rarely want a cup of lemonade, but I pretty regularly stop to buy some when I see a stand in the summer. People like supporting kids who are putting in effort and people find it cute. It’s similar to kids mowing lawns, shoveling snow, selling bottled water, watering gardens, etc. for cash.”

    “I don’t want the lemonade, but I want to reward the kids for initiative. I’ll usually pay for a few, drink one and then tell others to stop by.”

    “I ALWAYS stop when I see one. Anytime I do I always overpay. $1 lemonade? Here is $5+ (depends on what I have). I’ve done it… 4 times so far? Not often but enough to make me happy to do it.”

    “Yes and I personally believe it’s illegal to not buy lemonade from a lemonade stand, especially if the kids are young and having fun.”

    “Yeah it’s viewed here they the kid is a ‘go getter’. They’re motivated and trying to get ahead. It’s not common on super busy roads, but on smaller neighborhood roads.”

    Americans share their nostalgic lemonade stand memories

    Others offered up their personal stories of how setting up a lemonade stand back in the day impacted them:

    “I remember receiving a Sacagawea dollar as a kid selling lemonade!! Best customer ever!”

    “When I was of the age (early 1970s) we had a giant lemon tree in our yard, that we used to make the lemonade. Ours was definitely not ‘warm and horrible.’ Ice came from the trays for free, but my mother lent us the money to buy the sugar, and we paid her back from profits. I guess she was really into the authenticity of the business experience.”

    “My dad made me pay him back for the frozen lemonade cans (where you add water to create a quart or half gallon), but didn’t tell us until after so our price of $0.50 barely covered it. Killed my business initiative real quick Selling coffee at the bottom of my driveway that was across from a polling place was far more effective.”

    @sweetmamamadeline

    Even tho I don’t like lemonade… I am still always going to stop! 🤣 #lemonadestand #mom

    ♬ original sound – mama madeline | mom life

    The history of the lemonade stand

    According to Smithsonian Magazine, the first recorded lemonade stand in the U.S. appeared in New York City in the fall of 1839. The publication also noted that in 1880, The New York Times reported that “a customer can have a glass of ice-cold lemonade, made before his eyes, for five cents.”

    Back then, lemonade was hawked by adults. By the early 1900s, it had become a popular entrepreneurial venture for children. Kids initially sold lemonade for charitable purposes. After states passed laws in 1918 requiring school attendance for children, lemonade stands became a summer staple.

    In recent years, many states have cracked down on lemonade stands due to public health concerns. Some began requiring permits for kids to run them. However, many states have also bucked regulation—including Georgia and Texas—ensuring that lemonade stands continue to be part of many American childhoods.

  • 21 years ago, Halle Berry made history by turning a Razzie into one of her most iconic performances
    Halle Berry made history by turning a Razzie into one of her most iconic performances.Photo credit: Razzie Channel/YouTube & Canva

    In 2004, the film Catwoman (directed by a French visual effects supervisor known simply as Pitof) was unleashed on the world, and it did not go well. The movie received scathing reviews, landing at 8% on Rotten Tomatoes (with an audience score of 18%). This didn’t go unnoticed by the Golden Raspberry committee, which bestowed seven nominations on the film, including Worst Picture, Worst Screenplay, and Worst Actress for Halle Berry.

    Did this stop Berry from having a good time? Absolutely not. In 2005, she created one of the most iconic power moves Hollywood has ever seen.

    For those unaware, the Golden Raspberry Awards (better known as the Razzies) began in 1981 as a satirical antithesis to the Oscars. The idea was that if filmmakers received prizes for “good work,” they should also have to accept awards for the “best worst” movies.

    So when Berry “won,” she didn’t just take it in stride. She used it as a reminder that she’s one of the entertainment business’ most incredible performers.

    Posted on the Razzie YouTube page, we see two presenters announce her name: “Halle Berry for Catwoman.” The crowd claps and laughs as we see a clip of Berry in the film, sniffing catnip manically.

    “Ladies and gentlemen—Halle Berry.” The crowd erupts as Berry, clad in a beautiful black dress, comes roaring onto the stage holding both her Razzie and her Oscar, which she received in 2002 for her work in Monster’s Ball. She feigns shock and excitement as the crowd jumps to its feet for a standing ovation.

    Berry’s speech

    “Oh my gosh,” she yells into the mic while milking every cheer. She pretends to hyperventilate, perhaps even tearing up a bit. “Thank you, guys! Thank you so much! I never in my life thought I’d be up here winning a Razzie.” The crowd laughs uproariously. “I mean, it’s not like I ever aspired to be here, but thank you!”

    What she does next is on another level. She holds up her Oscar and screams, “And no, I don’t have to give this back—it’s got my name on it!” Now the audience knows she’s in charge. She composes herself and says, “Ya know? I’ve got so many people to thank, because you won’t win a Razzie without a lot of help from a lot of people. So please indulge me and let me go through this.”

    Spoofing an Academy Award acceptance speech, she begins her list of “gratitude.” “First of all, I want to thank Warner Bros. Thank you for putting me in a piece-of-s–t, God-awful movie! It was just what my career needed, ya know? I was at the top, and then Catwoman just plummeted me to the bottom. Love it!”

    She pauses, then says, “It’s hard being on top. It’s much better being on the bottom.” The list continues. “I want to thank my manager, Vincent Cirrincione,” she says, and ushers him onto the stage. Cirrincione humbly listens while she kids, “This guy loves me. He loves me so much that he tells me I’m the greatest actress who ever was. He loves me so much that he convinces me to do projects even when he knows they’re s–t!”

    He humbly nods and plays along. “My only advice to you, Vinnie, is next time I do a movie—if I get a chance to do another movie—maybe you should read the script? Just counting the zeroes behind the one really isn’t enough. You’ve really got to read the script. Love you, man. Love you!”

    Berry is far from done.

    “I want to thank my agent and lawyers, who obviously don’t give a s–t. They’re not here tonight, but love you guys! I want to thank the writers—all twenty of them—for thinking this was a good idea.” She adds, “You tried, hey.”

    She couldn’t do it alone

    Now it’s time for her fellow actors to receive some love.

    “I want to thank the cast. You know, it’s really important. In order to give a bad performance like I did, you need a lot of bad actors around. So I want to thank all of them for being bad right along with me! One of them is here—Alex Borstein. Come on out!”

    Borstein, who played Sally, the “sassy best friend,” mugs and chews the scenery onstage as she stumbles out with fake tears. The crowd cheers. After they calm down a bit, Berry gets more serious. “One of the best things about Catwoman is I got to make some really wonderful lifelong friendships, and this lady is one of them.”

    Borstein composes herself and gazes into Berry’s eyes. She continues, “And you know what? I want to thank you for every single day looking up at me and telling me I was doing a great job—that I was the best Catwoman you ever saw. I want to thank you for lying straight to my face every day. You know, in Hollywood they lie behind your back, but she lied straight to my face!”

    Again, the crowd goes wild as Berry refocuses her energy. “I also want to thank our director, Pitof—you know, that one-name French guy? Thank you very much.” She admits his accent made it hard to take direction. “I mean, I didn’t know what the hell he was saying, but I’m sure it showed in my performance. But it was truly a joy and a pleasure.”

    Her acting coach is now on deck: “I want to thank my acting coach, Ivana Chubbuck. She just wrote a book called The Power of the Actor. You all should rush to get it. It could change your life too.”

    Berry ends on a serious note, saying, “When I was a kid, my mother told me that if you could not be a good loser, then there’s no way you could be a good winner. If you weren’t able to take criticism, then you were not worthy of getting your praise.”

    She then shares a story of having begun in beauty pageants and learning to control her rage when she lost. “So as you can imagine, I wanted to slap the s–t out of the Razzie people that brought me here tonight. But I won’t do that. I’ll do what my mother taught me and I’ll stand here graciously. I’ll take the criticism—take it as a lesson learned—and hope to God I never see these people ever again. Thank you all!”

    The response

    The audience claps with joyous applause. So did the comment section. On the official YouTube page, there are over 4,000 comments, with one reading, “This lady is classy as hell! Anyone who accepts their Razzie in person has my respect, and the delivery was absolutely priceless!”

    Another comment references the time Adrien Brody gave a six-minute speech for his Best Actor win for the film The Brutalist. The YouTuber jokes, “This speech is longer than Adrien Brody’s 6-minute speech, and hers is undeniably not a second wasted.”

    A clip circulating on Instagram has nearly 18,000 likes and a heap of support for her talent and her sense of humor. One person jokes, “The fact that she brought her Oscar…”

  • Texan who moved to the UK shares 3 ‘mortifying’ experiences that almost made her want to leave
    A woman in a cowboy hat and a woman in a phone booth in the UK. Photo credit: Canva

    If you’re looking to move abroad from the United States, the United Kingdom seems like a natural candidate on its face. After all, moving to the UK means you’ll already speak the language, be relatively familiar with the country’s political structure, and exist within a similar pop culture and media ecosystem.

    But many people who move to London or its surrounding areas are stunned to learn just how different American and British cultures can be.

    Ashley Jackson recently moved from Amarillo, Texas, to South Manchester. She’s been documenting her journey acclimating to the new culture on her TikTok channel. Recently, she shared three “mortifying” experiences that almost made her rethink her new life in the UK.

    texas, london, uk, america, americans, living abroad, UK culture, american culture, cultural differences
    London at night. Photo credit: barnyz/Flickr

    In the tongue-in-cheek post, she reiterates that despite the difficulties and hilarious flops that have arisen from her new life, she’s still having a great time living in Manchester. But things were certainly touch-and-go for a while at first.

    “One, I’ve had a full-on conversation with a person and I didn’t understand a lick of it. She had a very different accent I couldn’t understand,” Jackson says.

    Accents and regional dialects in the UK are among the most diverse and wide-ranging in the world. In the U.S., there are subtle differences between Southern, Cajun, and Northeastern accents, for example. But that’s nothing compared to what even locals encounter in the UK. Even they sometimes have a hard time understanding more niche or obscure dialects like Glaswegian or Devonian. Most Americans are woefully unprepared for the accents they encounter there.

    Issue number two for Jackson? “It hailstoned. While on a hike up a hill, it rained, hailstone, my daughter was crying. Everyone was wet, soggy, feet muddy. Quite traumatizing for all of us, but we’re still here.”

    Weather in the UK can be all over the map, but one thing the region is famous for is rain and hail. Heatwaves and climate change have only contributed to hailstones becoming larger and more frequent. In another video, Jackson says acclimating to the weather in the UK has been a challenge, noting that she had to “toughen up.”

    And finally, issue number three: “I was cut off by my GP (general practitioner) after the 10-minute mark. I didn’t realize there were 10-minute time slots for doctor’s appointments. Learned that one the hard way.”

    One big appeal of living in the UK is the mostly free healthcare provided through the NHS. However, appointments can be hard to come by, and many doctors are strict about keeping visits under 10 minutes so they can manage their patient load. Jackson was stunned to be “cut off” in the middle of a visit, but for locals, that’s just the way it goes.

    Americans moving to the UK often experience extreme culture shock. We sometimes expect the cultures to be so similar that the small differences that do exist catch us completely off guard.

    The language, though fundamentally similar, can take Americans a while to pick up on. British culture is full of slang, regional dialects, and colloquialisms that can be confusing for outsiders. One American who moved there, for example, was baffled when everyone kept calling her cookies “biscuits.”

    A lot of American daily conveniences either don’t exist in the UK or are far more rare. Air conditioning and garbage disposals, for example, are hard to come by. Houses and living quarters in general are much smaller than what most Americans are used to as well.

    Work culture is very different in the UK as well. Citizens usually have a stronger work-life balance and a government-mandated minimum of five weeks of paid vacation.

    In short, moving from America to the UK won’t necessarily be easy just because of the common language. Whether you ultimately enjoy American or British culture more is a matter of taste, but it will take some getting used to—that’s for sure.

    As for Jackson, she says in her videos that even if the adjustment wasn’t easy, she loves the rain, the NHS, and the walkability of life in the UK. She just had to stick it out through a few embarrassing faux pas before she could start enjoying all the perks.

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