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Pop Culture

Have you noticed your favorite shows don't look as good as they used to? This viral post explains why.

A fascinating look at quality versus quantity.

game of thrones, house of dragons, lotr costumes

One of these things is not like the other.

For fantasy fans, it truly is the best of times, and the worst of times. On the bright side—there’s more magic wielding, dragon riding, caped crusading content than ever before. Yay to that.

On the other hand, have you noticed that with all these shows, something feels … off?

No, that’s not just adulthood stripping you of childlike wonder. There is a subtle, yet undeniable decline in how these shows are being made, and your eyes are picking up on it. Nolan Yost, a freelance wigmaker living in New York City, explains the shift in his now viral Facebook post.

The post, which has been shared nearly 3,500 times, attributes shows being “mid,” (aka mediocre, or my favorite—meh) mostly to the new streaming-based studio system, which quite literally prioritizes quantity over quality, pumping out new content as fast as possible to snag a huge fan base.

The result? A “Shein era of mass media,” Yost says, adding that “the toll it takes on costuming and hair/makeup has made almost every new release from Amazon, Netflix, and Hulu have a B-movie visual quality.”

He even had some pictures to prove it.


Yost first addressed the Amazon Prime Series “The Rings of Power.” One of the many, many things that makes Peter Jackson’s “The Lord of the Rings” trilogy so iconic is the costumes. But that legacy was the direct result of dedication to detail.

“The production spent years hand-making every single piece of armor with real metal, hand-dyeing all-natural fiber fabrics, and designing distinct embroidery and hairstyles specific to each race in Middle Earth that had continuity through the story,” Yost wrote.

He added, “the natural dyes and dedicated layers of fabrics for elves, for hobbits, wool/dyes, and for men had a much more muted/medieval look, yet ethereal because of the slight detail you don’t really notice, but the depth draws your eye to every inch of the costume regardless.” This, he says, is why those three movies stand the test of time.

Compare this to the two images from “The Rings of Power,” below. In one photo “they barely scrapped together an unnaturally gilded scale mail breastplate and just screen printed a stretched long sleeve shirt to match underneath, all over a skirt in a single layer of a warped poly skirt.”

rings of power, house of the dragon

Now you too can look like you're from Middle Earth for the low, low cost of $10.99.

Nolan Yost/Facebook

The other image shows “they just saved money on an Elven wig altogether for a 2022 pompadour, with a velvet pleated priest smock (with crushed parts not even steamed out), and a neckline that isn’t tailored to fit like we’ve seen previously with Elrond or Celeborn.”


Yost then moved onto HBO’s “House of the Dragon.” Arguably even those who have never seen a single episode of its predecessor, “Game of Thrones,” would still recognize Daenerys Targaryen for her platinum white hair—an attribute that Yost notes was quite expensive.

got hbo

It cost big bucks to be a Khalessi.

Giphy

He explained that for the show’s final season alone, Daenerys’ wigs most likely cost tens of thousands, requiring human hair to be custom made into multiple wigs.

Luckily, there was only one character with that signature look in the show. For “House of the Dragon,” however, with a cast almost entirely made up of silver-haired brooding powerhouses, Yost surmises that due to budget constraints, the creators opted for synthetic wigs.

You can see below the problem this cost-cutting decision makes in terms of authenticity.

house of the dragon, house of the dragon wigs

Luckily, Matt Smith is such a good actor a few stray hairs are an easily forgivable.

Nolan Yost/Facebook

“Synthetic hair reflects light throughout the whole hair shaft and it tangles extremely easily,” Yost writes. “With any shot where a character isn’t actively moving or is performing dialogue and the hair isn’t being actively smoothed down every couple of seconds between shots, each flyaway is going to show up on camera if there’s any indirect lighting and look messy. Not only that, synthetic hair is also twice as thick per strand than human hair, so regardless of that the wigs are going to look bulky in an uncanny valley sort of way.”

This affects not just sci-fi and fantasy, but other genres meant to transport viewers into other worlds, like period pieces, which Yost points out with a picture from “Bridgerton” by Shonda Rhimes.

bridgerton

Yeah, this does look like they're wearing curtains. And not in a fun "Sound of Music" kind of way.

Nolan Yost/Facebook

“It’s obviously not meant to be historically accurate, which is totally fine,” he writes, but without important details or embellishments or even proper undergarments to make the clothes fit well, everything looks like a slightly more expensive Halloween costume.

Yost’s insightful post really shines a light on what audiences are having to trade off for the sake of constant output. The phrase “done is better than perfect” takes on a new meaning altogether as studios race to meet a deadline with whatever is easiest to mass produce. But if viewers are so easily taken out of these stories because of noticeable corner cutting, then perhaps it’s a sign that what we really want and need are stories worth waiting for, ones that truly pull us in and leave us captivated. This is no easy ask, for studio execs or customers alike (I too am a voracious binge-watcher), but as we can see in these examples, the most valuable experiences rarely, if ever, come from rushing.


This article originally appeared on 9.10.22

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From political science to joining the fight against cancer: How one woman found her passion

An unexpected pivot to project management expanded Krystal Brady's idea of what it means to make a positive impact.

Krystal Brady/PMI

Krystal Brady utilizes her project management skills to help advance cancer research and advocacy.

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Cancer impacts nearly everyone’s life in one way or another, and thankfully, we’re learning more about treatment and prevention every day. Individuals and organizations dedicated to fighting cancer and promising research from scientists are often front and center, but we don’t always see the people working behind the scenes to make the fight possible.

People like Krystal Brady.

While studying political science in college, Brady envisioned her future self in public office. She never dreamed she’d build a successful career in the world of oncology, helping cancer researchers, doctors and advocates continue battling cancer, but more efficiently.

Brady’s journey to oncology began with a seasonal job at a small publishing company, which helped pay for college and awakened her love for managing projects. Now, 15 years later, she’s serving as director of digital experience and strategy at the American Society of Clinical Oncology (ASCO), which she describes as “the perfect place to pair my love of project management and desire to make positive change in the world.”

As a project manager, Brady helps make big ideas for the improvement of diagnosing and treating cancer a reality. She is responsible for driving the critical projects that impact the lives of cancer researchers, doctors, and patients.

“I tell people that my job is part toolbox, part glue,” says Brady. “Being a project manager means being responsible for understanding the details of a project, knowing what tools or resources you need to execute the project, and facilitating the flow of that work to the best outcome possible. That means promoting communication, partnership, and ownership among the team for the project.”

At its heart, Brady’s project management work is about helping people. One of the big projects Brady is currently working on is ASCO’s digital transformation, which includes upgrading systems and applications to help streamline and personalize oncologists’ online experience so they can access the right resources more quickly. Whether you are managing humans or machines, there’s an extraordinary need for workers with the skillset to harness new technology and solve problems.

The digital transformation project also includes preparing for the use of emerging technologies such as generative AI to help them in their research and practices.

“Most importantly, it lays the groundwork for us to make a meaningful impact at the point of care, giving the oncologist and patient the absolute latest recommendations or guidelines for care for that specific patient or case, allowing the doctor to spend more time with their patients and less time on paperwork,” Brady says.

In today’s fast-changing, quickly advancing world, project management is perhaps more valuable than ever. After discovering her love for it, Brady earned her Project Management Professional (PMP)® certification through Project Management Institute (PMI)—the premier professional organization for project managers with chapters all over the world—which she says gave her an edge over other candidates when she applied for her job at ASCO.

“The knowledge I gained in preparing for the PMP exam serves me every day in my role,” Brady says. “What I did not expect and have truly come to value is the PMI network as well – finding like-minded individuals, opportunities for continuous learning, and the ability to volunteer and give back.”

PMI’s growing community – including more than 300 chapters globally – serves as a place for project managers and individuals who use project management skills to learn and grow through events, online resources, and certification programs.

While people often think of project management in the context of corporate careers, all industries and organizations need project managers, making it a great career for those who want to elevate our world through non-profits or other service-oriented fields.

“Project management makes a difference by focusing on efficiency and outcomes, making us all a little better at what we do,” says Brady. “In almost every industry, understanding how to do our work more effectively and efficiently means more value to our customers, and the world at large, at an increased pace.”

Project management is also a stable career path in high demand as shown by PMI research, which found that the global economy will need 25 million more project managers by 2030 and that the median salary for project managers in the US has grown to $120K.

If you’d like to learn more about careers in project management, PMI has resources to help you get started or prove your proficiency, including its entry-level Certified Associate in Project Management (CAPM) certification program. For those interested in pursuing a project management career to make a difference, it could be your first step.


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