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The headline writer for this 1933 Frida Kahlo article would undoubtedly like a do-over

Though she's been dead for nearly 70 years, Mexican artist Frida Kahlo is famous around the world. She is best known for her colorful self-portraits, her bold artistic statements involving pain and passion, and her feminist activism. She is more easily recognizable than most visual artists, thanks to her own face being her main subject matter and the unibrow that served as her most prominent identifying feature. She is, in fact, arguably more well-known than her mural artist husband, Diego Rivera, who is famous in his own right.

That has not always been the case, however.

Diego Rivera was one of the most well-known artists of the early 20th century, his large-scale murals launching a revival of fresco painting in Latin America. He earned a place in a prestigious art academy in Mexico at age 10, went on to study in Spain, then settled for more than a decade in Paris. Rivera was friends with Pablo Picasso, and he lived in the U.S. for a handful of years. He painted some of his huge murals here, for the California School of Fine Arts in San Francisco in 1931, the Detroit Institute of Arts in 1932, and Rockefeller Center in New York City in 1933.

While Rivera was a household name in the 1920s and 30s, Kahlo was not, despite being a prolific artist. In fact, the headline of a 1933 Detroit News article highlighting Kahlo's artistic endeavors referred to her simply as "wife of the master mural painter," patronizingly describing how she "gleefully dabbles in works of art." In hindsight, oof.



The article itself is far more gracious towards Kahlo—perhaps in part because it was written by a female writer, Florence Davies. (It's highly likely that the headline was written by an editor, not Davies herself.)

Davies asked Kahlo if her husband had taught her to paint. "'No, I didn't study with Diego," Kahlo replied. "I didn't study with anyone. I just started to paint.'" Kahlo got a twinkle in her eye before adding, "'Of course, he does pretty well for a little boy, but it is I who am the big artist.'" Then she exploded into laughter.

Neither Davies nor the world knew how seriously true her words would become, though Davies did describe Kahlo's formidable talent in glowing terms.

"Senora Rivera's painting is by no means a joke," Davies wrote, "because, however much she may laugh when you ask her about it, the fact remains that she has acquired a very skillful and beautiful style, painting in the small with miniature-like technique, which is as far removed from the heroic figures of Rivera as could well be imagined."

That Kahlo made a name for herself as an artist in her own right, especially in the time period in which she lived, is a testament to both her style and her spirit. Her personal story, too, is one for the ages. She was badly injured in a bus accident as a teenager and endured 35 surgeries in her short 47 years. She was married to Rivera twice—a tumultuous that was rife with infidelity. She wrote dramatic love letters and indulged heavily in drugs and alcohol. It's hard not to be curious about such an intriguing life.

However, it's her meteoric rise in popularity since the 1970s that has made Kahlo into a household name. Her star of fame may have emerged more gradually than Rivera's, but it's proven to have outshone his.

Indeed, her "dabbling" was actually the creation of a massive body of artistic work that most of us can recognize on sight. Undoubtedly that headline writer would be embarrassed now to have written about one of the world's most famous female artists in such quaint, condescending terms. Especially when the more common question now is "Who was Diego Rivera?" with the answer being "Frida Kahlo's husband. He was also a famous artist."


Joy

Nurse turns inappropriate things men say in the delivery room into ‘inspirational’ art

"Can you move to the birthing ball so I can sleep in the bed?"

Holly the delivery nurse.

After working six years as a labor and delivery nurse Holly, 30, has heard a lot of inappropriate remarks made by men while their partners are in labor. “Sometimes the moms think it’s funny—and if they think it’s funny, then I’ll laugh with them,” Holly told TODAY Parents. “But if they get upset, I’ll try to be the buffer. I’ll change the subject.”

Some of the comments are so wrong that she did something creative with them by turning them into “inspirational” quotes and setting them to “A Thousand Miles” by Vanessa Carlton on TikTok.

“Some partners are hard to live up to!” she jokingly captioned the video.

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All images provided by Adewole Adamson

It begins with more inclusive conversations at a patient level

True

Adewole Adamson, MD, of the University of Texas, Austin, aims to create more equity in health care by gathering data from more diverse populations by using artificial intelligence (AI), a type of machine learning. Dr. Adamson’s work is funded by the American Cancer Society (ACS), an organization committed to advancing health equity through research priorities, programs and services for groups who have been marginalized.

Melanoma became a particular focus for Dr. Adamson after meeting Avery Smith, who lost his wife—a Black woman—to the deadly disease.

melanoma,  melanoma for dark skin Avery Smith (left) and Adamson (sidenote)

This personal encounter, coupled with multiple conversations with Black dermatology patients, drove Dr. Adamson to a concerning discovery: as advanced as AI is at detecting possible skin cancers, it is heavily biased.

To understand this bias, it helps to first know how AI works in the early detection of skin cancer, which Dr. Adamson explains in his paper for the New England Journal of Medicine (paywall). The process uses computers that rely on sets of accumulated data to learn what healthy or unhealthy skin looks like and then create an algorithm to predict diagnoses based on those data sets.

This process, known as supervised learning, could lead to huge benefits in preventive care.

After all, early detection is key to better outcomes. The problem is that the data sets don’t include enough information about darker skin tones. As Adamson put it, “everything is viewed through a ‘white lens.’”

“If you don’t teach the algorithm with a diverse set of images, then that algorithm won’t work out in the public that is diverse,” writes Adamson in a study he co-wrote with Smith (according to a story in The Atlantic). “So there’s risk, then, for people with skin of color to fall through the cracks.”

Tragically, Smith’s wife was diagnosed with melanoma too late and paid the ultimate price for it. And she was not an anomaly—though the disease is more common for White patients, Black cancer patients are far more likely to be diagnosed at later stages, causing a notable disparity in survival rates between non-Hispanics whites (90%) and non-Hispanic blacks (66%).

As a computer scientist, Smith suspected this racial bias and reached out to Adamson, hoping a Black dermatologist would have more diverse data sets. Though Adamson didn’t have what Smith was initially looking for, this realization ignited a personal mission to investigate and reduce disparities.

Now, Adamson uses the knowledge gained through his years of research to help advance the fight for health equity. To him, that means not only gaining a wider array of data sets, but also having more conversations with patients to understand how socioeconomic status impacts the level and efficiency of care.

“At the end of the day, what matters most is how we help patients at the patient level,” Adamson told Upworthy. “And how can you do that without knowing exactly what barriers they face?”

american cancer society, skin cacner treatment"What matters most is how we help patients at the patient level."https://www.kellydavidsonstudio.com/

The American Cancer Society believes everyone deserves a fair and just opportunity to prevent, find, treat, and survive cancer—regardless of how much money they make, the color of their skin, their sexual orientation, gender identity, their disability status, or where they live. Inclusive tools and resources on the Health Equity section of their website can be found here. For more information about skin cancer, visit cancer.org/skincancer.

The mesmerizing lost art of darning knit fabric.

For most of human history, people had to make their own clothing by hand, and sewing skills were subsequently passed down from generation to generation. Because clothing was so time-consuming and labor-intensive to make, people also had to know how to repair clothing items that got torn or damaged in some way.

The invention of sewing and knitting machines changed the way we acquire clothing, and the skills people used to possess have largely gone by the wayside. If we get a hole in a sock nowadays, we toss it and replace it. Most of us have no idea how to darn a sock or fix a hole in any knit fabric. It's far easier for us to replace than to repair.

But there are still some among us who do have the skills to repair clothing in a way that makes it look like the rip, tear or hole never happened, and to watch them do it is mesmerizing.

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Pop Culture

Artist uses AI to create ultra realistic portraits of celebrities who left us too soon

What would certain icons look like if nothing had happened to them?

Mercury would be 76 today.

Some icons have truly left this world too early. It’s a tragedy when anyone doesn’t make it to see old age, but when it happens to a well-known public figure, it’s like a bit of their art and legacy dies with them. What might Freddie Mercury have created if he were granted the gift of long life? Bruce Lee? Princess Diana?

Their futures might be mere musings of our imagination, but thanks to a lot of creativity (and a little tech) we can now get a glimpse into what these celebrities might have looked like when they were older.

Alper Yesiltas, an Istanbul-based lawyer and photographer, created a photography series titled “As If Nothing Happened,” which features eerily realistic portraits of long gone celebrities in their golden years. To make the images as real looking as possible, Yesiltas incorporated various photo editing programs such as Adobe Lightroom and VSCO, as well as the AI photo-enhancing software Remini.

“The hardest part of the creative process for me is making the image feel ‘real’ to me,” Yesiltas wrote about his passion project. “The moment I like the most is when I think the image in front of me looks as if it was taken by a photographer.”

Yesiltas’ meticulousness paid off, because the results are uncanny.

Along with each photo, Yesiltas writes a bittersweet message “wishing” how things might have gone differently … as if nothing happened.
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