Trump's racist campaign ad will look and sound familiar to students of history.

In the immediate wake of Donald Trump’s horrific TV ad today, which juxtaposes footage of Luis Bracamontes, an illegal immigrant completely unrepentant for murdering two policemen, with the so-called “migrant caravan,” I thought of this quote by Anne Frank:

“The war isn’t even over, and already there’s dissension and Jews are regarded as lesser beings. Oh, it’s sad, very sad that the old adage has been confirmed for the umpteenth time: "What one Christian does is his own responsibility, what one Jew does reflects on all Jews."

Anne Frank

I would advise anyone even remotely persuaded by Trump’s propaganda to play a game of Mad Libs: Bigotry Edition.

How to play: Take this quote, written by a victim of the Holocaust, replace the word “Jew” with “Illegal Immigrant,” and then ask yourself: is this ad participating in the same line of thinking that facilitated the murder of six million people?


Because that’s what Trump is doing, here. He shows one illegal immigrant—a glee-filled sociopath—and immediately cuts to a crowd. The camera follows the crowd at a distance, from behind, so the viewer sees only the backs of heads. No one has a face. These are not individuals with their own unique histories, differences, and inner worlds, but herd animals, an insect swarm, the zombie horde: they exist en masse. The behavior of one, is the behavior of all.

In film, special effects editors create enormous crowd scenes through a technique called “crowd duplication,” in which they film a handful of extras, and essentially “cut and paste” until the few transform to multitudes, filling the frame.

It’s an apt metaphor for what Trump attempts here—the camera gives us a lingering close-up of one terrifying person, and then quickly cuts to a raucous crowd, leaving the viewer to reflexively “cut-and-paste” the one face we are given—Luis Bracamontes, conveniently adorned with a devil’s goatee—over and over.

What’s more, the crowd appears to be a happy one—we hear cheerful hollers, the repeated blast of an air horn. But this comes right on the heels of Bracamontes, smiling unrelentingly as he brags about his crimes—in this context, their glee reads as menace. Clearly, their joy and Bracamontes’s are meant to share the same source: a psychotic pride in their capacity for evil. And just to add an extra layer of xenophobic flavor, their cheers are mingled with the sound of tribal drums.

What one illegal immigrant does, this ad tells us, reflects on all illegal immigrants.

How does Trump square “honoring” 11 people who died at the hands of an antisemite, with an ad that capitalizes on the same kind of thinking?

In the mind of their murderer, Joyce Fienberg, Richard Gottfried, Rose Mallinger, Jerry Rabinowitz, Cecil Rosenthal, David Rosenthal, Bernice Simon, Sylvan Simon, Daniel Stein, Melvin Wax, and Irving Younger were not individuals. They were “Jews.” Interchangeable figures in a faceless crowd. A bogeyman he cut-and-paste and cut-and-paste until they filled the screen.

Public Domain

A very simple thing happened earlier this week. Dr. Seuss Enterprises—the company that runs the Dr. Seuss estate and holds the legal rights to his works—announced it will no longer publish six Dr. Seuss children's books because they contain depictions of people that are "hurtful and wrong" (their words). The titles that will no longer be published are And to Think That I Saw It on Mulberry Street, If I Ran the Zoo, McElligot's Pool, On Beyond Zebra!, Scrambled Eggs Super! and The Cat's Quizzer.

This simple action prompted a great deal of debate, along with a great deal of disinformation, as people reacted to the story. (Or in many cases, just the headline. It's a thing.)

My article about the announcement (which contains examples of the problematic content that prompted the annoucnement) led to nearly 3,000 comments on Upworthy's Facebook page. Since many similar comments were made repeatedly, I wanted to address the most common sentiments and questions:

How do we learn from history if we keep erasing it?

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True

We're redefining what normal means in these uncertain times, and although this is different for all of us, love continues to transform us for the better.

Love is what united Marie-Claire and David Archbold, who met while taking a photography class. "We went into the darkroom to see what developed," they joke—and after a decade of marriage, they know firsthand the deep commitment and connection romantic love requires.

All photos courtesy of Marie-Claire and David Archbold

However, their relationship became even sweeter when they adopted James: a little boy with a huge heart.

In the United States alone, there are roughly 122,000 children awaiting adoption according to the latest report from the U.S Department of Health and Human Services. While the goal is always for a child to be parented by and stay with their biological family, that is not always a possibility. This is where adoption offers hope—not only does it create new families, it gives birth parents an avenue through which to see their child flourish when they are not able to parent. For the right families, it's a beautiful thing.

The Archbolds knew early on that adoption was an option for them. David has three daughters from a previous marriage, but knowing their family was not yet complete, the couple embarked on a two-year journey to find their match. When the adoption agency called and told them about James, they were elated. From the moment they met him, the Archbolds knew he was meant to be part of their family. David locked eyes with the brown-eyed baby and they stared at each other in quiet wonder for such a long time that the whole room fell silent. "He still looks at me like that," said David.

The connection was mutual and instantaneous—love at first sight. The Archbolds knew that James was meant to be a part of their family. However, they faced significant challenges requiring an even deeper level of commitment due to James' medical condition.

James was born with congenital hyperinsulinism, a rare condition that causes his body to overproduce insulin, and within 2 months of his birth, he had to have surgery to remove 90% of his pancreas. There was a steep learning curve for the Archbolds, but they were already in love, and knew they were committed to the ongoing care that'd be required of bringing James into their lives. After lots of research and encouragement from James' medical team, they finally brought their son home.

Today, three-year-old James is thriving, filled with infectious joy that bubbles over and touches every person who comes in contact with him. "Part of love is when people recognize that they need to be with each other," said his adoptive grandfather. And because the Archbolds opted for an open adoption, there are even more people to love and support James as he grows.

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You know that feeling you get when you walk into a classroom and see someone else's stuff on your desk?

OK, sure, there are no assigned seats, but you've been sitting at the same desk since the first day and everyone knows it.

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When an earthquake and subsequent tsunami caused a nuclear disaster in Fukushima, Japan, in 2011 most people who lived in the area fled. Some left without their pets, who then had to fend for themselves in a radioactive nuclear zone.

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