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Ryan Reed

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A-ha's 'Take on Me' gets a delightfully epic facelift in metal band's 'on the spot' cover

There are plenty of surprises—and, yes, some incredible high notes.

Photo credit: screenshot from Musora YouTube video (left) / Yaffa Phillips via Wikimedia Commons, Creative Commons Attribution-Share Alike 2.0, cropped (right)

A progressive-metal band created an epic "on the spot" cover of a-ha's synth-pop classic "Take on Me."

If you were to compile a short list of "pop songs you should never, under any circumstances," attempt to cover, a-ha’s 1985 synth-pop classic "Take on Me" would surely make the cut. And there are multiple reasons for that. One, it’s difficult to imagine that song without its era-specific keyboard sparkle. Plus, there are few humans who can recreate Morten Harket’s impressively high falsetto on the chorus ("I’ll be gone / In a day or twoooooooo")—even just physically, without even factoring in emotion or originality.

But Leprous, the massively underrated prog-metal band from Norway, absolutely crushed that musical assignment, reimagining the track from top to bottom. It’s all part of Musora’s YouTube series Covers on the Spot, where bands are presented with songs and asked to quickly remake them in their own style. Many of the most fascinating experiments—like the folk duo who tackled System of a Down’s nu-metal anthem "Toxicity"—have relied on contrasting styles. This is no exception.

- YouTube www.youtube.com

Ron Jackson, the show’s host and the platform’s content director, outlined the process early in the video: "It’s going to be your challenge to transform that song into a Leprous track. You can do whatever you want—change rhythms, chords, lyrics tempos—but at the end of the day, it has to be uniquely yours." He even asked the band which genre would "scare" them the most, and singer Einar Solberg replied, "Something too close to home." Ironically, that’s exactly what they got—just not in the way they expected. A-ha are also Norwegian—a fact that Jackson didn’t even realize before filming the piece. (Leprous drummer Baard Kolstad even noted that "some of the [a-ha] guys" were his dad’s neighbor.)

Did Norway factor into the success of their cover? Who knows? But Leprous certainly put their stamp on "Take on Me," and the video offers a fascinating behind-the-curtain glimpse into their band dynamic. Each member of the sextet tosses out rhythmic variation, structural ideas, options for how to amplify the song’s core drama and make it fit their own aesthetic. In a bizarre way, it shows how much DNA their own genre shares with classic synth-pop—both are aiming for the grandiose.

- YouTube www.youtube.com

Their biggest dilemma is how to tackle the "happy"-sounding synthesizer hook from the verses, which they translate over to a muted, more melancholy electric guitar line. "I love watching bands work," says Jackson, observing how they play off each other and how Solberg plays a role of big-picture organizer. The final product is stunning—a bit more menacing than a-ha, certainly way more complex, but capturing the essential cathartic spirit that drives the original tune. And, spoiler alert: Solberg nails all of those intimidating high notes, adding some operatic melisma and vibrato here and there. "I loved it," the frontman says after they finish playing. "It was intense but amazing." (For what it’s worth, he’s technically not a newcomer to a-ha world, having covered the band’s "Manhattan Skyline" with musician Ihsahn in 2020.)

Existing fans were enchanted: "It’s settled [then], Leprous needs to put out an 80's cover album," someone wrote in the comments. And they even made plenty of new ones: "Well NOW I have to listen to everything Leprous has ever done," added another. Luckily, the band officially released the song to streaming platforms, helping spread the word—even beyond the 356,000 (and counting) YouTube views. Another beautiful element to Leprous’s cover: It’s an incredible salute to Harket, who revealed in June that he’s been diagnosed with Parkinson’s disease.

- YouTube www.youtube.com

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Questlove's 'SNL' documentary opens with a mind-blowing musical mashup

Run-DMC, meet Hall & Oates

Screenshot from 'The Tonight Show' interview on YouTube

Questlove opens his 'SNL' documentary with an all-time great musical mashup.

Questlove—drummer/producer of hip-hop legends The Roots, longtime Tonight Show bandleader, Oscar-winning filmmaker, and an all-time elite music nerd—recently helped create a musical mashup destined for the pop culture time capsule. The seven-minute piece serves as the cold open to Ladies & Gentlemen … 50 Years of SNL Music, his new NBC documentary co-directed with Oz Rodriguez—but it’s truly a standalone work of art, cleverly blending sounds you’d never expect: Nelly and Franz Ferdinand, Cher and Hanson, Run-DMC and Hall & Oates.

The piece is bookended by snippets of R&B-rock songwriter Billy Preston, the first-ever SNL musical guest, from his performance on October 11, 1975. Everything else is brilliant madness, with songs from the past five decades forming a surreal collage. Usher’s Crunk&B hit "Yeah!" is matched with Gwen Stefani’s pop-rap chant-along "Hollaback Girl"; Nelly’s swaggering hip-hop smash "Hot in Herre" merges with Franz Ferdinand’s stomping indie-rock smash "Take Me Out."

The pairings get progressively more outrageous and wonderful—including Run-DMC’s "Walk This Way" with Hall & Oates’ "I Can’t Go for That (No Can Do)," Cher’s "I Found Someone" with Hanson’s "MMMBop," Queen’s "Under Pressure" with Dave Matthews Band’s "Ants Marching," John Mellencamp’s "Hurt So Good" with Roy Orbison’s "Pretty Woman," Bobby McFerrin’s "Drive" with Busta Rhymes’ "Tear da Roof Off" and TLC’s "Creep," and NSYNC’s "Bye Bye Bye" with Dido’s "Thank You" and Destiny’s Child’s "Survivor."

In a recent Tonight Show interview with Jimmy Fallon, Questlove wrote that he watched every single SNL episode—including over 900 musical performances—while making the documentary. And the process of piecing together the opening section, he says, took 11 months. Fallon called the cold open "the greatest opening of any documentary," saying it gave him goosebumps. "You showed me the first six minutes of the doc in my office, and I think I cried," he said. "I think when you left, I teared up—I was so emotional."

- YouTubewww.youtube.com

Ladies & Gentlemen … 50 Years of SNL Music, which is available to stream via Peacock, is much more than its mind-blowing intro. The film chronicles some of the most innovative, controversial, and bizarre musical performances on the show, along with famous sketches ("James Brown’s Celebrity Hot Tub Party") and digital shorts ("Lazy Sunday") that are built around music.

On Instagram, Questlove enthused about his lifelong SNL "obsession."

"Thank god my family was hip enough to let their 5 year old kid wake up 12:30am to watch his fav show," he wrote. "It was a half hour early because most of my fav musicians were on SNL (Bill Withers/Gil Scott-Heron/Phoebe Snow/Al Jarreau/The Meters) … So doing this project was a NO BRAINER because I know this show like the back of my hand. So every second of this doc is a love letter of sorts."

Politics Activism GIF by NRDCGiphy

Questlove has been on a roll lately as a director. His other film project of 2025, the Sly and the Family Stone documentary Sly Lives! (aka The Burden of Black Genius), recently premiered at Sundance and will hit Hulu on February 13.

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Workers who do 'nothing' at the office share how they actually spend their time

"I don't know for how long I will be able to keep going, but I'm gonna exploit the situation the best I can"

Photo credit: Canva

People who do "nothing" at work break down what they do all day.

Most of us, at some point in our lives, have been guilty of twiddling our thumbs while on the clock. (Back in college, when I worked at a library, that was basically part of the job description.) But in a recent viral post, strangers are swapping stories about gigs where they did "literally nothing" work-related—and sharing how they actually spent their time.

The OP opens the conversation by detailing a typical "boring" day at their current (and first) job—an entry-level role they've held for seven months. "I get to work, I open my PC, and I stare at my screen for 8 hours straight," they write. "Most days I have absolutely nothing to do, and the days there’s some work it takes at most a couple [hours] of my time. I work in an open space, but nobody has noticed, so I guess I’m really good at [seeming] busy. My bosses respect me and even thank me for my work. I don’t know how long I will be able to keep going, but I’m gonna exploit the situation the best I can."

Bored Julia Louis Dreyfus GIFGiphy

From there, fellow Redditors weighed in with their own stories—from cruising through short-term jobs to milking the downtime at longterm employment. The range in tone varied wildly: Some people encouraged the OP savor every slow day, while others recommended staying busy in other ways.

"This has been my life since early last year," one user wrote. "Laterally moved within my company and now have significant downtime, like I’m in my office at 8 and I’m done with everything by 8:45. I decided to study for the LSAT and just got into law school a few weeks ago. My advice: don’t waste this opportunity."

Someone else said they were in a similar position for eight years, working as a designer at a small agency, where they "only needed to perform on one day each week." Most of the time, they "just needed to be there in case something happened." But instead of doing nothing, they "made great use" of their free time: reading books, learning to code, doing freelance work, and learning enough "to get much better jobs" in the future. "Don’t waste this time staring at the screen," they wrote. "There are plenty of things you can do with a computer, internet access, and free time. Use it. You won't regret it."

Bored Season 3 GIF by The OfficeGiphy

Another user wrote that, in the OP’s shoes, they’d "never be able to go home feeling accomplished." They recommended soaking in as much experience as possible and then seeking out a better job. "Don’t waste your time not expanding your knowledge," they wrote. Someone else said they had a low-work job for four years, and it sent them into a depression. "My advice[:] Ask for project work a few times a week," they wrote. "if you don't get anything, use the time to learn something [you’re] interested in and plan for the next job."

Also, you know someone in the thread had to quote Mike Judge’s 1999 black comedy Office Space, which takes a satirical look at office jobs of that era. “I’d say in a given week I probably only do about 15 minutes of real, actual work," one user wrote, quoting Ron Livingston’s disgruntled protagonist, Peter Gibbons.

i hate my job bored at work GIFGiphy

Anyway, if you find yourself bored at work and find productive ways to stay busy, check out Indeed’s list of 16 options, like listening to podcasts, creating a networking group, and mentoring a junior employee.

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Watch people make intense electronic music from, yes, barcode scanners

No cash registers required.

Photo credit: Canva

Some forward-thinking artists are making electronic music with, yes, barcode scanners.

You can make music from just about anything. When my youthful exuberance was at its highest and my net worth at its lowest, I once made a beat by recording myself slamming doors and punching tables.

My experiments, admittedly, didn’t sound great. But some forward-thinking musicians have built an entire art form by seeking sounds in unusual places—and in the case of Electronics Fantasticos!, a Japanese project centered around Ei Wada, by transforming "outdated electrical appliances into new electronic instruments." In an incredible viral YouTube video, they demonstrate their most famous piece of gear: the Barcoder, a barcode scanner that generates sound not through a cash register but by "connecting scan-signals of a barcode scanner to a powered speaker directly."

- YouTubewww.youtube.com

In the clip, two "barcodists," Wada and Akira Ataka, appear to be set up in a makeshift performance space, where each scan various blocks of black-and-white patterns. When arranged rhythmically, the synthesizer-like sounds they produce—low, pulsating grunts and high-pitched squeals—wind up resembling intense electronic music. (Bonus points for scanning their own striped shirts, which look like referee outfits.)

The YouTube comments are outstanding. One person (accurately) joked, "This is like the 1990s’ prediction of what 2020s music would be," and someone else chimed in, "When you lost your job as a DJ and ended up becoming a cashier." Also, props to the viewer who suggested they "just need a zebra to complete the band."

Electronics Fantasticos! have filmed a lot of Barcoder demonstrations, and they even took it to another level with the Barcodress. In this experiment, a dancer wears a dress "on which signals are engraved as striped patterns," and sound waves are created as the Barcoder scans their movements. They describe it as an artistic expression "where clothes, dance, and music playing become one." They continue, "It’s just like a dress serves as a record, dance as a turntable, a player as a record player needle, and expands the record and play mechanism to a physical expression. We explore possibility of 'Electromagnetic Dance!'" Mind-bending stuff.

- YouTubewww.youtube.com

The project includes many bizarre instruments beyond the Barcoder. Take the "Hoovahorn, Tofoovahorn, and Vacuumonica," which vibrate reeds "by suction of a vacuum cleaner." There’s also the CRT-TV drums, which "produce sound when a player catches static electricity emitted from CRT-TV screens with bare hands and sends the electric signal to a guitar amplifier through a coil attached to the leg of a player." Other staples include the "Factory Fan Bass," "A/C Harp," and "Electric Fan Harp."

Wada has grown Electronics Fantasticos! into a larger community, establishing six activity bases throughout Japan and creating a "worldwide lab on the Internet" with nearly 100 members. They held the Electro-Magnetic Bon-Dance Festival in 2017 and, two years later, formed a multinational band to perform at Austria's Ars Electronica Festival.

If you're interested in supporting other creative people who make unusual instruments, check out YouTuber Burls Art, who’s built guitars out of 800 pieces of paper, 14 skateboards, 700 sheets of newspaper, 1,600 RadioShack dollar coins, 50 pounds of copper wire, and 1,000 melted cans.

Talk about alternative electronic music!

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