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Mannequins are getting a much-needed makeover in a colorful new exhibit.

Let's be real: We had an actual mannequin challenge in this world way before the viral video craze.

Mannequins are getting a much-needed makeover in a colorful new exhibit.
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Have you looked in a clothing store window lately?

Our fashion industry is everywhere and constantly evolving. Our seasons change, our styles change, our trends change. So why don't our mannequins change too?

Designer Rebecca Moses is stepping up to give the mannequin industry a much-needed makeover.

In her exhibit "Imperfectly Perfect," Rebecca has created a collection of mannequins that better reflect who we are as a culture today. She's using it as a way to celebrate fashion, visual art, mannequins, and diversity.

Gone are the days of every mannequin with the same shape, size, and blah look. These mannequins are bold, diverse, and champions of their own unique individuality.

All images below via Rebecca Moses, used with permission.

Some of her mannequins have a crooked nose or one eye that dips down. You'll see mannequins with a mole on their cheek or frizzy hair. No two look the same, but all are equally distinct.

Every single one carries the attitude of: Isn't it great to be indescribable?

"We've come out of a huge world of reconstructing ourselves to be some ideal that society has inflicted upon us," Moses says. "I believe that we have to embrace what we have — our imperfections are really what define us."

Moses knows that our differences are what make us who we are. She's celebrating them.

She based the idea of her mannequins on a collection of paintings of women she created. The project took two years to put together from the sculpting of the mannequins, to the designing of their clothes, to the painting of their bodies. The final result can be seen on display at Ralph Pucci International, a contemporary design and art showroom, in New York City.

"I really do think that mannequins have to evolve," Moses adds. "Fashion today is not really about clothes as it is about the characters that wear the clothes and define their style."

You could go as far as to say that giving mannequins a more realistic reflection of what people look like might be more important than the clothes they're trying to sell.

It's widely known that dissatisfaction with one's appearance, especially for girls, begins at a very early age.

The NYC Girls Project reports that by middle school, 40-70% of girls are dissatisfied with two or more parts of their body, and that body satisfaction hits rock bottom between the ages of 12 and 15. And while 63% of girls agree that the body image represented by the fashion industry is unrealistic, nearly the same amount admit to comparing their bodies to fashion models. Those standards — that are often not even real — can be severely damaging to girls' self-esteem.

From dolls to billboards to mannequins, showing more realistic versions of the human experience can make a positive impact.

Moses hopes her exhibit will serve as a small step to empowering women of all ages to embrace who they are.

She also points to the divided times we live in right now and why it's more important than ever to be inclusive and to celebrate the uniqueness we each bring to the world. We all have something to contribute: our vision, our talents, our voices.

"Owning who you are can give you the confidence to choose your path in life," she says. "We all need that inner confidence."

Cats are notoriously weird. Everyone who's had cats knows that they each have their own unique quirks, idiosyncrasies, preferences, habits, and flat-out WTFness.

But even those of us who have experience with bizarre cat behavior are blown away by the antics this "cat dad" is able to get away with.

Kareem and Fifi are the cat parents of Chase, Skye, and Millie—literally the most chill kitties ever. They share their family life on TikTok as @dontstopmeowing, and their videos have been viewed millions of times. When you see them, you'll understand why.

Take Chase's spa days, for example. It may seem unreal at first, but watch what happens when Fifi tries to take away his cucumber slices.

When she puts them back on his eyes? WHAT?! What cat would let you put them on once, much less get mad when you take them off?

This cat. Chase is living his best life.

But apparently, it's not just Chase. Skye and Millie have also joined in "spaw day." How on earth does one couple end up with three hilariously malleable cats?

Oh, and if you think they must have been sedated or something, look at how wide awake they are during bath time. That's right, bath time. Most cats hate water, but apparently, these three couldn't care less. How?

They'll literally do anything. The Don't Stop Meowing channel is filled with videos like this. Cats wearing glasses. Cats wearing hats. Cats driving cars. It's unbelievable yet highly watchable entertainment.

If you're worried that Kareem gets all the love and Fifi constantly gets the shaft, that seems to be a bit for show. Look at Chase and Fifi's conversation about her leaving town for a business trip:

The whole channel is worth checking out. Ever seen a cat being carried in a baby carrier at the grocery store? A cat buckled into a car seat? Three cats sitting through storytime? It's all there. (Just a heads up: A few of the videos have explicit language, so parents might want to do a preview before watching with little ones.) You can follow the couple and their cats on all their social media channels, including Instagram and YouTube if TikTok isn't your thing, here.

If you weren't a cat person before, these videos might change your mind. Fair warning, however: Getting a cat because you want them to do things like this would be a mistake. Cats do what they want to do, and no one can predict what weird traits they will have. Even if you raise them from kittenhood, they're still unpredictable and weird.

And honestly, we wouldn't have them any other way.

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We're redefining what normal means in these uncertain times, and although this is different for all of us, love continues to transform us for the better.

Love is what united Marie-Claire and David Archbold, who met while taking a photography class. "We went into the darkroom to see what developed," they joke—and after a decade of marriage, they know firsthand the deep commitment and connection romantic love requires.

All photos courtesy of Marie-Claire and David Archbold

However, their relationship became even sweeter when they adopted James: a little boy with a huge heart.

In the United States alone, there are roughly 122,000 children awaiting adoption according to the latest report from the U.S Department of Health and Human Services. While the goal is always for a child to be parented by and stay with their biological family, that is not always a possibility. This is where adoption offers hope—not only does it create new families, it gives birth parents an avenue through which to see their child flourish when they are not able to parent. For the right families, it's a beautiful thing.

The Archbolds knew early on that adoption was an option for them. David has three daughters from a previous marriage, but knowing their family was not yet complete, the couple embarked on a two-year journey to find their match. When the adoption agency called and told them about James, they were elated. From the moment they met him, the Archbolds knew he was meant to be part of their family. David locked eyes with the brown-eyed baby and they stared at each other in quiet wonder for such a long time that the whole room fell silent. "He still looks at me like that," said David.

The connection was mutual and instantaneous—love at first sight. The Archbolds knew that James was meant to be a part of their family. However, they faced significant challenges requiring an even deeper level of commitment due to James' medical condition.

James was born with congenital hyperinsulinism, a rare condition that causes his body to overproduce insulin, and within 2 months of his birth, he had to have surgery to remove 90% of his pancreas. There was a steep learning curve for the Archbolds, but they were already in love, and knew they were committed to the ongoing care that'd be required of bringing James into their lives. After lots of research and encouragement from James' medical team, they finally brought their son home.

Today, three-year-old James is thriving, filled with infectious joy that bubbles over and touches every person who comes in contact with him. "Part of love is when people recognize that they need to be with each other," said his adoptive grandfather. And because the Archbolds opted for an open adoption, there are even more people to love and support James as he grows.

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You know that feeling you get when you walk into a classroom and see someone else's stuff on your desk?

OK, sure, there are no assigned seats, but you've been sitting at the same desk since the first day and everyone knows it.

So why does the guy who sits next to you put his phone, his book, his charger, his lunch, and his laptop in the space that's rightfully yours? It's annoying!

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There have been many iconic dance routines throughout film history, but how many have the honor being called "the greatest" by Fred Astaire himself?

Fayard and Harold Nicholas, known collectively as the Nicholas Brothers, were arguably the best at what they did during their heyday. Their coordinated tap routines are legendary, not only because they were great dancers, but because of their incredible ability to jump into the air and land in the splits. Repeatedly. From impressive heights.

Their most famous routine comes from the movie "Stormy Weather." As Cab Calloway sings "Jumpin' Jive," the Nicholas Brothers make the entire set their dance floor, hopping and tapping from podium to podium amongst the musicians, dancing up and down stairs and across the top of a piano.

But what makes this scene extra impressive is that they performed it without rehearsing it first and it was filmed in one take—no fancy editing room tricks to bring it all together. This fact was confirmed in a conversation with the brothers in a Chicago Tribune article in 1997, when they were both in their 70s:

"Would you believe that was one of the easiest things we ever did?" Harold told the paper.

"Did you know that we never even rehearsed that number?" added Fayard.

"When it came time to do that part, (choreographer) Nick Castle said: 'Just do it. Don`t rehearse it, just do it.' And so we did it—in one little take. And then he said: 'That's it—we can't do it any better than that.'"

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