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There's little to do in a refugee camp. So these teens picked up an unexpected hobby.

Too many of the 185,000 souls here have given up hope of rebuilding their lives. But these kids are just getting started.

The young boy cradles his head, emitting a low moan as blood drips through his fingers and soaks the soil beneath him.

His friend uneasily makes his way through the shrubs to examine the injury he has caused. Upon seeing the blood, he gasps theatrically and stumbles backwards. Frightened, he tucks a slingshot into his trousers and runs away.

“Cut!”


Throwing his arms in the air in exasperation, a lanky 20-year-old yells out and everything stops.

Fidele is directing this film, and he isn’t happy. He wants more emotion from his cast, more feeling.

Regan, the boy with the bleeding head, gets up from the floor and wipes some of the sticky red liquid from his cheek, a smile spreading across his face. The kid in the yellow T-shirt, Pasyan, saunters back into the shade beneath the trees. They watch as Fidele re-enacts the scene, crouching down, holding his head, moaning dramatically, showing them how it’s done.

All photos courtesy of Rachel Reed, used with permission.

All of the kids in the film’s cast and crew live in a remote refugee camp in Northern Kenya.

They are waiting, along with 185,000 others, to be resettled in the U.S., Australia, Canada, or Europe, or for peace and security to return to their respective counties so that they can go home.

The camp, a sprawling collection of tents and crumbling mud and corrugated iron huts, is not an easy place to live. There is little to do. In the morning, most kids cram into airless classrooms with up to 200 other children. After school, some help their families by going to fetch water or firewood.

Mostly, children idle away their time, hanging out in the narrow alleyways between huts, finding creative ways to play with whatever they get their hands on. Some have never known life outside the camp; many will wait years or even decades to be resettled.

In 2011, a 19-year-old Congolese refugee named Batakane Jean-Michel returned to the camp after studying at the East African Media Institute in Nairobi.

Jean-Michel was determined to put his new skills to use and provide something for the kids living in the camp.

“I moved back after realizing that a multitude of people like myself were anxious to learn,” says Jean-Michel. Using his pocket money, a small camcorder, and a laptop he was given as a gift, Jean-Michel started Season of the Time Media Productions (STMP), running yearlong courses for children who wanted to learn about film production.

Tucked behind a small Congolese café inside the camp, STMP’s office is a tiny, unassuming room. A piece of paper hanging on the outside wall reads: “Notice! Notice! Notice! STMP Studio. Kick out boredom, idleness, and cluelessness. Get busy and know more on what’s popping in the outside world.”

Inside, kids take turns using a computer with a broken screen, teaching themselves how to use programs like Photoshop and Fruity Loops, a music production program. The power cuts out frequently, but when it does, they just wait, knowing that sooner or later it will start up again. Then they go out around the camp and make their own films and music videos.

As STMP’s assistant cameraman, 15-year-old Kito is no stranger to the stop-and-start pace of film production.

He has been with STMP since 2013, when a friend connected him to Jean-Michel. Kito arrived in Kakuma five years ago, after his family fled violence in the Democratic Republic of the Congo.

“When I first arrived, I used to stay at home from morning until evening,” recalls Kito. “I was so bored.” But then Kito heard about STMP and started developing his skills as a camera operator.

In addition to making movies and music videos, Kito and the other children earn a little money by filming weddings, birthday parties, and other celebrations for camp residents who have no other way to immortalize previous memories. They charge around $10 an hour, and shoots can go on for about six or seven hours.

50% of the proceeds are put aside to fund STMP’s productions, while the remaining half is shared among the crew members.

“At the end, the amount of money we get is very small for the work we do. It is just pocket money to buy basic things,” says Fidele. “But we do it to help the communities.”

In December, children sign up for the yearlong course led by Fidele.

Three times a week, under the shade of acacia trees, the older kids — Fidele, Kito, and 17-year-old cameraman Olivier — take turns teaching film and music skills to younger children. For them, it's a way of giving back what they were taught by Jean-Michel, who, after eight years in the camp, resettled in Australia last year and now raises money for STMP from afar.

“He showed me that I can do whatever I want in my life,” explains Olivier, who says he always wanted to be a filmmaker. “Now I try to help some other kids so they can be even better than me.”

Throughout the year, the kids learn to use a computer, shoot and edit short movies, and produce music. At the end of the course, children pair off and produce their own movies, and the older kids name one as the best of the year.

Most of the children have never held a camera in their hand or used a computer before joining STMP, but many now dream of becoming editors, scriptwriters, and producers.

Back on set, Fidele and Paluku, a 14-year-old scriptwriter, carry a bag full of  old shirts, hats, and frilly dresses to use as costumes.

10-year-old Angelina gets out her tools — a little mirror, a powder and eye shadow palette, a stick of lipstick, and an eye pencil — as her fellow makeup artist Leticia preps beside her. Olivier and Kito check that batteries are charged and the camcorder is working. It stops a few times, but a little knock brings it back to life.

Followed by several curious children, STMP’s cast and crew of 10 walk through the narrow, dusty alleyways between huts and into a small wooded area. They set up their tripod, the actors change into costume, and Fidele gives last-minute advice.

Linelle, a 5-year-old actress and the youngest STMP member, guards the area around set, stopping curious children from getting too close and shouting at them when they got too loud.

There is no time for playing around. STMP is at work.

Check out STMP in action:

Meet the Teenagers Who Started a Film Production Studio From T...

NEW: “The power cuts out frequently, but when it does they sit and wait, knowing that sooner or later it will start up again. Then, they go out around the camp and make their own films and music videos.” Read the full story: https://narr.ly/2zHRijE

Posted by Narratively on Wednesday, November 15, 2017

This story was originally published on Narratively, a digital publication focused on ordinary people with extraordinary stories, and is reprinted here with permission. Visit Narratively for more stories about Game Changers, Super Subcultures, and Hidden History.

This is Laith. He's 6 years old and currently lives in the Idomeni refugee camp in Greece.

Laith, age 6. Photo via YouTube/Ignite Channel.


Laith was shot by the same bullet that killed his dad and uncle while they were riding on a motorcycle. The bullet ripped through his leg and makes it hard for him to walk.

Although doctors are present at the Idomeni refugee camps, they are stretched so thin that Laith and his family have to wait in line for up to two days just to redress his wound.

And that's where volunteers like Ayesha Sayed come in.

Most people spend their vacation time catching up on sleep and binge-watching crime shows. Not Ayesha Sayed.

Ayesha co-runs three companies in Dubai, one of which sells medical supplies, and she spends what little free time she has volunteering and helping others. Her big warm smile is a brief window into her genuine spirit, and her neon green hair probably makes her fit right in at the Burning Man festival she regularly attends.

Ayesha Sayed (left) with fellow volunteers Duane Heil and Chris Morrow. Photo by Alison Thompson, used with permission.

Last October, Ayesha travelled to Lesbos, Greece, with a suitcase full of supplies from her medical supply store and spent a week helping with medical needs and translation.

"I've wanted to go back [to Greece] since October, but there was just too much to do here [in Dubai]," she told Upworthy.

In March 2016, Ayesha took some time off work and went back to Greece, this time to a tiny village called Idomeni, where she met Laith and his family.

If the Syrian refugee crisis is a hurricane, Idomeni is the levee — barely hanging on and threatening to buckle.

Photo by Matt Cardy/Getty Images.

Last month, the Balkan route (a passage from Greece north to countries like Macedonia, Serbia, and Germany) was permanently shut down. Macedonia, Slovenia, and Serbia slammed their borders closed, leaving thousands without a place to go and many more on the way.

Currently, there are as many as 14,000 immigrants stuck in Idomeni — many of them children.

"I think that was the most surprising thing," Ayesha recalls. "Children from 0 to 5 are everywhere."


Photo by Matt Cardy/Getty Images.

Conditions at the border camp in Idomeni are squalid. The constant flow of refugees entering Greece without a place to go has created a humanitarian nightmare that is both festering and steadily growing.

"There's no electricity, there’s not a lot of clean water, and no sanitation whatsoever," Ayesha explains. "Everybody’s sick because of the horrible hygiene and the children not having enough nutrition. They get one meal a day which is not really good."

Though Ayesha had seen the refugee crisis firsthand in Lesbos, she was completely overwhelmed by the conditions in Idomeni.

"People who got to Lesbos were just happy that they made it to Europe after the really really long journey," she says. "[In Idomeni] it was utter and complete despair. People had been stuck at the border for 40 days by the time we arrived. Nobody knew anything about what was going to happen; nobody was saying anything."

It's so bad there, in fact, that Greece recently had to send over 200 migrants back to Turkey as part of a controversial "one in, one out" deal struck between the European Union and Turkey last month.Under the deal, anyone who migrates to Greece illegally from now on will be sent back to Turkey in exchange for a vetted refugee.

A ferry arriving on April 4, 2016. to deport migrants from Greece to Turkey. Photo by Ozan Kose/AFP/Getty Images.

But the day-to-day workings of that deal remain unclear for those on the ground.

"There's no clarity," says Ayesha. "There would always be these rumors about how — now that the EU has signed a deal with Turkey — everyone is going to be sent back to Turkey. All [the refugees] want is the most basic things, and it's really difficult to hear that from a couple thousand people and then have no answer for them."

Amid the chaos, confusion, and despair, Ayesha worked with kids whose dire situation cemented her resolution to press forward.

Kids like 6-year-old Laith, whose bullet wound needed medical attention faster than doctors at the camp could respond.

"Laith we found through his mom who came to us because he had severe pain," Ayesha says. "She thought that his bullet wound was infected. So we did the redressing."

There are also kids like Noor, age 2, who has an unidentified birth defect, but was turned away from the camp's medical facilities because her paperwork (including MRI scans and basic medical records) were lost at sea.

Noor, age 2. Photo by Ayesha Sayed. Used with permission.

"She’s extremely sick," Ayesha says of Noor, who needs several surgeries on her head and umbilical cord. "They tried to find someone in Syria but all the pediatric brain surgeons have left. There’s none of them left in Syria."

Then, there was Lava, age 16, who Ayesha says has trouble speaking and a lot of anxiety.

"She tried to kill herself a couple times because, just the whole journey was really really stressful for her," Ayesha says.

These are just three of many kids in the camp who need medical care that can't be provided by the few doctors and volunteers present.

"I think all the NGOs are so overwhelmed that they can’t really focus on individual cases," Ayesha says.

Working with the kids in the camp showed Ayesha just how much help and hope one person's efforts can bring.

"There's always hope," Ayesha says, though she quickly points out that hope comes from action.

Photo from Ayesha Sayed, used with permission.

"90% of people who I’ve spoken to either believe that the military is going to do something about it or some NGO is going to do something about it." Ayesha says. "Somebody else, but not them. "

While we can't all get on planes with medical supplies the way Ayesha did, there are still ways to help.

In America, the situation in Greece can seem like a faraway crisis brought up in talking points at political debates. It becomes too easy to forget about the people who wake up every single day in those camps with little to eat and no new information about what lies ahead of them. We all have the ability to help those people.

Ayesha suggests doing a donation drive or sponsoring a refugee child.

Photo by Alison Thompson. Used with permission.

She also started a website called "Refugee Heroes," where anyone can find out about the need for basic supplies in Greece and provide what they can or connect with other NGOs and individuals who are helping on the ground.

"We obviously can't help everybody. But everybody can do a little bit to help."

Jamie Grumet is about to board a flight to Turkey. But this is not a vacation.

Jamie is a mom of two living in California, and she's a big advocate for global health — especially the health of mothers. There's a good chance you may have seen her before. 

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A photo of Jamie breastfeeding her then-3-year-old son Aram on the cover of Time magazine went viral a few years ago. 


Jamie, pictured here with her son Aram, is a big advocate for breastfeeding because she believes it saves lives. Photo from Lori Dorman, used with permission.

Jamie works with the Nurture Tomorrow project (a part of the VCA International nonprofit) that focuses on global health. She's visiting Turkey to focus her energy on the refugee crisis.

"If you can support a mother, then you can support the entire community," Jamie told Upworthy. "One way to do that is to help with their infants' food security." 

Children under 5 make up as much as 20% of refugee populations. Unfortunately, many of them die from malnutrition. Jamie feels this is a huge problem that can be prevented.

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"When you provide children with sanitary, nutritious foods and hydration, you are removing many health concerns that kill young children," Jamie said. "Breastfeeding provides that."

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Here are three important factors Jamie focuses on as part of her work with Nurture Tomorrow:

1. Breastfeeding is more reliable and safer than formula in places like refugee camps where clean water is scarce.

Donating formula to refugee camps sounds good in theory, and it's a question Jamie fields often. But according to anthropologist Bridget McGann, it's much more complicated than one might think. 

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"Powdered formula is not sterile and can harbor bacteria that may be harmful to infants, even in the best of conditions," Bridget told Upworthy. "Access to clean water in the camps is inconsistent, and mixing formula with contaminated water can cause serious illness." 

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Clean water is not easy to come by in refugee areas. Photo by Jamie Grumet, used with permission.

We all know that babies in America who use formula will be just fine. For refugee children, the reality is that access to human milk can make the difference between those who survive and those who don't.

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"As long as breastfeeding parents have enough food and water to sustain themselves, the child will have safe and clean food at all times," Bridget said.  

2. Stress and lack of privacy may make breastfeeding difficult. So Jamie and the folks at Nurture Tomorrow are building safe spaces to help.

When it's time to breastfeed, the mother's body begins the let-down process, which releases milk to the baby. In stressful situations, it can be difficult for a mother's body to begin that process. And sadly, stress is way of life for many refugee moms. 

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“Breast milk production is controlled by a different hormone than the release of it," Bridget said. "If they believe that they aren't producing milk due the stress around them, they will stop breastfeeding and the milk supply will dry up." 

Moms feeling safe and comfortable helps with breastfeeding. Photo by Lori Dorman, used with permission.

To that end, Jamie is trying to build facilities where refugee moms can breastfeed in comfort and privacy while getting the support and care they need. 

3. In a stressful environment like a refugee camp, there can be additional physical and emotional benefits for breastfeeding mothers and their children.

"In America, breast versus bottle is just another battle in the 'mommy wars,'" she said. "But this isn't some silly debate topic. For refugee babies, breast milk can mean the difference between life or death."

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As tumultuous as life can be for a refugee mom, it's also quite stressful for their babies — but breastfeeding helps fight the everyday trauma.  

Other than nutrition, babies benefit emotionally from breastfeeding. Photo by Jade Beall Photography 2015, used with permission.

"Having the mother's body as a home base as a place of comfort, nourishment, and safety helps infants cope with the stress around them," Jamie said. 

It's so easy to focus on what's going on in our own lives. Thanks to people like Jamie, Bridget, and others for showing us that there's a lot more we should be paying attention to.

It's time to pay better attention to the world around us. Photo by Jade Beall Photography 2015, used with permission.