Michael Sheen explains why he decided to become a ‘not-for-profit’ Hollywood actor
It’s one thing to make it to the top. It’s another to help others up as well. Michael Sheen has already gifted the world something really special. His long list of acting credits include some bona fide iconic characters. Even if you don’t recognize the name, you’ll know the face. Seriously, this guy has been…
It’s one thing to make it to the top. It’s another to help others up as well.
Michael Sheen has already gifted the world something really special. His long list of acting credits include some bona fide iconic characters. Even if you don’t recognize the name, you’ll know the face. Seriously, this guy has been in everything.
If Sheen’s incredible talent isn’t enough to make you love him, his compassion and generosity will certainly win you over. He recently revealed that he will no longer be earning profits from his acting work, and will use that money to support others.
“I’ve essentially turned myself into a social enterprise, a not-for-profit actor,” he explained in a recent interview with The Big Issue.
“I’ve realized in the last few years that I want to be one of those people who help other people the way so many people helped me…I’m at the stage of my life and career where I have a window of opportunity that will probably never be this good again. I’m able to get people in a room, I can open doors. I don’t want to look back and think, I could have done something with that platform. I could have done something with that money.”
Sheen is no stranger to lending his talents to a good cause. In addition to “The Passion,” his now famous 72-hour immersive play, Sheen also teamed up with David Tennant (his co-star from Neil Gaiman’s “Good Omens”) to film “Staged,” a British comedy Zoom series created during the pandemic.
There is a hilarious episode that was filmed for Red Nose Day, a campaign to help end child poverty. You can watch it below.
I hope seeing an aggravated Marlowe (Sheen) get one-upped by Shakespeare (Tennant) tickles you as much as it did me.
This time, Sheen is focusing his efforts to support the Homeless World Cup Foundation. According to its website, the foundation uses football to encourage those who are homeless to change their lives, as well as challenge attitudes toward those experiencing homelessness.
The organization was struggling to fund its 2019 event. That’s when Sheen made an important decision.
“I realized I could do this kind of thing and, if I can keep earning money, it’s not going to ruin me,” he told The Big Issue.
Knowing that the event could be an “extraordinary, life changing experience” for people all over the world who needed it, Sheen became determined. So determined that he sold both his homes, one in the U.K. and one in the U.S., to make it happen.
And in that moment of giving, Sheen gained a new perspective.
“There was something quite liberating about going, alright, I’ll put large amounts of money into this or that, because I’ll be able to earn it back again,” he shared.
The “not-for-profit” actor’s first film to be entirely dedicated to charity will be “Last Train to Christmas,” which premieres December 18. I don’t know what makes me happier: Michael Sheen’s big heart or his huge mullet in the role.
Either way, he’s great at giving us something to smile about.
In a small village in Pwani, a district on Tanzania’s coast, a massive dance party is coming to a close. For the past two hours, locals have paraded through the village streets, singing and beating ngombe drums; now, in a large clearing, a woman named Sheilla motions for everyone to sit facing a large projector screen. A film premiere is about to begin.
It’s an unusual way to kick off a film about gender bias, inequality, early marriage, and other barriers that prevent girls from accessing education in Tanzania. But in Pwani and beyond, local organizations supported by Malala Fund and funded by Pura are finding creative, culturally relevant ways like this one to capture people’s interest.
The film ends and Sheilla, the Communications and Partnership Lead for Media for Development and Advocacy (MEDEA), stands in front of the crowd once again, asking the audience to reflect: What did you think about the film? How did it relate to your own experience? What can we learn?
Sheilla explains that, once the community sees the film, “It brings out conversations within themselves, reflective conversations.” The resonance and immediate action create a ripple effect of change.
MEDEA Screening Audience in Tanzania. Captured by James Roh for Pura
Across Tanzania, gender-based violence often forces adolescent girls out of the classroom. This and other barriers — including child marriage, poverty, conflict, and discrimination — prevent girls from completing their education around the world.
Sheilla and her team are using film and radio programs to address the challenges girls face in their communities. MEDEA’s ultimate goal is to affirm education as a fundamental right for everyone, and to ensure that every member of a community understands how girls’ education contributes to a stronger whole and how to be an ally for their sisters, daughters, granddaughters, friends, nieces, and girlfriends.
Sheilla’s story is one of many that inspired Heart on Fire, a new fragrance from the Pura x Malala Fund Collection that blends the warm, earthy spices of Tanzania with a playful, joyful twist. Here’s how Pura is using scent as a tool to connect the world and inspire action.
A partnership focused on local impact, on a global mission
Pura, a fragrance company that recognizes education as both freedom and a human right, has partnered with Malala Fund since 2022. In order to defend every girl’s right to access and complete 12 years of education, Malala Fund partners with local organizations in countries where the educational barriers are the greatest. They invest in locally-led solutions because they know that those who are closest to the problems are best equipped to solve and build durable solutions, like MEDEA, which works with communities to challenge discrimination against girls and change beliefs about their education.
But local initiatives can thrive and scale more powerfully with global support, which is why Pura is using their own superpower, the power of scent, to connect people around the world with the women and girls in these local communities.
The Pura x Malala Fund Collection incorporates ingredients naturally found in Tanzania, Nigeria, Pakistan, and Brazil: countries where Malala Fund operates to address systemic education barriers. Eight percent of net revenue from the Pura x Malala Fund Collection will be donated to Malala Fund directly, but beyond financial support, the Collection is also a love letter to each unique community, blending notes like lemon, jasmine, cedarwood, and clove to transport people, ignite their senses, and help them draw inspiration and hope from the global movement for girls’ education. Through scent, people can connect to the courage, joy, and tenacity of girls and local leaders, all while uniting in a shared commitment to education: the belief that supporting girls’ rights in one community benefits all of us, everywhere.
You’ve already met Sheilla. Now see how Naiara and Mama Habiba are building unique solutions to ensure every girl can learn freely and dare to dream.
Naiara Leite is reimagining what’s possible in Brazil
Julia with Odara in Brazil. Captured by Luisa Dorr for Pura
In Brazil, where pear trees and coconut plantations cover the Northeastern Coast, girls like ten-year-old Julia experience a different kind of educational barrier than girls in Tanzania. Too often, racial discrimination contributes to high dropout rates among Black, quilombola and Indigenous girls in the country.
“In the logic of Brazilian society, Black people don’t need to study,” says Naiara Leite, Executive Coordinator of Odara, a women-led organization and Malala Fund partner. Bahia, the state where Odara is based, was once one of the largest slave-receiving territories in the Americas, and because of that history, deeply-ingrained, anti-Black prejudice is still widespread. “Our role and the image constructed around us is one of manual labor,” Naiara says.
But education can change that. In 2020, with assistance from a Malala Fund grant, Odara launched its first initiative for improving school completion rates among Black, quilombola, and Indigenous girls: “Ayomidê Odara”. The young girls mentored under the program, including Julia, are known as the Ayomidês. And like the Pura x Malala Fund Collection’s Brazil: Breath of Courage scent, the Ayomidês are fierce, determined, and bursting with energy.
Ayomidês with Odara in Brazil. Captured by Luisa Dorr for Pura
Ayomidês take part in weekly educational sessions where they explore subjects like education and ethnic-racial relations. The girls are encouraged to find their own voices by producing Instagram lives, social media videos, and by participating in public panels. Already, the Ayomidês are rewriting the narrative on what’s possible for Afro-Brazilian girls to achieve. One of the earliest Ayomidês, a young woman named Debora, is now a communications intern. Another former Ayomidê, Francine, works at UNICEF, helping train the next generation of adolescent leaders. And Julia has already set her sights on becoming a math teacher or a model.
“These are generations of Black women who did not have access to a school,” Naiara says. “These are generations of Black women robbed daily of their dreams. And we’re telling them that they could be the generation in their family to write a new story.”
Mama Habiba is reframing the conversation in Nigeria
Centre for Girls' Education, Nigeria. Captured by James Roh for Pura
In Mama Habiba’s home country of Nigeria, the scents of starfruit, ylang ylang and pineapple, all incorporated into the Pura x Malala Collection’s “Nigeria: Hope for Tomorrow,” can be found throughout the vibrant markets. Like these native scents, Mama Habiba says that the Nigerian girls are also bright and passionate, but too often they are forced to leave school long before their potential fully blooms.
“Some of these schools are very far, and there is an issue of quality, too,” Mama Habiba says. “Most parents find out when their children are in school, the girls are not learning. So why allow them to continue?”
When girls drop out of secondary school, marriage is often the alternative. In Nigeria, one in three girls is married before the age of 18. When this happens, girls are unable to fulfill their potential, and their families and communities lose out on the social, health and economic benefits.
Completing secondary school delays marriage, and according to UNESCO, educated girls become women who raise healthier children, lift their families out of poverty and contribute to more peaceful, resilient communities.
Centre for Girls’ Education, Nigeria. Captured by James Roh for Pura
To encourage young girls to stay in school, the Centre for Girls’ Education, a nonprofit in Nigeria founded by Mama Habiba and supported by Malala Fund and Pura, has pioneered an initiative that’s similar to the Ayomidê workshops in Brazil: safe spaces. Here, girls meet regularly to learn literacy, numeracy, and other issues like reproductive health. These safe spaces also provide an opportunity for the girls to role-play and learn to advocate for themselves, develop their self-image, and practice conversations with others about their values, education being one of them. In safe spaces, Mama Habiba says, girls start to understand “who she is, and that she is a girl who has value. She has the right to negotiate with her parents on what she really feels or wants.”
“When girls are educated, they can unlock so many opportunities,” Mama Habiba says. “It will help the economy of the country. It will boost so many opportunities for the country. If they are given the opportunity, I think the sky is not the limit. It is the starting point for every girl.”
From parades, film screenings to safe spaces and educational programs, girls and local leaders are working hard to strengthen the quality, safety and accessibility of education and overcome systemic challenges. They are encouraging courageous behavior and reminding us all that education is freedom.
Experience the Pura x Malala Fund Collection here, and connect with the stories of real girls leading change across the globe.
Remember the time shortly before the internet, when “scrolling” looked like flipping channels on the TV to see what was on? After passing up news, reruns, game shows, an old movie, and the public access station, you’d land on The Weather Channel. Suddenly, you’d find yourself checking the forecast and zoning out to whatever smooth jazz tunes accompanied the text on screen.
If that description triggered some cozy, comfy nostalgia for you, you’re in for a treat. The Weather Channel has launched a “retro forecast” option on its website that lets you see your local forecast as it looked way back when.
Go to weather.com/retro and click on the “START RETROCAST” button. This is what it looks (and sounds) like, customized to your local area:
It almost feels like time travel, doesn’t it? People who remember this simpler time are expressing how much they love the RetroCast:
“That scream you just heard was millions of millennial hearts reawakening to sounds we haven’t heard but missed.”
“Ohh… that makes me miss my grandpa. He had that channel on 24/7 when it first came out. It was the theme song to ‘Staying with Grandpa and Grandma.’”
“I used to like during Christmas time, they would play the entire album of A Charlie Brown Christmas by The Vince Guaraldi Trio. They’d also play classic Christmas Tunes as well but I will always remember them play Charlie Brown Christmas.”
“The only way my 1999 baby would sleep. Now we are getting ready to welcome her baby.”
No this is not a joke…Retro Weather Channel is officially back! 🎶 Head to https://t.co/sJgpOSHVgR enjoy RetroCast Now for your forecasts in the way you know and love. 💙🎷☀️
— The Weather Channel (@weatherchannel) April 2, 2026
“World needs more of this. I love seeing history being respected and represented this way.”
“That was a nostalgic feel-good ride if I do say so myself!! Thank you for that whoever found this!!! Weather channel needs to make this an app lol.”
“This is also a time-traveling machine. It instantly took me back to my junior year in high school in South Bend, IN, a place where keeping track of the weather matters more (out here it’s just hot, slightly cold, and maybe a few drops fall now and then). All sorts of good time memories came ‘flooding’ in. Peak nostalgia!”
“If you brought this back as a TV channel, you’d have the highest-rated channel with Gen X and Millennials.”
Today, The Weather Channel is…different. Not necessarily in a bad way, but it’s definitely busier. Weather forecasting has come a long way in the last 30 years, but so have television production, graphics, visual effects, and even fonts. Sometimes, that can be great. But it can also be a lot.
There’s something to be said for simple utility, and that’s what this retro forecast provides. No fancy graphics and multiple chyrons. No commentary. Just some cheesy music and dropshadowed fonts informing us about current conditions, sunrise and sunset times, and the local forecast.
The enthusiastic response to the retro forecast echoes the growing movement toward slower, more analog experiences. The digital age has its benefits, no doubt. But digital fatigue is real, our attention spans have taken a beating, and there’s a sense that something has to change. For many, that change looks like revisiting the habits of a simpler time, which this retro weather forecast offering represents.
Obviously, watching a retro Weather Channel forecast isn’t going to solve anyone’s issues with technology overwhelm. But the desire for it is a signal that deserves our attention. Nostalgia isn’t just a sweet feeling of remembrance in the modern era, after all. It’s also a yearning for simplicity in an increasingly complex world.
And perhaps zoning out to smooth jazz for a bit gives us a much-needed respite from the digital storm we’re living in.
When the Apollo 11 space shuttle launched in 1969, millions of people gathered around their TVs to watch it live. The idea that humans could land on the moon a mere 66 years after the Wright Brothers’ first flight here on Earth inspired awe around the world.
Since then, we’ve seen countless rocket launches. But that doesn’t make a historic mission any less awe-inspiring to witness in person, as evidenced by BBC Science Editor Rebecca Morelle’s giddy reaction to watching the Artemis II shuttle launch in person.
Morelle reported on the launch as it happened with refreshing, childlike joy. Journalists are trained to be dispassionate, and Morelle is a seasoned professional. But her spontaneous “Oh my goodness, that is spectacular!” and the tears in her eyes as she described what she was seeing revealed the emotion of the moment.
Morelle’s awe and wonder were palpable. They were also understandable. The historic Artemis II mission will take astronauts around the moon, farther from Earth than any humans have ever gone before. And as Morelle said, Artemis is the most powerful rocket NASA has ever built. That’s worth getting excited about, especially if you love science as much as she does.
However, some can’t help but question the authenticity of moments like this. Some have become cynical from the chaos in the world. Younger generations may see such emotional expression as “cringe.” Some may be skeptical of taking this science reporter’s emotions at face value.
But the tears in her eyes and her gasps of wonder tell a story of genuine joy. And many of the comments demonstrate people’s need for positivity:
“They sent the right reporter! 👍👍 Love her excitement.”
“I’m glad they sent someone as excited as her to be there.”
“Her excitement is literally so amazing during these dark dark times.”
“She is the sweetest. Life needs more joy.”
“Adorable. Protect her at all costs.”
“Agreed. I like watching people who enjoy their job. Makes me enjoy it more!”
“Yeah, it is important to always align work with people’s passions. She loves being there. Good work, BBC.”
I’m so glad the BBC sent her to be the reporter on this! She appreciated every moment of the #Artemis launch so much!! 🚀 pic.twitter.com/Rbh6rXcn91
“Having watched a rocket launch in person from the Saturn V center (which is where they’re at) it’s honestly impossible to NOT get excited. The feeling is electrifying and you really feel the force of your rocket through your bones.”
“Watching any launch is insane, being there is an event. She’s 1000% justified and I love her not being modest for performance sake.”
“Dear world. It’s okay to celebrate and be happy.”
“Sadly, it’s a sign of the times we live in. People have lost their joy and view everything through a lens of negativity. Unfortunately, we’re bombarded with assaults against humanity on a daily basis and people have become desensitized to their natural emotions and have become guarded. It is what it is unfortunately.”
Oh I love reaction it’s infectious!! That’s how excited you should be!!
It’s also so nice to see someone speaking and acting in a positive way on the news ❤️🙏👏
So many people are weary of negativity and thirsty for genuine joy. Seeing Morelle’s pure, wholesome display of emotion feels like a balm for our battered spirits. Indeed, joy is good for both our physical and mental health, so indulging it makes good sense. If cynicism is a poison, this video is the antidote.
Thank you, Rebecca Morelle, for letting this moment take you for an emotional ride, and for bringing us all along with you. So many of us needed that.
Fashion designer Betsey Johnson was punk rock before punk rock was even a thing. In the 1960s, she won the Mademoiselle Guest Editor contest. By 1969, she had her own store with Andy Warhol favorite Edie Sedgwick as one of her top models. By the ’70s, Johnson was the go-to for many rockers, and by the 1980s…she was a household name.
Turning 83 does not seem to have slowed her down. In a fabulous speech posted recently on Advanced Style’s Instagram page, Johnson does the splits to prove that age really is just a number. She stands in her signature black and white striped low-waisted dress, with punk golden blonde spiky bangs and red lipstick, while she dives deep into what it means to be over 80.
In hot pink lettering, the chyron on the video reads, “Betsey Johnson on aging and acceptance at 83.” Johnson begins by sharing that one’s 80s are an amazing time. “You finally gel. Whatever, you’re cooked! You’re done. And hopefully, you have the confidence to enjoy the cooking process all the years.”
We hear a gasp as Johnson then flings herself into her signature splits. (Note: she has often been known to do these at the end of fashion shows and on red carpets.) Of the fact that she can do them with such ease, she says, “Of course I do, darling. I swore that I always would. I was an aerialist. I never wanted to stiffen up. So I promised, I just said ‘ya know, if you can do the splits every year, that would be a good thing.’”
She then confesses that one of her signature looks is an absolute must for her to function. “Everyone knows I can’t work, I can’t talk, I can’t think, I can’t do anything but sleep without lipstick. I’m always putting lipstick on.” She admits, however, that there’s not much more to her youthful vibe. “But I have no beauty regime. No nothing.”
What’s the secret?
The interviewer asks what the secret is to “looking so fab.” Johnson is now wearing a gold crown and begins to pull on her face. At first, she mentions needing a lot of “work,” but then she stops herself. “I have to live with what’s happening now.” While she says she tweaked a little in her 60s and 70s, she’s “finally at the point where I have to accept I feel good. That to me is the major thing. I really feel great!”
She reiterates that she doesn’t “feel” old. “I don’t feel my age at all. I feel maybe 32, 35, something like that. And 80 doesn’t mean that I can’t wear anything that I wouldn’t wear at 20.”
Betsey’s closet
Speaking of, she shows off her incredible closet. “I have the designer closet from hell,” she says, confessing that she only wears about five outfits and no longer “bothers with clothes.” In a sense, this is how it’s always been. “I’ve always liked what I’ve liked, and if it’s fashionable, great, if it isn’t, great! That’s why my favorite stuff is years old.” She holds up an oddly shaped, colorful dress. “This is from 1983,” she shares.
She continues, “I think there’s a real need for ‘weird.’ You know, just off-center. You just don’t expect it. You’ve never seen it. It’s brand new, it’s a surprise! You feel young again. You’re seeing something new. Well, weird is something great on top of ‘new.’”
Johnson then shows off some incredible items from the closet, one of which is a dress made out of old hair extensions! There are also blue sequined ’60s vintage vests, and an old Vivienne corset. It all makes sense when she explains she always wanted to be a Rockette. “All my dancing costumes were my entire inspiration for all my stuff.” “
She finishes by reiterating how important it is to own who you are. “If you don’t celebrate now, it’s a different kind of celebration. I like that I’m free from the memories. It’s not this, it’s not that, I can be brand new. Whatever!”
Her fans adore her
There are over 185,000 likes and 11,000 comments from other celebrities and fans. Musician Annie Lennox enthusiastically shares, “Absolutely BRILLIANT, Betsey!”
Another fan writes that Johnson continues to serve as an inspiration. “She’s always so kind and full of excitement for life. It’s no surprise she’s in such great health. I aspire.”
And this fan is moved by Johnson’s sentiment, writing, “Besides loving your over-the-top sense of fashion, and the products you have created, seeing this raw interview of you is absolutely priceless and SO INSPIRING! My mother is a spry artist 84 years young. Her positive outlook is what keeps her going. My job is to keep her looking fabulous at every time. Doing splits at 80? I will definitely share this with her! – Your Drag Queen Fan”
Let’s be real: most of us don’t want to pay more taxes than we have to. Even when we know taxes are necessary for public services, we’re not usually enthusiastic about paying more ourselves.
Rick Steves sees it differently. Arguably the original “travel influencer,” Steves has spent decades building a booming business as a global tour guide. In 2019, his company, which he solely owns, generated $100 million in annual revenue. As a longtime Washington state resident, he has enjoyed the perk of paying no state taxes on his personal income. But that’s about to change, and Steves is surprisingly happy about it.
Steves praises the upcoming tax on “fat paychecks”
“A new tax on fat paychecks like mine was just signed into law in my home state — and I like it,” Steves wrote in a Facebook post. “In 2029, Washington state will start collecting a 9.9% tax on income over $1 million. The 8,000,000 Washingtonians whose households make less than a million dollars a year will pay zero under this new tax and enjoy all the benefits of a better-funded state. And for the wealthy (like me and an estimated 30,000 others), every million dollars in taxable income that our households earn after the first million will cost us about $100,000.”
Steves is referring to the so-called “millionaires tax” that Washington Governor Bob Ferguson signed into law after it passed the state legislature in March 2026. Under the new law, Washington residents will pay no taxes on their first $1 million in annual income. Any income above that threshold will be taxed at 9.9%.
Steves addresses Washington’s regressive tax system
“It takes a lot of money to run a state that’s as livable as ours,” Steves continued. “Yet Washington is one of only nine states that don’t currently levy a traditional income tax. Our state is still funded by consumption taxes, such as sales and excise taxes, giving us the second-most regressive tax code in the country. (Only Florida has us beat.) And it’s time for Washington millionaires to pay our fair share.”
Washington Gov. Bob Ferguson signed the so-called 'millionaires tax' into law, enacting a 9.9% income tax on earnings of more than $1 million a year. https://t.co/7IFqu5EGKw
A regressive tax code places a higher burden on lower-income earners. Because Washington doesn’t have a state income tax, it relies on other sources of revenue, such as property and excise taxes, including sales tax.
According to the Washington Department of Revenue, the lowest-income households in the state pay 15.7 percent of their income in excise and property taxes, while the highest-income households pay just 4.4 percent.
He pushed back against the idea that taxing high earners unfairly burdens the wealthy
“As a wealthy person myself, I see this tax as essentially free money for all Washingtonians,” he wrote. “Everybody in my state gains. And speaking from personal experience, I know that anyone who earns enough to be subject to this tax is beyond the point where consuming more adds to their security, their well-being, or even, arguably, their happiness — meaning there will be basically zero human cost.
If you disagree, consider the minuscule impact this tax will have on my state’s millionaires. Now, contrast that with the value of close to $4 billion a year in tax revenue once it’s smartly invested in programs that will help the roughly one-third of Washington households living paycheck to paycheck.”
Senators debated the merits of the bill before it ultimately passed:
“For those who still aren’t convinced,” Steves continued, “here’s a lesson I’ve learned in my travels: Even if you’re motivated only by greed, if you know what’s good for you, you don’t want to be filthy rich in a society with a huge gap between rich and poor. It’s just not a nice place to raise your kids. And remember: Shrouds have no pockets…especially if you’re a multimillionaire with no heart for your neighbors.”
Steves added that it “feels good” to help build a better community for himself and his neighbors. After seeing firsthand the decimation of community programs following previous tax breaks for the wealthy, he began donating a “self-imposed wealth tax” to his local arts center and symphony. He said his $100,000-plus annual donation has brought him “great joy for 15 years and counting,” but has also been “a little lonely.”
Steves said “it just feels right to pay a little extra” as a millionaire earner
He concluded with three big reasons for celebrating his new tax output:
“For me, it’s biblical (‘To whom much is given, much will be required’)… It’s European (after all, societies that are equitably funded are much more ‘content’ than ours)… And — for those of us with a heart for the public good — it’s simply common sense.”
A $1,000,000 annual salary works out to over $19,000 a week before taxes. Photo credit: Canva
Steves received thousands of comments on his post, most praising his attitude:
“You are a wonderful person to have in WA. Bless you and your big huge heart. You may have just helped to change how I felt about it. Kindness lives.”
“You are a good man and our society needs more like you. I am happy to pay my fair share so that all of my fellow Americans can live in dignity. We all should be willing to do that for our countrymen.”
“Thank you Rick Steves! You’re a model of how prosperity need not be soul-killing. I’m proud to share this great state with people like you.”
“It’s so refreshing to hear such positive comments from a millionaire who will actually be affected by the tax. Too often we see or hear that those with money will be escaping having to pay the tax by moving away. You are setting an example of a true patriot and citizen. Thank you for showing us true responsibility!”
“This is how I feel about wealth taxes and you summed it up so nicely. If I’m wealthy and making a high income, I should be happy to pay more taxes to help those who are less wealthy. Wealthy people need to contribute to reducing the rich-poor gap. EVEN the greedy who love their money should realize that reducing the rich-poor gap is good for them. Trickle down economics and tax cuts for the rich have brought us to where we are – too much money and power in the hands of too few; the rich get richer and the poor get poorer; and an unsustainable situation.”
Not all wealthy Washingtonians share Steves’ opinion, of course, but it’s helpful to hear the perspective of someone who will actually be paying the tax when it goes into effect.
Just when you think you’ve experienced every amazing rendition of Chappell Roan’s ”Pink Pony Club,” a 10-year-old in a blow-up unicorn costume comes along and raises the bar once again.
In a video shared to TikTok, a boy named Caleb twirled his way onto the stage for his school’s talent show, all before settling at the piano and expertly playing a jaunty instrumental version of the popular tune.
Caleb’s mom, who posted the video, aptly wrote, “boys got talent for days, and fearless to boot” in the caption.
More than 14 million views later, people were floored by both of those qualities.
In an interview with People, Michael, Caleb’s father, said Caleb began playing piano at age seven and quickly fell in love with how it helped him focus. Since then, he has developed a routine of practicing for 10 minutes a day, every day.
As for the costume idea, he came up with that entirely on his own. And this doesn’t seem to be the first time Caleb has dressed up to make music. Here he is unleashing his Captain Jack Sparrow while playing the Pirates of the Caribbean main theme:
It’s all a testament to Caleb’s personality. “He is a sweet boy who is full of positivity and brings fun energy to everything he does,” his father gushed.
Really, that joy might be the most impressive part of all. Plenty of kids learn instruments quickly. Plenty of kids perform well in talent shows. But not every kid walks onstage in a giant inflatable unicorn suit, totally uninhibited, completely themselves, and turns a performance into something people remember long after the final note fades.
And if the Internet’s reaction is any indication, people are craving exactly this kind of wholesome, joyful content. Polished performances are great, but there’s something extra special about a kid who shows up, has fun, and brings everyone along for the ride.
Beyond the instant dose of dopamine, we can all take away some tried-and-true wisdom behind Caleb’s refreshingly simple approach: Practice a little every day. Commit to what you love. Add whatever makes you smile. It’s the kind of formula adults tend to overcomplicate, even though it works just as well at any age.
Bottom line: confidence grows when we are brave enough to fully express ourselves. Whether that’s dressing up as a pirate, a superhero, or a unicorn, or giving ourselves permission to be playful and try new things. As Caleb reminds us, a little whimsy goes a long way.
Caregiving is a female-dominated field, and that’s not just in the professional world. It’s estimated that approximately 66% of informal family caregiving is done by women, so it’s not often that men are seen as caregivers. One man aims to change that by sharing his caregiving journey on social media.
Chris Punsalan was the primary caregiver for his elderly grandmother before her death. He uses his platform to normalize men being in the role of caregivers, but recently, he received some unexpected backlash. Several months ago, the Millennial shared a video of himself caring for his grandmother as usual, but this time it showed him hopping in the shower with her.
A young person helping an elderly person wash their hands. Photo credit: Canva
There was nothing inappropriate to be viewed in the video, as the grandmother was already behind the privacy glass. Punsalan was wearing black shorts when he got into the shower to help his grandmother. Seeing this vulnerable reality of caregiving for an elderly relative set some people off. The content creator received several comments chastising him, and others implying that he had an inappropriate relationship with his grandmother.
Caregiving for an elderly relative can be a difficult task, especially when you’re their primary caregiver. As people age, they need more assistance with daily living activities like bathing, toileting, and eating. This is not uncommon, but caregiving for these family members is often done quietly. Those who can afford full-time professional caregivers or an assisted living facility pay for this type of care. But every family isn’t in that position, so they may divide caregiving duties among themselves.
It’s unclear why Punsalan started caring for his grandmother, but it’s evident that he wanted to ensure she was receiving the best care. He is tackling stigma and showing men in a more gentle light. So when he saw the negative comments questioning his actions, he decided to address them directly.
In the video, he shows a clip from the previous video of him getting in the shower to help his grandmother.
“Most people have never seen what actual caregiving looks like, and I didn’t either when I first started,” he says. “I was my grandmother’s full-time caregiver. She had osteoporosis, severe arthritis, and in the last couple of years of her life, she had dementia, so I helped her with almost everything. Taking a shower, helping her eat meals, use the restroom, get around the house.”
He further explains that there was no manual on caring for his grandma, nor did he receive professional training. The process was trial and error while making sure his grandmother was safe and cared for.
“It was really weird to help my grandmother shower, but you eventually get over it,” Punsalan says. “If I had just seen another person on the Internet that looked like me, a young male helping ‘the old woman’ when it was time for me to step up and do that for my grandmother, it would’ve been so much easier.”
He shared that he hopes continuing to post these videos will shed light on what to expect for others who may find themselves in a similar role. Punsalan’s message resonated with viewers, many of whom flocked to the comments to show their support.
One person says, “Bathing is all part of caregiving. We are all humans. We all have human parts. Get over it. It’s what nurses would do if you were in the hospital. People that say these things just have no concept and if the roles were reversed they’d get it.”
Another writes, “I bathe and care for my disabled brother. He’s only two years younger than me but has used diapers all his life as well. Thank you for sharing your experience and educating people about this line of work. People make situations weird because THEIR mind is in the gutter.”
Someone else shares, “Your grandmother was so lucky to have you there. There are lots of initially uncomfortable tasks (especially as a grandkid) that you grow accustomed to as a caregiver that often illicit judgment from people on the outside who possess very little understanding of the big difficulties involved in all of the little tasks, and even more so with a dementia patient! The way you use your platform is so helpful. Not only as a comfort to fellow caregivers, but also as an awareness guide to so many. Keep up the great work!”
“Before caregiving you really don’t know what you are getting yourself into but gradually you are doing all the things that your loved one can’t do for themselves because you love them and honor them and respect them,” one commenter writes. “Duties are endless and yes very personal and intimate. We love them so we do it and we also get used to it and want to keep them clean and comfortable.”
Though Punsalan’s grandmother has since passed, he continues to share videos to guide others. After caring for his grandmother for eight years, he shares that he felt lost, so he now dedicates his time to Tendercare as their creative director. The company helps connect caregivers with trusted professionals, furthering Punsalan’s goal of helping caregivers feel less alone.
Some celebrities really live up to their fictional personas. Harrison Ford is certainly one of them, and this recent story from Brendan Fraser is a prime example of it.
During a panel at MegaCon Orlando, Fraser shared how he first met Ford while working together on the 2010 film Extraordinary Measures, based on a true story. In the film, they play two men who team up to develop a drug to save children from a life-threatening disease.
As Fraser told the crowd, he randomly received a phone call from his costar, asking how quickly he could get to the airport. Not wanting to disappoint, Fraser replied, “I guess I can get in a cab now.” Apparently, as soon as he arrived, Ford was there waiting for him. The two then hopped on Ford’s plane, where Fraser was allowed to sit in the co-pilot’s seat.
Showing himself to be a true Star Wars fan, Fraser recalled, “I’m Chewbacca, b**ches,” dusting himself off proudly. Honestly, who could say no to being Chewbacca to the OG Han Solo? And even if you aren’t a Star Wars aficionado, it’s heartening to see Fraser relive a positive memory from his earlier Hollywood years.
“I’m smiling ear to ear and damn I needed that,” one viewer on TikTok aptly wrote.
Another gushed, “Han Solo flew you around? AMAZE AMAZE AMAZE.”
“This made me cheese so hard what a legend,” added a third.
This is only one of two hilarious Ford stories Fraser shared. Apparently, for one scene, Fraser couldn’t remember a newly updated line and was growing more flustered with each failed take. Ford, clearly done with the situation, grabbed a Sharpie, wrote the line on some duct tape, and promptly stuck it on his forehead so Fraser could simply read it.
“It was hysterical, but it totally defined Harrison,” Fraser recalled during an interview in Beverly Hills, according to the Orange County Register. “His philosophy on acting is ‘Do it, and do it right.’”
The outlet also noted that Ford was only trying to help his co-star relax. It just happened to be in the most Harrison Ford way possible.
“Marlon Brando once said that an actor can’t care about anything or the audience will see it on his face. Maybe Brendan was caring too much,” he quipped.
It’s interesting to think about how this time must have felt for Fraser. After the success of The Mummy, he had become an Indiana Jones type in his own right. And there he was, a decade later, not only meeting the OG, but actually working alongside him. That kind of full-circle moment had to feel surreal and nerve-wracking all at once.
And now, both universally loved actors have enjoyed their own renaissance of sorts: Fraser with his Hollywood comeback in projects like The Whale, Doom Patrol, and Rental Family, and Ford with Shrinking. Who knows—maybe we’ll see them share the screen again. If so, there will likely be even more great stories to come.
“Grease is the word, is the word that you heard/It’s got a groove, it’s got a meaningGrease is the time, is the place, is the motion/Grease is the way we are feeling”
The title track to the 1978 film Grease, starring John Travolta and Olivia Newton-John, brought three generations together and hit number 1 on the Billboard Charts. The song is based on a movie about teenagers in the ‘50s, sung by a legend from the ‘60s and written by one of the biggest hitmakers of the ‘70s. In other words, there was almost no one alive at the time who didn’t love Grease!
(And did you know that Grease was a Broadway musical years before the film? The story and songs, in many instances, are wildly different between the two, however.)
Grease was written by Barry Gibb of the Bee Gees but sung by doo-wop legend Frankie Valli. Although the Bee Gees toured in the late ‘70s and made a comeback in the ’90s, they never played the song live until 1997 when it was part of their “One Night Only” concert and album featuring many of their biggest hits.
What’s impressive about the song is that even though Valli does a great job singing it on the original recording, when you hear the Bee Gees sing it, it sounds exactly like something you would have heard them perform in the late ‘70s.
During the performance, Barry Gibb points to Grease star Olivia Newton-John, who’s seen dancing with her daughter, Chloe Lattanzi in the audience (Newton-John passed away in August 2022).
In the third verse, Valli’s vocal from the original is played so you can hear the difference.
The magic started when producer Robert Stigwood, fresh from the Travolta-starring ‘77 hit Saturday Night Fever, went into production on a film adaptation of the Broadway musical Grease. The film promised a killer soundtrack filled with new versions of the classic show tunes, but it needed a song for the film’s opening credits.
So, Stigwood tapped Barry Gibb, lead singer of the Bee Gees, the band that had just launched into the stratosphere after being featured on the Saturday Night Fever soundtrack. Stigwood also happened to be the band’s manager and planned to feature them in a Beatles-based musical, Sgt. Pepper’s Lonely Hearts Club Band.
Legend has it that Barry wrote the song “Grease” in one day. Instead of sounding like a ’50s doo-wop or rockabilly track, it was a slick-sounding disco-adjacent number about a feeling of generational confusion. The song was given to Valli, who’d had a recent comeback with the songs “My Eyes Adored You” (1975) and the 1976 nostalgia-dazed Four Seasons doo-wop disco number “December 1963 (Oh, What A Night).”
Valli had the option of recording the song or appearing as the Teen Angel who sings “Beauty School Drop-Out.” The “Walk Like a Man” singer opted to do the theme song and Frankie Avalon was given the Teen Angel role.
“I just remember that it all happened in one afternoon,” Barry Gibb recalled. “I was babysitting and my wife was out. And Robert Stigwood called up and said, ‘I have two wonderful new songs by John Farrar called ‘Hopelessly Devoted to You’ and ‘You’re the One that I Want.’ But we don’t have a song for the film’s title. Could you come up with a song called ‘Grease’?” I said, “How do you write a song called ‘Grease’? I don’t understand what direction I would take to do that.’ And Robert said, ‘Just Grease duh-duh-duh-duh-duh, Grease duh-duh-duh-duh-duh.’ So he wasn’t very helpful. But I understood that they really wanted something that was positive and sunny. It really all happened in that afternoon. I walked on the dock for a bit….”
Indeed, the feature film version of the musical is known for its upbeat and optimistic music when compared to the slightly darker tones of the stage musical.
Grease was a box-office smash and became the highest-grossing film of 1978. Unfortunately for Stigwood, his follow-up film, Sgt. Pepper’s Lonely Hearts Club Band, starring the Bee Gees, would be one of the biggest flops of the decade.
To celebrate the 40th anniversary of “Grease” in 2018, Barry Gibb released the demo he originally recorded of the song accompanied by piano. Take a listen and chill out for a few minutes.
This story originally appeared two years ago. It has been updated.
