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What Beyoncé's 'Formation' might look like if it were set in the 1930s.

There is no better way to celebrate Black History Month than with historic photographs from an era long-gone ... and Beyoncé.

The photos are publicly available for the first time thanks to the recently digitized collection from the Farm Security Administration, which captured America on film from the mid-1930s to 1942. Along with other agencies' photos, the collection totals more than 170,000 pictures

The images below offer a rare glimpse into the lives of African-American workers and families. Many were employed as sharecroppers or tenant farmers, but landowners often kept these farmers in their debt, leaving many hardworking families poverty-stricken. Conditions worsened with the Great Depression, as African-American workers were hit especially hard. By 1932, nearly half were out of work. It was a bleak period in history, but it laid the groundwork for many of the labor movements and civil rights protests to come. 


Like these photographs, Beyoncé's latest single, "Formation," (written by Queen B and Swae Lee) perfectly captures a spirit that is strong, fearless, and unapologetically black. 

In the spirit of Black History Month, why not experience the two together?

"Y'all haters corny with that Illuminati mess."

Natchez, Mississippi, 1940. Photo by Marion Post Wolcott/U.S. Farm Security Administration.

"Paparazzi, catch my fly, and my cocky fresh."

Watching the Columbia-Navy football game in Annapolis, Maryland. Photo by John Vachon/U.S. Farm Security Administration.

"I'm so reckless when I rock my Givenchy dress (stylin')."

Church Sunday in Little Rock, Arkansas, 1935. Photo by Ben Shahn/U.S. Farm Security Administration.

"My daddy Alabama"

Reading classes in Gee's Bend, Alabama, 1939. Photo by Marion Post Wolcott/U.S. Farm Security Administration.

"Momma Louisiana. You mix that Negro with that Creole make a Texas bama."

A sharecropper's home in Independence, Louisiana, 1939. Photo by Lee Russell/U.S. Farm Security Administration.

"I like my baby heir with baby hair and Afros. I like my Negro nose with Jackson 5 nostrils."

Lee County, Mississippi, 1935. Photo by Arthur Rothstein/U.S. Farm Security Administration.

"Earned all this money but they never take the country out me. "

Fuquay Springs, North Carolina, 1935. Photo by Arthur Rothstein/U.S. Farm Security Administration.

"I got hot sauce in my bag, swag."

Clarksdale, Mississippi, 1939. Photo by Marion Post Wolcott/U.S. Farm Security Administration.

"I like corn breads and collard greens"

Washing greens in Belle Glade, Florida, 1941. Photo by Marion Post Wolcott/U.S. Farm Security Administration.

"Oh, yes, you besta believe it."

Granville County, North Carolina, 1939. Photo by Marion Post Wolcott/U.S. Farm Security Administration.

"I see it, I want it"

"I stunt, yellow-bone it."

A woman works at a factory in San Juan, Puerto Rico. Photo by Jack Delano/U.S. Farm Security Administration.

"I dream it."

"I work hard."

A woman teaches lessons in her home in Transylvania, Louisiana, 1939. Photo by Russell Lee/U.S. Farm Security Administration.

"I grind till I own it."

Memphis, Tennessee, 1938. Photo by Lee Russell/U.S. Farm Security Administration.

"Sometimes I go off (I go off)"

Singing during the collection at a black church in Heard County, Georgia. Photo by Jack Delano/U.S. Farm Security Administration.

"I go hard (I go hard)"

A man removes seeds from a cotton gin in Clarksdale, Mississippi, 1939. Photo by Marion Post Wolcott/U.S. Farm Security Administration.

"Get what's mine (take what's mine)"

A man buys supplies from a mobile general store in Forrest City, Arkansas, 1938. Photo by Russell Lee/U.S. Farm Security Administration.

"I'm a star (I'm a star)"

Students in Omar, West Virginia. Photo by Ben Shahn/U.S. Farm Security Administration.

"'Cause I slay, slay"

"I slay, hey, I slay, OK"

Friends gather at a juke joint in Clarksdale, Mississippi, 1939. Photo by Marion Post Wolcott/U.S. Farm Security Administration.

"I slay, OK, all day, OK."

Unloading tobacco in Durham, North Carolina, 1939. Photo by Marion Post Wolcott/U.S. Farm Security Administration.

"I slay, OK, I slay, OK."

Easter morning, Chicago. Photo by Russell Lee/U.S. Farm Security Administration.

"We gon' slay, slay"

The bar at the Palm Tavern in Chicago, 1941. Photo by Russell Lee/U.S. Farm Security Administration.

"We slay, OK."

Swimming in the fountain at Union Station in Washington, D.C., 1938. Photo by Marion Post Wolcott/U.S. Farm Security Administration.

"OK, ladies, now let's get in formation. 'Cause I slay."

National Youth Administration meeting in Chicago. Photo by Russell Lee/U.S. Farm Security Administration.

"OK, ladies, now let's get in formation. 'Cause I slay."

Fourth- and fifth-grade students in Georgia, 1939. Photo by Marion Post Walcott/U.S. Farm Security Administration.

"Prove to me you got some coordination."

Construction workers in Washington, D.C., 1941. Photo by John Collier/U.S. Farm Security Administration.

"I might get your song played on the radio station. 'Cause I slay."

A blind street musician performs in West Memphis, Arkansas, 1935. Photo by Ben Shahn/U.S. Farm Security Administration.

"I might get your song played on the radio station. 'Cause I slay."

John Dyson plays the accordion in Maryland, 1940. Photo by John Vachon/U.S. Farm Security Administration.

"You might just be a black Bill Gates in the making. 'Cause I slay."

A farmer with his family and mule team in Flint River Hills, Georgia, 1939. Photo by Marion Post Wolcott/U.S. Farm Security Administration.

"I might just be a black Bill Gates in the making. 'Cause I slay."

A young girl works on a sewing project in Creek County, Oklahoma,1940. Photo by Russell Lee/U.S. Farm Security Administration.

"Always stay gracious, best revenge is your paper."

A former slave in her home in Greensboro, North Carolina, 1941. Photo by Jack Delano/U.S. Farm Security Administration

Don't let Black History Month end without checking out the rest of these incredible photographs.

There are hundreds more where these came from, and you can access all of them for free courtesy of the New York Public Library. 

Pedro Pascal and Bowen Yang can't keep a straight face as Ego Nwodim tries to cut her steak.

Most episodes of “Saturday Night Live” are scheduled so the funnier bits go first and the riskier, oddball sketches appear towards the end, in case they have to be cut for time. But on the February 4 episode featuring host Pedro Pascal (“The Mandalorian,” “The Last of Us”), the final sketch, “Lisa from Temecula,” was probably the most memorable of the night.

That’s high praise because it was a strong episode, with a funny “Last of Us” parody featuring the Super Mario Brothers and a sketch where Pascal played a protective mother.

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Kelly Clarkson and Pink's gorgeous unplugged 'What About Us?' duet came with a timely​ message

"We're not listening to each other right now. And it's so loud, and so gross, and so angry…"

Pink and Kelly Clarkson teamed up for a sweet acoustic version of "What About Us?"

Pink and Kelly Clarkson are both known for having powerhouse voices that can belt at incredible ranges but also soften for a sweet ballad. Put the two of them together, and…well, dang.

On Feb 6, Clarkson featured Pink on her daytime talk show, in which she often sings with musical guests. The two superstars sang several acoustic duets with pitch-perfect harmonies, prompting fans of both artists to clamor for a collaborative album.

One song they sang together was Pink's "What About Us?" Pink previously described the song to The Sun in 2017: "The world in general is a really scary place full of beautiful people. Humans are resilient and there's a lot of wonderful—like I said in the song—'billions of beautiful hearts' and there are bad eggs in every group. And they make it really hard for the rest of us."

In the intro to their duet, Clarkson asked Pink about the impetus behind her writing the song.

"We're not listening to each other right now. And it's so loud, and so gross, and so angry and people are being forgotten," Pink shared. "People are being counted out and their rights are being trampled on just because a group of people doesn't believe in them."

"Like, I don't understand how so many people in this world are discounted because one group of people decided they don't like that," she continued. "And I won't—I won't have it. One of the most beautiful things that my dad taught me was that my voice matters and I can make a difference, and I will."

The lyrics of the song seem to address the political leaders and decision-makers who hold people's lives in their hands as they pull the levers of power. It's a beautiful song with an important message wrapped up in gorgeous two-part harmony.

Enjoy:

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The far-right is calling this viral Grammy performance 'Satanic.' Don't fall for it.

Sam Smith and Kim Petras' performance of "Unholy" left some calling it a satanic ritual.

K.G/Youtube

Sam Smith and Kim Petras performing "Unholy" at the Grammy Awards.

Depending on which corners of social media you call home, few happenings from the 2023 Grammy awards were as divisive as Sam Smith and Kim Petras’ performance of the song “Unholy.” Was it a historic moment of inclusion or a historic display of a Satanic ritual broadcast to the world?

On the one hand, the pair made music history. After winning the Grammy Award for Best Pop Duo/Group Performance, Smith became the first non-binary artist to win the category, along with Petra who became the first trans woman to win the category.

However, not everyone was a fan of their live hell-themed performance, featuring Smith clad in red leather and sporting a top hat with devil horns and Petras dancing in a cage surrounded by dominatrixes.

Texas Senator Ted Cruz took to Twitter to call the act “evil,” and his fury was quickly echoed by other conservative influencers who declared it an example of mainstream devil worship.

“Don’t fight the culture wars, they say. Meanwhile demons are teaching your kids to worship Satan. I could throw up.” wrote conservative political commentator Liz Wheeler.

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Keanu Reeves in São Paulo, Brazil, 2019.

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He’s also an incredible humanitarian who gave up a big chunk of his money from "The Matrix" to a cancer charity.

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The faux trailer imagines the video game Mario Kart as a quintessential HBO drama. Mario (Pascal) has to use his driving skills to get Princess Peach (played by Chloe Fineman) through an apocalyptic Mushroom Kingdom.
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Philadelphia Eagles player is bringing his pregnant wife’s OBGYN to the Super Bowl, just in case

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Philadelphia Eagles player is bringing his pregnant wife's OBGYN to the Super Bowl

Having a baby is an intimate, vulnerable experience, so people get pretty attached to their healthcare providers. I've met women who have planned an induction to have their baby with their preferred doctor and not whoever would be on call if they went into labor naturally. So it may not be a surprise to birthing people that Kylie McDevitt, Philadelphia Eagles player, Jason Kelce's wife, isn't taking any chances when she travels to Arizona for the Super Bowl.

Kelce made headlines with his brother Travis recently when it was revealed that the Eagles and Kansas City Chiefs would be facing off for the Super Bowl, making the pair the first brothers to compete against each other for a ring. It seems that McDevitt didn't want to miss the history-making moment, even though she'll be two weeks shy of the standard 40 weeks of pregnancy.

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