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'Luke Cage' is the blackest show on TV, and I am totally here for it.

A spoiler-free review of the power-packed Netflix original.

Before this weekend, I didn't know I needed Luke Cage in my life.

The latest superhero TV drama, airing on Netflix, stars Mike Colter as Luke Cage, an escaped fugitive living in Harlem who has had greatness (in the form of superpowers) thrust upon him. Now he's using abilities to right wrongs in his community.

Luke Cage (Colter) surveys some damage. Image from Marvel's "Luke Cage," courtesy of Netflix.


I'm now halfway through 13 episodes of bone-crunching, gun-bending, superhero content from the same universe that gave us "The Avengers," "Agents of S.H.I.E.L.D.," and "Jessica Jones." And so far, I have no complaints.

Before this weekend, I didn't know I needed a show that is blacker than black.

"Luke Cage" isn't "sassy black friend" black. Nor is it "consult a magical negro" black. It's "playing chess in a barber shop" black. It's "history lessons on Crispus Attucks while being mugged" black.

This show is truly, deeply, proudly black.

Image from Marvel's "Luke Cage," courtesy of Netflix.

Between kicks and punches, "Luke Cage" addresses issues like the criminal justice system, fatherhood, and the n-word. It name-drops writers like Donald Goines and Chester Himes in one scene and cuts to a blink-and-you'll-miss-it nod to famous New York street photographer Jamel Shabazz in the next.

"Luke Cage" is not blackness for the masses. It's blackness for black people. And if you don't get it? Too damn bad.

This blackness is no accident, either. It's by design.

"I’m not one of these people that says, 'Oh, Luke Cage happens to be black,'" creator and show runner Cheo Hodari Coker told Vanity Fair. "No, he’s black all day because I’m black all day. There’s just no way around that."

Image from Marvel's "Luke Cage," courtesy of Netflix.

Before this weekend, I didn't know I needed a show that centered on Harlem not as a setting but as a character.

Even after only one episode, we're shown a full and diverse Harlem community: political leaders, business owners, parents, seniors, kids on basketball courts, and dudes in barber shops. Not just black people, but Asian-Americans, too. And Latinx and a handful of white gentrifiers. There are families who've been in Harlem for generations and those just settling in. This is the real Harlem.

Luke Cage (Colter) and Claire Temple (played by Rosario Dawson). Image from Marvel's "Luke Cage," courtesy of Netflix.

The characters seem to know each other. They know their mamas; they know the parks they hang out in. This is important because Harlem is not just a setting for an action show. Harlem is a character, commentary, and changing world. Harlem shows that these are real people affected by the larger-than-life supervillains of any Marvel outing and also by the low-level street toughs.

Plus, characters on all sides are fighting to take their community, Harlem, back. Cops, criminals, and politicians (and even Cage himself) think they know the best way to do this. Only unlike other shows or characters with similar goals, this time we recognize clearly exactly what and who they're fighting for.

"I don't believe in Harlem," Cage says in one scene, "I believe in the people who make Harlem what it is." When Cage believes, we believe too.

Before this weekend, I didn’t know I needed a show with women who kick ass and take names.

The women of "Luke Cage" are more than sex objects or empty motivators for our hero to act. They are complex, highly capable, talented, and driven.

Detective Misty Knight (played by Simone Missick) is a familiar face from the original Luke Cage comics, and while she's not fighting sharks (yet!), she's a badass detective and a hero.

Missick as Misty Knight. Image from Marvel's "Luke Cage," courtesy of Netflix.

Councilwoman Mariah Dillard (played by Alfre Woodard), is a complicated character who wants to reclaim her community for the black families who've always called it home. But her vision for a New Harlem Renaissance comes at a heavy price, and we see Dillard weigh these consequences against a future she desperately wants for herself and her constituents.

Woodard as Mariah Dillard. Image from Marvel's "Luke Cage," courtesy of Netflix.

And you can't forget Dr. Claire Temple, Connie Lin, or Reva. No matter how often or how long they're on screen, these women do more than just serve male storylines. And it's about damn time.

Before this weekend, I didn’t know I needed a show with a bulletproof black man wearing a hoodie.

But I did. I really, really did.

After a summer with too many bullet-ridden bodies, it was satisfying to watch a character like Luke Cage own the screen.

Image from Marvel's "Luke Cage," courtesy of Netflix.

He's the son of a preacher, a stand-up man who doesn’t swear. He reads voraciously, works two jobs, knows how to make a damn good cosmo, and he somehow never gets ashy. I'm pretty sure he's one of the "strong black brothas" En Vogue sang about in "Free Your Mind." Bullets bend and ricochet off his body, leaving tears in his clothes but never on his smooth brown skin.

Luke Cage has strong arms and a stronger character. He cracks bones and twists guns in half not for the hell of it. He does it for his neighborhood and his chosen family. And he does it all in a hoodie (yeah, that's no accident either).

GIF via "Luke Cage."

After too much injustice in our world and too many deaths, I as a black woman just needed to feel like I was on a winning team. Even if it was just for a few hours from the comfort of my couch. "Luke Cage" gave me something to cheer about. It reminded me just how strong we already are.

Before this weekend, I didn't know I needed "Luke Cage."

And I don't need Luke Cage the way I need water or air. But I do need him the way you need to remember the lyrics to a song you once knew, a song that made you dance with abandon.

"How does it go?" you ask no one in particular. It's inescapable, unresolved. And then, suddenly, when you least expect it, there it is. Like an old friend. And you wonder how you managed without that missing piece, however small, for so long.

I didn't know I needed Luke Cage. But I really, really did.

Joy

1991 blooper clip of Robin Williams and Elmo is a wholesome nugget of comedic genius

Robin Williams is still bringing smiles to faces after all these years.

Robin Williams and Elmo (Kevin Clash) bloopers.

The late Robin Williams could make picking out socks funny, so pairing him with the fuzzy red monster Elmo was bound to be pure wholesome gold. Honestly, how the puppeteer, Kevin Clash, didn’t completely break character and bust out laughing is a miracle. In this short outtake clip, you get to see Williams crack a few jokes in his signature style while Elmo tries desperately to keep it together.

Williams has been a household name since what seems like the beginning of time, and before his death in 2014, he would make frequent appearances on "Sesame Street." The late actor played so many roles that if you were ask 10 different people what their favorite was, you’d likely get 10 different answers. But for the kids who spent their childhoods watching PBS, they got to see him being silly with his favorite monsters and a giant yellow canary. At least I think Big Bird is a canary.

When he stopped by "Sesame Street" for the special “Big Bird's Birthday or Let Me Eat Cake” in 1991, he was there to show Elmo all of the wonderful things you could do with a stick. Williams turns the stick into a hockey stick and a baton before losing his composure and walking off camera. The entire time, Elmo looks enthralled … if puppets can look enthralled. He’s definitely paying attention before slumping over at the realization that Williams goofed a line. But the actor comes back to continue the scene before Elmo slinks down inside his box after getting Williams’ name wrong, which causes his human co-star to take his stick and leave.

The little blooper reel is so cute and pure that it makes you feel good for a few minutes. For an additional boost of serotonin, check out this other (perfectly executed) clip about conflict that Williams did with the two-headed monster. He certainly had a way of engaging his audience, so it makes sense that even after all of these years, he's still greatly missed.

Noe Hernandez and Maria Carrillo, the owners of Noel Barber Shop in Anaheim, California.

Jordyn Poulter was the youngest member of the U.S. women’s volleyball team, which took home the gold medal at the Tokyo Olympics last year. She was named the best setter at the Tokyo games and has been a member of the team since 2018.

Unfortunately, according to a report from ABC 7 News, her gold medal was stolen from her car in a parking garage in Anaheim, California, on May 25.

It was taken along with her passport, which she kept in her glove compartment. While storing a gold medal in your car probably isn’t the best idea, she did it to keep it by her side while fulfilling the hectic schedule of an Olympian.

"We live this crazy life of living so many different places. So many of us play overseas, then go home, then come out here and train,” Poulter said, according to ABC 7. "So I keep the medal on me (to show) friends and family I haven't seen in a while, or just people in the community who want to see the medal. Everyone feels connected to it when they meet an Olympian, and it's such a cool thing to share with people."

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Hold on, Frankie! Mama's coming!

How do you explain motherhood in a nutshell? Thanks to Cait Oakley, who stopped a preying bald eagle from capturing her pet goose as she breastfed her daughter, we have it summed up in one gloriously hilarious TikTok.

The now viral video shows the family’s pet goose, Frankie, frantically squawking as it gets dragged off the porch by a bald eagle—likely another mom taking care of her own kiddos.

Wearing nothing but her husband’s boxers while holding on to her newborn, Willow, Oakley dashes out of the house and successfully comes to Frankie's rescue while yelling “hey, hey hey!”

The video’s caption revealed that the Oakleys had already lost three chickens due to hungry birds of prey, so nothing was going to stop “Mama bear” from protecting “sweet Frankie.” Not even a breastfeeding session.

Oakley told TODAY Parents, “It was just a split second reaction ...There was nowhere to put Willow down at that point.” Sometimes being a mom means feeding your child and saving your pet all at the same time.

As for how she feels about running around topless in her underwear on camera, Oakley declared, “I could have been naked and I’m like, ‘whatever, I’m feeding my baby.’”

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