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people of color

Image from Facebook of Alexandra Dal.

People of color experience many types of subtle racism.



If we're being honest, we all make assumptions about other people, right?

We look at their skin, their clothes, and their car, and we make guesses about them that we don't even realize we're making. Everyone does it.

You ask a pregnant female coworker if she'll keep working after the baby is born — but you wouldn't think to ask that question of a guy who was about to become a dad.


You ask that nice girl behind the counter at the bagel shop whether she'll ever go to college so she can get a better job — only to learn that she's an underemployed Ph.D.

You ask a hipster-looking guy on the subway whether he's into artisanal pickles — but he just happens to be a bad dresser who has no idea what you're talking about.

The fact is, though, that people of color deal with other people's assumptions constantly.

Research shows that other people's expectations can have a profound effect on us. They can determine our success or failure. And black women deal with this nonsense more than others. In a recent study, nearly half of the female black and Latina scientists polled reported being mistaken for janitors or administrative staff.


Let's agree to fix this.

racism, comics, artist, Alexandra Dal

A comic created by Alexandra Dal on racial expectations.

Image from Facebook of Alexandra Dal.

This story originally appeared on 12.15.15

On June 26, 2018, a 28-year-old Puerto Rican Bronx native made some remarkable women's history.

In a stunning upset, Alexandria Ocasio-Cortez became the first woman of color to win in New York's 14th district.

Photo by Scott Heins/Getty Images.


As the first woman of color to even run for the seat, Ocasio-Cortez unseated incumbent Rep. Joe Crowley, marking a new era for progressive politics and the far reach of women of color in American government.

In what some declared a losing battle, Ocasio-Cortez ran a campaign as far to the left as one can imagine in American politics. She boldly called for the abolition of ICE after a horrific immigration debacle at the Texas border and unflinchingly ran on a platform of economic, social, and racial justice for all without accepting any political action committee (PAC) money, a largely unheard of fundraising strategy in politics.

Ocasio-Cortez was warned not to run as many said she'd never have a career in politics again. She was told that going against someone who'd been a Democratic powerhouse for decades — and was expected to take Nancy Pelosi's place as Minority Leader of the House of Representatives — was a losing battle. Many news outlets and pundits refused to even say her name or report on her campaign.

And yet, she kept going. And it worked.

It's safe to say that Ocasio-Cortez, while always confident in the platforms she was running behind, was as surprised as the pollsters were. But, she sprang into action quickly after.

Using social media to attract a mass of supporters and canvassers, Ocasio-Cortez spoke in neighborhoods, rallied at various events for underrepresented communities, and ran with endorsements from groups that aren't necessarily the most well-funded or mainstream. She did it on purpose, representing a city that wanted change — and wanted it on its on terms.

"This race is about people versus money," Ocasio-Cortez says in her campaign video. "We've got people; they've got money. It's time that we acknowledge that not all Democrats are the same."

Regardless of where you stand on the issues, Ocasio-Cortez's win is a beautiful display of the power of sticking to one's convictions in the face of adversity.

Having worked as a bartender to help with family bills just last year, Ocasio-Cortez has an up close and personal understanding of inequality, particularly for marginalized groups.

Oscasio-Cortez recently went to the Texas border to see what was happening with the current administration's disastrous immigration policy. Photo by Joe Raedle/Getty Images.

Her historic win is inspiration for women and people of color around the nation. Ocasio-Cortez reminds us all that democracy is fueled by those who believe in it. Ocasio-Cortez believed in her community, she believed in those who needed helped most, and she unapologetically carried those beliefs until the last ballot was cast.

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The BKLYN Fashion Academy had its first fashion show. The looks are fierce.

"The diversity in this program allowed the work to speak for itself and shows that talent has no color."

A new fashion academy in Brooklyn is focusing on designers and models of color.

All photos courtesy of the Brooklyn Public Library.

The BKLYN Fashion Academy is a 12-week intensive program that provides 15 aspiring womenswear designers with the necessary tools to succeed in the fashion industry.


Leading the charge on the program's design and curriculum is Brooklyn Library Outreach Specialist Lynnsie Augustin. She developed the program not only to create a space to feature the designers' work, but also to provide them with the business knowledge and skills necessary to succeed in such a highly competitive industry.

"The BKLYN Fashion Academy became a way for designers to learn all they needed to know to go into business for themselves, as well as provide a space where they could work on their designs and have a stage where they could show them off," writes Augustin in an email.      

Organized by the Brooklyn Public Library, the program has truly taken off. In addition to providing students with education and tools, the program culminated in the stunning Mode En Couleur Runway Show at the historic Brooklyn Library.

Bklyn Fashion Academy Mode En Couleur Runyway Show

We do not own the rights to this music.

Posted by BPL Business & Career Center on Friday, May 11, 2018

Designers showcased all their hard work on the runway to a packed house.

The result? Incredible designs.

The show was inspired by "Les Sapeurs," a Congolese subculture in which individuals committed to the cult of style amid widespread poverty walk the streets dressed to the nines.

"When this program was created, I wanted to incorporate an aspect of fashion that people may not know about," says Augustin. "It gave the designers a chance to do some research on Les Sapeurs and learn about another area of the world that is dedicated to innovative fashion and creativity. It was a chance to bring awareness and to inspire more creativity."

Designer Sharufa Rashied-Walker believes that this theme could've only happened at a program like the BKLYN Fashion Academy, where diversity and art that reflects people of color are championed.

"There was a sense of security and safety in that space, and it was definitely noncompetitive and loving, and you felt the support," says Rashied-Walker. "[The leadership] definitely made it very clear that they were here to support and to cultivate what we needed and what we wanted. And I think that that was something very special. I've never personally experienced anything like that before, and I think it definitely was indicative of the fact that it was a majority of color collective."

Rashied-Walker, who switched to fashion after a corporate career, found a place of creativity and freedom of expression when surrounded by students that largely looked like her. Yet the students were selected simply by the contents of their applications, not by what they themselves looked like.

"The BKLYN Fashion Academy was open to all residents of Brooklyn and the selection process was made based on applications and sample garments, so we never got to see the designers' faces until after they were accepted and came to orientation," says Augustin. "I would say the diversity in this program allowed the work to speak for itself and shows that talent has no color."

Judging by the incredible designs, it's clear that the work speaks to the talent and brilliance of the students — a welcome shift in the fashion industry.

One day strolling around Brooklyn, Sandra Oh ("Grey's Anatomy") learned she landed the part of Eve on BBC America's "Killing Eve."

But of all the emotions an actor may experience learning they've snagged a lead role, Sandra Oh just felt ... confused.

Photo by Frederick M. Brown/Getty Images for NAACP Image Awards.


Lead roles are rarely offered to racial minorities, she noted to Vulture. It took her a moment for the news to sink in.

"When I got the script for 'Killing Eve,' I remember I was walking around in Brooklyn and I was on my phone with my agent, Nancy," said Oh. "I was quickly scrolling down the script, and I can’t really tell you what I was looking for. So I’m like, 'So Nancy, I don’t understand. What’s the part?' And Nancy goes, 'Sweetheart, it’s Eve, it’s Eve.'"

Oh, who is Korean-Canadian, said the moment was a wakeup call for her (emphasis added):

"I think about that moment a lot. Of just going, how deep have I internalized this? [So] many years of being seen [a certain way], it deeply, deeply, deeply affects us. It’s like, how does racism define your work? Oh my goodness, I didn’t even assume when being offered something that I would be one of the central storytellers. Why? And this is me talking, right? After being told to see things a certain way for decades, you realize, 'Oh my god! They brainwashed me!' I was brainwashed! So that was a revelation to me."

[rebelmouse-image 19398083 dam="1" original_size="750x525" caption="Oh and her "Killing Eve" co-star Jodie Comer at a press event in January. Photo by Frederick M. Brown/Getty Images." expand=1]Oh and her "Killing Eve" co-star Jodie Comer at a press event in January. Photo by Frederick M. Brown/Getty Images.

It makes sense that Oh felt "brainwashed." She's worked in an industry with limited opportunities for people like her.

A report published in February by the Ralph J. Bunche Center for African-American Studies at UCLA found racial minorities are still underrepresented across virtually all roles in TV and film production. While minorities make up 40% of the U.S., for instance, just 20.2% of cable scripted leads were people of color, the report found. And most of the roles were written for men.

These disproportionate figures don't just affect actors of color trying to find work; they affect every minority watching from home who don't see themselves on screen. For Oh, her role in "Killing Eve" is another step in changing that status quo.

"We haven’t even scratched the surface of how deeply we need to see ourselves represented," she said to Vulture. "And how it’s not just leaving the images to the outside voices. It’s finding it within ourselves."