Nat Geo's 'Blink' tracks a family finding beauty while facing blindness as they travel the globe
“Let's go all in and fill their visual memory with as much beauty as we can."
“Blink,” a new film by National Geographic Documentary Films shows how a family with four children, three of whom are going blind, embraces life in the face of an uncertain future. It’s a testament to the resilience of the Lemay-Pelletier family but also a reminder for all of us to seize the day because all our futures are uncertain.
Edith Lemay and Sébastien Pelletier are the parents of Mia, a 13-year-old girl, and three boys: Léo, 11, Colin, 9, and Laurent, 7. Over the last six years, they’ve learned that Mia and the two youngest boys have retinitis pigmentosa, a rare genetic disease in which the cells of the retina slowly die. As the disease progresses, the person develops “tunnel vision” that shrinks until very little vision remains.
The diagnosis devastated the parents. "The hardest part with the diagnosis was inaction. There's nothing they can do about it. There's no treatment,” Edith says in the film.
However, even though the parents couldn’t affect the progress of the disease, they could give their children’s senses an epic experience that would benefit them for a lifetime.
“We don’t know how fast it’s going to go, but we expect them to be completely blind by mid-life,” said the parents. Mia’s impairment advisor suggested they fill her visual memory with pictures from books. “I thought, I’m not going to show her an elephant in a book; I’m going to take her to see a real elephant,” Edith explains in the film. “And I’m going to fill her visual memory with the best, most beautiful images I can.”
The Pelletier family (from left): Mia, Sebastien, Colin, Edith Lemay, Laurent and Leo inKuujjuaq, Canada.via National Geographic/Katie Orlinsky
This realization led to an inspiring year-long journey across 24 countries, during which every family member experienced something on their bucket list. Mia swam with dolphins, Edith rode a hot-air balloon in Cappadocia, and Léo saw elephants on safari.
Colin realized his dream of sleeping on a moving train while Sébastien saw the historic site of Angkor Wat.
“We were focusing on sights,” explains Pelletier. “We were also focusing a lot on fauna and flora. We’ve seen incredible animals in Africa but also elsewhere. So we were really trying to make them see things that they wouldn’t have seen at home and have the most incredible experiences.”
Cameras followed the family for 76 days as they traveled to far-flung locales, including Namibia, Mongolia, Egypt, Laos, Nepal and Turkey. Along the way, the family made friends with local people and wildlife. In a heartbreaking scene, the boys wept as the family had to leave behind a dog named Bella he befriended in the mountains of Nepal.
But the film isn't just about the wonders of nature and family camaraderie. The family's trip becomes a “nightmare” when they are trapped in a cable car suspended hundreds of feet above the Ecuadorian forest for over 10 hours.
Leo, Laurent, Edith, Colin, Mia, and Sebastien look out at the mountains in the Annapurna range.via MRC/Jean-Sébastien Francoeur
As expected, NatGeo’s cinematographers beautifully capture the family's journey, and in the case of “Blink,” this majestic vision is of even greater importance. In some of the film's quietest moments, we see the children taking in the world's wonders, from the vast White Desert in Egypt to a fearless butterfly in Nepal, with the full knowledge that their sight will fail one day.
Along the way, the family took as many pictures as possible to reinforce the memories they made on their adventure. “Maybe they’ll be able to look at the photographs and the pictures and they will bring back those stories, those memories, of the family together,” Edith says.
But the film is about more than travel adventures and the pain of grief; ultimately, it’s about family.
“By balancing [the parents’ grief] with a more innocent and joyous tale of childlike wonder and discovery, we felt we could go beyond a mere catalog of locations and capture something universal,” the directors Edmund Stenson and Daniel Roher, said in a statement. “Keeping our camera at kid-height and intimately close to the family, we aimed to immerse the audience in the observational realities of their daily life, as well as the subtle relationships between each of them. This is a film built on looks, gestures and tiny details—the very fabric of our relationships with one another.”
Ultimately, “Blink” is a great film to see with your loved ones because it’s a beautiful reminder to appreciate the wonders of our world, the gift of our senses and the beauty of family.
The film will open in over 150 theaters in the U.S. and Canada beginning Oct. 4 and will debut on National Geographic Channel and stream on Disney+ and Hulu later this year. Visit the “Blink” website for more information.
It's hard to date when you're fat, but not for the reasons you might think.
"You know what I like about you? You’ve got fat pride. I felt that way, too, until I realized I wanted anyone to fuck me ever."
We’d been talking online for weeks — he was funny, erudite, nerdy, kind. He’d told me he’d lost weight in the past. I’d done my due diligence of telling him how fat I was, working hard to avoid repeats of past hurt and disappointment. I’d weeded through dozens of profiles about wanting to meet "healthy," "active" women and several that pointedly instructed that fat women weren’t welcome. Many men had sent graphic, sexual messages, and when I politely declined or didn’t respond, they issued lengthy screeds. "U SHOULD BE GRATEFUL." "I wouldn’t even rape you."
In amongst all of that, I’d found someone who seemed like a gem. And then, on our first real date, this. It was frustrating, isolating, and made me feel so big and so small, all at the same time.
I gently pushed back. "You know you’re saying that about me, too, right?"
"What?"
"When you talk about no one wanting to fuck fat people, you’re talking about me, too."
He shook his head. "Don’t take it personally. It’s not personal."
I got quiet then asked for the check. He said he’d walk me out. When we got outside, he tried to kiss me then asked if I wanted to go back to his place.
Years later, I was falling for a new partner.
We’d been dating for several months, and she was extraordinary: full of life, wildly intelligent, absurdly beautiful. I’d tell her often — maybe too often — how stunning I thought she was. With equal frequency, she’d talk about my body. "You’re so brave to dress the way you do." "I want you to feel empowered."
At first, her responses sounded like reciprocity, but they always seemed to sting. I felt deflated every time she said it. Like that first date, she couldn’t see past my body. She valued me, but she didn’t desire me. When she spoke, she never spoke about my body — only about my relationship to it. She was amazed that I wasn’t sucked into the undertow of self-loathing and isolation that she expected from fat women. Those comments were a reminder of how frequently she thought of my body, not as an object of desire, but as an obstacle to overcome. She was impressed that I could. She could not.
When you and I talk about dating, dear friend, we have a lot of overlapping experiences because dating can be difficult and awkward for anyone.
It’s a strange auditioning process: all artifice to find someone who can respect your uncrossable lines, and failed auditions usually mean those lines get crossed. It’s easy to feel judged, stalled, alone in the process. It can get exhausting, exciting, frustrating, exhilarating.
But dating as a fat person means contending with so many added layers of challenge.
You told me once you imagined it was impossible to date as a fat person. It’s not; it’s just a lot of work. Lots of people are willing to sleep with fat people. Many are willing to date a fat person.
Few are willing to truly embrace a fat person. Almost no one, it seems, really knows what that means.
That first date, dear friend, is such a frequent moment.
My sweet, funny date was abruptly overthrown, overtaken by years of the same anti-fat messages all of us hear. He couldn’t reconcile being fat and being loved. All of that, suddenly, was visited upon me, as it so often is.
I only bring up my feelings about being a fat person after knowing someone for some time. But, with startling regularity, new acquaintances, dates, and strangers offer diet advice, trial gym memberships, and, even once, a recommendation for a surgeon. My life as a fat person is a barrage of weekly, daily, and hourly offers of unsolicited advice. At first, the detailed answers, the constant defense, the explanation of my daily diet and medical history are ineffective — no answer is sufficient. Over time, it becomes burdensome, then exhausting, then frustrating. And it doesn’t seem to cross the minds of most people I meet that I’ve heard what they’ve said before — not just once, but over and over again, in great detail. I have a forced expertise in diets, exercise regimens, miracle pills, and the science of weight loss.
That may not be your experience, dear friend, because people may approach you differently.
You might not know what it’s like to feel your face flush or your heart race when your body so reliably becomes a topic of conversation during dinner parties, work events, first dates. There’s a familiar wave of frustration, hurt, and exhaustion. It’s all the visceral, invisible consequence of unintended harm because few of us — even you, my darling — have unlearned the scripts we’re expected to recite when we see a body like mine.
As a fat woman, I just want what anyone else wants: to be seen, to be loved, to be supported for who I am. To be challenged and adored. To be worth the effort for who I am.
When I meet people whose first response to me is about my fat body, I learn something important about that person. Whether their opening salvo is "Fat bitch" or "I’m concerned about your health" or "Have you tried this diet?" or "I think you’re beautiful," they all send the same message: that I am invisible. Rather than seeing me or getting to know who I am, they can only see my fat body.
It’s true of so many people I meet. They’ve got this deep-seated block: They can’t see fat people as individual people with individual stories because no one expects them to. Nothing in our culture indicates that fat people might have individual experiences, different stories, life experiences as rich and varied as anyone else. Instead, we’re met with diagnosis, prognosis, quarantine: an anthropological impulse to demand to know why we are the way we are and to figure out how to stop us from having the bodies we have. We’re reduced to figures in an equation, a puzzle to solve. But truthfully, we’re so much messier than that. We’re just as contradictory, real, and human as anyone else you know, and loving us is just as complicated.
When we have conversations like this, you often say, "I had no idea."
It’s heartening, dear friend, and it’s also hard to hear. It’s a harsh reminder that even those closest to me are subject to all those same influences and impulses.
There’s so much work in just working up the mettle to date at all. Building your own confidence and battling your own doubt enough to date at all can be difficult, in part because there’s no template. Media representation is seriously lacking for many communities; seeing thriving fat people in media is nearly nonexistent. Being fat means not seeing yourself reflected anywhere as being happy, healthy, or affirmed.
Being fat means taking on the Sisyphean task of creating your own world, one in which you can declare a truce with yourself and learn to feel OK or feel nothing at all about yourself when the entire world seems to be telling you that is not possible.
It means finding whatever you can scavenge to build yourself some makeshift shelter of thatch and driftwood. It’s brittle and dry, and it’s something. You try to build something that can withstand the gale-force winds of seeing an episode of "The Biggest Loser" or hearing a stranger offer unsolicited diet advice that you’re already taking. You build it slowly, painstakingly — testing methods and gathering rare, essential materials over time. It’s precious and fragile, a labor of love and a means of survival.
And finding a partner means opening that hard-fought home to someone else, over and over again, knowing that person might destroy it.
Usually, they do.
You’ve mourned it a hundred times. Your skin has thickened. Sometimes that person burns it to the ground, setting a fire to watch it burn. But more often, they just forget to extinguish their cigarette. Yes, when we look for love, some of us are hurt intentionally, cruelly, because of our bodies and because of overt fatphobia. But usually, we’re hurt without malice, through rote scripts about who we’re allowed to be and an expectation that we’ll devote our lives to meeting those expectations.
Often, when looking for friends and partners, I search for those who will be gentle with the home I’ve built, ramshackle though it is.
What made such an impression on my partner from years ago was that I didn’t stop there: I wanted someone who would help build that home, someone who would protect it, someone who would call it their home, too. Because a lack of harm isn’t love.
I want love. And as a fat person, there’s audacity in that.