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Before you share an MLK quote, understand that you're quoting a proud political radical

Before you share an MLK quote, understand that you're quoting a proud political radical
Photo by Ricardo Gomez Angel on Unsplash

Every year around Martin Luther King, Jr. Day, social media feeds get flooded with memes bearing Dr. King's face and words—snapshots of the man with a snippet of his message, wrapped neatly in a square package, easily digested by the masses.

We get bombarded by the "not by the color of their skin, but by the content of their character" quote we all know and love. We get hit with "darkness cannot drive out darkness" memes that keep us feeling cozy in our comfort zones. We see "I have decided to stick with love. Hate is too great a burden to bear," over and over, and nod our heads in placid agreement. People of all stripes share MLK quotes that give us all the warm fuzzies, and we think, "Wow, what an amazing, peaceful, universally beloved man."

Credit Unknown

But there are two big problems with such memes.

1) Sharing one or two sentences drastically dilutes Dr. King's legacy, turning his core message into a socially neutral, politically palatable, let's-all-hold-hands-and-skip-together philosophy—one that challenges no one and betrays the radical reality of his work.

2) Such a whitewashing of King's message enables people to share his words in a way that actually upholds or overlooks the very injustices he was trying to fight.

RELATED: Steve Bannon claimed MLK would be proud of Trump. King's daughter shut him down.

For example, I've seen people say that people should be "judged not by the color of their skin but by the content of their character" as an argument against Affirmative Action-type programs. I've seen people say "hate cannot drive out hate" while mischaracterizing a calling out of racial injustice as hatred. I've seen people quote King's "I have a dream" speech while asserting that talking about racism just perpetuates racism—an assertion King simply didn't abide.

People frequently twist King's words to fit their worldview, and in doing so, dishonor the man and his fight for true justice. The radical nature of his message seems to have been watered down into what people think he was—a gentle leader who advocated a non-violent approach to fighting for equality—instead of what he actually was—a passionate disrupter who constantly pushed boundaries and pulled no punches when calling out injustices of all kinds. Many Americans today would undoubtedly call him a "race-baiter" at best, and an "extremist thug" at worst.

We mustn't forget that King was considered a radical and a criminal, by both the U.S. government and much of mainstream America, during his lifetime. At the height of his activism, nearly two-thirds of Americans had an unfavorable opinion of King. And that disapproval didn't just come from the openly racist South. After being hit with a rock at a desegregation march in Chicago, King remarked, "I have seen many demonstrations in the South, but I have never seen anything so hostile and so hateful as I've seen here today."

King had strong words for those of us who think we're not racist. When I first read King's Letter from a Birmingham Jail—his response to a group of clergymen who agreed with his antiracism sentiments but criticized his "extreme" methods—I was blown away. I remember thinking that my education about Dr. King had been sorely lacking, that I'd never learned how much criticism he'd faced and how frequently he was considered an extremist by white moderates, and that I had no idea how he had directly challenged white Americans of goodwill. (In other words, people like me.)

The least we can do to honor King's life is to go beyond popular one-liners, take the time to read one of his most important works, and to meditate on the challenges he presented to us. You can read King's Letter from a Birmingham Jail in its entirety here, but I've included some excerpts below that highlight some of its main points.

For example, this passage explaining how peaceful activism doesn't mean avoiding tension and crisis:

"You may well ask: 'Why direct action? Why sit ins, marches and so forth? Isn't negotiation a better path?' You are quite right in calling for negotiation. Indeed, this is the very purpose of direct action. Nonviolent direct action seeks to create such a crisis and foster such a tension that a community which has constantly refused to negotiate is forced to confront the issue. It seeks so to dramatize the issue that it can no longer be ignored. My citing the creation of tension as part of the work of the nonviolent resister may sound rather shocking. But I must confess that I am not afraid of the word 'tension.' I have earnestly opposed violent tension, but there is a type of constructive, nonviolent tension which is necessary for growth. Just as Socrates felt that it was necessary to create a tension in the mind so that individuals could rise from the bondage of myths and half truths to the unfettered realm of creative analysis and objective appraisal, so must we see the need for nonviolent gadflies to create the kind of tension in society that will help men rise from the dark depths of prejudice and racism to the majestic heights of understanding and brotherhood. The purpose of our direct action program is to create a situation so crisis packed that it will inevitably open the door to negotiation."

RELATED: Ad execs probably should have read the full MLK speech before making that commercial.

Or this passage about the "timing" of taking action against injustice:

"We know through painful experience that freedom is never voluntarily given by the oppressor; it must be demanded by the oppressed. Frankly, I have yet to engage in a direct action campaign that was 'well timed' in the view of those who have not suffered unduly from the disease of segregation. For years now I have heard the word 'Wait!' It rings in the ear of every Negro with piercing familiarity. This 'Wait' has almost always meant 'Never.' We must come to see, with one of our distinguished jurists, that 'justice too long delayed is justice denied.'"

Many people who praise Dr. King would have called him a criminal if he were still alive today, as he advocated breaking unjust laws:

"One may well ask: 'How can you advocate breaking some laws and obeying others?' The answer lies in the fact that there are two types of laws: just and unjust. I would be the first to advocate obeying just laws. One has not only a legal but a moral responsibility to obey just laws. Conversely, one has a moral responsibility to disobey unjust laws. I would agree with St. Augustine that 'an unjust law is no law at all.'"

He added that a just law can sometimes be applied unjustly, and that how one violates a law matters:

"Sometimes a law is just on its face and unjust in its application. For instance, I have been arrested on a charge of parading without a permit. Now, there is nothing wrong in having an ordinance which requires a permit for a parade. But such an ordinance becomes unjust when it is used to maintain segregation and to deny citizens the First-Amendment privilege of peaceful assembly and protest.

I hope you are able to see the distinction I am trying to point out. In no sense do I advocate evading or defying the law, as would the rabid segregationist. That would lead to anarchy. One who breaks an unjust law must do so openly, lovingly, and with a willingness to accept the penalty. I submit that an individual who breaks a law that conscience tells him is unjust, and who willingly accepts the penalty of imprisonment in order to arouse the conscience of the community over its injustice, is in reality expressing the highest respect for law."

In addition, he pointed out that some of history's most unjust acts were legal, while some of the most righteous acts were illegal:

"We should never forget that everything Adolf Hitler did in Germany was 'legal' and everything the Hungarian freedom fighters did in Hungary was 'illegal.' It was 'illegal' to aid and comfort a Jew in Hitler's Germany. Even so, I am sure that, had I lived in Germany at the time, I would have aided and comforted my Jewish brothers. If today I lived in a Communist country where certain principles dear to the Christian faith are suppressed, I would openly advocate disobeying that country's antireligious laws."

One of the most important points King makes in this letter is how white moderates who put law and order over justice do as much, if not more, harm to the cause of justice as outright racists:

"I must confess that over the past few years I have been gravely disappointed with the white moderate. I have almost reached the regrettable conclusion that the Negro's great stumbling block in his stride toward freedom is not the White Citizen's Counciler or the Ku Klux Klanner, but the white moderate, who is more devoted to 'order' than to justice; who prefers a negative peace which is the absence of tension to a positive peace which is the presence of justice; who constantly says: 'I agree with you in the goal you seek, but I cannot agree with your methods of direct action'; who paternalistically believes he can set the timetable for another man's freedom; who lives by a mythical concept of time and who constantly advises the Negro to wait for a 'more convenient season.' Shallow understanding from people of good will is more frustrating than absolute misunderstanding from people of ill will. Lukewarm acceptance is much more bewildering than outright rejection.

I had hoped that the white moderate would understand that law and order exist for the purpose of establishing justice and that when they fail in this purpose they become the dangerously structured dams that block the flow of social progress. I had hoped that the white moderate would understand that the present tension in the South is a necessary phase of the transition from an obnoxious negative peace, in which the Negro passively accepted his unjust plight, to a substantive and positive peace, in which all men will respect the dignity and worth of human personality. Actually, we who engage in nonviolent direct action are not the creators of tension. We merely bring to the surface the hidden tension that is already alive. We bring it out in the open, where it can be seen and dealt with. Like a boil that can never be cured so long as it is covered up but must be opened with all its ugliness to the natural medicines of air and light, injustice must be exposed, with all the tension its exposure creates, to the light of human conscience and the air of national opinion before it can be cured."

How about this bit about "the appalling silence of the good people"?

"We will have to repent in this generation not merely for the hateful words and actions of the bad people but for the appalling silence of the good people. Human progress never rolls in on wheels of inevitability; it comes through the tireless efforts of men willing to be co workers with God, and without this hard work, time itself becomes an ally of the forces of social stagnation. We must use time creatively, in the knowledge that the time is always ripe to do right."

And finally, some words about law and order and the role of the police in "preventing violence":

"Before closing I feel impelled to mention one other point in your statement that has troubled me profoundly. You warmly commended the Birmingham police force for keeping 'order' and 'preventing violence.' I doubt that you would have so warmly commended the police force if you had seen its dogs sinking their teeth into unarmed, nonviolent Negroes. I doubt that you would so quickly commend the policemen if you were to observe their ugly and inhumane treatment of Negroes here in the city jail; if you were to watch them push and curse old Negro women and young Negro girls; if you were to see them slap and kick old Negro men and young boys; if you were to observe them, as they did on two occasions, refuse to give us food because we wanted to sing our grace together. I cannot join you in your praise of the Birmingham police department...

I wish you had commended the Negro sit inners and demonstrators of Birmingham for their sublime courage, their willingness to suffer and their amazing discipline in the midst of great provocation. One day the South will recognize its real heroes."

As King's daughter, Bernice, pointed out on his birthday, January 15, "The authentic, comprehensive King makes power uneasy & privilege unhinged." Such a description makes one wonder how Dr. King would be regarded today if he had lived and continued to directly call out the racial injustice that still exists in our society.

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Woman featured in iconic Great Depression photo didn't know she was famous until 40 years later

Florence Owens Thompson later revealed she wished her photo had never been taken.

the great depression; Florence Thompson; Mona Lisa of the Great Depression; Mona Lisa; the depression; depression era
Photo by Dorothea Lange via Library of Congress
The woman from the famous Great Depression photo didn't know about her fame for 40 years.

It's one of the most iconic and haunting photos of all time, up there with the likes of Hindenburg, The Falling Soldier, Burning Monk, Napalm Girl, and many others. It's called simply Migrant Mother, and it paints a better picture of the time in which it was taken than any book or interview possibly could.

Nearly everyone across the globe knows Florence Owens Thompson's face from newspapers, magazines, and history books. The young, destitute mother was the face of The Great Depression, her worried, suntanned face looking absolutely defeated as several of her children took comfort by resting on her thin frame. Thompson put a human face and emotion behind the very real struggle of the era, but she wasn't even aware of her role in helping to bring awareness to the effects of the Great Depression on families.

It turns out that Dorothea Lange, the photographer responsible for capturing the worry-stricken mother in the now-famous photo, told Thompson that the photos wouldn't be published.

Of course, they subsequently were published in the San Francisco News. At the time the photo was taken, Thompson was supposedly only taking respite at the migrant campsite with her seven children after the family car broke down near the campsite. The photo was taken in March 1936 in Nipomo, California when Lange was concluding a month's long photography excursion documenting migrant farm labor.

the great depression; Florence Thompson; Mona Lisa of the Great Depression; Mona Lisa; the depression; depression era Worried mother and children during the Great Depression era. Photo by Dorthea Lange via Library of Congress

"Migrant worker" was a term that meant something quite different than it does today. It was primarily used in the 30s to describe poverty-stricken Americans who moved from town to town harvesting the crops for farmers.

The pay was abysmal and not enough to sustain a family, but harvesting was what Thompson knew as she was born and raised in "Indian Territory," (now Oklahoma) on a farm. Her father was Choctaw and her mother was white. After the death of her husband, Thompson supported her children the best way she knew how: working long hours in the field.

"I'd hit that cotton field before daylight and stay out there until it got so dark I couldn't see," Thompson told NBC in 1979 a few years before her death.

the great depression; Florence Thompson; Mona Lisa of the Great Depression; Mona Lisa; the depression; depression era A mother reflects with her children during the Great Depression. Photo by Dorthea Lange via Library of Congress

When talking about meeting Thompson, Lange wrote in her article titled "The Assignment I'll Never Forget: Migrant Mother," which appeared in Popular Photography, Feb. 1960, "I saw and approached the hungry and desperate mother, as if drawn by a magnet. I do not remember how I explained my presence or my camera to her, but I do remember she asked me no questions. I made five exposures, working closer and closer from the same direction. I did not ask her name or her history. She told me her age, that she was thirty-two. She said that they had been living on frozen vegetables from the surrounding fields, and birds that the children killed."

Lange goes on to surmise that Thompson cooperated because on some level she knew the photos would help, though from Thompson's account she had no idea the photos would make it to print. Without her knowledge, Thompson became known as "The Dustbowl Mona Lisa," which didn't translate into money in the poor family's pocket.

In fact, according to a history buff who goes by @baewatch86 on TikTok, Thompson didn't find out she was famous until 40 years later after a journalist tracked her down in 1978 to ask how she felt about being a famous face of the depression.

@baewatch86

Florence Thompson, American Motherhood. #fyppppppppppppppppppppppp #historytok #americanhistory #migrantmother #thegreatdepression #dorthealange #womenshistory

It turns out Thompson wished her photo had never been taken since she never received any funds for her likeness being used. Baewatch explains, "because Dorothea Lange's work was funded by the federal government this photo was considered public domain and therefore Mrs. Florence and her family are not entitled to the royalties."

While the photo didn't provide direct financial compensation for Thompson, the "virality" of it helped to feed migrant farm workers. "When these photos were published, it immediately caught people's attention. The federal government sent food and other resources to those migrant camps to help the people that were there that were starving, they needed resources and this is the catalyst. This photo was the catalyst to the government intercepting and providing aid to people," Baewatch shares.

- YouTube www.youtube.com

As for Lange, Migrant Mother was not her only influential photograph of the Great Depression. She captured many moving images of farmers who had been devastated by the Dust Bowl and were forced into a migrant lifestyle.

"Broke, baby sick, and car trouble!" is just one of her many incredible photos from the same year, 1937.

She also did tremendous work covering Japanese internment in the 1940s, and was eventually inducted into the International Photography Hall of Fame and Museum and the National Women's Hall of Fame.

the great depression; Florence Thompson; Mona Lisa of the Great Depression; Mona Lisa; the depression; depression era Families on the move suffered enormous hardships during The Great Depression.Photo by Dorthea Lange via Library of Congress

Thompson did find some semblance of financial comfort later in life when she married a man named George Thompson, who would be her third husband. In total, she had 10 children. When Thompson's health declined with age, people rallied around to help pay her medical bills citing the importance of the 1936 photo in their own lives. The "Migrant Mother" passed away in 1983, just over a week after her 80th birthday. She was buried in California.

"Florence Leona Thompson, Migrant Mother. A legend of the strength of American motherhood," her gravestone reads.

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The one sign that someone is highly intelligent, according to philosopher Arthur Schopenhauer

He understood the inner world of exceptionally intelligent people.

schopenhauer, teacher, great phiosophers, philosopy hiistory, schopenhauer portrait
via Canva/Photos and Artistosteles/Wikimedia Commons

A math professor and Arthur Schopenhauer.

Philosopher Arthur Schopenhauer (1788-1860) transformed our understanding of the human condition by arguing that people are primarily driven by desire, rather than reason. As bleak as this may seem, he believed that the suffering caused by desire could be mitigated through art, compassion, and a life of simplicity.

Given that Schopenhauer was one of the greatest minds of his era, he had a unique understanding of how geniuses think. He believed that most highly intelligent people share a single trait: they like to keep to themselves. Julian de Medeiros, a Substacker and popular TikTok personality who discusses philosophy, discussed Schopenhauer’s thoughts in a video with nearly four million views.

@julianphilosophy

Simple sign of intelligence #introvert #smart #work #intelligent #home

What is a sign that someone is highly intelligent?

“This is a simple rule about intelligence from the philosopher Schopenhauer, who basically argued that intelligent people keep to themselves. In fact, that intelligent people need time and space. They tend to be introverted or, in his precise words, ‘it is the fate of all great minds to be alone,’” de Medeiros says.

Highly intelligent people don’t mind being alone

One would assume that some super genius who wants to be alone all the time is some miserable curmudgeon. However, de Medeiros argues that this is not the case. “For Schopenhauer, being alone did not equate loneliness. In fact, he said intelligent people prefer their own company. It's like they're never bored. There's so much that they want to do. They're happy to have time to themselves,” he continued.


Schopenhauer was pretty clear that he enjoyed being alone in a passage from his 1851 book, Parerga and Paralipomena:

“The ingenious person will, above all, strive for freedom from pain and annoyance, for tranquility and leisure, and consequently seek a quiet, modest life, as undisturbed as possible, and accordingly, after some acquaintance with so-called human beings, choose seclusion and, if in possession of a great mind, even solitude. For the more somebody has in himself, the less he needs from the outside and the less others can be to him. Therefore, intellectual distinction leads to unsociability.”

The video concludes with a warning from de Medeiros: “Intelligence can breed indifference because [if] you like being by yourself so much that you don't go out to spend time with people or with friends. This can make you a misanthrope."

Was Schopenhauer correct in his assumptions about intelligence?

Even though Schopenhauer’s ideas date back to the 19th century, a 2016 study published in the British Journal of Psychology shows he wasn’t wrong. A survey of more than 15,000 adults found that, for most participants, socializing with friends was positively associated with life satisfaction. However, for those with higher IQs, the pattern flipped. Participants with higher IQ reported higher life satisfaction when they socialized less frequently.

A 2023 study titled "The Psychological World of Highly Gifted Young Adults" found that highly gifted adults often enjoyed their own company over that of others because they had difficulty finding interests they shared with the average person. Highly gifted people just didn’t feel like they “fit in” socially in most environments.

Ultimately, one of the hallmarks of being highly intelligent is being incredibly cautious. So, if you’re a smart cookie and enjoy spending evenings at home with a good book instead of hanging out at a bar, don’t feel bad; there’s nothing wrong with being your own favorite company.

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In an iconic 1975 clip, a teenage Michael Jackson stuns Cher during hypnotic robot dance duet

The clip marks a turning point in Michael Jackson's iconic public persona.

jacksons, michael jackson, robot dance, Cher, 1970s TV
via Cher/YouTube

Cher and The Jackson 5 doing the robot dance.

One of the most distinctive aspects of Michael Jackson's mega-stardom was that he grew up almost entirely in the public eye. He began performing with his brothers at age five and remained a significant figure in American pop culture until he died in 2009.

He burst onto the scene as a child with an incredibly soulful voice. He became an electrifying performer as a teen before rocketing to superstardom at 20 with the release of his first solo album, 1979's Off the Wall. One of the pivotal moments when the public witnessed this transformation came in 1975, when 16-year-old Michael performed with his brothers, The Jackson 5, on The Cher Show.

The Jackson 5 and Cher performed a medley of the band's biggest hits, including "I Want You Back," "I'll Be There," and "Never Can Say Goodbye." But the most memorable moment came when Michael and his brothers broke into the robot dance during "Dancing Machine," and Cher did her best to keep up.

The Jackson 5 and Cher do the robot dance

It's fun watching Cher try to fall in line with the Jacksons, while Michael absolutely kills it, gyrating like an animatronic on hyperdrive during his solo.

- YouTube www.youtube.com

The Jackson 5 may have helped bring the robot dance into the public consciousness by incorporating it into performances of their 1973 hit "Dancing Machine." But it traces back to mechanical "mannequin" dances from the early days of film. In the 1960s, Robin Shields, a popular mime, performed as a robot on late-night talk shows. By the 1970s, dancers had set those moves to music on shows such as Soul Train.

- YouTube www.youtube.com

In a 2003 interview, Cher said she had to learn the moves on the fly from the Jacksons.

"Think of how hard it was for me to learn to do that, and the guys just knew how to do it. I've been working all day, and they just came on and said, 'Okay, sure, this is how you do it,'" Cher recalled. "I had a lot of fun on that show. It was a lot of work, but I had a lot of fun. You know, and I got to work with some great people."

What's also notable about the performance is that Michael's voice had changed, and he sang in a deeper register than he had as a child a few years earlier.

Things changed for Cher and the Jacksons in 1976

By the following year, things had changed for both The Jackson 5 and Cher. Cher reunited with her ex-husband, Sonny Bono, for The Sonny and Cher Show, which ran until 1977. In 1976, The Jackson 5 left Motown Records for Epic Records and changed their name to The Jacksons. Jermaine Jackson temporarily left the group to pursue a solo career, and he was replaced by his brother, Randy.

Here's The Jackson 5's complete performance on The Cher Show from March 16, 1975:

- YouTube www.youtube.com

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Guy puts over 20,000 MTV videos on new website as a tribute to the 'golden era' of music videos

"It triggered something deeply nostalgic in me."

mtv, music videos, mtv tribute, classic music videos, mtv videos, music video website
Photo credit: YouTube screenshot via The Original MTV VJs

This MTV tribute site features over 20,000 music videos.

If you’ve been online in recent weeks, you’ve probably seen dramatic headlines or social-media posts suggesting the demise of MTV. Not true! However, the company did recently shut down some of its channels devoted to its iconic early format of 24-hour music videos. As Rolling Stone reports, five MTV stations in the U.K. went dark, and others in Australia, Poland, Brazil, and France were expected to follow. Digesting that news, one viewer channeled their wistful nostalgia into an interactive "passion project": a tribute-styled website called MTV REWIND that salutes the network's "golden era."

The site, which is unaffiliated with MTV or parent company Paramount Skydance, features over 20,000 music videos pulled from YouTube and spread across six decades (the 1970s through the 2020s). It also includes a "shuffle" feature, retro commercials interspersed throughout the clips, and specific channels devoted to two classic MTV programs: the heavy-music staple Headbangers Ball and the hip-hop-focused Yo! MTV Raps.

- YouTube www.youtube.com

"It triggered something deeply nostalgic in me"

"Zero algorithm, just random discovery like MTV used to be," the site’s developer wrote in a trending Reddit thread. In the comments, he explained the initial spark: "I built this because I was feeling a sense of loss when MTV rug-pulled 24-7 video content. It triggered something deeply nostalgic in me. I spend a lot of time coding already and I like a challenge, so [I] thought to myself "[Why] can't I recreate the experience (maybe even make it better)[?] I've been listening to it non-stop since I started coding it on in the background and stopping to watch the videos learn about the music." In an informal AMA, the Redditor shared that building the site took 48 hours top to bottom.

Upworthy reached out to the developer, who went deeper on their love of MTV. "I am in my early 40s and grew up in the late 80s/early 90s when MTV was still pure music television," he said. "I remember coming home from school and MTV was just ON—it was the cultural hub. Watching the transition from music videos to reality TV felt like losing something important. That's what drove me to build this—preserving what MTV used to be." He also praised the "unique art form" of the music video format: "They're 3-5 minute films that combine visual storytelling, cinematography, choreography, and music into something greater than the sum of its parts. Directors like Spike Jonze, Michel Gondry, Hype Williams, they used the format to create legitimate art. MTV was the gallery that made it accessible to everyone."

- YouTube www.youtube.com

"Clicked, and immediately it plays Wham for me"

Lots of other users weighed in online with their feedback, even suggesting other vintage commercials. Naturally, they also had a lot of other opinions, with many sharing how deeply this whole thing scratched their nostalgia itch. Here’s a sample of the most enthusiastic comments:

"So many songs/bands from the ‘80s that I had completely forgotten about but instantly remember as soon as the video starts playin."

"This is really awesome. Doing something cool and fun just for the purpose of being cool and fun"

"Clicked, and immediately it plays Wham for me. New favorite website. Thank you."

"Super soaker 50 commercial brought be back."

"This is the perfect blend of random music discovery and pure nostalgia that I didn't know I needed."

"Reddit post of the year."

"I'm hooked! Saved to favorites and will be used whenever I host people."

"Dude, I'm stoked that there's a Headbanger's Ball option. That was instrumental, no pun intended, in the development of my music tastes and discoveries in the early-mid aughts."

Even though MTV is still alive and kicking, lots of people still used the recent news as a jumping-off point into a debate about what the network's final video should be. While a lot of people voted for The Buggles’ "Video Killed the Radio Star," the first clip ever aired on MTV back in 1981, some lobbied for a Weird Al-styled parody called "TikTok Killed the Video Star."

- YouTube www.youtube.com

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The real reason famous men in old portraits always raised their right hands, but never their left

What were they pointing at?!

portraits, paintings, painters, poses, posing, photography, sculpture, ancient rome, napoleon, george washington
By Till Niermann/Wikimedia Commons & Jacques-Louis David/Wikimedia Commons

This simple pose became an instant shorthand for leaders to signify their power and authority.

Posing in portraiture is an art in itself. In classical paintings of powerful figures such as royalty and generals, artists carefully considered not only likeness and features but also what the portrait would ultimately convey. Just as modern politicians on TV want their hair, teeth, makeup, and clothes just right, authority figures in the past were equally particular about how they appeared in portraits.

A strange pose commonly seen in sculptures and portraits dating back to Ancient Rome shows the subject with one arm raised, always the right, and gesturing or pointing with a slightly open hand. The pose is known as adlocutio.

One of the earliest and most famous examples appears in the sculpture Augustus of Prima Porta, completed in the 1st century AD by an unknown artist. It shows Augustus, the first Roman emperor, armor-clad and barefoot, with a baby Cupid riding a dolphin at his side. (Yes, really.)

Augustus strikes the signature adlocutio pose, giving the sculpture a sense of life and movement and reinforcing his power and authority. But what is he pointing at?

portraits, paintings, painters, poses, posing, photography, sculpture, ancient rome, napoleon, george washington The Emperor Augustus.By Till Niermann/Wikimedia Commons

The word adlocutio was used in Ancient Rome to describe a general or emperor addressing his soldiers. You can almost see it in the sculpture of Augustus; he is not pointing so much as gesturing animatedly while delivering a speech.

"In ancient Rome, gestures often spoke about one's position or rank in society," writes historian JP Kenwood. "One of the most common gestures in the visual language of Rome was the adlocutio, a posture and gesture that indicated the person—male citizens only, of course—was a person with authority giving a speech."

portraits, paintings, painters, poses, posing, photography, sculpture, ancient rome, napoleon, george washington Many politicians make use of specific hand gestures when making speeches.brooke from atlanta/Wikimedia Commons

It's easy to see, then, why the pose became a kind of shorthand in portraiture for power and leadership.

A famous 1801 painting of Napoleon crossing the Alps is another prominent example of the pose in action.

portraits, paintings, painters, poses, posing, photography, sculpture, ancient rome, napoleon, george washington Napoleon crossing the Alps.Jacques-Louis David/Wikimedia Commons

A few years earlier, George Washington was immortalized in the Lansdowne portrait. The president sat only once for the life-sized, iconic portrait painted by Gilbert Stuart.

portraits, paintings, painters, poses, posing, photography, sculpture, ancient rome, napoleon, george washington George Washington in the "Landsdowne portrait."By Gilbert Stuart/Wikimedia Commons

The pose, while old, is still as relevant as ever. If it ain't broke, don't fix it, right? A massive statue of Mao Zedong from 1970 features a strikingly similar gesture.

portraits, paintings, painters, poses, posing, photography, sculpture, ancient rome, napoleon, george washington A famous statue of Mao Zedong in China.By Noel Hanna/Wikimedia Commons

The adlocutio pose conveys authority and leadership by echoing an emperor's or general's address. That's simple enough. But there is more to the pose than meets the eye.

Crucially, subjects striking this pose always raise their right hand, never the left. The reason lies in subtle religious symbolism popular in Rome at the time the pose was established.

"In antiquity, the right hand symbolized divinity; when it was raised, you were thought to be closer to the gods," according to Meural. "And the left was the exact opposite, signifying the damned, the wrong, the befouled."

In times of limited sanitation, the right hand was often used for eating, while the left was reserved for bathroom tasks. As a result, it became known as the "unclean" hand, regardless of an individual's dominant side. Lauren Julius Harris writes that children who favored their left hand for reaching, eating, grabbing, or playing were often corrected, a practice that persisted as recently as the 19th century.

Raising the right hand was not only a symbol of power and status, but also of closeness to God. In fact, in portraits of men and women, the adlocutio pose was used deliberately to signal specific aspects of a subject's status.

portraits, paintings, painters, poses, posing, photography, sculpture, ancient rome, napoleon, george washington The iconic "Arnolfini portrait." By Jan van Eyck - Gennadii Saus i Segura/Wikimedia Commons

Today, with digital photography, we can take nearly unlimited photos of a subject in a wide range of poses, backgrounds, and lighting setups. Photographers can then select the portraits with the most potential and edit them to maximize the intended effect.

Ancient painters did not have that luxury. With only a brief sitting from the subject, they often had a single chance to get a portrait right, making time-tested poses like adlocutio a critical tool.

And while public portraits are far rarer today, adlocutio still works. Weirong Li, a leadership and communication expert who works with leaders and executives, tells Upworthy that "open elevated gestures boost confidence hormones... Ancient leaders discovered this instinctively—the raised palm signals 'I'm confident but not threatening.' I see this work in boardrooms constantly."

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