Conan O’Brien had a blink-and-you-missed-it run as “Tonight Show” host. After only a year, he was unceremoniously laid off in 2010 by NBC due to a contractual dispute and replaced by former host Jay Leno, followed by Jimmy Fallon in 2014.
But despite his short-lived reign, O’Brien cemented himself as a wickedly funny and whip smart performer, as well as a master of recurring gags, self-deprecating humor and engaging conversation…not to mention developing a reputation for being a pretty great guy off the air.
Which is why fans were excited to see O’Brien appear as a “Tonight Show” guest for Tuesday’s episode, marking a return to his old stomping grounds for the first time in 14 years. And let’s just say…O’Brien’s comeback did not disappoint.
During parts of the interview, O’Brien exuded that same amount of candid poise that he famously maintained throughout the 2010 controversy. Like when he talked about podcast “Conan O’Brien Needs a Friend,” the project that followed his “Tonight Show” exit, he said he still considered hosting a late-night show “the best job in the world,” but shared his appreciation for the podcast format since it allows for longer, more in-depth conversations with guests.
But along with all the sentimentality were trademark rapid fire zingers and absurdly dramatic outbursts, especially when talking about how “weird” it felt to be back at Rockefeller Center.
“I was here for 16 years doing the ‘Late Night’ show,” O’Brien told Jimmy Fallon (both “Late Night” and “The Tonight Show” filmed in the same building.
“When someone else is in your studio it feels weird. So I walked in and said, ‘Who’s in my old studio?’ And they said ‘Kelly Clarkson’. And I love Kelly Clarkson, who doesn’t love Kelly Clarkson? But still I felt like, IT’S NOT RIGHT! BLASPHEMY! THEY SHOULD HAVE BURNED IT TO THE GROUND!”
“And then Kelly came out to say hi and I said, DON’T TALK TO ME! YOU MAKE ME SICK!!”
Man, O’Brien really knows how to commit to the bit. Watch:
O’Brien’s interview was so well received that fans seemed to fall in love with him all over again.
“Conan returns to the Tonight Show in TRIUMPHHH being one of the greatest of all time.”
“Conan is going down in history as one of the greatest to ever do it!”
“Conan’s career is a true testament to the saying ‘Everything happens for a reason.’”
“This hit me right in the feels.”
“The man’s a national treasure, give him everything.”
If you’re left wanting even more Coco, O’Brien has a new series, “Conan O’Brien Must Go,” which debuts on April 18 on Max. Talk about a full circle moment.
A single door can open up a world of endless possibilities. For homeowners, the front door of their house is a gateway to financial stability, job security, and better health. Yet for many, that door remains closed. Due to the rising costs of housing, 1 in 3 people around the world wake up without the security of safe, affordable housing.
Since 1976, Habitat for Humanity has made it their mission to unlock and open the door to opportunity for families everywhere, and their efforts have paid off in a big way. Through their work over the past 50 years, more than 65 million people have gained access to new or improved housing, and the movement continues to gain momentum. Since 2011 alone, Habitat for Humanity has expanded access to affordable housing by a hundredfold.
A world where everyone has access to a decent home is becoming a reality, but there’s still much to do. As they celebrate 50 years of building, Habitat for Humanity is inviting people of all backgrounds and talents to be part of what comes next through Let’s Open the Door, a global campaign that builds on this momentum and encourages people everywhere to help expand access to safe, affordable housing for those who need it most. Here’s how the foundation to a better world starts with housing, and how everyone can pitch in to make it happen.
Volunteers raise a wall for the framework of a new home during the first day of building at Habitat for Humanity’s 2025 Carter Work Project.
Globally, almost 3 billion people, including 1 in 6 U.S. families, struggle with high costs and other challenges related to housing. A crisis in itself, this also creates larger problems that affect families and communities in unexpected ways. People who lack affordable, stable housing are also more likely to experience financial hardship in other areas of their lives, since a larger share of their income often goes toward rent, utilities, and frequent moves. They are also more likely to experience health problems due to chronic stress or environmental factors, such as mold. Housing insecurity also goes hand-in-hand with unstable employment, since people may need to move further from their jobs or switch jobs altogether to offset the cost of housing.
Affordable homeownership creates a stable foundation for families to thrive, reducing stress and increasing the likelihood for good health and stable employment. Habitat for Humanity builds and repairs homes with individual families, but it also strengthens entire communities as well. The MicroBuild® Initiative, for example, strengthens communities by increasing access to loans for low-income families seeking to build or repair their homes. Habitat ReStore locations provide affordable appliances and building materials to local communities, in addition to creating job and volunteer opportunities that support neighborhood growth.
Marsha and her son pose for a photo while building their future home with Southern Crescent Habitat for Humanity in Georgia.
Everyone can play a part in the fight for housing equity and the pursuit of a better world. Over the past 50 years, Habitat for Humanity has become a leader in global housing thanks to an engaged network of volunteers—but you don’t need to be skilled with a hammer to make a meaningful impact. Building an equitable future means calling on a wide range of people and talents.
Here’s how you can get involved in the global housing movement:
Speaking up on social media about the growing housing crisis
Volunteering on a Habitat for Humanity build in your local community
Travel and build with Habitat in the U.S. or in one of 60+ countries where we work around the globe
Join the Let’s Open the Door movement and, when you donate, you can create your own personalized door
Every action, big and small, drives a global movement toward a better future. A safe home unlocks opportunity for families and communities alike, but it’s volunteers and other supporters, working together with a shared vision, who can open the door for everyone.
CNN had created a remembrance video for the Back to the Future star, titled “Remembering the life of Michael J. Fox.” Now, it’s fairly standard practice for news outlets to make these sorts of posthumous tributes in advance. But publishing them before the celebrity actually passes away? Not so much.
And yet, on Tuesday, April 7, that’s what happened. But when Fox saw the accidental announcement of his death, he met it with a bit of philosophical humor.
On Threads, Fox wrote, “How do you react when you turn on the TV and CNN is reporting your death? Do you…A) switch to MNSBC, or whatever they are calling themselves these days, (B) Pour scolding hot water on your lap, if it hurts your fine, (C) Call your wife, hopefully she’s concerned but reassuring, (D) Relax, they do this once every year, (E) Ask yourself wtf ?”
@realmikejfox Threads
Ending with just a dash of self-deprecation, he concluded, “I thought the world was ending, but apparently it’s just me and I’m ok. Love, Mike.”
As to be expected, fans were quick to “yes and” Fox’s sense of humor.
“Go outside and ask the first person you come across: ‘Can you see me?’ Glad you’re ok btw!” wrote one person.
Meanwhile, actor Kathy Griffin quipped, “You’re a helluva ghost. ❤️😂.”
In CNN’s defense, the tribute, however premature, did respectfully honor Fox’s legacy not only as a beloved actor, but also as an active Parkinson’s advocate.
According to Entertainment Weekly, the narrator in the now-deleted video said of Fox: “He came into our living rooms on the small screen each week as Alex P. Keaton [on Family Ties] and eventually onto the big screen as Marty McFly in [Back to the Future]. But Michael J. Fox had a compelling third act as a Parkinson’s sufferer and stem cell research advocate.”
“His most lasting role may have been as a tireless voice against Parkinson’s, a performance the Academy of Motion Pictures Arts and Sciences honored with the Jean Hersholt Humanitarian Award in 2022,” the clip went on. “In the end, Fox came to understand that his battle against the disease brought out the best in him.”
A CNN spokesperson also stated: “The package was published in error; we have removed it from our platforms and send our apologies to Michael J. Fox and his family.”
On Wednesday, Fox’s rep assured TMZ that “Michael is doing great.”
So great, in fact, that he was out and about in Los Angeles speaking on a panel for the Apple TV series Shrinking, in which he filmed a three-episode guest arc playing a character who also deals with Parkinson’s disease. The guest spot marked his first on-screen appearance since 2020. Harrison Ford, who also plays a character with Parkinson’s on the show, regarded Fox as “an extraordinarily powerful person” after meeting and working with him on set.
So, Michael J. Fox is still kickin’. And he’s still meeting each moment with a tremendous amount of humility and humor, lifting our spirits as he does it.
As the music began, no one knew what the apparatus made of poles and bars surrounding the dancers was for. But it soon became apparent that they would use it to lift themselves off the ground. What started with a simple pull-up, however, turned into an incredible synchronized dance to Justin Bieber’s “Where Are U Now” in which the dancers synchronized their movements without their feet even touching the ground.
AIRFOOTWORKS dancing to Justin Bieber on AGT
The dancers, who hail from Japan, were mentored by Kenichi Ebina, who won AGT Season 8 in 2013. Their performance earned them a standing ovation from all four judges and the audience.
“Everything about the performance was perfect,” said judge Sofia Vergara.
“It was so creative and so different—and so difficult, by the way,” said judge Simon Cowell. “So you have a great mentor. However, even if you’ve got a great mentor, you’ve still got to be able to do what your mentor helps you to do. And you did it immaculately.”
AGT fans agree with the judges
People in the comments were equally blown away.
“How do people find out they have talents like this??? ✋ “
“My toxic trait is thinking I can do this without any difficulty .”
“Insane core strength.”
“OBSESSED with this audition.”
“What kind of core strength is this… flawless, “
Many people were disappointed that none of the judges hit the Golden Buzzer.
“Why no Golden Buzzer?!?!?! If I’ve seen any act more deserving of it, I can’t recall. These guys were AWESOME!!!!!!!”
“Did they run out of golden buzzers? This is worthy.”
“THEY DESERVED THE GOLDEN BUZZER!”
“This performance absolutely deserved a golden buzzer. It was just spectacular.”
“Can only assume all the judges were so enthralled and mesmerized by this performance they forgot there was a golden buzzer.”
The ‘Golden’ performance
AIRFOOTWORKS did, in fact, earn a Golden Buzzer from Howie Mandel during the Quarterfinals sending them directly to the finale, where the group performed to an EDM mix by Steve Aoki. While they didn’t receive enough votes to win the entire competition, they have certainly earned AGT royalty status.
Since their AGT run, AIRFOOTWORKS have continued to take the world stage – reaching the finals of talent competitions in France and Italy, and performing at the Royal Variety Performance in the UK.
For more talent auditions, you can follow America’s Got Talent on YouTube and TikTok.
This article originally appeared 2 years ago. It has been updated.
Odds are you’ve heard Wally de Backer, aka Gotye, and his song “Somebody That I Used to Know.” It’s the Australian musician’s biggest commercial hit, selling more than 20 million copies since its release in 2011, making it one of the best-selling digital singles of all time. Not to mention it inspired several amazing covers, which you might have also stumbled upon.
The music video, in its poignant simplicity, is every bit as iconic. Gotye stands naked facing the camera, as featured singer Kimbra faces him. As they sing, they are slowly “painted” into and out of the background of geometric shapes using stop motion animation. There’s a very Wes Anderson feel to it that adds so much to the story told in the song, making it all the more memorable.
This dance troupe was up to the task
All this to say…it would be a challenge to recreate the magic that’s so inherent in the original. And yet, Netherland-based dance troupe CDK clearly understood the assignment with their highly stylized movement performance set to the well-known art pop ballad.
As thousands of viewers were quick to note, it’s not just the incredible dance moves that made this performance so captivating. It’s the killer combination of choreography, camerawork and costumes that make the piece impossible to turn away from.
“This is pure art,” one person wrote. While another added, “I think I’m going to watch it everyday for the rest of my life.”
Watch CDK’s Stunning Performance Here
This group is clearly at the top of their game, simply by how easy they make it all look (like, I’ve already convinced myself that I can pull off those moves). But what’s more evident is that they enjoy what they’re doing to the nth degree. Over on their Instagram page, you’ll find equally mesmerizing routines set to Billie Eilish, Nicki Minaj, and more.
1: Gotye allows small independent projects, like student films—and probably this dance piece—to use his music free of charge. “If someone wants to use it commercially I look at what the budget is and the creativity of the project,” he said, according to News.com.
2: CDK isn’t the only group to have recently breathed new life into the song. Also in 2024, an electronic remix of the song titled “Somebody (2024),” created by electronic music producers Chris Lake, Fisher, and Sante Sansone, debuted. Much like its predecessor, “Somebody (2024) topped the charts.
This article originally appeared two years ago. It has been updated.
During an episode from the latest season of Love on the Spectrum, Netflix’s heartwarming, critically acclaimed reality series that follows autistic individuals navigating the complexities of relationships, two fan favorites—Madison Marilla and her now fiancée, Tyler White—shared a moment that many couples face regardless of neurodivergence: emotional triggers.
As the two approached their date location, a fan can be heard saying, “Maddie! I love you!” This visibly affected Marilla, who explained that her autism causes “black and white thinking.” So hearing a nickname, like “Maddie,” causes her to feel “anxious and thrown off.” In fact, she noted it’s one of her “biggest sensitivities.”
In an Instagram post, marriage counselors Chris & Jamie Bailey break down how the couple’s handling of the situation was a prime example for anyone who witnesses their significant other getting triggered.
Chris and Jamie noted that in the clip, White stayed calm, moved towards Madison, validated her feelings without judgment, stayed present in the situation, listened to understand, and then, after Madison was able to express herself, he reassured her that they are a team and that he is there for her.
And for her part, Madison “chose to process what was happening instead of reacting.” She also reminded herself that “it was going to be ok” and “moved forward” rather than ruminate.
All relationships deal with triggers
While relationships involving autism or other forms of neurodiversity have their own unique set of challenges, Chris and Jamie noted that every couple will at some point face triggers. When that happens, each partner has a “responsibility.” The triggered person is responsible for their emotional regulation, while the non-triggered person is responsible for offering support. Both Tyler and Madison exemplified what can go right when each partner takes on their individual responsibility—especially staying present.
“What couples often miss is the simplicity of just remaining with your spouse during a trigger, “ Chris and Jamie added.
Judging by the comments, the Baileys were clearly not the only ones who felt Madison and Tyler offered a “masterclass in emotional regulation and communication.”
“This was incredibly impressive. The way she worked through a trigger, the way he supported her and validated it. Well done everyone. We could all learn from this. ❤️”
“Responding before reacting is something every single person I’ve ever met has struggled with. I love how hard she’s working to stay aware of her mind, heart and body and how best to keep them regulated in these really difficult situations.
“This was such an incredible thing to witness. I’m so grateful for Madison’s ability to be vulnerable through this and to allow the world the opportunity to learn from her 😭 I needed this today!
“These two humans are pure good. They totally get each other and provide such a safe space.”
“I love that Tyler didn’t even try to hug her or touch her and he let Madison’s nervous system calm down first. Full respect!!”
Expert-backed methods for dealing with emotional triggers in a relationship
For your own triggers, awareness is the first step. Many people notice physical cues before anything else. It might be a racing heart, a tight chest, or a sudden urge to withdraw or lash out. Naming what is happening, even silently, can help create space between the feeling and the reaction. Simple grounding techniques, like slowing your breathing, focusing on your senses, or giving yourself permission to pause, can make a meaningful difference. Just as Madison demonstrated, reminding yourself that the moment will pass can help shift your nervous system out of alarm mode.
When it comes to supporting a partner who is triggered, the goal isn’t to fix the feeling, but to help create safety. That often looks like staying calm, listening without interrupting, and validating what they are experiencing, even if you do not fully understand it. Avoid rushing them, minimizing their reaction, or immediately offering solutions. Instead, gentle reassurance and presence can go much further than advice.
Of course, this kind of mutual support works best when both people are willing to take ownership of their emotional patterns over time. Conversations outside of triggered moments can help partners learn each other’s sensitivities, boundaries, and preferred ways of being supported.
As Madison and Tyler remind us, when both people are willing to meet each other with awareness and care, even the most uncomfortable moments can become opportunities for deeper connection.
It seems like at least once a year, the debate over BMI (body mass index) resurfaces. Experts are quick to point out that it’s a flawed system: at best, it ignores key factors that shape a person’s body composition; at worst, it creates real health consequences, influencing eligibility for weight loss medications, insurance rates, joint-replacement surgery and fertility treatment. Then the conversation fades, life moves on and not much changes.
And yet, despite the constant debunking, the belief in BMI still marches on. This time, it was hurled at the USA rugby star and Olympian Ilona Maher. More specifically, someone commented “I bet that person has a 30% BMI” on one of Maher’s TikTok videos.
Could this person have simply been pointing out the inherent flaw of BMI and that Maher, an elite athlete, would be considered “overweight” using this system? Perhaps. But this is the internet we’re dealing with, so Maher (and others) interpreted it to be an insult.
Under that context, Maher wasn’t having it, and chose “not to just ignore the haters.”
“Hi, thank you for this comment. I think you were trying to roast me, but this is actually a fact. I do have a BMI of 30. Well, 29.3 to be exact,” Maher said in response video…which became something of a roast itself.
Maher talked about how she had been considered “overweight” her entire life, and even recalled being “so embarrassed” to turn in a physical form to the office which had “overweight” written on it.
“I chatted with my dietitian, because I go off facts, and not just what pops up here. You know, like you do.” she quipped while tapping her temples.
What the numbers actually tell us
Maher is 5-ft.-10-in. and 200 lbs, which is considered “overweight” by BMI standards. But as she explained, about 170 of those 200 pounds are “lean muscle mass.”
“Do that math in your head…you probably can’t,” Maher said sarcastically.
It’s easy to see through this example how bogus BMI really is, especially for athletes.
Essentially, “BMI doesn’t tell you what I can do.”
“It doesn’t tell you what I can do on the field. How fit I am. It’s just a couple of numbers put together,” she said. “It doesn’t tell you how much muscle I have, or anything like that.”
Maher concluded by faux lamenting, “I do have a BMI of 30. I am considered overweight. But alas, I am going to the Olympics, and you’re not.” Maher went on to win a silver medal at the 2024 Paris Olympics.
The U.S. women’s rugby team with First Lady Jill Biden and members of the U.S. delegation to the 2024 Summer Olympic Games The White House/Public Domain
Why This Hit Home for So Many People
While Maher’s clapback was certainly satisfying, it also provided some much needed reassurance to folks. So many commented on how this outdated concept has affected (or still effects) their own body image or that of a loved one.
“How can I get my teenage daughter with a high BMI (but fit!) to understand this?! She feels shamed even at the doctor for her BMI.”
“Dancer here, I’ll never forget at 13 being told I had the BMI of 24 of ‘overweight.’ I broke down and the nurse said it didn’t mean anything and all I could think was then WHY are you making me do this?!”
A registered dietitian explains why BMI is so flawed. YouTube
“I had to ask the doctor’s office to put a note on my child’s file to not bring up/talk about BMI in her check ups. It isn’t an accurate representation of health!”
“Thank you for sharing your weight, bc seeing lbs numbers in different bodies has been so helpful in me loving mine. I’m nowhere near an athlete’s body but damn, the numbers really do us in.”
Until a more affordable solution pops up, BMI will continue to rear its ugly head in doctor’s offices and in our psyches. Maybe this is a reminder that our bodies are so much more than height and weight every now and again is a good thing. And if it comes from an Olympian…even better.
Maher also shut down any notions that her BMI was high due to anything other than muscle with a Sports Illustrated cover shoot in August of 2024. Um, yeah.
Actor Alan Rickman gave us so many memorable characters, from the terrorist Hans Gruber in Die Hard to the oft ill-tempered antihero Severus Snape in the Harry Potter films, to the unfaithful husband who broke Emma Thompson’s heart in Love Actually.
Though he was often cast as a villain, Rickman’s distinctive voice and irresistible screen presence made audiences love him. He brought a unique human touch even to his most odious bad guy characters, a quality that makes perfect sense when you hear Thompson, his friend and co-star in seven films, talk about his character in real life.
In a moving tribute upon the release of his diaries in October 2022, Thompson shared insights into the virtues and quirks that made Rickman “blissfully contradictory.”
Alan Rickman signing autographsu00a0at the Brooklyn Academy of Music, January 2011. Photo Credit: Marie-Lan Nguyen via Wikimedia Commons
Thompson is at the top of her award-winning writer game here, and her words about Alan Rickman are filled with heart, wit, respect, admiration and love. It’s truly a eulogy for the ages.
Watch (or read the full transcript below):
People love Thompson’s tribute to her friend and some have even shared their own stories of their encounters with Alan Rickman:
“A close friend of mine bumped into him in a theatre in London many years ago. My friend instantly recognised Mr Rickman and from nowhere, instantly found the courage to ask him for his autograph. Having neither pen nor paper for this, he asked Mr Rickman if he would mind waiting a moment whilst he collected the items from somewhere, anywhere! The moment became at least 10 minutes or so, and when my friend ran back to a now empty theatre foyer, he noticed one solitary figure. Mr Rickman had waited patiently for my friend to give him what he asked for.”
“I was lucky enough to work with him on a film. At lunchtime I joined the line for a meal and as I payed and went to turn to look for a table, someone knocked into me from behind and my drink went flying. I turned and it was Alan, he apologized put his hand on my shoulder and said let me get you another. He came back with a cup of tea and I was so overwhelmed. I was shocked how he was so down to earth and a real gentleman.”
“I meet him once in Boots and said hello, he realised it was a reflex to recognising a known face. He picked up an item we both were looking at, smiled and said “well hello there are we going to arm wrestle for this?” That deep tone rendered me mute, I realised it was Mr Rickman and instantly denied needing this forgotten thing, apologised for well nothing really, smiled and backed away. He was a giant of a fellow on and off the stage and will be missed.”
“Everything she said is true. I was fortunate to have dinner with him and his wife and his drama teacher. He was charming and friendly and shared some great ideas about directing, which I use today in my theater group. He is missed by many.”
Indeed he is.
Here’s the full transcript of Thompson’s tribute:
“The most remarkable thing about the first days after Alan died was the number of actors, poets, musicians, playwrights and directors who wanted to express their gratitude for all the help he’d given them. I don’t think I know anyone in this business who has championed more aspiring artists nor unerringly perceived so many great ones before they became great. Quite a number said, latterly, that they’d been too shy to thank him personally. They had found it hard to approach him. And of all the contradictions in my blissfully contradictory friend (hold on, Thompson), this is perhaps the greatest this combination of profoundly nurturing and imperturbably distant.
He was not, of course, distant. He was alarmingly present at all times the inscrutability was partly a protective shield. If anyone did approach him with anything like gratitude or even just a question, they would be greeted with a depth of sweetness that no one who didn’t know him could even guess at. And he was not, of course, unflappable. I could flap him like nobody’s business and when I did he was fierce with me and it did me no end of good.
He was generous and challenging, dangerous and comical, sexy and androgynous, virile and peculiar, temperamental and languid, fastidious and casual, the list could go on. I’m sure you can add to it. There was something of the sage about him, and had he had more confidence and been at all corruptible, he could probably have started his own religion.
His taste in all things from sausages to furnishings appeared to me anyway to be impeccable. His generosity of spirit was unsurpassed and he had so much time for people I used to wonder if he ever slept or ever got time for himself. A word not traditionally associated with Alan is gleeful, but when he was genuinely amused he was absolutely the essence of glee. There would be a holding back as the moment built, and then a sudden leaning forward and a swinging around of the torso as a vast, impish grin flowered, sometimes accompanied by an inarticulate shout of laughter. It was almost as if he was surprised by himself. It was my life’s mission to provide those moments. I remember Imelda Staunton nearly killing him by telling him a story about my mother and an unfortunate incident with some hashish—it’s a really good story, I won’t tell it now—I’ve never seen him laugh more before or since. It was a bit like watching someone tickling the Sphinx.
One Christmas Eve party I had a sprig of mistletoe hanging up at home, and I was loitering under it and turned to find Alan bearing down on me. I lifted up my chin hopefully. He smiled and approached. I puckered. He leaned in under the mistletoe and a sudden change came over his face. His eyes started to glitter and his nostrils to quiver. He lifted up a hand, reached in, and pulled a longish hair out of my chin. ‘Ow!’ I said. ‘That’s an incipient beard,’ he said, handing me the hair and walking off.
That was the thing about Alan—you never knew if you were going to be kissed or unsettled, but you couldn’t wait to see what would come next. And the trouble with death is that there is no next. There’s only what was, and for that, I am profoundly and heartbrokenly grateful. So the last thing we did together was change a plug on a standard lamp in his hospital room. The task went the same way as everything we have ever done together. I had a go. He told me to try something else. I tried. It didn’t work, so he had a go. I got impatient. I took it from him. I tried it again. It still wasn’t right. We both got slightly irritable, then he patiently took it all apart again and got the right lead into the right hole. I screwed it in with a screwdriver. We complained about how fiddly it was, and then we had a cup of tea. Took us at least half an hour, this thing, and he said after, ‘Well it’s a good thing I decided not to become an electrician.’
I’m still heartbroken that Alan’s gone, but these diaries bring back so much of what I remember of him. There is that sweetness I mentioned, his generosity, his champion of others, his fierce, critical eye, his intelligence, his humor. He was the ultimate ally in life, art, and politics. I trusted him absolutely. He was, above all things, a rare and unique human being and we shall not see his like again.”
First off, audiences knew they’d instantly be in for a treat when Sagi and Rhythm recreated the band’s famous pose for “Bohemian Rhapsody.” But it only got better from there in a routine that featured a mash-up of “Bohemian Rhapsody” and “Don’t Stop Me Now.”
Roni and Rhythm performing to Queen.
The dance duo wowed judges and audiences alike with synchronized steps, turns, flips, and even a cool bridge pose trick (seriously, this was a dog owner’s dream come to life). Simon Cowell jokingly asked “How do we know the dog is a real dog?” because Rhythm was just that good. The duo went on to finish as runners-up in the Season 19 finale, with Simon Cowell calling their semifinal performance a perfect “10.”
Roni and Rhythm in the AGT semi finals.
Rhythm is a dancer
Sagi would later end up sharing that Rhythm earned his name from an early age, already tapping his little feet on her bed at only 6 weeks old. By that point, Sagi had already had experience training therapy dogs, which undoubtedly gave her a good foundation for working with her little “tornado storm.”
Perhaps it shouldn’t come as that much of a surprise that Rhythm is so gifted. After all, border collies are notorious for being able to pick up skills quickly, and there have been several border collies that have broken world records—including records for intelligence, balance, and skateboarding (yes, really).
But Sagi seems to credit their chemistry less on Rhythm’s species traits, and more on his individual personality. “It’s so much fun to have a partner that wants [to perform] as much as you,” she said. “He wants to do it all, and he wants to do it now, and he wants to do it as good as he can.”
High praise in the comments section
“This was the most amazing dog act I’ve seen!” one person wrote.
“That precious dog Rhythm is SO talented and smart!!! I don’t understand how he knows what to do when his back is to her?!! This dog is truly dancing and just extremely talented!!!” added another.
Another said, “This dog is the most energetic and enthusiastic I’ve ever seen.”
Of course, Rhythm wasn’t getting all the love. One person wrote, “I don’t usually like dog acts, but this was impressive. Roni is very creative with what she does and obviously a great dancer herself and trainer.”
“Unbelievable…those steps omg.”
“It’s how the dog is ACTUALLY running around HAPPY!”
“That doggie deserves a million treats. Fantastic!”
“Yet I have to say to my dog sit 87 times before he actually sits, probably also from being tired of standing not because I said it.”
Even when they’re just rehearsing and dancing together at home, watching Rhythm and his human move together so harmoniously is truly incredible to watch:
Coming of age at the same time as the Internet is a wild experience that can be hard to explain to younger generations. At a recent stand-up event, comedian Josh Johnson found himself in a mixed-age crowd discussing early Internet use. He quickly realized just how difficult it would be to explain how people got online in the early 2000s.
For one, the process of getting onto the World Wide Web would likely sound made up to anyone under 30. And honestly, is there anyone who fully understands how it worked? Still, the comedian gives it his best shot, and hilariously struggles through it in a clip shared on his Instagram.
“When I got the Internet, it was on CD,” Johnson reveals. “To this day, I don’t know how that worked. What…what…what is on the CD? What is that, because I thought you had to have…”
That’s when he realizes he’s going to struggle with the explanation. Johnson warns the audience the process is going to be annoying, drawing even more laughter from those watching.
“Some of you are young, and this is going to sound fake, but you used to…” he says before pausing to laugh with the audience. “No. You used to get Internet…okay…you would get an offer in the mail. They would mail you Internet. You would open the mail, and it would be Internet in the mail, but it would be a CD.”
He then explains that a CD is a compact disc, and that Internet companies like AOL would send them through the mail as free trials. They could also be picked up at grocery stores near the checkout lanes.
The comedian says that when you received the CD, “you would put it in the computer and for whatever reason, you got like 30 hours of Internet, which was a lot back then. I know y’all use it up in a day, today, but 30 hours used to be a lot of Internet, and you would surf the web. It was called surfing. We had a name for the World Wide Web, that’s where the WWW comes from. Do you want to hear any other facts that sound like they’re from the Middle Ages?”
The more he explains, the more ridiculous it sounds out loud. With the Internet now easily accessible through Wi-Fi—not weird discs that mysteriously connect you—the old way feels almost unbelievable. But it’s true. There are likely storage boxes and landfills full of free Internet trial discs, long forgotten after cable Internet replaced dial-up.
People can’t get over how the world worked in the early days of the technology boom.
“Wait until the youths find out Netflix used to send DVDs to rent through the actual mail,” a commenter writes.
Another person writes, “Not to mention we would have several different internet providers because of all the ‘free trial’ disks. Each month or whenever you ran out of internet from the previous disk…what a time to be alive.”
Someone else jokes, “They weren’t just mailed. They came flying in like letters to Harry Potter’s front door…”
One person says, “My frugal midwestern mom had us on dialup for ages bc she hoarded all the AOL free trial CDs. I will hear that dialup tone on my death bed good lord.”
“And had bout 8 different email addresses so you could keep getting multiple free trials,” another person writes.
