Ballerina Misty Copeland is no stranger to making history on the stage.
All images by Ken Browar and Deborah Ory from the NYC Dance Project, used with permission.
Just last summer, she became the first black woman to become a principal dancer at the American Ballet Theatre. It was a proud and empowering moment for people everywhere (and about time!).
Now, she's re-creating history for the camera.
Copeland re-creating Degas' "The Star."
In the upcoming March 2016 issue of Harper's Bazaar, she's helped re-create some of the world's most iconic ballet paintings and sculptures by famous artist Edgar Degas.
The spread comes in advance of a new exhibition opening up at New York's Museum of Modern Art that highlight Degas' work called "Edgar Degas: A Strange New Beauty."
The photos are beautiful and impressively spot-on. But they also come with a deeper meaning: The faces of ballet are changing.
Copeland as Degas' "Dancer."
Degas' focus on dancers helped him create some of the most popular images in 19th-century art. Ken Browar and Deborah Ory, the project's photographers and founders of the NYC Dance Project, wanted to bring them into the 21st century.
"It wasn’t so much us trying to reproduce Degas' paintings as it was to bring Misty into them, and to bring the ballet community up-to-date," Ken told Upworthy.
"We’re seeing all body types, all types of people: black, white, Asian, you name it. We’re seeing everything. It's time that gets reflected."
Copeland as "Swaying Dancer (Dancer in Green)."
Photographing Misty as if she were in a Degas painting shows the world that ballet doesn't have a specific race or ethnicity.
You don't need me to tell you that the industry has been overwhelmingly white throughout history.
Just picture a traditional ballerina in your head, and you'll recognize that truth. Even though the times have changed, though, it's still been difficult to find images of dancers that represent the variety of shapes, sizes, ages, and backgrounds they actually come in.
That's one of the reasons Ken and Deborah started the NYC Dance Project: to show and celebrate the dancers of today.
"A few years ago, our younger daughter wanted to have her room redecorated and wanted to have her favorite dancers hanging up, and we had a hard time finding photographs of them," Deborah recalled over the phone. "There wasn’t that much of the current stars out there. Ken was like, 'Let’s just photograph them ourselves.'"
With that, the NYC Dance Project was born. A study of dance and movement in photographic form, their work has gained quite a following in just a few years, with a book expected to drop this fall.
"I definitely feel like I can see myself in that sculpture — she just seems content but also reserved," Copeland said about re-creating Degas' "Little Dancer Aged Fourteen."
One of the keys to their success may be where they photograph most of their subjects: in their living room in Brooklyn. It creates a more comfortable and intimate atmosphere, though Deborah noted, "sometimes we are literally moving our cats out of the photo."
Together, they're part of a larger push to move diversity in dance forward. Because not only does a broader mix of people help to show more girls and boys that they do have a place in the industry — combating the phenomenon that you can't be what you can't see — it's financially smart too.
More diverse dance companies create bigger, more diverse audiences. And you know what that means? Cha-ching.
Like Ken and Deborah, Copeland knows that the ballet world has a long way to go, but that this is a good start.
She's shattering the glass ceiling, pointe shoes and all, but she knows it's not just about her.
Real talk on "The Late Show With Stephen Colbert"/YouTube.
There's so much talent and untapped potential out there. Someday we'll get to a place where people of all races and ethnicities see opportunities to succeed in the world of ballet and in many other stereotyped professions.
In the meantime, it's encouraging to see those leading the way into the future on the stage, behind the camera, with a paintbrush, or with their words.
Check out this behind-the-scenes look at how they channeled Edgar Degas' work for Harper's Bazaar. They nailed it.



Student smiling in a classroom, working on a laptop.
Students focused and ready to learn in the classroom.
Fish find shelter for spawning in the nooks and crannies of wood.
Many of these streams are now unreachable by road, which is why helicopters are used.
Tribal leaders gathered by the Little Naches River for a ceremony and prayer.

Communications expert shares the perfect way to gracefully shut down rude comments
Taking the high ground never felt so good.
A woman is insulted at her job.
It came out of nowhere. A coworker made a rude comment that caught you off guard. The hair on the back of your neck stands up, and you want to put them in their place, but you have to stay tactful because you're in a professional setting. Plus, you don't want to stoop to their level.
In situations like these, it helps to have a comeback ready so you can stand up for yourself while making making sure they don't disrespect you again.
Vince Xu, who goes by Lawyer Vince on TikTok, is a personal injury attorney based in Torrance, California, where he shares the communication tips he's learned with his followers. Xu says there are three questions you can ask someone who is being rude that will put them in their place and give you the high ground:
Question 1: "Sorry, can you say that again?"
"This will either make them have to awkwardly say the disrespectful remark one more time, or it'll actually help them clarify what they said and retract their statement," Xu shares.
Question 2: "Did you mean that to be hurtful?"
The next step is to determine if they will repeat the disrespectful comment. "This calls out their disrespect and allows you to learn whether they're trying to be disrespectful or if there's a misunderstanding," Xu continues.
Question 3: "Are you okay?"
"What this does, is actually put you on higher ground, and it's showing empathy for the other person," Xu adds. "It's showing that you care about them genuinely, and this is gonna diffuse any type of disrespect or negative energy coming from them."
The interesting thing about Xu's three-step strategy is that by gracefully handling the situation, it puts you in a better position than before the insult. The rude coworker is likely to feel diminished after owning up to what they said, and you get to show them confidence and strength, as well as empathy. This will go a lot further than insulting them back and making the situation even worse.
Xu's technique is similar to that of Amy Gallo, a Harvard University communications expert. She says that you should call out what they just said, but make sure it comes out of their mouth. "You might even ask the person to simply repeat what they said, which may prompt them to think through what they meant and how their words might sound to others," she writes in the Harvard Business Review.
More of Gallo's suggested comebacks:
“Did I hear you correctly? I think you said…”
“What was your intention when you said…?”
“What specifically did you mean by that? I'm not sure I understood.”
“Could you say more about what you mean by that?”
Ultimately, Xu and Gallo's advice is invaluable because it allows you to overcome a negative comment without stooping to the other person's level. Instead, it elevates you above them without having to resort to name-calling or admitting they got on your nerves. That's the mark of someone confident and composed, even when others are trying to take them down.