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Two Guys Are Making The World A More Knowledgeable Place One Month At A Time

Documentary filmmakers Zach Ingrasci and Chris Temple spent a month living on the Za'taari refugee camp in Jordan. Zach and Chris share a little how their life and neighbors were (and still is right now for about 140,000 Syrians) in photographs below.

January 24, 2014

Za'atari refugee camp entrance


"In an effort to better understand refugee life, we spent one month this winter living alongside displaced families in the Za’atari refugee camp. As the first filmmakers ever allowed by the United Nations to be given a tent and registered inside a refugee camp, we were able to get a never before seen look into the world’s most pressing crisis.

Our experience uncovered overwhelming trauma but also the untapped potential our uprooted neighbors posses. With the right programs we can support healing, ease the burden on host countries and even empower the disenfranchised by unleashing people’s creativity."

Registration for camp through UNHCR (The United Nations Refugee Agency) and the Jordanian government

"...[W]e are provided with a UNHCR tent, 4 mattress pads, 8 blankets, a bucket, an aluminum pot, a gas heater (but no gas), a hygiene kit (soap, toothbrushes, detergent), a bread voucher, ration card, ID card, and a welcome meal (complete with Fig Newtons!). They also offer additional clothes and a second meal to those who choose. The supplies strike us as well-thought-out and, thanks to the generosity of donors, much better than what NGOs could provide when the camp first opened."

February 3, 2014

"Inside [Um Ali's] caravan, one wall is completely covered by Arabic writing. Even without knowing what it says, it’s striking to look at. We ask her about the wall and Um Ali tells us that when she first came to Za’atari she knew no one and was deeply depressed. She had lost a son, her home and everything she once knew and loved back in Syria ... she began to write everything she remembered on the wall.

At the market one day [Um Ali] walked through the gates of the women’s center ... a women’s group was taking place where they were sharing stories very similar to hers. She came back the next day and shared her own story."

"Um Ali thrived at the women’s center and was eventually hired to teach women the countless arts and crafts she had mastered back in Syria. This was the first job she had ever held and she became an important provider for her family. We ask if she likes to work, and she proudly tells us, 'In Syria, working wasn’t necessary so it never crossed my mind that I would enjoy it.'"

February 6, 2014

Ziyad is an artist who built, among other things, a fountain, by repurposing aid items.

"He built a bedroom for his kids, fashioned a bread oven, planted a garden, pieced together a storefront and is in the process of adding a private bathroom and cement patio to his caravan." (above)

February 13, 2014

Ra’ouf, a 10-year-old neighbor, and Zach and Chris make tea.

"Children under the age of 18 make up over 50% of the 95,000 current residents in Za’atari refugee camp. This statistic is very apparent; kids are everywhere in Za’atari. They freely roam in small packs doing what all young kids do when they get together. Only 20,000 of the children in Za’atari are enrolled in school and only about 11,000 consistently attend classes.

We find out, however, that Ra’ouf does regularly go to what he calls 'the nursery,' his name for one of Save the Children’s 'Child-Friendly Spaces.' Here Ra’ouf can play soccer, draw, and do a number of other activities with other kids ages 5 to 17. There are two of these spaces in District 5 alone so it isn’t as crowded as the schools and Ra’ouf says it is a fun place to go."

10-year-old Ra’ouf

Pop Culture

Artist uses AI to create ultra realistic portraits of celebrities who left us too soon

What would certain icons look like if nothing had happened to them?

Mercury would be 76 today.

Some icons have truly left this world too early. It’s a tragedy when anyone doesn’t make it to see old age, but when it happens to a well-known public figure, it’s like a bit of their art and legacy dies with them. What might Freddie Mercury have created if he were granted the gift of long life? Bruce Lee? Princess Diana?

Their futures might be mere musings of our imagination, but thanks to a lot of creativity (and a little tech) we can now get a glimpse into what these celebrities might have looked like when they were older.

Alper Yesiltas, an Istanbul-based lawyer and photographer, created a photography series titled “As If Nothing Happened,” which features eerily realistic portraits of long gone celebrities in their golden years. To make the images as real looking as possible, Yesiltas incorporated various photo editing programs such as Adobe Lightroom and VSCO, as well as the AI photo-enhancing software Remini.

“The hardest part of the creative process for me is making the image feel ‘real’ to me,” Yesiltas wrote about his passion project. “The moment I like the most is when I think the image in front of me looks as if it was taken by a photographer.”

Yesiltas’ meticulousness paid off, because the results are uncanny.

Along with each photo, Yesiltas writes a bittersweet message “wishing” how things might have gone differently … as if nothing happened.
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All images provided by Adewole Adamson

It begins with more inclusive conversations at a patient level

True

Adewole Adamson, MD, of the University of Texas, Austin, aims to create more equity in health care by gathering data from more diverse populations by using artificial intelligence (AI), a type of machine learning. Dr. Adamson’s work is funded by the American Cancer Society (ACS), an organization committed to advancing health equity through research priorities, programs and services for groups who have been marginalized.

Melanoma became a particular focus for Dr. Adamson after meeting Avery Smith, who lost his wife—a Black woman—to the deadly disease.

melanoma,  melanoma for dark skin Avery Smith (left) and Adamson (sidenote)

This personal encounter, coupled with multiple conversations with Black dermatology patients, drove Dr. Adamson to a concerning discovery: as advanced as AI is at detecting possible skin cancers, it is heavily biased.

To understand this bias, it helps to first know how AI works in the early detection of skin cancer, which Dr. Adamson explains in his paper for the New England Journal of Medicine (paywall). The process uses computers that rely on sets of accumulated data to learn what healthy or unhealthy skin looks like and then create an algorithm to predict diagnoses based on those data sets.

This process, known as supervised learning, could lead to huge benefits in preventive care.

After all, early detection is key to better outcomes. The problem is that the data sets don’t include enough information about darker skin tones. As Adamson put it, “everything is viewed through a ‘white lens.’”

“If you don’t teach the algorithm with a diverse set of images, then that algorithm won’t work out in the public that is diverse,” writes Adamson in a study he co-wrote with Smith (according to a story in The Atlantic). “So there’s risk, then, for people with skin of color to fall through the cracks.”

Tragically, Smith’s wife was diagnosed with melanoma too late and paid the ultimate price for it. And she was not an anomaly—though the disease is more common for White patients, Black cancer patients are far more likely to be diagnosed at later stages, causing a notable disparity in survival rates between non-Hispanics whites (90%) and non-Hispanic blacks (66%).

As a computer scientist, Smith suspected this racial bias and reached out to Adamson, hoping a Black dermatologist would have more diverse data sets. Though Adamson didn’t have what Smith was initially looking for, this realization ignited a personal mission to investigate and reduce disparities.

Now, Adamson uses the knowledge gained through his years of research to help advance the fight for health equity. To him, that means not only gaining a wider array of data sets, but also having more conversations with patients to understand how socioeconomic status impacts the level and efficiency of care.

“At the end of the day, what matters most is how we help patients at the patient level,” Adamson told Upworthy. “And how can you do that without knowing exactly what barriers they face?”

american cancer society, skin cacner treatment"What matters most is how we help patients at the patient level."https://www.kellydavidsonstudio.com/

The American Cancer Society believes everyone deserves a fair and just opportunity to prevent, find, treat, and survive cancer—regardless of how much money they make, the color of their skin, their sexual orientation, gender identity, their disability status, or where they live. Inclusive tools and resources on the Health Equity section of their website can be found here. For more information about skin cancer, visit cancer.org/skincancer.

via Dion Merrick / Facebook

This article originally appeared on 02.09.21


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"Can you move to the birthing ball so I can sleep in the bed?"

Holly the delivery nurse.

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Some of the comments are so wrong that she did something creative with them by turning them into “inspirational” quotes and setting them to “A Thousand Miles” by Vanessa Carlton on TikTok.

“Some partners are hard to live up to!” she jokingly captioned the video.

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