13 rare photos from a 1942 New Year's party show what's changed — and what hasn't.

73 years ago, the Di Costanzo family hosted an epic New Year's Eve throw down at their restaurant on Mulberry Street in New York City.

Photo by Marjorie Collins/Farm Security Administration, Office of War Information.


The venue? Marconi's restaurant, in Little Italy, which the Di Costanzo family owned and operated.

There was drinking, eating, dancing, celebrating, ... and more drinking.

These incredible images — featured in Yale University's incredible archive of (largely rarely-seen) photos taken by New Deal photographers in the '30s and '40s — are a fascinating window into how New Year's was celebrated over seven decades ago, at least by one New York family.

The drink selection might have been a bit more limited, and rogue castanet dancers were probably a little more likely to show up back then, but otherwise — if the photos are to be believed — not much has changed.

1. Mrs. Di Costanzo helps her chef cut bread for the party.

Photo by Marjorie Collins/Farm Security Administration, Office of War Information.

Anyone else suddenly hungry?

2. Chef's got something going in the frying pan too...

Photo by Marjorie Collins/Farm Security Administration, Office of War Information.

Is it lunchtime? Dinnertime? My goodness, just please say it's time to eat.

3. ...while simultaneously assembling two giant sausage-and-peppers subs.

Photo by Marjorie Collins/Farm Security Administration, Office of War Information.

This guy is my hero.

4. Mr. and Mrs. Di Costanzo toast the new year at the bar.

Photo by Marjorie Collins/Farm Security Administration, Office of War Information.

Salute!

5. While the couple toast, the man sitting next to them is entranced by ... something off camera.

Photo by Marjorie Collins/Farm Security Administration, Office of War Information.

"Hold on a sec. This play is really important for my fantasy team."

6. Even though there are a few customers in the restaurant, the family gathers around a big table in the back to celebrate.

Photo by Marjorie Collins/Farm Security Administration, Office of War Information.

Not with the family at the table is the Di Costanzo's son. Like many young men at the time — and many American men and women now — he was serving in the military and away from family, possibly overseas. There's a picture of him on the wall to the left, under the small American flag.

7. Another toast, this time with the whole gang!

Photo by Marjorie Collins/Farm Security Administration, Office of War Information.

Once more, with feeling!

8. At the bar, the Di Costanzo daughters (presumably) discuss serious family matters.

Photo by Marjorie Collins/Farm Security Administration, Office of War Information.

"Can you believe cousin Dot is 20 years old and still not married."
"Cousin Dot doesn't have to conform to the rigid patriarchal expectations society imposes on young women!"
"Yes she does. It's the '40s."
"Oh, good point."


9. But ultimately, even they just want to drink.

Photo by Marjorie Collins/Farm Security Administration, Office of War Information.

In all of recorded history, there was never a family more serious about its toasting.

10. Oh, and there was dancing.

Photo by Marjorie Collins/Farm Security Administration, Office of War Information.

This woman came in to grab some food and just decided to start dancing. She's absolutely crushing it with those castanets.

11. And more dancing!

Photo by Marjorie Collins/Farm Security Administration, Office of War Information.

The kid up front is clearly feeling some feelings.

12. Mama looks pleased at the end of the night

Photo by Marjorie Collins/Farm Security Administration, Office of War Information.

She just threw a hell of a party and she clearly knows it. She's earned every sip of that Chianti.

13. The next morning, children blow horns on top of a giant dirt pile on nearby Bleecker Street to ring in the new year.

Photo by Marjorie Collins/Farm Security Administration, Office of War Information.

Can we please get this in Times Square this year? I'm looking at you, CNN.

Happy 2016/1943!

Photo by Marjorie Collins/Farm Security Administration, Office of War Information.

If anyone has a line on where I can get one of those seven-decade-old hoagies, please let me know.

Seriously. Please.

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Disney has come under fire for problematic portrayals of non-white and non-western cultures in many of its older movies. They aren't the only one, of course, but since their movies are an iconic part of most American kids' childhoods, Disney's messaging holds a lot of power.

Fortunately, that power can be used for good, and Disney can serve as an example to other companies if they learn from their mistakes, account for their misdeeds, and do the right thing going forward. Without getting too many hopes up, it appears that the entertainment giant may have actually done just that with the new Frozen II film.

According to NOW Toronto, the producers of Frozen II have entered into a contract with the Sámi people—the Indigenous people of the Scandinavian regions—to ensure that they portray the culture with respect.

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Though there was not a direct portrayal of the Sámi in the first Frozen movie, the choral chant that opens the film was inspired by an ancient Sámi vocal tradition. In addition, the clothing worn by Kristoff closely resembled what a Sámi reindeer herder would wear. The inclusion of these elements of Sámi culture with no context or acknowledgement sparked conversations about cultural appropriation and erasure on social media.

Frozen II features Indigenous culture much more directly, and even addressed the issue of Indigenous erasure. Filmmakers Jennifer Lee and Chris Buck, along with producer Peter Del Vecho, consulted with experts on how to do that respectfully—the experts, of course, being the Sámi people themselves.

Sámi leaders met with Disney producer Peter Del Vecho in September 2019.Sámediggi Sametinget/Flickr

The Sámi parliaments of Norway, Sweden and Finland, and the non-governmental Saami Council reached out to the filmmakers when they found out their culture would be highlighted in the film. They formed a Sámi expert advisory group, called Verddet, to assist filmmakers in with how to accurately and respectfully portray Sámi culture, history, and society.

In a contract signed by Walt Disney Animation Studios and Sámi leaders, the Sámi stated their position that "their collective and individual culture, including aesthetic elements, music, language, stories, histories, and other traditional cultural expressions are property that belong to the Sámi," and "that to adequately respect the rights that the Sámi have to and in their culture, it is necessary to ensure sensitivity, allow for free, prior, and informed consent, and ensure that adequate benefit sharing is employed."

RELATED: This aboriginal Australian used kindness and tea to trump the racism he overheard.

Disney agreed to work with the advisory group, to produce a version of Frozen II in one Sámi language, as well as to "pursue cross-learning opportunities" and "arrange for contributions back to the Sámi society."

Anne Lájla Utsi, managing director at the International Sámi Film Institute, was part of the Verddet advisory group. She told NOW, "This is a good example of how a big, international company like Disney acknowledges the fact that we own our own culture and stories. It hasn't happened before."

"Disney's team really wanted to make it right," said Utsi. "They didn't want to make any mistakes or hurt anybody. We felt that they took it seriously. And the film shows that. We in Verddet are truly proud of this collaboration."

Sounds like you've done well this time, Disney. Let's hope such cultural sensitivity and collaboration continues, and that other filmmakers and production companies will follow suit.

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