16 amazing animated series and movies to add to your comfort show list

Because cartoons aren’t just for kids.

Jan 21, 2025

Photo credit: Bluey and Flow promo images – Bluey (left); Flow (right)

In times of stress, comfort shows can provide just the right amount of escapism, familiarity, and emotional relief. When the world seems to be crumbling around us, sometimes the only way to actually relax is to thrust ourselves into the world of fiction, where characters reflect the best parts of ourselves (or at least the funniest parts) and storylines are soothingly predictable.

As far as what types of comfort shows to watch, many might gravitate towards sitcoms or reality shows. But man, are those folks missing out on what feels like a golden age of animation. It’s not just kid cartoons anymore, nor the sardonic slapstick styles of “made for adult” cartoons like The Simpsons or Family Guy. We’re talking deeply compelling storylines set against incredibly striking visuals. What’s not to like? You get everything you enjoy about good TV, while getting to escape into art.

And, animated films and television shows haven’t only added more depth, but breadth of variety. We’ve curated a list of some for you to consider during your next binge. Whether you want to laugh, cry, or do both at the same time, there’s sure to be something worth watching.

Whimsical + Fun

These are more nostalgia driven, and have a bit of a classic cartoon feel. For when you want to just let your inner child come out for a bit.

Avatar: The Last Airbender

This animated Nickelodeon show premiered in 2005 and also made our previous “comfort shows” list because it’s just that good. Sure, it’s made for kids, but viewers of all ages continue to appreciate the show’s quirky, loveable characters and interwoven mindfulness lessons. What’s more, ATLA does a lot of heavy lifting in its storylines. Though the packaging of the show is indeed whimsical and fantastic, it fearlessly tackles deep topics such as genocide, the destruction of war, nationalism and imperialism, social justice, loss, the importance of protecting the environment, and the value of love, friendship, and family. There’s a reason its remained extremely popular since its debut twenty years ago.

Bluey

Bluey is even more of a kiddie show, and yet is perfect for kids and parents alike because of its relatable, realistic family dynamics, tackling complex emotions in a child-friendly way with clever humor and wholesome portrayals of everyday life. And because every character on the show, including the parents, share their discoveries, many adults find the show to be healing.

Adventure Time

Speaking of progressive kid’s shows, if you’re looking for an animated show that features a charming bromance, gender swaps, body positivity, and fun slang like “oh my glob!” then check out Adventure Time. It premiered on Cartoon Network in 2010 but still holds up with or without the power of nostalgia thanks to how it portrays growth, relationships, trauma, and the beauty of life and friendship.

Over the Garden Wall

Over the Garden Wall is an American animated miniseries that centers on two half-brothers who travel through a mysterious forest called The Unknown to find their way home, encountering a variety of strange and fantastical things on their journey. Since premiering on Cartoon Network in 2014, the show has become a cult classic of sorts, and surged again in popularity thanks to a three-minute stop-motion short celebrating its 10th anniversary this past November. When you enter The Unknown prepare to be enthralled by a spooky, yet whimsical story that belongs in a Brothers Grimm’s collection, brought to life by an incredible voice acting cast and score.

The Dragon Prince

The Dragon Prince, later known as The Dragon Prince: Mystery of Aaravos, was a clear attempt to tonally pick up where Avatar left off (it was written by the same writers, after all). And in many ways, it follows a similar fantasy quest template. We have a bit of an enemies-to-lovers thing going on as Callum, a human training to be a mage, and Rayla, a Moon elf, begin their quest whilst taking care of the infant Storm Dragon, the titular Dragon Prince during a time of conflict between magical beings and mankind. But the story definitely finds its legs, creating its own unique blend of goofy charm and mature plotlines.

Epic Action

Moving into more mature, complex territory here, this next batch of shows are great options for folks who think cartoons aren’t for them. These are more like the works of Shakespeare, set in a painting.

Arcane

This show is, in a word, STUNNING. Both in terms of visuals and storytelling. Yes, it’s based on the League of Legends video game, but you can be the antithesis of a gamer and still appreciate it’s complex characters, deep emotional themes, and well-crafted world. Talk about a brilliant meditation on classism and trauma.

The Legend of Vox Machina

Again, this animated series is captivating whether you’re into Dungeons and Dragons or not. Though there’s plenty of silly humor in this one, it is well balanced with serious (downright heartbreaking) moments as well. If you’ve got a soft spot for found family dynamics, enjoy.

Blue Eye Samurai

After becoming a near overnight mega hit on Netflix, Blue Eye Samurai was dubbed not only one of the best animated shows on the platform, but one of its best shows period. You could almost think of it as an elevated anime, that tonally feels like a spaghetti western samurai film hybrid alá The Magnificent Seven. Beyond the revenge plot is also an inspiring story of transcending societal expectations, all in order to find one’s own greatness. This is made evident by one of the key characters, Akemi (voiced by Brenda Song) declaring “I want to be great” during a pivotal fork-in-the-road moment. That’s all we’ll say about that.

Based on a Comic Book

Sure, cartoons are not a hard sell for comic book fans, but when put into animated form, even non-nerds can enjoy the high stakes storylines and compelling characters that come with the genre, making it even more accessible.

Harley Quinn

The animated series on Max exudes all the qualities that most people love about this iconic comic book henchman-turned-villainess in her own right. It’s vivacious, it’s fun, and it’s bonkers. Plus, and perhaps most importantly, the romantic relationship between Harley and Poison Ivy is put front and center and refreshingly full of queer joy.

X-Men 97

There’s a reason this show has been hailed a masterpiece, and nostalgia has very little to do with it. This animated series succeeds at what all the live action iterations have failed to do in tackling Stan Lee and Jack Kirby’s original themes of prejudice, racism, and the importance of fighting against them.

Invincible

Invincible has all the campy comic book fun that we grew up with as kids, and yet still goes down very, very dark roads. In a similar vein to Amazon’s The Boys, it portrays the reality of being a hero, and how being idolized does not a hero make. Arguably though, unlike The Boys, there’s as much heart as there is grit.

Movies

Because not everyone has the wherewithal to binge yet another series. animated movies offer plenty of comfort, too. You might notice that most of the movies on this list came from 2024—and rightfully so because it was a good year for animation.

Flow

This little independent Latvian film is making a huge splash this awards season, and for good reason. The dialogue-free story—which centers around a lone black cat and its unlikely crew of a capybara, a lemur, a bird, and a Golden retriever—is less of a movie and more of a beautifully profound meditation on life itself. It’s whimsical, poignant, breathtakingly gorgeous, and worth many, many watches. Primarily because the first watch is so stressful seeing those animals get into hairy situations.

Wild Robot

Ever wanted an animated film that feels like a ”warm hug from a mother?” Then this is the film for you. Based on a somber children’s book by Peter Brown that deals with grief, loss, and found families, the movie is just deeply resonating. Definitely a “grab your tissues” kind of watch. But a very cathartic one.

Spirited Away

Truthfully any of Hayao Miyazaki’s works could fit the bill, but Spirited Away specifically feels like being thrust into a Japanese fairytale. And yet, there are universal themes of self-discovery, facing fears, and the importance of identity. Don’t expect a cut-and-dry hero-vs-villain storyline here, but prepare to walk away with lasting wisdom.

Inside Out 1&2

Similarly, Pixar’s animated films about dealing with complex human emotions doesn’t have a true antagonist, and it’s because of that that audiences are able to explore mental health and/or emotional struggles we have all had and see them in all new, hopefully more compassionate ways. Both the original and its sequel are part film, part therapy.

We understand that times might be especially anxiety inducing, particularly those experiencing loss or stress from the California wildfire emergency. That’s why Upworthy has created a resource guide for those who need help, and those who want to help. Perhaps after regulating and finding calm (hopefully with one or more of these shows!), it might be a good read.

Add to Google News

More for You

In Partnership With Levi Strauss Foundation →

Stream all episodes of Freedom to Thrive now

Culture, Generations

Your next favorite podcast is about humor, hope, and immigration.

In the second season of Freedom to Thrive, host Hector Flores explores the immigrant experience, and what we can all learn from it.

Sarah Watts

4/13/2026

Ifrah Mansour is no stranger to conflict.

A Somali refugee and current resident of Minneapolis, the multimedia artist and activist draws on her lived experiences to create work that explores trauma, displacement, and resilience. But like so many of the guests on Freedom to Thrive, an award-winning podcast produced by the National Immigration Law Center (NILC), Mansour doesn’t want to focus only on trauma; she also wants to celebrate the unexpected beauty she’s found during difficult experiences.

“One of the beautiful things about tragedies is that it activates hearts, and courageous people are born,” she says. For example, Mansour has noticed more Minnesotans than ever are reaching out to help the vulnerable, after the anti-immigrant crackdowns carried out by the Department of Homeland Security. “They are bringing food, they’re bringing extra clothes, they’re walking with people, and it’s just really beautiful.”

Hector Flores, co-founder of the Las Cafeteras and host of Freedom to Thrive, agrees with her. A child of immigrants himself, he has also seen how hope and hardship often live side by side.

Flores comes from a family with mixed status and is highly aware of the challenges immigrants and refugees in his community face, and how they’re affected by people’s misconceptions. “People want to know about trauma all the time, but we’re more than just undocumented,” he says. “We’re artists, singers, creatives … there’s so much richness in the culture.”

At its core, Flores’ comment is exactly what the Freedom to Thrive podcast is all about: Celebrating immigrants as complex, dynamic individuals, and challenging the dominant narrative that too often reduces them to symbols of hardship.

Launched in 2024, Freedom to Thrive explores heritage, resilience, community, and the ways art and comedy can spark social change. Now in its second season, the podcast continues to feature conversations with immigrants, policymakers, artists, musicians, activists, and more. Recent guests have included comedian Mo Amer, Grammy Award-winning singer Lila Downs, and Pulitzer Prize-winning author Viet Thanh Nguyen.

Where the first season focused on individual stories of identity and belonging, Flores says his goal for season two, where he joins as host, is to “take it to the next level” — using storytelling to highlight “the fact that we’re more similar than different.”

One recent podcast episode drives this point home. In December, Flores interviewed Bryan Andrews, a rising country music star and rural Missouri native who frequently uses his platform to speak about issues affecting immigrant families. At the heart of his message and his songwriting, Andrews says, is the idea that small-town Americans and the rest of the country, including immigrants, have more in common than they realize.

“It doesn’t matter where you’re from,” Andrews says on the podcast. “We’re all trying to make a living and we’re tired of getting railroaded by corporate greed or by politicians who don’t care.”

Rural Americans, Andrews says, are often stereotyped as racist and misogynistic but “the overwhelming majority of people in my home town have love in their hearts.” Media stereotypes often amplify differences and divide, he says, but at the end of the day, “we’re all in this together.”

Flores, who was raised in a working-class immigrant neighborhood in East Los Angeles, had similar thoughts. He says he often sees its residents stereotyped as wealthy, consumerist, and status obsessed. “That exists, but that’s not my life, that’s not my community,” he says. Like small-town Americans, people in the city “just want to work hard and take care of their families. We all want the same thing.”

Although the podcast tackles some heavy issues, each episode’s ultimate focus is how personal and collective struggles can be healed through art, driving home a message of hope and resilience:

Mansour’s episode about her experiences in Minnesota is just one of many examples. Flores asks her,

“What gives you hope for the people creating a home here?”

“The love I feel from other Minnesotans. It is trumping any hate we’re experiencing,” she replies.

CTA: Stream all episodes now on the Freedom to Thrive YouTube channel or the website, here.

The podcast has been nominated for a Webby in the “Belonging & Inclusion” category. You can vote for it to win until Thursday, April 16!

This article is part of Upworthy’s “The Threads Between U.S.” series that highlights what we have in common thanks to the generous support from the Levis Strauss Foundation, whose grantmaking is committed to creating a culture of belonging.

Keep Reading →
Photo credit: The Tonight Show Starring Johnny Carson/YouTube – The Bee Gees perform on "The Tonight Show" in 1973.

Culture, Pop Culture

The Bee Gees’ perfect harmonies on Johnny Carson in 1973 left him completely speechless

When family members harmonize, there’s nothing quite like it.

Tod Perry

Upworthy Staff

4/14/2026

The Bee Gees were one of the most popular pop groups in the world from the late ‘60s to the late ‘70s. In the early years, they had big hits such as “How Can You Mend a Broken Heart,” “I Started a Joke,” and “To Love Somebody.” In the late ‘70s, they found a new sound, disco music and made massive hits for the dance floor, including “Staying Alive” and “More Than a Woman.”

However, between those booming Bee Gee eras, their career seemed to be on the way down. By 1973, their most recent album, “Life in a Tin Can,” and single, “Saw a New Morning,” had flopped, and they began to play smaller clubs. But that didn’t mean they couldn’t win people over with their incredible harmonies. Case in point was their March 23, 1973 performance on “The Tonight Show Starring Johnny Carson.”

Carson introduced the band by touting its history as songwriters. “My next guests have had quite a career. Their compositions have been recorded by people like Frank Sinatra, Elvis Presley, Andy Williams, Glen Campbell, Tom Jones and hundreds of others,” Carson said.

The band opened their set on stage performing “Wouldn’t I Be Someone” and “Saw A New Morning” and then sat down for a chat with Carson, discussing why they don’t like playing large arenas and how they got started performing together as children. After the break, they returned with an acoustic guitar and performed their first number 1 hit, “Massachusetts,” from 1967, with Robin Gibb on lead with his brothers Barry and Maurice chiming in perfect harmony.

If you look closely in the background, Maurice is having fun goofing off when he’s not on vocal duties. At the end of the performance, Carson appears to be a bit choked up as he adjusts his tie.

“Massachusetts” was written about the great migration of young people to San Franciso in 1967, as the hippie movement began to take off in the mid-to-late ‘60s. Interestingly, the Bee Gees had never been to the state.

Tried to hitch a ride to San Francisco

Gotta do the things I wanna do

And the lights all went out in Massachusetts

They brought me back to see my way with you

“There are two different memories, Robin remembers us doing it in a boat going around New York City. And I remember us checking in at the St. Regis with Robert, going to the suite, and while the bags were being brought in we were so high on being in New York, that’s how ‘Massachusetts’ began,” Barry recalled the song’s creation in the “Horizontal” liner notes. “I think we were strumming basically the whole thing, and then I think we went on a boat round New York. I don’t know if we finished it, but I think that’s where the memories collide. Everybody wrote it. All three of us were there when the song was born.”

The song was initially written by the band for The Seekers, but they were unsuccessful in getting it to the band, so they recorded it themselves.

The Bee Gees would have a career turnaround in 1975 when they experimented with a new, more soulful sound with the song “Jive Talkin.” This became a big hit and propelled them into the world of disco, where they would become one of the era’s most popular acts.

The Bee Gees’ historic career ended when Maurice passed away in 2003 at age 53. Robin followed in 2009 at age 62. Barry, 79, is the final surviving member of the band.

This article originally appeared two years ago. It has been updated.

Keep Reading →
Photo credit: Talent Snacks/Youtube – Aunty Ora teaches the haka on The Voice Australia

Culture, Pop Culture

Māori singer wows all four judges on ‘The Voice,’ then she teaches them how to do the haka

Moments like this show how culture can be shared with care and enthusiasm.

Heather Wake

4/14/2026

Back in 2017, Māori singer Ora Taukamo, known as “Aunty Ora,” wowed judges on The Voice: Australia with her rendition of Adele’s “One and Only,” somehow making it even more soulful than the original.

It was then that judge Delta Goodrem asked Taukamo what she did outside of singing.

Taukamo answered, “I teach the haka.”

Intrigued, judge Kelly Rowland asked, “Can I learn the haka?” Taukamo giggled while saying, “Sure!” Then, Rowland, Goodrem, and the two other Voice judges, Boy George and Joe Jonas, stepped up on stage for an impromptu lesson.

The group put their hands on their hips, bent their legs into a squat position, and began stomping on their right foot in unison while hitting both hands on their thighs. As their percussion began setting, Taukamo began leading them through a chant.

The moment was cool enough on its own, but made even more heartening by the way it instilled pride among fellow New Zealanders.

“You make me feel proud to be a Kiwi you lovely woman!”

“I aroha ahau ki taua haka. (I loved that haka.) Really nice how the panel joined in. Beautiful voice.”

“Taahua… making Aotearoa proud.”

“Adore you !!! Aroha (Luv) your whanau (family- all of the 5 million) in Aotearoa New Zealand.”

Taukamo would eventually end up going home on the show after singing these showstoppers: “Circle of Life” from The Lion King, “One Moment in Time” by Whitney Houston, a ”Love Me Tender” cover by Norah Jones, “Open Arms” by Journey, “All of Me” by John Legend, “I Believe I Can Fly” by R. Kelly, a “With A Little Help From My Friends” cover by Joe Cocker, “Goodbye Yellow Brick Road” by Elton John, and “Total Eclipse Of The Heart” by Bonnie Tyler.

Aside from her powerhouse vocals and her impressive haka teaching abilities, Taukamo is remembered for her infectiously positive energy, which che clearly infuses into her craft in order to lift others’ spirits up. This can clearly be seen on her Facebook bio, where she writes, “Your voice is a tool to help heal others.🎙️Sing from your heart at all times and just be yourself, most of all be natural.”

That philosophy came through in that brief, joyful exchange on stage.

The haka is more than choreography. It carries history, identity, and connection, and Taukamo shared it in a way that welcomed others while honoring where it comes from. Watching the judges laugh while trying to follow her lead created a sense of togetherness that reached far beyond the studio audience.

Four different colored figurines on a globe Photo credit: Canva

Moments like this show how culture can be shared with care and enthusiasm. A few minutes of music and movement turned into something people across the world could feel a part of. Taukamo may not have taken home the top prize, but in this way, her impact was all the more meaningful. She left behind a performance that people still talk about, one that celebrates voice in every sense of the word.

Keep Reading →
Photo credit: STUDIOCANAL/YouTube – Emma Thompson's bedroom scene in "Love Actually"

Culture, Pop Culture

Emma Thompson reveals the detail that made that big ‘Love Actually’ scene so heartbreaking

Thompson beautifully explained the layers that make the scene so iconic.

Annie Reneau

Upworthy Staff

4/13/2026

The 2003 film Love Actually is probably best known for its controversial-ish cue card scene, where Andrew Lincoln’s character professes his love for Keira Knightley by silently showing her cue cards, including the famous (or infamous) line, “To me, you are perfect.”

But there’s another scene in the film that doesn’t get nearly the recognition it deserves. It’s well-regarded, but not nearly well-regarded enough.

It’s been over 20 years since the late Alan Rickman broke Emma Thompson’s heart by buying that little office tart a necklace in Love Actually, and some of us still haven’t forgiven him.

With its overlapping love stories set during Christmastime, the film has become a holiday classic, despite some controversy over whether it’s actually any good. Some people love it, some people hate it, but no one can deny that Thompson gives an Oscar-worthy performance in one utterly heart-wrenching scene.

Of the eight “Love Actually” relationships, Harry and Karen (Rickman and Thompson, respectively) is the one that gives the film some serious gravitas. While other characters are pining or shooting their shot with varying levels of success, Harry is having a midlife-crisis affair with a modelesque coworker, while Karen shuffles their children to and fro and keeps Harry’s life running smoothly. We see him lie, we see her start to suspect, but the scene where she opens her Christmas present from Harry (a Joni Mitchell CD, not the necklace she had found hidden in his coat and thought was for her) is when we see Thompson’s acting strengths in full view.

Like, phew.

What’s so striking about the scene, however, is that it’s not dramatic in a typical way. There’s no external conflict—it’s just Thompson excusing herself from the family to process, in secret, what she’s just discovered. We see and feel her heartbreak—it’s so visceral—but that’s not what makes the scene so powerful. Heartbreak happens all the time in movies.

As Thompson explains in a BBC Radio 1 interview, it’s the fact that she can’t react the way she wants that pulls at people’s heartstrings so hard.

“I think it’s just because everybody’s been through something like it,” Thompson says. “What I think really gets to them, though, is that she has to pull herself together. It’s not that she’s upset. That’s, you know, ten a penny. But it’s that she has to pull herself together.”

It’s true. The conflict in the scene is between her wanting to break down and her wanting to keep her family’s Christmas memories happy and intact. She is a devastated wife, but she’s also a devoted mother who doesn’t want to devastate her kids. We feel the tension between those two roles and the way she swallows up her grief in order to get her kids to their holiday concert right after finding out her marriage isn’t what she thought it was.

When you think about it, it’s incredibly poignant. And though not everyone loves the film, it’s moments like this one that have helped it stand the test of time and stay on many people’s holiday watch-list.

“I think it’s to do with the fact that we’re required in our lives to repress the things that we’re feeling,” Thompson explained on TODAY. “So, you can be hit right between the eyes with some terrible piece of news, but you can’t react immediately because you’ve got your children there. It’s that thing of not showing — that’s why it hurts. That’s why it moves us.”

“If she went, ‘Oh my God! I thought you were going to give me a necklace! And now you’ve given it to somebody else,’ we would not be moved, you know?” she continued. “We’re moved because she just goes, ‘I’m not gonna do it.’ And then she makes the bed, the bed that sort of suddenly feels so empty of meaning. And then she goes down and goes, ‘Hello, everyone! Let’s go.’ That’s why people identify.”

And the way she plays it is perfect. Any actor can cry, but it’s her crying while trying not to cry, and the way she shows us her inner emotional turmoil without ever saying a single word is impressive.

If you’ve never seen “Love Actually” and want to see the Harry and Karen story, here are just their scenes:

Some people have asked whether Harry actually physically cheated or not, but “Love Actually” script editor Emma Freud clarified that he did. “DEFINITELY had an affair,” she wrote on X in 2015. “I begged Richard just to make it a flirtation, but no. The whole way.”

And did Harry and Karen stay together in the end? The film doesn’t really make it clear, but at the screening Freud answered the question: “They stay together but home isn’t as happy as it once was.” Oof. There’s just no non-heartbreaking answer to that question.

This is why we watch films, though, isn’t it? To see our humanity reflected back to us? To feel what the characters feel? To have our hearts broken vicariously so we can have a good cry without going through the actual pain ourselves?

People usually watch rom-coms for the romance, the comedy, and the happy endings, though. So here’s to Emma Thompson and Alan Rickman for giving us one of cinema’s most poignant scenes in one of its most unexpected places.

This article originally appeared two years ago. It has been updated.

Keep Reading →
Photo credit: Canva – Depluralized movie titles have brought out people's wordplay skills.

Culture, Pop Culture

Responses to silly ‘depluralize a movie’ prompt showcase how delightfully clever people can be

These went so much harder than expected.

Annie Reneau

4/10/2026

For all of the downsides of social media, one of its biggest upsides is how it highlights how incredibly funny some people are. Short form posts are a perfect place for quippy wit and humor to shine, and when you toss in a prompt with a grammatical twist, the result is a showcase of human cleverness.

A perfect example is the “Depluralize a movie” prompt, which has made its way around various social media sites and brings out the most concisely skilled word nerds among us.

“JAW.” Cute, simple, straightforward. You can take any movie with a plural “s” and just remove it for a tiny chuckle. “The Avenger.” “Star War.” “Heather.” But the best responses make you think for a minute before the light bulb goes on and the belly laugh hits:

“Lion and Prejudice.”

“Tree Gump.”

“Snow White and no one else.”

“A Crow on the Orient Express.”

“Gone with the Air Molecule.”

“The Breakfast Individual.”

“Fish of rock.”

“Indiana Jone.”

“Child of the kernel.”

“Clause of Endearment.”

“Cheaper By Myself.”

“Chitty Bang”

“Monster, Sole Proprietor.”

“BRICK-E.”

@dadchats
Currently the only thing keeping me going
♬ original sound – dadchats

“Inchloose.”

“A Single Ado About Nothing”

“One Good Man.”

“Something, Somewhere, Once”

“Saturday at Bernie’s”

“One Dollar Baby.”

“Mario Only Child”

“The Postman Rang Once The One Time He Stopped By.”

“I for Vendetta”

“Malcom I”

“Jumanjus.”

That last one is a perfect example of why people are loving the responses to this prompt. “Jumanji” isn’t even plural, but applying the rule that gives us cactus/cacti and octopus/octopi, we get “Jumanjus.” Cleverly hilarious.

Some adjustments are just so silly, you can’t help but laugh, like “Indiana Jone.” Many of them use animal groups (pride of lions, murder of crows, school of fish) that you have to decipher or stretch your logic to break down things we don’t think of as plural (wall to brick, wind to air molecule, corporation to sole proprietor). And “I for Vendetta” and “Malcolm I”? Perfect. (As one person said, we don’t have enough Roman numeral humor in the world.)

People loved seeing how creative others were in their responses:

“This thread is for the ‘pleasure to have in class’ kids only and I love it. 😂”

“Gods everyone is so much smarter than me. I’m just over here trying to think of titles ending in S.”

“I’ve never been more ok with everyone been smarter than me. 😂”

“I cannot read this thread while my partner is trying to sleep beside me. I am SHAKING the bed, laughing.”

Why do we find wordplay so funny? Photo credit: Canva

Why do people find these depluralized titles so funny, though? Likely the same reason we delight in puns and spoonerisms. Wordplay tickles our brains and our funny bones.

As neuroscientist Dean Burnett shared with BBC Science Focus, “Humor is essentially our brain going ‘This isn’t how things usually work… but I’m okay with it!’”

Burnett explains that humor happens in our brains when there’s incongruity between what we expect to happen and what actually happens and we resolve that incongruity.

“Basically, thanks to these complex systems in our brains, humour can be derived from things being surprising, unexpected or wrong in some form, as long at it’s resolved, without negative consequences,” he writes.

That’s essentially what’s happening when we see a familiar movie title altered in a way that we don’t expect but that ultimately makes sense. Whatever the humor trigger, it’s so fun to have so many people enjoy some wordplay together.

Keep Reading →
Photo credit: Raph_ph, Ella Mullins/Flickr – Robert Plant, then and now.

Culture, Pop Culture

56 years after it first debuted, Robert Plant performs a majestic version of ‘Ramble On’

“It’s why this man is on the shortest of short lists of the best front men of all time.”

Cecily Knobler

4/10/2026

In 1969, the Juggy Sound Studio in New York City was forever changed. It was that year and place that Led Zeppelin recorded (at least part of) their album Led Zeppelin II, with the song “Ramble On” its 7th track. The song, co-written by front man Robert Plant and guitarist Jimmy Page (who also produced the track), has remained a staple in their extraordinarily rocking catalogue for over half a century.

So when Robert Plant, at the ripe young age of 77, casually strolled onto the set of The Late show with Stephen Colbert and flawlessly belted out the song, fans sure noticed. Yes, his face has more wrinkles – time will do that to a person. But it’s time itself that made the lyrics to this particular song all the more meaningful.

“Like he wrote it this morning”

Guitar Gods Unleashed took to X to share the video, writing “’Ramble On’ is 56 years old, and Robert Plant just walked onto The Late Show and made it sound like he wrote it this morning.”

The comments are so fitting for such a powerhouse performance. One X-er notes that some rock stars age. But Robert Plant? “You see the aging rock star trying to replay their youth, then you have Robert Plant being Robert Plant, and it rivals the original from a half century ago. Just incredible.”

Lord of the Rings

Another points out the lyrics, which reference J.R.R. Tolkien’s popular book series turned movies, Lord of the Rings. “I like that ‘Ramble On’ has Lord of the Rings references from back when Robert was reading the book series. I had no idea what Lord of the Rings was back when I first became a fan of the song, but eventually I said, “wait…did he mention Gollum and Mordor?”

In a piece for Far Out Magazine, Jack Whatley discussed the fact that many bands are influenced by authors. “The singer used moments throughout the lyrics to express his connection; lines like ‘the darkest depths of Mordor’ and ‘Gollum and the evil one’ are both doffs of the caps to the writer. Many artists have made references to great literature in their time; whether it is The Beatles and C.S. Lewis’ influence on ‘I Am The Walrus’ or The Cure’s nod to Albert Camus.”

The lyrics

The lyrics are so hauntingly beautiful and even more impactful now that Plant is older.

“Leaves are fallin’ all around
It’s time I was on my way
Thanks to you, I’m much obliged
For such a pleasant stay

But now it’s time for me to go
The autumn moon lights my way
For now, I smell the rain, and with it, pain
And it’s headed my way

Ah, sometimes I grow so tired
But I know I’ve got one thing I’ve got to do

Ramble on
And now’s the time, the time is now
Sing my song
I’m goin’ ’round the world, I gotta find my girl

On my way
I’ve been this way ten years to the day
I’m gonna ramble on
Gotta find the queen of all my dreams

Got no time for spreadin’ roots
The time has come to be gone
Though our health, we drank a thousand times
It’s time to ramble on

Ramble on
And now’s the time, the time is now
Sing my song
I’m goin’ ’round the world, I gotta find my girl

On my way
I’ve been this way ten years to the day
I’m gonna ramble on
Gotta find the queen of all my dreams

I ain’t tellin’ no lie

Mine’s a tale that can’t be told
My freedom I hold dear
How years ago in days of old
When magic filled the air

‘Twas in the darkest depths of Mordor
I met a girl so fair
But Gollum and the evil one
Crept up and slipped away with her, her, her, her, her, yeah

And ain’t nothin’ I can do, no
I guess I’ll keep on

Ramblin’, I’m gonna say
Sing my song, I’ve gotta find my baby
I’m gonna ramble on, sing my song
Gonna work my way, gonna ramble on
Gonna ramble on, yeah-yeah”

View this post on Instagram

“A completely new composition”

Another fan shares their thoughts on just how brilliant the performance was. “To craft a new arrangement of a rock classic – a completely new composition – centered around the limitations your aging 80-year-old voice… and create something still so artistic and beautiful… it’s why this man is on the shortest of short lists of the best front men of all time.”

Keep Reading →
Photo credit: Chuck Kennedy (Pete for America)/ Wikipedia – Michael J Fox is not, in fact, dead.

Culture, Pop Culture

Michael J. Fox has the best response after CNN accidentally prompts death scare

Don’t worry, “Michael is doing great.”

Heather Wake

4/9/2026

Michael J. Fox is very much alive. And so is his wit.

CNN had created a remembrance video for the Back to the Future star, titled “Remembering the life of Michael J. Fox.” Now, it’s fairly standard practice for news outlets to make these sorts of posthumous tributes in advance. But publishing them before the celebrity actually passes away? Not so much.

And yet, on Tuesday, April 7, that’s what happened. But when Fox saw the accidental announcement of his death, he met it with a bit of philosophical humor.

On Threads, Fox wrote, “How do you react when you turn on the TV and CNN is reporting your death? Do you…A) switch to MNSBC, or whatever they are calling themselves these days, (B) Pour scolding hot water on your lap, if it hurts your fine, (C) Call your wife, hopefully she’s concerned but reassuring, (D) Relax, they do this once every year, (E) Ask yourself wtf ?”

@realmikejfox Threads

Ending with just a dash of self-deprecation, he concluded, “I thought the world was ending, but apparently it’s just me and I’m ok. Love, Mike.”

As to be expected, fans were quick to “yes and” Fox’s sense of humor.

“Go outside and ask the first person you come across: ‘Can you see me?’ Glad you’re ok btw!” wrote one person.

Meanwhile, actor Kathy Griffin quipped, “You’re a helluva ghost.”

In CNN’s defense, the tribute, however premature, did respectfully honor Fox’s legacy not only as a beloved actor, but also as an active Parkinson’s advocate.

According to Entertainment Weekly, the narrator in the now-deleted video said of Fox: “He came into our living rooms on the small screen each week as Alex P. Keaton [on Family Ties] and eventually onto the big screen as Marty McFly in [Back to the Future]. But Michael J. Fox had a compelling third act as a Parkinson’s sufferer and stem cell research advocate.”

“His most lasting role may have been as a tireless voice against Parkinson’s, a performance the Academy of Motion Pictures Arts and Sciences honored with the Jean Hersholt Humanitarian Award in 2022,” the clip went on. “In the end, Fox came to understand that his battle against the disease brought out the best in him.”

A CNN spokesperson also stated: “The package was published in error; we have removed it from our platforms and send our apologies to Michael J. Fox and his family.”

On Wednesday, Fox’s rep assured TMZ that “Michael is doing great.”

So great, in fact, that he was out and about in Los Angeles speaking on a panel for the Apple TV series Shrinking, in which he filmed a three-episode guest arc playing a character who also deals with Parkinson’s disease. The guest spot marked his first on-screen appearance since 2020. Harrison Ford, who also plays a character with Parkinson’s on the show, regarded Fox as “an extraordinarily powerful person” after meeting and working with him on set.

So, Michael J. Fox is still kickin’. And he’s still meeting each moment with a tremendous amount of humility and humor, lifting our spirits as he does it.

Keep Reading →
Photo credit: America’s Got Talent/YouTube – Sofia Vergara's jaw dropping while watching dance audition

Culture, Pop Culture

Watch dancers with ‘insane core strength’ appear to float in mid-air for iconic AGT audition

Instant AGT legends.

Annie Reneau

Upworthy Staff

4/9/2026

“America’s Got Talent” auditions have given us all manner of dance performances, from expressive individuals to impressive group numbers that got the judges praising and the audience roaring. But AIRFOOTWORKS’ gravity-defying, core-busting dance routine, performed in 2024, is one that will surely go down as one of the greatest dance performances in AGT history.

As the music began, no one knew what the apparatus made of poles and bars surrounding the dancers was for. But it soon became apparent that they would use it to lift themselves off the ground. What started with a simple pull-up, however, turned into an incredible synchronized dance to Justin Bieber’s “Where Are U Now” in which the dancers synchronized their movements without their feet even touching the ground.

AIRFOOTWORKS dancing to Justin Bieber on AGT

The dancers, who hail from Japan, were mentored by Kenichi Ebina, who won AGT Season 8 in 2013. Their performance earned them a standing ovation from all four judges and the audience.

“Everything about the performance was perfect,” said judge Sofia Vergara.

“It was so creative and so different—and so difficult, by the way,” said judge Simon Cowell. “So you have a great mentor. However, even if you’ve got a great mentor, you’ve still got to be able to do what your mentor helps you to do. And you did it immaculately.”

AGT fans agree with the judges

People in the comments were equally blown away.

“How do people find out they have talents like this??? ✋ “

“My toxic trait is thinking I can do this without any difficulty .”

“Insane core strength.”

“OBSESSED with this audition.”

“What kind of core strength is this… flawless, “

Many people were disappointed that none of the judges hit the Golden Buzzer.

“Why no Golden Buzzer?!?!?! If I’ve seen any act more deserving of it, I can’t recall. These guys were AWESOME!!!!!!!”

“Did they run out of golden buzzers? This is worthy.”

“THEY DESERVED THE GOLDEN BUZZER!”

“This performance absolutely deserved a golden buzzer. It was just spectacular.”

“Can only assume all the judges were so enthralled and mesmerized by this performance they forgot there was a golden buzzer.”

The ‘Golden’ performance

AIRFOOTWORKS did, in fact, earn a Golden Buzzer from Howie Mandel during the Quarterfinals sending them directly to the finale, where the group performed to an EDM mix by Steve Aoki. While they didn’t receive enough votes to win the entire competition, they have certainly earned AGT royalty status.

Since their AGT run, AIRFOOTWORKS have continued to take the world stage – reaching the finals of talent competitions in France and Italy, and performing at the Royal Variety Performance in the UK.

For more talent auditions, you can follow America’s Got Talent on YouTube and TikTok.

This article originally appeared 2 years ago. It has been updated.

Keep Reading →
Photo credit: Sergio Reis/Youtube – The costumes, the choreo, the camera work…just, wow.

Culture, Pop Culture

Netherland-based dance troupe performs epic routine to “Somebody That I Used to Know”

Everything about this is pure magic.

Heather Wake

Upworthy Staff

4/8/2026

Odds are you’ve heard Wally de Backer, aka Gotye, and his song “Somebody That I Used to Know.” It’s the Australian musician’s biggest commercial hit, selling more than 20 million copies since its release in 2011, making it one of the best-selling digital singles of all time. Not to mention it inspired several amazing covers, which you might have also stumbled upon.

The music video, in its poignant simplicity, is every bit as iconic. Gotye stands naked facing the camera, as featured singer Kimbra faces him. As they sing, they are slowly “painted” into and out of the background of geometric shapes using stop motion animation. There’s a very Wes Anderson feel to it that adds so much to the story told in the song, making it all the more memorable.

This dance troupe was up to the task

All this to say…it would be a challenge to recreate the magic that’s so inherent in the original. And yet, Netherland-based dance troupe CDK clearly understood the assignment with their highly stylized movement performance set to the well-known art pop ballad.

As thousands of viewers were quick to note, it’s not just the incredible dance moves that made this performance so captivating. It’s the killer combination of choreography, camerawork and costumes that make the piece impossible to turn away from.

“This is pure art,” one person wrote. While another added, “I think I’m going to watch it everyday for the rest of my life.”

Watch CDK’s Stunning Performance Here

This group is clearly at the top of their game, simply by how easy they make it all look (like, I’ve already convinced myself that I can pull off those moves). But what’s more evident is that they enjoy what they’re doing to the nth degree. Over on their Instagram page, you’ll find equally mesmerizing routines set to Billie Eilish, Nicki Minaj, and more.

View this post on Instagram

View this post on Instagram

Some fun facts about the song and its legacy

1: Gotye allows small independent projects, like student films—and probably this dance piece—to use his music free of charge. “If someone wants to use it commercially I look at what the budget is and the creativity of the project,” he said, according to News.com.

2: CDK isn’t the only group to have recently breathed new life into the song. Also in 2024, an electronic remix of the song titled “Somebody (2024),” created by electronic music producers Chris Lake, Fisher, and Sante Sansone, debuted. Much like its predecessor, “Somebody (2024) topped the charts.

This article originally appeared two years ago. It has been updated.

Keep Reading →