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LeVar Burton shares thoughtful reaction to finding out he has a Confederate ancestor

“There’s some conflict roiling inside of me right now, but also oddly enough I feel a pathway opening up…"

Black and white photo of LeVar Burton's great-great-grandfather and closeup of LeVar Burton's face

LeVar Burton/X (via Finding Your Roots/PBS)

James Henry Dixon was a North Carolina farmer with a wife and children when he fathered Burton's great-grandmother.

The United States has long been seen as a "melting pot," a "nation of immigrants," and a country where people of diverse backgrounds mix and mingle together under the common banner of freedom and liberty.

It's a bit more complicated than that, though, especially for Black Americans whose ancestors came to the U.S. by force as part of the "peculiar institution" of human chattel slavery. Through the cruel system of buying, selling and breeding human beings for generations, many people's ancestral knowledge was stolen from them, a historical reality that prompted "Black" with a capital "B" as an ethnic and cultural identifier for people of the African diaspora.

Curiosity about the varied backgrounds of Americans is the basis of "Finding Your Roots," a PBS series hosted by Harvard professor Henry Gates, Jr. The show has revealed some surprises in some famous people's DNA, including the beloved "Reading Rainbow" host, LeVar Burton.

Burton sat down with Gates to go over what researchers had found out about his lineage, and what they discovered floored him. Burton said that his mom, who had raised him and his siblings as a single mother from the time he was 11, had never wanted to share anything about her own personal history, so he didn't know much about his ancestry.

As it turns out, the man who was on record as being Burton's great-great-grandfather, Louis Sills, was not actually his blood ancestor at all. The man who fathered Mary Sills, Burton's great-grandmother, was actually a white man named James Henry Dixon.

— (@)

Burton knew Sills when he was a child and referred to her as "Granny." He had always been told that Granny had some Native American ancestry, but she was actually half white, her father being a North Carolina farmer who had a wife and children at the time Sills was born.

Not only that, but Dixon had served in the junior reserves for the Confederacy as a teenager, too young to be in active combat when the war broke out in 1861. So not only did Burton have a white direct ancestor but that ancestor was on the side of defending the enslavement of Black people.

"Are you kidding me?" was Burton's initial response to this news. "Oh my god. I did not see this coming."

Once the news sunk in, Burton thoughtfully reflected on what it might have meant.

“I often wonder about white men of the period and how they justify to themselves their relations with Black women, especially those in an unbalanced power dynamic," Burton said. "There has to be a powerful disconnect created emotionally and mentally. So it’s possible in my mind that he could’ve contemplated it and was conflicted at worst, maybe repentant at best. And then there’s the possibility that he didn’t think about it at all."

Through we don't know the nature of the sexual relationship between Sills and Dixon, sexual violence was a ubiquitous feature of enslavement in the U.S. and the power dynamic between white and Black people at that raises questions about whether any relations could be viewed as truly consensual. Previous episodes of "Finding Your Roots" has unveiled relationships that defy assumptions one way or the other, so that element of Burton's family history remains a mystery. However, Dixon fathered at least nine children and had at least 40 grandchildren, meaning Burton likely has white relatives scattered throughout the country.

When Gates asked Burton how this revelation of having a white Confederate great-great-grandfather made him feel, he said, "There's some conflict roiling inside of me right now, but it, it, it also, oddly enough, I feel, I, I feel a pathway opening up…I believe that as Americans, we need to have this conversation about who we are and how we got here. But yet I see that we're so polarized politically and racially. We're not talking to each other. And so I've been looking for an entry point to talk to white America."

"Well, that door just opened," said Gates.

"Here it is," responded Burton. "Here it is."

Some people didn't understand Burton's reaction, highlighting the complexity of racial identity and the history of race relations in the U.S. in particular due to the reality of race-based slavery. One of the things people love about "Finding Your Roots" is how it opens up entirely new perspectives in people's own life stories, which is a very personal thing.

As Burton wrote in response to a commenter on X, "It is one thing to know something on an intellectual level, another matter entirely to be introduced to an emotional truth that is both surprising and wholly unexpected."

— (@)

Burton found out a lot more about his ancestry on both sides, including the fact that education and literacy—which Burton has dedicated much of his career to—can be traced back several generations through his father's side. His father left when he was 11 and he didn't know anything about his background, but he actually had educators in his family going back to at least 1880.

Though Burton said it was "overwhelming" to find all of this out about his lineage, he also said he was "ecstatic" to learn it.

"Never in a million years would I ever have imagined that you would find information like this for my family," Burton told Gates.

Watch Burton's entire ancestry being revealed on "Finding Your Roots," starting at the 12:00 mark and continuing again at 32:50:

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National Geographic Documentary Films

Family

Nat Geo's 'Blink' tracks a family finding beauty while facing blindness as they travel the globe

“Let's go all in and fill their visual memory with as much beauty as we can."

via Edith Lemay/NatGeo

Mia, Leo, Colin, and Laurent Pelletier pose on top of their camper van in front of adouble rainbow while in Mongolia.

True

“Blink,” a new film by National Geographic Documentary Films shows how a family with four children, three of whom are going blind, embraces life in the face of an uncertain future. It’s a testament to the resilience of the Lemay-Pelletier family but also a reminder for all of us to seize the day because all our futures are uncertain.

Edith Lemay and Sébastien Pelletier are the parents of Mia, a 13-year-old girl, and three boys: Léo, 11, Colin, 9, and Laurent, 7. Over the last six years, they’ve learned that Mia and the two youngest boys have retinitis pigmentosa, a rare genetic disease in which the cells of the retina slowly die. As the disease progresses, the person develops “tunnel vision” that shrinks until very little vision remains.

The diagnosis devastated the parents. "The hardest part with the diagnosis was inaction. There's nothing they can do about it. There's no treatment,” Edith says in the film.

However, even though the parents couldn’t affect the progress of the disease, they could give their children’s senses an epic experience that would benefit them for a lifetime.

“We don’t know how fast it’s going to go, but we expect them to be completely blind by mid-life,” said the parents. Mia’s impairment advisor suggested they fill her visual memory with pictures from books. “I thought, I’m not going to show her an elephant in a book; I’m going to take her to see a real elephant,” Edith explains in the film. “And I’m going to fill her visual memory with the best, most beautiful images I can.”

The Pelletier family (from left): Mia, Sebastien, Colin, Edith Lemay, Laurent and Leo inKuujjuaq, Canada.via National Geographic/Katie Orlinsky

This realization led to an inspiring year-long journey across 24 countries, during which every family member experienced something on their bucket list. Mia swam with dolphins, Edith rode a hot-air balloon in Cappadocia, and Léo saw elephants on safari.

Colin realized his dream of sleeping on a moving train while Sébastien saw the historic site of Angkor Wat.

“We were focusing on sights,” explains Pelletier. “We were also focusing a lot on fauna and flora. We’ve seen incredible animals in Africa but also elsewhere. So we were really trying to make them see things that they wouldn’t have seen at home and have the most incredible experiences.”

Cameras followed the family for 76 days as they traveled to far-flung locales, including Namibia, Mongolia, Egypt, Laos, Nepal and Turkey. Along the way, the family made friends with local people and wildlife. In a heartbreaking scene, the boys wept as the family had to leave behind a dog named Bella he befriended in the mountains of Nepal.

But the film isn't just about the wonders of nature and family camaraderie. The family's trip becomes a “nightmare” when they are trapped in a cable car suspended hundreds of feet above the Ecuadorian forest for over 10 hours.

annapurna range, blink, nat geo Leo, Laurent, Edith, Colin, Mia, and Sebastien look out at the mountains in the Annapurna range.via MRC/Jean-Sébastien Francoeur

As expected, NatGeo’s cinematographers beautifully capture the family's journey, and in the case of “Blink,” this majestic vision is of even greater importance. In some of the film's quietest moments, we see the children taking in the world's wonders, from the vast White Desert in Egypt to a fearless butterfly in Nepal, with the full knowledge that their sight will fail one day.

Along the way, the family took as many pictures as possible to reinforce the memories they made on their adventure. “Maybe they’ll be able to look at the photographs and the pictures and they will bring back those stories, those memories, of the family together,” Edith says.

But the film is about more than travel adventures and the pain of grief; ultimately, it’s about family.

“By balancing [the parents’ grief] with a more innocent and joyous tale of childlike wonder and discovery, we felt we could go beyond a mere catalog of locations and capture something universal,” the directors Edmund Stenson and Daniel Roher, said in a statement. “Keeping our camera at kid-height and intimately close to the family, we aimed to immerse the audience in the observational realities of their daily life, as well as the subtle relationships between each of them. This is a film built on looks, gestures and tiny details—the very fabric of our relationships with one another.”

Ultimately, “Blink” is a great film to see with your loved ones because it’s a beautiful reminder to appreciate the wonders of our world, the gift of our senses and the beauty of family.

The film will open in over 150 theaters in the U.S. and Canada beginning Oct. 4 and will debut on National Geographic Channel and stream on Disney+ and Hulu later this year. Visit the “Blink” website for more information.

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Family

People applauded after Mark Wahlberg confronted the DJ at his daughter's dance party

Dad to the rescue.

via TheEllenShow / YouTube

Mark Wahlberg on "The Ellen Show."

Actor Mark Wahlberg recently attended a daddy-daughter dance with his 10-year-old, Grace. Sadly, Grace had no interest in seeing her father strutting his stuff on the dance floor.

"I didn't get one dance," Wahlberg told Ellen DeGeneres. "And I told her we were going to do the whole big circle and I was going to go off. And she said, 'Dad, if you embarrass me, I will never talk to you again.' But what she did do is she hung out with me."

No matter who your dad is, especially if you're a 10-year-old-girl, you have zero desire to see him dance in front of your friends.

But the parents at the dance probably would have had a blast seeing Wahlberg bust out some of his old-school '90s Marky Mark moves.

However, Wahlberg couldn't help but leave his mark on the music being played at the dance.

Let's not forget, he didn't get famous for his acting but for showing off his abs in the "Good Vibrations" video.

Being that Wahlberg's time as a pop star was three decades ago, he couldn't believe it when he heard the music being played at the dance.

"[Grace] sat there on the edge of the stage, by the DJ. And then I'm sitting there with one other dad and I'm like, 'This is not an edited version of this song. There are explicit lyrics being played at a school dance for girls and I'm like no good,'" he said.

"I told the DJ and he's like, 'Oh, I thought it was.' I said, 'What are you doing?' I'm hearing F-bombs and this and that's not okay," Wahlberg said.

He's right. There's no place for music with explicit lyrics at a dance for 10-year-old children.

Wahlberg says the DJ didn't know he wasn't playing the edited version, but it's probably more likely that he didn't even realize the song was a problem. Pop music these days is filled with a numbing amount of violent and misogynistic lyrics.

A recent study from the University of Missouri found that nearly one-third of pop songs contain lyrics that degrade or demean women by portraying them as submissive or sexually objectified.

Currently, three of the top five songs on the Billboard Top 40 contain the word "bitch." One of them is sung in Korean.

It's odd that Americans have become more sensitive to misogyny in pop culture in films, television, and comedy, but still have a huge cultural blind-spot when it comes to music.

That's not a good thing, especially when pop music is marketed to teenagers.

"We know that music has a strong impact on young people and how they view their role in society," said Cynthia Frisby, a professor in the Missouri School of Journalism.

"Unlike rap or hip-hop, pop music tends to have a bubbly, uplifting sound that is meant to draw listeners in," Frisby continued. "But that can be problematic if the lyrics beneath the sound are promoting violence and misogynistic behavior."

Let's face it, pop stars are role models. Their examples show young people what to wear and how to behave. That's not to say that kids will blindly follow someone just because they like their music. But it has an undeniable effect.

Wahlberg, and any parent who monitors what their kids are listening to, deserve credit for protecting the minds and hearts of their kids.

Frisby has some great advice for parents concerned about negative imagery in pop music.

"Ask your daughters and sons what songs they like to listen to and have conversations about how the songs might impact their identity," Frisby said.

"For example, many songs might make young girls feel like they have to look and act provocative in order to get a boy to like them, when that isn't necessarily the case. If children and teens understand that what they are hearing isn't healthy behavior, then they might be more likely to challenge what they hear on the radio."