Drummer Jesse Avi has racked up millions of social media views with his precise, tasteful cover videos. But these clips are also fascinating and motivational on a deeper level: Avi, who uses the handle “The Slightly Different Drummer,” performs them all from his wheelchair, operating the kick drum with a pedal triggered by his mouth.
Avi has been posting his covers—everything from modern soul music (Silk Sonic’s “Smokin Out the Window”) to early ’80s power pop (Rick Springfield’s “Jessie’s Girl”)—since December 2025. But he truly reached social media virality the following month by tackling Incubus’ 1999 alt-metal classic “Pardon Me.” It’s a killer rendition, nailing José Pasillas’ deft snare rolls, cathartic crash cymbals, and powerful kick grooves. Both drummers and non-musicians responded, with the clip reaching over a million views on Instagram alone.
“This is inspiring”
Here are some of the top comments:
“Dude you are LOCKED IN 🤘”
“Is the trigger for the kick in your mouth this is AMAZING 💪🏻
“Hell yeah button 👉🏻”
“For any non drummers, please know this is incredibly tight playing”
“Pardon me sir but this is amazing !!!!”
“Nothing stopping you!!! 🔥🔥🔥”
“Im about to have a major spine surgery and i have a fear of losing mobility in my legs after and nor being able to drum. This gave me hope even if the worst comes to pass. This is inspiring”
“Obsessed with rhythm”
Avi tells Upworthy he started playing drums around age 10, “obsessed with rhythm.” When he first saw the video for Hanson’s 1997 pop hit “MMMBop” on MTV, he found himself locking in on the drummer, Zac Hanson. “Something about the power and control behind the kit pulled me in, and the fact that it was just kids playing blew my mind,” he says.
Soon enough, he was “banging on pillows” and quickly found himself behind an actual kit. But after a spinal cord injury at age 13, he stopped playing for several years—and when he started back, he couldn’t continue with the traditional drum setup.
“At first, that was frustrating—because muscle memory and habit are huge parts of drumming,” he recalls. “But I also realized that if I wanted to keep playing at the level I expected from myself, I’d have to rethink things instead of resisting the change. In a lot of ways, it made me more creative. I had to analyze my playing from the ground up—literally. It forced me to become more intentional, more disciplined, and more technical about how I move around the kit. What could’ve been a limitation ended up reshaping my style and making me a more thoughtful drummer.”
“I needed to retrain my brain”
A major breakthrough came on July 5, 2005, after glimpsing a Def Leppard show at New Jersey’s FirstEnergy Park, where he worked as a dishwasher.
“I’ll never forget it,” he says. “On my break, I was able to watch the band perform a few songs, and I was amazed at how Rick Allen, their drummer with one arm, could play so smoothy and perfectly. I drove home that night thinking to myself, ‘If he can do it, I can do it.’ Keep in mind, no YouTube or online videos were around for me to really watch him perform. So I spent the next few days [experimenting] with this pedal that I took from an electronic drum set I got for Christmas a few years earlier.”
At first, Avi tried sticking the pedal under his arm, but it would fall right out. He tried sitting on it, but that proved too uncomfortable. After putting the device in his mouth, he found he could play simple beats.
“It was hard, and I needed to retrain my brain that biting down is the kick drum now, not my leg,” he says. “Within a week, I was playing daily, and it never really stopped from there. I always continued to play on and off—sometimes I wouldn’t play for a year or so, and then I’d play for three years straight. As of recently I have been playing more, and it’s been a great feeling.”
The technical side of his playing is pretty inventive: Avi bites down on the trigger every time he wants to hear a kick drum, which sends a signal to his “drum brain”—a Roland TD-3—and then into the Yamaha EAD10 drum module to create the kick sound.
His videos have sparked a range of responses: both pro and casual musicians sharing their feedback, drummers asking technical questions, and people sharing how the videos inspired them.
“I can tell you this: There are plenty of good people on this Earth,” Avi says. “I have really had some amazing comments and DMs from people all over the world. It’s incredible. The response has honestly been one of the most meaningful parts of sharing my videos. I’ve had everyday drummers reach out, and even a few professional players, letting me know they connected with what I’m doing. That’s something I don’t take lightly.”
“It’s been especially powerful hearing that something as simple as me playing and being consistent has inspired other people—whether that’s pushing through their own challenges or just picking up the sticks again,” he adds. “At the end of the day, drumming is such a tight-knit community. It doesn’t matter if you’re playing arenas or in your garage—we all understand the language of rhythm. Being able to connect with other musicians through that has been one of the biggest unexpected rewards.”
“I almost melted into the floor”
So what makes the Incubus video so special? Even Avi isn’t sure, but maybe it’s due to the power of the song itself.
“When I recorded that video, I honestly didn’t think it would do what it did,” he says with a laugh. “With everything going on in the world right now, the song has its own identity, right? Like, it starts tight. Then it gradually expands—more energy, more intensity, more space. When it hits the chorus, it feels like release. Not chaos but a release. It doesn’t say ‘I’m mad at the world.’ It’s more like ‘I’m overwhelmed, and I’m trying to understand it.’ I think people really connect with that.”
“I could also be totally wrong,” he adds. “I don’t know what the algorithm was doing that day, but it sure reached a lot of people. It was crazy. I went from 12 Instagram followers to four thousand the next day. José Pasillas and [Incubus singer] Brandon Boyd both liked the video on Instagram, and I almost melted into the floor. I couldn’t believe it.”
It’s one powerful moment of many for The Slightly Different Drummer, who’s inspired to keep pushing himself.
“I’ve been playing for over 20 years now, and what’s kept me going is that there’s always another level to reach,” he says. “Drumming isn’t just something I do—it’s part of who I am. It’s how I express myself, how I challenge myself, and honestly, how I connect with people.”
