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prisons

Identity

6 beautiful drawings by LGBTQ inmates that illustrate life in prison

Their artwork shows their strength, resilience, and talent.

"Acceptance" by Stevie S.


Tatiana von Furstenberg laid out more than 4,000 works of art on the floor of her apartment and was immediately struck by what she saw.

The pieces of artwork were submitted from various prisons across the country in hopes of being featured in "On the Inside," an exhibition of artwork by currently incarcerated LGBTQ inmates, curated by von Furstenberg and Black and Pink, a nonprofit organization that supports the LGBTQ community behind bars. The exhibit was held at the Abrons Arts Center in Manhattan toward the end of 2016.

"I put all the submissions on the floor and I saw that there were all these loving ones, these signs of affection, all of these two-spirit expressions of gender identity, and fairies and mermaids," von Furstenberg said.


She noticed the recurring topics throughout the works of different artists — eye contact, desire, fighting back, alienation, and longing — and these shared struggles became the themes of the art exhibition.

"These artists feel really forgotten. They really did not think that anybody cared for them. And so for them to have a show in New York and to hear what the responses have been is huge, it's very uplifting," she said.

Plenty of people turn to art as a means of escape. But for the artists involved in On the Inside, the act of making art also put them at risk.

Gay, lesbian, and bisexual people are incarcerated at twice the rate of heterosexuals, and trans people are three times as likely to end up behind bars than cisgender people. During incarceration, they're also much more vulnerable than non-LGBTQ inmates to violence, sexual assault, and unusual punishments such as solitary confinement.

Not every prison makes art supplies readily available, either, which means that some of the artists who submitted to "On the Inside" had to find ways to make their work from contraband materials, such as envelopes and ink tubes. And of course, by drawing provocative images about their identities, they also risked being outed and threatened by other inmates around them.

But sometimes, the act of self-expression is worth that risk. Here are some of the remarkable examples of that from the exhibition.

(Content warning: some of the images include nudity.)

1."A Self Portrait" by B. Tony.

inmates, jail, sketching

“A Self Portrait” by B. Tony

2. "Rihanna" by Gabriel S.

relationships, identity, rehabilitation

“Rihanna” by Gabriel S.

"Rihanna is who I got the most pictures of," von Furstenburg said. "I think it's because she is relatable in both her strength and her vulnerability. She's real.”

3. "Acceptance" by Stevie S.

body art, tattoo, mental health

"Acceptance" by Stevie S.

"This series is sexy and loving and domestic," von Furstenberg said about these two portraits by Stevie S. "A different look at family values/family portrait.”

4. "Michael Jackson" by Jeremy M.

celebrity, art, paintings

“Michael Jackson” by Jeremy M.

assets.rebelmouse.io

This was another one of von Furstenberg's favorites, because of the way it depicts a struggle with identity. "[MJ] was different, he was such a unique being that struggled so much with his identity and his body image the way a lot of our artists, especially our trans artists, are struggling behind bars," she said.

5. "Unknown" by Tiffany W.

pixies, fairie, fantasy

“Unknown” by Tiffany W.

6. "Genotype" and "Life Study," by J.S.

anatomy, Michaelangelo, nudes

“Genotype” and “Life Study” by J.S.

"This is the Michelangelo of the group," von Furstenberg said. "To be able to draw this with pencil and basic prison lighting is astounding. One of the best drawings I've ever seen in my life.”

When the exhibition opened to the public on Nov. 4, 2016, visitors even had the chance to share their thoughts with the artists.

The exhibit included an interactive feature that allowed people to text their comments and responses to the artist, which von Furstenberg then converted to physical paper and mailed to inmates.

Some of the messages included:

"I have had many long looks in the mirror like in your piece the beauty within us. I'm glad you can see your beautiful self smiling out. I see her too. Thank you."
"I am so wowed by your talent. You used paper, kool aid and an inhaler to draw a masterpiece. I feel lucky to have been able to see your work, and I know that other New Yorkers will feel the same. Keep creating."
"I've dreamed the same dreams. The barriers in your way are wrong. We will tear them down some day. Stay strong Dear."

Many people were also surprised at how good the artwork was — but they shouldn't have been.

Just because someone's spent time in prison doesn't mean they can't be a good person — or a talented artist. They're also being compensated for their artwork. While business transactions with incarcerated people are technically illegal, $50 donations have been made to each artist's commissary accounts to help them purchase food and other supplies.

"We're led to believe that people behind bars are dangerous, that we're safer without them, but it's not true," von Furstenberg said. "The fact that anybody would assume that [the art] would be anything less than phenomenal shows that there's this hierarchy: The artist is up on this pedestal, and other people marginalized people are looked down upon.”

Art has always been about connecting people. And for these incarcerated LGBTQ artists, that human connection is more important than ever.

Perhaps the only thing harder than being in prison is trying to integrate back into society — something that most LGBTQ people struggle with anyway. These are people who have already had difficulty expressing who they are on the inside and who are now hidden away from the world behind walls.

On the Inside's art show provided them a unique opportunity to have their voices heard — and hopefully, their individual messages are loud enough to resonate when they're on the outside too.


This article originally appeared on 11.14.16

The stage is set. The actors put the final touches on their costumes and wait nervously in the wings. The audience is ushered in by an armed guard or two. It's showtime.

This is not an ordinary production of Shakespeare's "Julius Caesar."  This is Shakespeare at San Quentin State Prison.

Photo by Justin Sullivan/Getty Images.


Since 2003, actors and staff from the Marin Shakespeare Company have taught classes at San Quentin, the state prison just a few miles away.

The company has always boasted a rich social outreach program to get Shakespeare's work out to as many people as possible. The prison population was nearby, and managing director Lesley Currie said they seemed like a logical fit for courses. So she and her team decided to give it a try.

"At first it was very poorly attended, but after a few years, we had enough men in the class to actually put on a full-length Shakespeare play in the prison chapel," Currier said in a phone interview. "And since then, it's just taken off."

LeMar Harrison (C) and Carlos Flores (R) take the stage. Photo by Justin Sullivan/Getty Images.

After their first full-length production, interest in the classes skyrocketed. These days, Currier sometimes manages a waitlist or two.

The sessions don't just focus on Shakespeare. Through exercises and activities, they also cover conflict resolution and positive decision making.

The classes are team taught, and local actors and directors often volunteer their time too. In addition to acting, the courses include lessons in self-reflection and teamwork. With the help of drama therapy students, the classes can also go a little deeper, allowing the inmates to work on their social skills.

"In a typical two and a half hour class, we'll often spend an hour doing all kinds of different exercises that are designed to build acting skills but also designed to build human skills," Currier said.

John Windham (L) and Richie Morris (C) rehearse lines before their performance. Photo by Justin Sullivan/Getty Images.

She often ends each class with what she calls, "group decision-making exercises." These creative assignments might ask participants to work as a team to turn lines from a play into a song and dance or a poem; or have them rewrite certain scenes, forcing characters to make a different choice.

According to Currier: "One of our students said, 'I've done a lot of conflict resolution work since I've gone to prison, but that kind of exercise is the best conflict resolution work I've ever done.'"

Photo by Justin Sullivan/Getty Images.

But as with the bard himself said, the play's the thing.

Since the early days of the program, the participants have put on more than a dozen full-length Shakespeare plays at San Quentin. The inmate actors work for months putting each show together. Memorizing lines, building sets, and getting into character is tough work, and the actors take their roles very seriously.

Because, for them, it's not just something to do, it's a point of pride and a place for self-expression.

Azraal Ford gets ready to play Julius Caesar. Photo by Justin Sullivan/Getty Images.

"One man said, 'I've been in prison for 12 years, I have a 12-year-old daughter, and all she's ever known about me is that I'm in prison. And today she gets to know that I'm a Shakespeare star."

The inmates' families aren't allowed into the facility to see the productions (the audience is mostly made up of other inmates), but each performance is recorded and put online so families can see their stars in action whenever they want.

Photo by Justin Sullivan/Getty Images.

Support from the state has allowed the program to expand to two more correctional facilities too.

"Three years ago the state actually started funding arts in corrections, and we were one of the first seven organizations in the state of California to get a grant," Currier said.

The grant allowed the program to expand to inmates at Solano State Prison in Vacaville, where inmates are working on "Hamlet" and "King John." And the Folsom Women's Facility, about 25 miles east of Sacramento, where they're working on "Taming of the Shrew."

The expansion gives more inmates a chance to take advantage of this powerful program.

"When you hear the men talk about why they do it and why it's important to them [the men and the women now] it just makes you realize, just more deeply what it means to be a human being on this planet," Currier said.

Photo by Justin Sullivan/Getty Images)

But the best part? It's really having a positive effect on the participants.

Programs like this are a win for everyone involved, and that's why California and other states continue to make the investment.

"Research has shown that structured arts programs improve inmates' problem-solving skills and self-discipline and increase their patience and their ability to work with others," said California Department of Corrections and Rehabilitation (CDCR) Secretary Jeff Beard in a written statement. "These programs also direct inmates' energy in a positive direction, promote positive social interaction and lower tension levels, resulting in a safer environment for inmates and staff."

An inmate watches the performance. The audience is limited to inmates and select outside guests. Photo by Justin Sullivan/Getty Images.

Most importantly, for the actors and their teachers, these programs can be life-changing.

"Most California state prisons have versions of 12-step programs ... and most have some kind of education program where you can get your GED or do college coursework, and those are really important," Currier said. "But the arts are really important as well. Being able to engage with other people through the arts — that's a different kind of social learning than you can get writing an essay."

Anthony Passer (L) and Maurice Reed (R) rehearse lines before the big show. Photo by Justin Sullivan/Getty Images.

Whether it's "Hamlet," "Julius Caesar," or "Taming of the Shrew," it turns out that some of the best shows in California are behind lock and key.

They're full of heart, passion, and pride. The actors' performances transport the audience to worlds previously unimagined, even if just for a few hours. And when you're living in a restrictive environment, that's a beautiful, life-changing gift.

Photo by Justin Sullivan/Getty Images.

It's a big day for these turtles. After rehabilitation, they're healthy, happy, and getting released back into the wild.

The 23 endangered western pond turtles swam away with much fanfare after successfully receiving treatment for a disease that caused their shells to deteriorate.


GIFs via Oregon Zoo/YouTube.

These vulnerable animals were able to make a triumphant return to the water thanks in large part to a unique conservation effort at Larch Corrections Center.

That's right — residents of the Vancouver, Washington, minimum security facility essentially ran a small hospital for the turtles as they recovered.

They delivered basic care and provided minor treatments. And after all their hard work, the men were able to attend the release, and witness their patients' return to the river.

Efforts like this are possible through Washington's Sustainability in Prisons Program.

It began in 2003 as a pilot project between Cedar Creek Corrections Center and Evergreen State College. Cedar Creek was looking to go green, and had already launched gardening, compost, and recycling projects. Around the same time, a professor at Evergreen, Dr. Nalini Nadkarni, was looking to work with inmates to study forest mosses, which desperately needed to be replenished.

The two projects crossed paths and within five years, the partnership grew and expanded to become the Sustainability in Prisons Program (SPP).

The program has now expanded to every corrections facility in Washington, with most boasting anywhere from eight to 12 projects on site, including gardening classes, dog training programs, composting and recycling initiatives, even environmental literacy courses and lectures.

SPP guest lecturer Rus Higley of the Marine Science and Technology Center at Highline College observes a red octopus with a student. Photo by Liliana Caughman, used with permission from the Sustainability in Prisons Project.

The program's partnerships with zoos along with local and national fish and wildlife departments have led to many successful conservation efforts.

Incarcerated individuals at Cedar Creek Corrections Center learned about beekeeping and even became certified as apprentice beekeepers. The men in the program learned fundamentals and how to build and maintain colonies and even how to manufacture lotions and lip balms from beeswax.

Entomologist Sam Hapke (center) trains inmates to become beekeepers. Photo via Sustainability in Prisons Project, used with permission.

In a partnership with the Bureau of Land Management, inmates at Coyote Ridge Corrections Center are growing sagebrush, a woody shrub, to restore habitats for the sage-grouse, a local bird that relies on the plant for survival. The plants the inmates raise in the facility's nursery will be planted in central Washington.

A conservation technician tends to the sagebrush nursery. Photo by Jeff Clark, BLM, used with permission from Sustainability in Prisons Project.

The women at the Mission Creek Corrections Center built a facility to breed and raise Taylor's checkerspot butterflies.The creatures were once fairly common in the Pacific Northwest, but have experienced rapid decline since 2001.

Photo by USFWS Endangered Species/Flickr.

Mission Creek partnered with the Oregon Zoo (which created the first Taylor's checkerspot program) and the Washington Department of Fish & Wildlife to release 2,500 butterflies into the wild each year onto restored prairies on the Puget Sound. Together, the Mission Creek and Oregon Zoo facilities have released more than 17,000 butterflies.


An inmate feeds a butterfly honey water from a Q-tip. Photo by Benj Drummond and Sara Joy Steele, used with permission from Sustainability in Prisons Project.

And though it's too early to track recidivism rates, the program already has plenty of success stories.

"The program is getting mature enough that folks are starting to release from prison and enroll in the Evergreen State College and other academic institutions," said Kelli Bush, SPP program manager.

But SPP doesn't only benefit the incarcerated individuals who learn new skills and gain sense of pride for a job well done.

It also helps the research professionals and project partners — and not just with their sustainability efforts. Because many of them are interacting with the correctional system for the first time, it's often a learning experience for everyone.

Biologist Stefani Bergh (left) talks about western pond turtle care with SPP program coordinator Sadie Gilliom and two of Larch's newest turtle technicians. Photo by Carl Elliott,used with permission from Sustainability in Prisons Project.

"[Science and research professionals] are interacting with incarcerated individuals and gaining a human perspective on issues that are typically outside their scope," Bush said. "And so you really see just really beautiful exchanges between these two groups ... I think it's changing perspectives about who's incarcerated and what incarcerated individuals are capable of."

The model has been so successful, it's catching on across the country.

"Other states have begun modeling programs on the work here in Washington, including really great work being done by Oregon ... Ohio, Maryland, Utah," Bush said. "So it's kind of all over the nation now. "

SPP and Department of Corrections staff members (left) join turtle technicians at a release in 2014. Photo via Sustainability in Prisons Project, used with permission.

Whether it's an injured turtle or someone behind bars, an opportunity to change can be hard to come by.

But with proper rehabilitation and lots of support, both can return home and find success.

Watch the pond turtles and their keepers mark the end of their recovery in this short video from the Oregon Zoo.

Kansas has a major juvenile justice problem on its hands.

With more than 200 centers housing troubled youth across the state, Kansas has an abnormally high rate of young repeat offenders and a high rate of courts removing kids from their homes to stay in such facilities, KMBC 9 News reported. Those two facts could have something to do with one another (which actually makes a lot of sense).

That's why Senate Bill 367 — heralded as "the state’s premier piece of legislation in 2016" — is actually a big deal.



Senate Bill 367 prioritizes treatment and rehabilitation over punishment for many juvenile offenders in hopes it will keep kids from becoming criminals down the road.

Under the law, low-level offenders — kids who aren't considered a threat to public safety — will be less likely to be sentenced to a juvenile center for probation violations, according to The Topeka-Capital Journal. Instead, they'll stay with their families and participate in community programs that provide services like counseling and therapy.

Throughout the next five years, the number of kids sent to out-of-home facilities for their offenses will drop roughly 60%, The Kansas City Star reported. That will save the state about $72 million over that time period — funds that will be redirected toward the community programs.

A detention center for juveniles in France. Photo by Loic Venance/AFP/Getty Images.

"Being smart on crime promotes public safety and the rehabilitation of youthful offenders so that they can become law-abiding citizens," saidGov. Sam Brownback, who signed the bill into law on April 11, 2016. "The legislation aligns our juvenile justice system with what the research shows works best to reduce victimization, keep families strong, and guide youth towards a better path."

Brownback is right — research has shown treatment over incarceration has better long-term effects for individuals and communities alike. So why aren't more states on board?

Detention centers are harmful to kids and make it less likely that kids who spend time there will become successful, stable adults. That affects all of us.

According to a report from the Justice Policy Institute, juvenile detention centers can have "a profoundly negative impact on young people’s mental and physical well-being, their education, and their employment." The nonprofit points out these centers can increase rates of depression and suicide among youth, and reduce their ability to retain a job after leaving.

What's more, juvenile centers — like the larger U.S. justice system — disproportionately harm minorities: Even when they commit the same crimes as their white counterparts, black and brown youth are more likely to be detained.

Photo via iStock.

On the other hand, there's plenty of research suggesting that treatment and rehabilitation services are successful at reducing recidivism, the act of falling back into criminal behavior, for adult and youth offenders alike.

Let's hope more state and federal officials take a hint from Kansas and prioritize the long-term wellbeing of our youth.

"The justice system, and therefore, policymakers, need to focus on the root causes of incarceration and on rehabilitation — not just punishment en masse," prisons reform author Christopher Zoukis wrote for The Huffington Post, noting our "youth can change and learn" before going too far down the wrong path.

"Kansas is taking steps in the right direction."