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Van Gogh's Starry Night, 1889.

Vincent van Gogh never got to enjoy his own historic success as an artist (even though we've been able to imagine what that moment might have looked like). Van Gogh died in 1890 at the age of 37 in Auvers-sur-Oise, France after shooting himself in the chest with a revolver. It was a tragic end to a turbulent life marked by mental instability and severe self-doubt.

According to the Van Gogh Museum, in a letter to his brother Theo in 1890, just a couple of weeks before his death, Van Gogh wrote, "...my life, is attacked at the very root, my step also is faltering." The man was struggling and exhausted. The high standards he had set for himself and his art were taking a toll. He was unsure about his future and, up to this point, had not received much recognition for his work and thought himself a failure "as a man and as an artist."

His most well-known work, Starry Night, was famously painted while Van Gogh was staying in an asylum in France 1889 after he mutilated his ear during a psychotic episode. According to the Van Gogh Museum, though, this may not be the full story. While it is widely agreed that Van Gogh did in fact cut off his own ear, the museum notes that it was because of a fight between Van Gogh and Paul Gaugin, the artist he had been working for in Aries, that led to the violent explosion that highlighted his deteriorating mental state.

Vincent Van Gogh, artist, 19th century, famous artist, Starry NightVincent Van Gogh's Self-Portrait, 1889Image via Canva.

As one of the best known and most studied artists of the 19th century, Van Gogh's madness and how it influenced his work is not new information. But it turns out that those of us who have appreciated his work have been missing out on some critical details for more than 100 years—revealed in the 2010s thanks to the Hubble Space Telescope.

A video at the bottom of the page will explain everything, but before we get there, let's do some backstory:

We known Van Gogh was an artist—and a genius artist at that—but, it turns out, he was also scientist. Kind of.

Whether intentionally or not, fresh eyes have found that Van Gogh's art—aside from being breathtaking—also captures one of science and nature's most elusive concepts: Turbulence.

The concept of turbulence is hard to understand with math, but it turns out art makes it fairly easy to comprehend through depiction. So, what is turbulence?

According to Britannica, turbulence, or turbulent flow, is a concept of fluid dynamics in which a type of fluid flow (liquid or gas like air or water or air) undergoes an irregular fluctuation or energy cascade. In other words, the air or water swirls and eddies as it moves: big eddies make smaller eddies, and those make even smaller ones, and so on. Common examples of turbulent flow include blood flow in arteries, lava flow, atmosphere and ocean currents, and the flow in boat wakes or surrounding the tips of aircraft wings.

It looks like this:

figures, flow, turbulence, turbulent flow, science, movementTurbulent flow illustrated and animated.All Van Gogh GIFs via TED-Ed.

The thing is, scientists only started figuring this out pretty recently.

turbulence, turbulent flow, science, nature, researchAnimation of art referencing science.All Van Gogh GIFs via TED-Ed.

And yet, there was Mr. Vincent van Gogh, 100 years earlier in his asylum with a mutilated ear and able to accurately capture this turbulent flow in what would become his most famous work, Starry Night.

Starry Night, Van Gogh, turbulence, art, art captures scienceAnimated Starry NightAll Van Gogh GIFs via TED-Ed.

The folks who noticed Van Gogh's ability to capture turbulence checked to see whether other artists did the same. Most of the Impressionists achieved "luminance" with their art—a striking and lifelike depiction of light's effect on color. While impressive, they did not capture or depict turbulence the way Van Gogh did.

The Scream, Edvard Munch, art, popular art, history, painting An animated depiction of The Scream.All Van Gogh GIFs via TED-Ed.

Not even Edvard Munch's The Scream, with it's swirling color and movement, could recreate what Van Gogh had accomplished.

Even in his darkest time, Van Gogh was able to capture—with eerie accuracy—one of nature's most complex and confusing concepts 100 years before scientists had the technology to do so.

Who would have thought that the beauty Van Gogh captured was foreshadowing what scientists would observe in the real, natural world in a century's time? To learn even more, watch the TED-Ed video below:

- YouTubeyoutu.be

This article originally appeared twelve years ago. It has been updated.

The impulse and ability to create art is one of the highlights of being human. It's a key quality that sets us apart from the animal world, one that makes life more meaningful and enjoyable. While there are artistic skills that make it easier for people to bring their imaginations into the visible, tangible world, art doesn't abide by any hard and fast rules. Especially kids' art. Especially young kids' art.

That's why Gemma Leighton, mother of 6-year-old Edie, shared her daughter's painting on Twitter with a request for support. Edie created the painting in an after school art club, and her art teacher told her she did it wrong. "You can't do art wrong!" wrote Leighton. "She was so upset as art is her favourite thing to do."

Now, we don't know exactly what the teacher said to Edie, but if a 6-year-old comes home upset and feeling like there's something wrong with their art, the teacher did something wrong. Full stop. Six-year-olds are just beginning to learn about technique, and encouragement is the most vital thing a teacher can offer a budding artist.

The internet rightfully pounced to Edie's defense, and the responses are incredibly heartwarming.


Many people shared how hurt they were as children when a teacher told them something was wrong with their art—and that they were wrong. Knowing that grown-ups had experienced the same kinds of unnecessary criticism as kids and realized that it was wrong can help Edie feel confident that her painting is not "wrong."



Others pointed out the famous artists that her painting reminded them of. Seeing how her own painting reflects some of the style and color choices of professional artists can help Edie see the spark of genius in her own artwork.

Songwriter Kimya Dawson, most famous for her songs in the movie Juno, shared that a middle school English teacher had told her to stop writing poems because they were "too juvenile."

"I never stopped though and making rhyming poems has been my career for over 20 years!" Dawson wrote. "Your painting is perfect! Keep it up! Don't worry what anyone else thinks."


Professional artists chimed in with words of encouragement, pointing out that Edie's use of perspective and expressionism were quite impressive for her age.

"The only 'wrong' is not making art that speaks from your heart," wrote an artist who goes by @Artsy on Twitter. "When she expresses her passion, her vision of her world, her personal reactions to what she sees and feels, she'll never be 'wrong.'"

Even KISS guitarist Paul Stanley offered Edie words of encouragement.

"Your art is AWESOME!!!" he wrote. "There is no such thing as doing art 'wrong.' There are only teachers who are wrong!!! Your art shows amazing freedom and spirit. How can that be 'wrong'?!?! Keep doing EXACTLY what you are doing. I LOVE it!!!"

Imagine being a heartbroken 6-year-old who has been told by a teacher that her art was wrong, and then seeing a flood of thousands of supportive comments from people who looked at the same piece of art and told you what they loved about it. This is how social media should be used. To lift people up, to encourage and inspire, to share beauty and creativity.

Leighton created a new Twitter account called Edie's Art for people to share kids' artwork, and gracious, it's a delight to peruse. There's nothing more pure, more colorful, more full of life than art that came from a child's imagination. They may not have the technical skills to perfectly create what they envision in their minds or what they're looking at for inspiration, but that's part of what makes it so beautiful. They aren't self-conscious enough yet to hold back, and their art comes from a place of confidence and acceptance of their own abilities—that is, until some adult comes along and squashes their artistic spirit.


One of my favorite things as a parent has been watching my kids' artistic expressions evolve as they've grown, and I've loved their artwork at every stage. And not just because I'm their mom, but because kid creations are the best reminder of how natural the human impulse to create really is, and how beautiful it is when we share that impulse without fear or doubt.

Keep painting, Edie. Don't let one person's opinion—even a teacher's—hold you back.


This article originally appeared four years ago.

Felice House

When Felice House moved to Texas from Massachusetts, she quickly fell in love with "Western" culture.

Felice House stands in a hallway art galleryTimothy Douglas

House, a painter and artist, moved to Austin to study for her master's degree before becoming an assistant professor of painting at Texas A&M University.


At first, the culture shock was fun. House says she quickly became infatuated with the Western genre: the outfits, the cowboy boots, the music.

"But when I actually got around to watching Western movies," she adds, "I was horrified by the roles for ... anybody except white men basically."

The stoic renegades played by John Wayne, James Dean, and Clint Eastwood stood in stark contrast to the helpless damsels they shared the screen with. The empowered and the powerless.

House had spent much of her career painting women in ways that clashed with media representations, so she decided to tackle the male-dominated Western genre.

She put out a call for models and was quickly overwhelmed with women who wanted to participate.

Woman in cowboy gear with red bandanaFelice House

House says many of the models already knew which iconic cowboy they wanted to portray.

Woman in cowboy gear with pink shirt and red bandanaFelice House

Virginia Schmidt became "Virginia Eastwood."

Woman in old fashioned Western sceneFelice House

Then there was "Liakesha Dean."

Woman in cowboy hat and red bandanaFelice House

And "Rebekah Wayne."

Woman in cowboy hat with eye patch and yellow bandanaFelice House

House first photographed the models in Western getups, then painted from the images she captured.

Woman in cowboy hat riding a horse and reaching for holsterFelice House

She also says practicing the facial expressions and body language was the hardest part for the models.

Woman lounging cowboy gear and red bootsFelice House

"Women are kind of trained to make coy, approachable facial expressions," she says.

Woman in cowboy hat pointing pistolFelice House

Turning these women into iconic and powerful heroes meant stripping away any remnants of the "sexy cowgirl" trope.

Two women in cowboy hats and Western gear holding a rifleFelice House

The paintings themselves are larger than life. Roughly 1.25 times larger, to be specific.

Woman in cowboy hat and Sheriff star holding a pistolFelice House

"When you see them in person, people are surprised by the scale." People aren't used to women towering over them, House says.

Woman in old fashioned Western clothing with rifleFelice House

And that's exactly the point. House wanted to start a conversation about who is assigned power and how we view it.

Woman sitting in cowboy boots holding two pistolsFelice House

In that sense, the timing couldn't have been better. "Issues with gender and power in the U.S. are kind of in the forefront of people's minds, " she says.

Woman in old fashioned Western scene in cowboy gearFelice House

In the very beginning of the project, House says she simply digitally clipped one of the models heads and put it on John Wayne's body.

"It looked ridiculous," she says with a laugh. "But then I thought, what if I could find a way to give this same sense of power [that iconic male heroes have] to women?"

With a brush and a few massive canvases, she managed to do just that, and she hopes it'll make a few people think differently about how we define who can be a hero.

In the meantime, and despite her criticisms of the films of yesteryear, House says pop culture is getting better at representing women. Projects like this one definitely help.

After all, it was John Wayne himself who once said, "Tomorrow hopes we have learned something from yesterday."


This article originally appeared on 3.17.17

Image from Jill Pelto, used with permission.

Artist Jill Pelto says more than you think in her paintings.

Jill Pelto's world is made up a rich blues, ochres, and a sky that looks like something out of an old mariner's chart.

But when you start to look closer, little details start to pop out. You notice a number here or there. Or a series of points marching down the top of a glacier. Or ... is that an x-axis?


Wait, are all of these charts?! This is data! Wooah!

The artwork, you see, isn't just beautiful. While each piece starts as a simple line graph of mass or temperature, Pelto — a graduate student at the University of Maine — transforms them into something more.

Pelto has spent the past years creating this astounding series of paintings, all based on scientific data.

She was first inspired by a research trip back in 2015.

science, nature, ice cores, artist

Painting depicts scientist coring ice to reveal climate history.

Image from Jill Pelto, used with permission.

Since she was 16, Pelto's been going on research trips with her father, glaciologist Mauri Pelto. In 2015, she joined her father in the field to study the glaciers in Washington state's North Cascade National Park.

On the trip, Pelto saw how the glaciers, while beautiful, had also lost much of their mass. Inspired, saddened, and packing her watercolors, Pelto decided to try to use her art to communicate what she was seeing.

The mass of glaciers in the North Cascades from 1980 to 2014. Data available here.

glaciers, arctic, study, science

A painting depicting a study in glacial mass.

Image from Jill Pelto, used with permission.

Since then, Pelto has continued the project, turning not just glacial mass but many other variables into brilliant works of art.

Within the deep purples and reds of a forest on fire hides a global temperatures trend.

forest fire, temperature change, global, studies

Image from Jill Pelto, used with permission.

Global temperature data, obtained from Climate Central, becomes the backdrop to an incredible forest fire. Rising temperatures and drought conditions could increase the future risk of forest fires.

Aquamarine-colored salmon intertwine with waves made from their population numbers.

salmon, ocean, rivers, art, climate

Coho salmon face declining rivers and climate change.

Image from Jill Pelto, used with permission.

Washington state has been hit by a number of droughts in the last few decades. Many rivers run low, affecting the coho salmon that spawn there.

Lifelike Arctic foxes hide amid a line graph that shows dwindling ice sheets.

arctic, foxes, science, nature, warming of poles

Arctic foxes face warming poles and climate change depicting in artist painting.

Image from Jill Pelto, used with permission.

The graph tracks the loss of Arctic sea ice from 1980 to the present. Arctic foxes are well-equipped to survive the chilly polar weather, but as the poles get warmer, larger species may invade and outcompete them.

This beautiful swaying reef exists in an increasingly acidic ocean.

coral reefs, warming seas, acidic ocean, science

Clown fish swim on a coral reef in a painting showing data of the oceans becoming more acidic.

Image from Jill Pelto, used with permission.

As more carbon dioxide is pumped into the atmosphere, the ocean is slowly becoming more acidic. Many species could be affected, including clownfish.

A tiger struggles against it's shrinking jungle habitat.

tiger, habitat, nature, environment

Painting showing the decline in tiger habitat area.

Image from Jill Pelto, used with permission.

This line graph is based on the decline in tiger habit area from 1970 to 2010.

Here, four different trends combine into a complex, ethereal landscape.

fossil fuel, sea levels, glacial decline, science

Artist Jill Pelto offers detailed information on climate change in artistic form.

Image from Jill Pelto, used with permission.

In this piece, called "Landscape of Change," Pelto combined data on sea levels, glacial decline, temperatures, and fossil fuel usage.

Pelto plans to continue painting once she completes her master's degree.

Science is an important tool for understanding our changing world, but even the most passionate scientist will admit it can be pretty dry at times. Getting people excited about trend lines or statistical analyses is no easy feat.

But art touches us on an emotional level. We get art. Seeing something that can combine the two disciplines, and hopefully inspire something inside us, is pretty dang cool.

You can see more of Pelto's artwork at her website.

This article originally appeared on 03.03.17