What’s it like for a Black man to train white folks to be anti-racist?

Doyin Richards started off as “the dad guy talking about fatherhood” with his blog, Daddy Doin’ Work. He spent several years sharing his fatherhood experiences, had a photo of him combing his 2-year-old’s hair while wearing his baby in a baby carrier go viral in 2014, and published a book about dads empowering moms that…

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ArrayPhoto credit: Doyin Richards

Doyin Richards started off as “the dad guy talking about fatherhood” with his blog, Daddy Doin’ Work. He spent several years sharing his fatherhood experiences, had a photo of him combing his 2-year-old’s hair while wearing his baby in a baby carrier go viral in 2014, and published a book about dads empowering moms that same year.

“Then the world changed in 2016,” Richards says. “It’s not that the world changed—this stuff has always been bubbling under the surface—but then it just exploded.”

Richards had always been an anti-racist activist, but when the Black Lives Matter movement pushed anti-racism into the mainstream, he started using his platform more and more to help move anti-racism education and activism along.

It hasn’t been an easy road. Richards is open about his mental health struggles and the depression that took him to a “dark, dark place” a couple of years ago. When he found himself seriously contemplating suicide, he recognized he had a problem and got help. Now, he writes about all of it—fatherhood, mental health, racism, and even his new puppy—on his Facebook page.


Richards and his two daughters. Doyin Richards

In June, Richards launched a training program for white Americans who are new to anti-racism activism—the Anti-Racism Fight Club. For adults, the Fight Club “initiation” is a 90-minute live video training, including a 30-minute Q & A. For kids, it’s 60 minutes, with a 20-minute question portion. In the training, attendees learn about the nuances of systemic racism, effective strategies for raising anti-racist children, bulletproof comebacks for common racist talking points, strategies for how to deal with racism in person and online, and more.

Upworthy spoke with Richards about the Anti-Racism Fight Club and what it’s like to be a Black man educating white people about racism in America, even though it’s not his responsibility to do so. (Interview lightly edited for clarity.)

Q: How did the idea for an Anti-Racism Fight Club come about?

A: After recent history with Amy Cooper and George Floyd and Ahmaud Arbery—and the list goes on and on—I realized that there’s a movement and a strong energy around anti-racism. Then I thought, you know, there is an opportunity here to help educate white people on what it is to be a true anti-racist. I have 15 years of training and development experience, so I know how to create really impactful training modules, and I also have my decades of experience being a Black anti-racist in America. So, combine those two things, and I was like, alright, it’s time for me to create this Anti-Racism Fight Club.

And the reason why I call it that is because being anti-racist is a contact sport. Maybe not literally, but it’s not something that you can just sit on the sideline and go, ‘Oh, I’m an anti-racist.’ No, you have to get into it. It’s confrontational. It’s uncomfortable. It’s loud. It’s in your face sometimes. But it’s never quiet and it’s never passive.

And that’s part of the reason why I call it the Fight Club, because it’s a fight. We’re fighting against racism, and systemic racism, and bigotry, and all of the things that have been laid forth for centuries. And it’s going to be the fight of our lives to get things to a place where people of color feel safe living in America. It’s a big, big fight we’re up against. The enemy is no joke.

Q: What makes Anti-Racism Fight Club different from other anti-racism education?

A: I feel like my superpower is my ability to relate to people and use metaphors to help make the complex simple. And there’s something about anti-racism courses that I’ve seen that’s just not accessible to white audiences. It’s either too complex or there’s a lot of talking down to, there’s a lot of guilt.

I meet them where they are. I say, ‘Look, you’re here now. I don’t care what you did a month ago. I don’t care that you’re 45 years old and you just figured out what’s happening now. There’s no guilt. There’s no shame. I’m meeting you where you are. You’re here. Let’s go.’ And I think a lot people really appreciate that approach. It makes people feel more comfortable, and they’re ready to be vulnerable and talk about these things when they know that it’s okay to be vulnerable. Because I’m uncomfortable as well.

I talk about the idea of allyship, and I truly believe there’s no such thing as an ally. No one’s an ally. We’re all allies-in-training. Because truly, an ally means you’ve arrived and you have it all figured out. And we’re all learning. Like, I’m an ally-in-training for women and women’s rights. I don’t have it all figured out. And I don’t get to decide if I’m an ally or not—that’s another point. But allies-in-training means we’re constantly learning, we’re constantly evolving, we’re constantly getting better to do what we can to improve the lives of the marginalized people around us.

So this course truly is a way for people—white people especially—to feel vulnerable, to feel safe in their vulnerability and open their eyes to what’s around them that they may have missed for however long. And so far, so good.

Q: Do you ever feel frustrated that you have to make white people feel safe in that space?

A: Oh wow. That’s an awesome question. So…yes, I do feel frustrated, because no one’s ever really worried about my feelings when I’m the only Black person in the room, or when there’s a microaggression about ‘Oh, I’m so articulate,’ or when people clutch their purses super close when I walk by. No one’s ever worried about my feelings.

But part of being a Black person in America is you have to eat all of those microaggressions…you try not to combat every single one of them, or else you’ll go insane. It’s like trying to empty the ocean with a spoon. So you just have to go about it and do your thing.

But the sad thing, to your point about the white people that I have to make feel comfortable, is that I have to. Because if I don’t make it accessible for them, then they’re not going to do it, and then they’re not going to learn. I have to do whatever it takes to get in the door with them, so I create a safe space for them. I try not to go too hard into breaking their egos or things like that because then I know I’ll turn them off.

I try to get into their hearts before I get into their minds. Because if I can get into their hearts, I can definitely get into their minds and help create a better change.

Q: Do you feel like it’s different this time?

A: I do. I feel like it’s different now. I feel like because we watched a callous murder take place in under nine minutes, live, with a man’s life slowly snuffed out, it really made people realize, like, I don’t like this. And also the Amy Cooper thing happening in the same time frame, and the Ahmaud Arbery thing happening in the same time frame. The combination of these things show we have a problem in America.

I can’t count the number of white people I’ve seen who didn’t know what Juneteenth was until three weeks ago. They didn’t even know it was a thing. (But you know about Columbus Day? What?) And the thing about Juneteenth and the 4th of July is I think Juneteenth is a more substantial holiday for people of color, because that’s the day that we were all free. We weren’t free on the 4th of July. We were still slaves. And you’re asking us to celebrate this holiday? When we were still slaves and being treated as 3/5 of a human being? I think we should be celebrating Juneteenth as the true Independence Day in America where all of our citizens were free. But that’s a rant for another day.

Q: You also have an Anti-racism Fight Club for kids. What’s that been like? And how has it been different approaching the topic with kids vs. adults?

A: I’ve done a few of them so far and it’s been unbelievable how great it’s been. The response has been overwhelming.

I have a few superpowers—but one of them is not art. But out of this doodle, I created these characters to try to explain the concepts of racism, white privilege, prejudice, all of these things that a kindergartener could understand. And based on the feedback so far, these parents are like, ‘I’ve never seen my kid sit still for one hour straight and be captivated in a training session.’ They’re completely blown away by how interesting their kids thought the content was, and how much they’ve learned from it.

And most importantly, how it sparks them to action. Because this is not just a ‘Hey this is what racism is,’ this is a ‘Hey, this what you can do right now to stop racism in your communities, your schools, your neighborhoods, everywhere.’ And I talk about tips on how to deal with racist family members, like Uncle Johnny who likes to say some racist stuff, things like that. First it gives them an understanding of what it is, so they can identify when things are racist. And then what to do when they’re confronted with those things.

The course has been unbelievably positive. People love it and the kids keep coming back for more. Parents are asking, ‘When’s the next one? When’s the next one?’ Parents are saying kids don’t usually get excited about learning stuff unless it’s like a video game type thing, but to sit and have an adult talk to them? That’s something that most kids don’t enjoy so much, but these kids love it. So I think I’m onto something.

Richards leading a fist raise (pre-pandemic, obviously) Doyin Richards

Q: What kind of questions do kids ask you?

A: This one kid, a 7-year-old white boy, was like, ‘I feel ashamed to be white right now.’ It wasn’t a question, it was a statement. But I just told him, ‘Look, being white is something you should be very proud of. It’s not a bad thing. The only issue is if you don’t recognize the power that you have in your whiteness to impact change for people of color.’ And then I dropped the famous Spiderman reference, when Uncle Ben said, ‘With great power comes great responsibility.’ And then I told the kid, ‘Look, you have immense power just in your whiteness, and if you use that power for the greater good, it’s like a superpower. If you use that, you can impact the lives of so many people of color in a positive way.’ And then he was so excited because he didn’t realize, ‘Oh my gosh, I’m like a superhero.’ I have a way of interacting with kids by using metaphors and stories like that to break down complex issues and make it simple and palatable for the youth of America.

Q: You also open up 30 minutes at the end of the adult sessions and you say, ‘Ask me anything you’ve always wanted to ask a Black man.’ What made you decide to open yourself up like that? Because that could invite some rather uncomfortable questions for you to have to answer.

A: I haven’t been doing it every week because things have been so crazy, but I also do an ‘Ask Me Anything’ on my Facebook page. Ask me anything, literally. I get all kinds of batshit crazy questions, but I answer them. And the thing that I do to make it safe is I make sure they’re anonymous questions so people can ask them without fear of being outed.

One lady was like, ‘Don’t you think the term Karen is as bad as the n-word?’ Like uh, lady, listen. Until people are beating you half to death while calling you Karen, and ripping your children away from you, raping you, doing all of these horrible things to you, then we can talk. But until then, being called ‘Karen’ is about as bad as being called a ‘nincompoop.’ Like, I’m not hearing that. But yeah, I get those questions, I answer them, and I’m gracious with it.

But as far as why do I do this, I’ve been getting so many DMs and questions about ‘How can I be a better white person?’ And I was like, this is crazy. I’m answering questions and it’s just tiring. So I was like, I’m just going to create a course.

I wanted to make the price point somewhat accessible. And I think $49 is accessible. If I made it $99 people wouldn’t have wanted to come because it’s too expensive, and if I made it $29, people would be like, ‘Oh really, $29 for all this? This must be shitty.’ $49 is right in the middle, so it works out well.

I also give them what I call a Fistbook, which is my version of a handbook (since it’s a fight club) which gives the participants some tangible resources that they can refer back to on their anti-racism journey.

But yeah, I do it because I feel like I have the ability, as a training development specialist and as a anti-racist Black man in America, to create a course that is powerful and can make a ton of difference. So far, so good. This is just the beginning.

Q: What’s been the most surprising thing to you as you’ve gone through these first Anti-Racism Fight Club trainings?

A: The amount of people who have just said how much they love it. I haven’t gotten one piece of negative feedback, which in this day and age is crazy, especially when you’re telling white people how to act. Like, it’s just inherent in their whiteness—’How dare you tell me how to act!’—but that didn’t happen. I didn’t have any of those issues. And that to me is crazy in this day and age. So I feel like I am onto something, and it makes me so happy to see the energy and the enthusiasm of white people to own their stuff and get better, and a willingness to get better, so that to me is amazing. And I feel so, so good about it. It gives me hope.

One of my participants during the Q and A session asked me, “What gives you hope?” and I said, “All of the good white people who understand that they need to be active and not passive when it comes to anti-racism. It’s not enough to say, ‘I’m not racist.’ You have to be anti-racist, which is an active activity. And that gives me hope that more people are realizing it.’

A: That is a great question. Yeah, it’s exhausting. After a session, sometimes I cry, sometimes I take a nap…it is just, it’s like running three marathons. It’s so emotionally taxing to dive into the depths and the insidiousness of racism, trying to tear it apart and break it apart, and while you’re doing it you see how awful and disgusting it is. And then when you’re done and everyone’s off the call, you know, a lot of them feel really empowered, and I feel good that I’m helping to empower people. But I also realize that, man, this is taking some stuff out of me.

When I click the End Meeting button, I just slump in my chair for a good five minutes. Like I said, sometimes I cry, sometimes I go to my bed and take a nap. It’s just…it’s a lot. And the thing about it is when I go through the course, I’m not just talking in monotones, I am very animated. I am in it, I’m active. People say it’s the best 90 minutes they’ve had in their life. It just flies by because it’s full of energy and action, but 90 minutes of being ‘on’ like that when talking about something so emotionally heavy, it just completely drains me. So yeah, it’s no joke. But, you know, it’s important work, and I’m glad to be the one to do it.

Q: What do you want people to take away from this training? What do you hope will be their next step?

A: To really do the work of owning the fact that they are racist. That’s the first step. Own the fact that you are racist. And I think the problem is it’s like a Pavlov’s dog thing, when they hear the word ‘racist’ they go straight to Confederate flags and white hoods and the n-word. And that’s not it. I mean yes, that is it—that’s the like the cartoonish level of racism—but the subtle version of racism is the micro aggressions, the systemic racism that’s everywhere that white people benefit from. Things like that that they have to dig deep and see, ‘Where am I benefiting from racism in my own life, and what can I do to ensure that people of color that I care about or that are coming up after me don’t have to suffer the way that people of color are suffering right now?’ That the hard work that they have to do. That’s the first thing.

And then from there, it comes down to the anti-racist work—the ‘active activity’ as I like to call it—of really getting into it and saying, ‘This is something in my community that needs to be changed, this is something in my school that needs to be changed, this is something in my family that needs to be changed.’ Like Uncle Johnny, who may be racist…maybe making it so that he can’t come by at Christmas if he’s going to be spouting all this nonsense about people of color.

These are difficult, difficult things to do. This is not easy. It’s not for the faint of heart. It’s hard, hard work. And what a lot of people who enjoy and benefit from racism bank on is the fact that white people will be like, ‘This is so much work to fix, like why do I even bother?” Again, equating it to emptying the ocean with a spoon…the goal is to get everyone to get a spoon and then we start seeing some big time progress. That’s the goal.

Richards has ARFC sessions coming up. You can visit his Facebook page or website to learn more and register.

  • An Eastern European asked Americans why they’re so ‘nice and cordial.’ The replies were totally wholesome.
    Americans are considered friendly and cordial by Europeans.Photo credit: Canva

    Europeans have always had hot takes on Americans and American culture. From portion sizes to garbage disposals to widely available air conditioning, there are plenty of things America has to offer that Europe just doesn’t.

    And when it comes to demeanor, it’s hard for Europeans to deny that Americans have a warmer presence. A 2025 survey by Upgraded Points asked 2,200 Europeans from 22 different countries for their opinions on Americans. In it, 64% reported that they found Americans friendly.

    On Reddit, an Eastern European who experienced American friendliness firsthand asked Americans why they are “nice and cordial.”

    An Eastern European’s take on Americans

    The Eastern European explained that they had been living in the United States for a few years, and shared what most interactions with Americans have been like.

    “I’ve noticed that common courtesies are much more, well, common, here in the US,” they wrote. “Examples like small talk by cashiers, moving men, etc. Even most people make witty responses, like they’re actually listening to what I said. I’ve said a few times, ‘Oh, I’m just watching Netflix over the weekend.’ And they’ll mention or recommend shows they’ve watched.”

    They went on to explain that it happens often and, seemingly, from a place of authenticity.

    @maraleebell

    Replying to @Tea Time I 100% get why some people say American friendliness feels fake 😨 … and why others say it’s real!

    ♬ original sound – Maralee Bell

    “They also always ask how I am, asking about my weekend plans, holding open the door for several people, and more,” they shared. “It just seems ingrained from an early age. And a lot of it seems genuine, very rarely forced.”

    The post ended, “I’ve just found this so refreshing as someone who’s from a region in the world where people don’t even make eye contact with you. This is seriously an underrated part of American culture in my opinion.”

    Americans respond

    Americans shared their wholesome replies as to why they are genuinely nice and cordial:

    “It’s fun to be nice to people, because it makes you feel happier inside.”

    “I dunno. Just how I was raised. I find it difficult to not be nice to strangers cause like why do I want to cause trouble and make a scene? All it does is hinder my day and cause more issues. Takes more effort to be mean than to just.. Not be.”

    “I read once that cultures with big melting pots of ethnicities (USA, Brazil) tend to be more outwardly friendly with smiles and body language as there were large portions of times when the country was largely immigrants that wouldn’t understand each others language so they’d smile at strangers because they couldn’t speak their language, and then that remained embedded in the culture. It was a convincing argument.”

    “I mean… another way to look at it is, ‘why wouldn’t you be?’ An ex-girlfriend of mine once said, ‘if you can’t find the joy in the small things in life, you’ll never be happy with any other successes.’ So when you meet someone, ask about them, smile, gas them up, make them happy. Those endorphins are contagious.”

    “Cordiality is how a nation of immigrants helps create social cohesion. Cordiality is a public practice of democracy. Cordiality is an implicit way of acknowledging equal standing under the law. We will see how long it lasts now.”

    “Yeah, I think that equality is such an American value that we have it engrained to smile and be cordial to strangers as a way of affirming a lack of class boundaries. I’ve spent lots of time with people from caste/servant/enormous-poverty-divide countries lately and some details in lack of respect to strangers have been really astoundingly off-putting.”

    “Because it costs nothing and makes people happy. I didn’t know why this is an American thing, but I particularly enjoy bullsh*t smalltalk and my German wife thinks I’m insane.”

  • Brazilian pianist covers Guns N’ Roses with the weirdest instrument of all: rubber chickens
    Rubber chickens are an underrated instrument.Photo credit: @lordvinheteiro on TikTok

    There are many ways to pay tribute to a music artist through a cover of one of their songs. Some honor their inspiration by playing their hit song in a different genre of music. Others cover the song through different instrumentation or key changes. Then there’s the guy who performs his cover with rubber chickens.

    The professional pianist known as Lord Vinheteiro has gotten attention on TikTok by performing Guns N’ Roses’ song “Sweet Child O’ Mine.” Only, instead of the vocal stylings of Axl Rose, Vinheteiro sings the song through the squeaky voices of rubber chickens of varying sizes. And he nails it.

    @lordvinheteiro

    Sweet Child O’ Mine – Guns N’Roses sweetchildomine gunsnroses rubberchickens chickens chicken vinheteiro lordvinheteiro

    ♬ som original – Lord Vinheteiro – Lord Vinheteiro

    Commenters were equal parts impressed and amused:

    “How does one tune a rubber chicken?”

    “Next year’s Super Bowl show! UNRIVALED!!!”

    “If you close your eyes, it sounds just like Axl Rose.”

    “This is what the internet was invented for.”

    “I don’t care what y’all say… THIS IS TALENT.”

    “Simply awesome, Maestro!”

    “As a middle school science teacher would you mind if I showed this video to my students? We’re studying sound waves and this is a perfect example of frequency and pitch.”

    “Needed this smile. Thank you.”

    “Clucking brilliant.”

    Who is this rubber chicken maestro?

    Lord Vinheteiro, the professional name of Brazilian musician Fabrício André Bernard Di Paolo, has entertained the Internet since 2008. He gained attention through his expert piano skills—where he’s playing theme songs from cartoons or playing the piano at a distance with strings. All the while, Vinheteiro adds to the absurdity by looking directly into the camera with an expressionless face.

    Prior to his career as a YouTube content creator and music teacher, Paolo worked in construction. His videos grew in popularity in his native Brazil before gaining traction worldwide. Until recently, he showcased his classical music prowess by playing video game themes and other pop-culture favorites. In 2025, he began expanding his musical talent by incorporating rubber chickens into his content.

    While still showcasing his impressive piano skills, he frequently shows off his rubber chicken singing abilities using chickens of various sizes. Impressively, Paolo is able to hit the proper tone and pitch with expert grip and timing. This feat has earned him millions of views on rubber chicken versions of a wide variety of songs, from System of a Down’s “Chop Suey!” to Queen’s “Bohemian Rhapsody,” and even the “Imperial March” theme from Star Wars.

    If you are amused and fascinated by Lord Vinheteiro’s work, check out his social media for more. It may be piano and rubber chickens for now, but it’ll be interesting to see which instrument he masters next.

  • Drummer creates amazing cover videos from wheelchair with innovative mouth-trigger kick pedal
    A drummer creates inspiring cover videos from his wheelchair with help from a mouth-trigger kick pedal.Photo credit: Screenshots via Jesse Avi on Instagram

    Drummer Jesse Avi has racked up millions of social media views with his precise, tasteful cover videos. But these clips are also fascinating and motivational on a deeper level: Avi, who uses the handle “The Slightly Different Drummer,” performs them all from his wheelchair, operating the kick drum with a pedal triggered by his mouth. 

    Avi has been posting his covers—everything from modern soul music (Silk Sonic’s “Smokin Out the Window”) to early ’80s power pop (Rick Springfield’s “Jessie’s Girl”)—since December 2025. But he truly reached social media virality the following month by tackling Incubus’ 1999 alt-metal classic “Pardon Me.” It’s a killer rendition, nailing José Pasillas’ deft snare rolls, cathartic crash cymbals, and powerful kick grooves. Both drummers and non-musicians responded, with the clip reaching over a million views on Instagram alone. 

    “This is inspiring”

    Here are some of the top comments: 

    “Dude you are LOCKED IN 🤘”

    “Is the trigger for the kick in your mouth this is AMAZING 💪🏻

    “Hell yeah button 👉🏻”

    “For any non drummers, please know this is incredibly tight playing”

    “Pardon me sir but this is amazing !!!!”

    “Nothing stopping you!!! 🔥🔥🔥”

    “Im about to have a major spine surgery and i have a fear of losing mobility in my legs after and nor being able to drum. This gave me hope even if the worst comes to pass. This is inspiring”

    “Obsessed with rhythm”

    Avi tells Upworthy he started playing drums around age 10, “obsessed with rhythm.” When he first saw the video for Hanson’s 1997 pop hit “MMMBop” on MTV, he found himself locking in on the drummer, Zac Hanson. “Something about the power and control behind the kit pulled me in, and the fact that it was just kids playing blew my mind,” he says.

    Soon enough, he was “banging on pillows” and quickly found himself behind an actual kit. But after a spinal cord injury at age 13, he stopped playing for several years—and when he started back, he couldn’t continue with the traditional drum setup.

    “At first, that was frustrating—because muscle memory and habit are huge parts of drumming,” he recalls. “But I also realized that if I wanted to keep playing at the level I expected from myself, I’d have to rethink things instead of resisting the change. In a lot of ways, it made me more creative. I had to analyze my playing from the ground up—literally. It forced me to become more intentional, more disciplined, and more technical about how I move around the kit. What could’ve been a limitation ended up reshaping my style and making me a more thoughtful drummer.”

    “I needed to retrain my brain”

    A major breakthrough came on July 5, 2005, after glimpsing a Def Leppard show at New Jersey’s FirstEnergy Park, where he worked as a dishwasher.

    “I’ll never forget it,” he says. “On my break, I was able to watch the band perform a few songs, and I was amazed at how Rick Allen, their drummer with one arm, could play so smoothy and perfectly. I drove home that night thinking to myself, ‘If he can do it, I can do it.’ Keep in mind, no YouTube or online videos were around for me to really watch him perform. So I spent the next few days [experimenting] with this pedal that I took from an electronic drum set I got for Christmas a few years earlier.”

    At first, Avi tried sticking the pedal under his arm, but it would fall right out. He tried sitting on it, but that proved too uncomfortable. After putting the device in his mouth, he found he could play simple beats.

    “It was hard, and I needed to retrain my brain that biting down is the kick drum now, not my leg,” he says. “Within a week, I was playing daily, and it never really stopped from there. I always continued to play on and off—sometimes I wouldn’t play for a year or so, and then I’d play for three years straight. As of recently I have been playing more, and it’s been a great feeling.”

    The technical side of his playing is pretty inventive: Avi bites down on the trigger every time he wants to hear a kick drum, which sends a signal to his “drum brain”—a Roland TD-3—and then into the Yamaha EAD10 drum module to create the kick sound.

    His videos have sparked a range of responses: both pro and casual musicians sharing their feedback, drummers asking technical questions, and people sharing how the videos inspired them.

    “I can tell you this: There are plenty of good people on this Earth,” Avi says. “I have really had some amazing comments and DMs from people all over the world. It’s incredible. The response has honestly been one of the most meaningful parts of sharing my videos. I’ve had everyday drummers reach out, and even a few professional players, letting me know they connected with what I’m doing. That’s something I don’t take lightly.” 

    “It’s been especially powerful hearing that something as simple as me playing and being consistent has inspired other people—whether that’s pushing through their own challenges or just picking up the sticks again,” he adds. “At the end of the day, drumming is such a tight-knit community. It doesn’t matter if you’re playing arenas or in your garage—we all understand the language of rhythm. Being able to connect with other musicians through that has been one of the biggest unexpected rewards.” 

    “I almost melted into the floor”

    So what makes the Incubus video so special? Even Avi isn’t sure, but maybe it’s due to the power of the song itself.

    “When I recorded that video, I honestly didn’t think it would do what it did,” he says with a laugh. “With everything going on in the world right now, the song has its own identity, right? Like, it starts tight. Then it gradually expands—more energy, more intensity, more space. When it hits the chorus, it feels like release. Not chaos but a release. It doesn’t say ‘I’m mad at the world.’ It’s more like ‘I’m overwhelmed, and I’m trying to understand it.’ I think people really connect with that.”

    “I could also be totally wrong,” he adds. “I don’t know what the algorithm was doing that day, but it sure reached a lot of people. It was crazy. I went from 12 Instagram followers to four thousand the next day. José Pasillas and [Incubus singer] Brandon Boyd both liked the video on Instagram, and I almost melted into the floor. I couldn’t believe it.”

    It’s one powerful moment of many for The Slightly Different Drummer, who’s inspired to keep pushing himself. 

    “I’ve been playing for over 20 years now, and what’s kept me going is that there’s always another level to reach,” he says. “Drumming isn’t just something I do—it’s part of who I am. It’s how I express myself, how I challenge myself, and honestly, how I connect with people.”

  • A Millennial dad ordered his Gen Alpha daughter a ‘Skip-It’ toy from the ’90s and playfully ribs her for struggling
    Comedian Anthony Rodia bought his Gen Alpha daughter the '90s toy Skip-It.Photo credit: Instagram
    ,

    A Millennial dad ordered his Gen Alpha daughter a ‘Skip-It’ toy from the ’90s and playfully ribs her for struggling

    “It’s not that hard cuz we weren’t playing with iPads back then—we were outside!”

    Millennials grew up in the analog ’90s—a very different childhood than today’s plugged-in Gen Alpha.

    For Millennials who spent hours playing outside, there was one toy that bruised shins and nearly broke ankles: the Skip-It. Millennial comedian Anthony Rodia decided to introduce his Gen Alpha daughter to it.

    In a hilarious video shared with his followers on Instagram, Rodia documents his 10-year-old daughter trying her best to catch a rhythm while playing with the iconic ’90s toy. Rodia explains that he ordered one for her to test out from Amazon, and it leads to lots of laughs for them both.

    From the start, his daughter has a hard time getting into the groove. Rodia immediately starts ribbing her, playfully chirping, “What’s the matter? Our toys are a little too difficult for ya? A little harder than just being on your iPad?”

    She continues to swing the Skip-It around with no success, cracking up at the camera as her dad films and laughs. “Try to play with a toy we had when we were kids. You can’t even do a Skip-It!” he says as the Skip-It slides off her ankle and smashes into him.

    In the next clip, Rodia gives the Skip-It a try and immediately nails it. He jokes to his daughter, “It’s not that hard cuz we weren’t playing with iPads back then—we were outside! Playing with dangerous toys!”

    He shows off his Skip-It skills, folding his arms and even closing his eyes.

    Viewers respond

    In the comments, Rodia addressed viewers who thought he was being a little too tough on his daughter.

    “It’s crazy how many people are getting butt hurt that I’m breaking my daughter’s chops 😂😂😂😂 yet my 10 year old daughter is laughing about it,” he wrote. “If there was no banter in my house growing up, there was something wrong! Update: she kept trying and now mastered it 🤣🤷🏻‍♂️👍🏼.”

    Others loved the joyful interaction and the nostalgia it brought back:

    “This is just a healthy father/daughter dynamic,” one person wrote. “This is how my dad and I talk to each other. Love that man. Got plans to play videogames with him later tonight. He’s 73 years old.”

    Another wrote, “Lmao I had this and a pogo stick 😂.” And another Millennial added, “Now have her put on rollerblades and have her go down a hill at 90 mph with no pads or helmet! 🤣 how did we survive?”

    Millennials on Reddit also chimed in. “Get her a Bop-It next,” one commented. Another wrote, “This also makes me think of Razor scooters when you’d try to spin the bottom around and it’d whack you hard in your shins.”

    History of the Skip-It

    The Skip-It, as it was known in the 1990s, was actually inspired by earlier versions that launched in the 1960s. According to The Retroist, the earliest version was released by Canadian toy company Twinpak, which called it the Footsie. Another Canadian company, Reliable Toys, also had a similar version, named Skip-it (with a lowercase “i”).

    An American version, called the Jingle Jump, launched a few years later, but the Canadian design was deemed superior.

    Ultimately, the Skip-It Millennials grew to know and love was launched by Tiger Electronics in 1989 after the rights were purchased from American toy company the Paul E. Price Company. Thanks to Skip-It commercials on kids’ TV network Nickelodeon, the Skip-It craze exploded.

    In 2011, TIME magazine included the Skip-It on its list of the “All-TIME 100 Greatest Toys.”

    Clearly, the Skip-It is a beloved toy that’s still bringing smiles decades later.

  • Man shares how not getting a wedding invite made him end a 10-year friendship, and it struck a chord
    A man shared how not getting an wedding invite made him end an 10-year friendship. Photo credit: @yonosoyasi5/TikTok
    ,

    Man shares how not getting a wedding invite made him end a 10-year friendship, and it struck a chord

    “I went through so much with this person that I thought I had made the cut.”

    As many are in the habit of doing, a man recently took to TikTok to “vent.” His “story time” was about his choice to end a 10-year friendship after not getting invited to said friend’s wedding. It soon became undeniably clear that he wasn’t alone in having an experience like this. 

    In the now-viral clip, the creator, @yonosoyasi5, explained that he understood that weddings are special, expensive moments, and therefore “not everyone can go.” 

    However, he admitted that “I went through so much with this person that I thought I had made the cut.”

    This blow ultimately caused @yonosoyasi5 to accept that the friendship as he knew it had come to a close. There was no animosity, but there wasn’t any effort, either. 

     “I wish him the best. I never wish him ill. But to say that I wanna be a part of his life now, it would be very fake. I just don’t care anymore,” he said. 

    Even when confronted by a member of that shared friend group, @yonosoyasi5 was upfront about his stance, saying, “What am I gonna hang out with him for? What’s the objective of me putting energy into this friendship?”

    TikTok reacts

    The video soon got an onslaught of comments from people who had similarly heartbreaking experiences—and developed similar mindsets. 

    “One of my BEST guy friends for 8+ years did not invite me to his wedding. I introduced him to his wife. They went out because of me. I have never been more hurt in my life. I cut off the relationship …and they always try to pull me back closer…I can never pull the knife out of my back.”

    “It’s not actually the wedding invite, it’s finding out the person doesn’t see you as a close friend.”

    “Once you exclude me from important moments, I will exclude you from my entire life.”

    “I think at our age we want to get back what we put into friendships/relationships. You love with your whole heart, so to not have it reciprocated is hurtful. I feel ya.”

    “Crazy…this happened to me…20 years of growing up down the drain.” 

    Lastly, one person even said, “friendship breakups are WORSE than romantic breakups.” 

    woman, alone, grief, breakup, friendship
    Woman sitting alone on a bench overlooking the water.Photo credit: Canva Photos

    Many experts seem to agree with this notion. Or, at the very least, that friendship loss triggers what’s known as “ambiguous grief,” which is the feeling of anguish that comes from losing someone physically while they are psychologically present (e.g., missing person, mental illness, divorce). Our stress responses are triggered, our feel-good chemicals get depleted, our sleep gets disrupted—which is all a science-based way of saying it hurts. Really bad.

    This level of ambiguous grief really depends on what the friendship personally meant to a person. In @yonosoyasi5’s case, it meant a great deal. Thankfully, there are ways to navigate these difficult transitions. 

    Coping strategies for friendship loss
    1. Allow yourself to grieve

    Even once you’ve reached acceptance and found other meaningful relationships, waves of yearning for what’s past may still creep up. Allow space for those feelings. They will pass. 

    2. Use it as a learning opportunity

    Without assigning blame, you can get curious about what might have caused the relationship to end. This way, you can set clear friendship intentions moving forward. 

    3. Engage in self-care

    Journal, meditate, reclaim old passions, exercise, and get outdoors. These things tend to help with grief of all kinds. 

    4. Appreciate the support systems you still have

    Taking stock of the good friends that remain in your life can help offset any feelings of loneliness and reinforce a sense of belonging, experts say. 

    Bottom line: cutting someone out of our lives hurts, but that pain might truly be the lesser evil in the long run. May we all have the foresight to know the difference and seek out those who do give us such grace. 

  • Reese Witherspoon’s blunt advice for young fan’s career change: ‘Don’t chase your dreams’
    A young woman looking stressed and Reese Witherspoon.Photo credit: Jenn Deering Davis/Wikimedia Commons and Canva
    ,

    Reese Witherspoon’s blunt advice for young fan’s career change: ‘Don’t chase your dreams’

    “Everybody has dreams. Doesn’t mean you’re going to be that thing.”

    There is no expiration date for finding success in life, but knowing what you want to do at a young age can give you a significant advantage in a competitive world. The problem is that many folks aren’t sure which path to pursue. Do you follow your dreams or take the safer route to success?

    Actress Reese Witherspoon, who’s also had massive success as a producer and entrepreneur, says the answer is easy: follow your talents.

    A young woman unhappy in her career asked Witherspoon for advice on starting a new one, and the Legally Blonde star shared her thoughts on Instagram.

    Witherspoon’s career advice

    “Okay, well, what are your talents?” Witherspoon asked the woman. “And she had a hard time telling me what her specific talents were. And I thought to myself, this is very, very important. You don’t chase your dreams, you chase your talent.”

    “Everybody has dreams. Doesn’t mean you’re going to be that thing. You are supposed to do what you’re talented at,” Witherspoon said. “It’s your job in life to figure out what your specific, unique talents are and go chase them. That’s what you’re going to do. Chase your talents. Not your dreams.”

    Witherspoon’s advice is practical but also leaves the door open for some magic. If you are an incredible painter and an average singer, it’s best to focus on improving your painting skills. Focusing on your talents can also help you fulfill your dreams, but you have to hone your talent first.

    “It’s magic when your talents align with your dreams or when you recognize your talents can support your dreams,” one person wrote in the comments on Witherspoon’s video.

    reese witherspoon, actress, red carpet, legally blonde, black dress
    Reese Witherspoon in 2011. Photo credit: Eva Rinaldi/Wikimedia Commons.

    Career coaches chime in on Witherspoon’s advice

    Upworthy reached out to professional career coaches to see what they had to say about Witherspoon’s advice.

    “From a research standpoint, Witherspoon is right to push back on the blanket (and all too popular) advice to follow your dreams,” said Dr. Heather Maietta, the owner of Career In Progress, a global private practice that develops career professionals. “Strengths (or talent) alignment is strongly associated with engagement and performance.”

    happy employee, career, briefcase, success, leaping, shadow man
    A man leaping with a briefcase. Photo credit: Canva

    “However, decades of career development research suggest that sustainable career decisions sit at the intersection of three factors: demonstrated strengths (talents), genuine interest and motivation, and market demand and role economics,” she added.

    Karol Ward, a licensed psychotherapist who coaches corporate clients in professional growth, said that once someone has identified the talents they wish to cultivate, they should reach out to successful people in their network to create a roadmap for success. She shared some questions people should ask their connections:

    • Did they have clear intentions or a vision about what they wanted?

    • Did they create a specific plan, and if so, what did that look like?

    • Did they hire support people such as coaches, therapists, or financial planners?

    • Did they take classes, join organizations, or find mentors?

    • What resources do they recommend?

    • How did they choose who or what to spend their time on to reach their goals?

    Witherspoon has achieved her dreams by succeeding as an A-list actress, an incredibly difficult career to break into that takes skill, perseverance, and a lot of luck. So, one would think she’d tell everyone to follow their dreams, too. However, she believes the best way to find success is for people to be the best versions of themselves, and that’s an opportunity available to everyone.

  • Figure skater Amber Glenn goes viral for act of kindness during rival’s moment of devastation
    Amber Glenn and Kaori Sakamoto.Photo credit: SpiritedMichelle, Phantom Kabocha

    Japan’s Kaori Sakamoto was all but set to take home the gold in the women’s singles free skate at the Olympics, having entered the final leg of the competition in second place. Considering this would be the three-time world champion’s final skate before retiring, it would have been the ideal way to go out.

    But things didn’t go to plan. Sakamoto apparently made a fatal mistake during a triple combo, placing her just under two points behind American skater (with the really cool hair) Alysa Liu, who ultimately won the gold.

    Understandably, there was anguish. 

    Sitting in the arena, Sakamoto’s let her tears fall. The Olympic broadcast camera attempted to capture the moment, but was disrupted by fellow skater Amber Glenn of the U.S. Glen had also experienced the sting of not winning gold and knew her rival needed privacy in that vulnerable moment.

    So, she put herself between Sakamoto and the camera. She waved her hands to relay that filming should stop, then turned to comfort her fellow athlete.

    “I only felt regret,” Sakamoto said, according to Olympics.com. “I’ve come this far and I couldn’t get it done. The frustration is unbearable. I felt like the bronze medal last time was a miracle, and I’m wearing a better medal around my neck yet I’m frustrated — which probably says a lot about all the work I put in the last four years. And for that, I just want to give myself a pat on the back.”

    Her stance exemplifies a phenomenon that is rather common among Olympic athletes. According to NPR, bronze medalists tend to be happier than those who win silver presumably because they are “viewing their wins through different standards of comparison.” Winning bronze is a pleasant surprise as you’re comparing it to not placing at all. The opposite is true of winning silver—you’re comparing it “upward” toward what could have been.

    Of course, the fact that it would be Sakamoto’s last Olympic skate added to her grief. As she put it, “I guess this is how my story ends. It hurts, I have to admit.”

    And who better to know what that grief might feel like than another athlete? That’s what makes this moment, however tragic, really quite beautiful. In an instant, there was no team division, just two kindred spirits who understood each other’s passion. The term “holding space” has become a bit of a joke these days, but it remains one of the kindest acts we can do for one another.

    The Olympics might be the biggest competition in the world, but moments like these remind us it’s not all about winning. 

  • Drumming mom brings down the house at daughter’s wedding with family take on Weezer classic
    A drumming mom brought down the house at her daughter's wedding.Photo credit: Instagram screenshots via juinsommer

    There are lots of cool moms out there. You may even have one yourself. But has anyone ever been cooler than this lady? In February, Juin Sommer went viral with an Instagram video showing his mom learning the drum part to Weezer’s 1994 alt-rock classic “Say It Ain’t So,” then playing it at her daughter’s wedding.

    The clip is wonderful on many levels, but it deserves a little context. Starting in November 2025, Sommer posted a series of videos showing his mom, Elly, practicing on an electronic drum kit. He captioned the first one, “My mom learning the drums for her midlife crisis.”

    Drummer mom’s viral first gig

    Motivation aside, the final product was more than worth it. Sommer captioned the big reveal post “How it started” and “How it went,” contrasting his mom’s practice session with the actual wedding performance. The latter is a family-band affair: Sommer sings and plays the guitar solo, the bride Hanna is on rhythm guitar, longtime friend RJ is on bass, and mom lays down thunder behind the kit. She nails every moment, from the syncopated kick and splashy ride cymbals to the pre-chorus snare rolls. All in all, an excellent first gig.

    After the clip went viral, it made its way to Weezer themselves.

    “Nothing says happily ever after quite like some =w= at your wedding,” the band wrote on Instagram. “Congrats to mom on nailing the drums and congrats to the happy couple!”

    Both Sommer and Hanna responded with amazement. “Wow crazy that one my favorite bands was able to see this,” the former enthused. “AHHHHHH OMG THIS IS SO AMAZING!!!!! I LOVE YOU GUYS SOOO MUCH THANK YOU FOR THE LOVE!!!!!!” added the latter. 

    “Epic on so many levels”

    Of course, lots of other admirers shared their kind words. Here are some of the top comments:

    “who needs a DJ when you have mom??”

    “Coolest mum ever”

    “WE LOVE YOU WEEZER MOM”

    “This is wedding goals right here =w=”

    “This is the first wedding video I’ve seen that actually makes me want to get married someday, and then become the Korean mom playing at her kid’s wedding with sunglasses on like an absolute legend 😭😭😭 also amazing work on the noodly guitar solo!

    “I’ve filmed like 170 weddings as a videographer and this would have made me lose my mind. So good 👏👏”

    “This is probably one of the best things I’ve seen”

    “This is so outrageously cool omg

    “Imagine having a mom and sister that cool.

    “Why is her timing so good? Also brother crushed those vocals”

    “Help why did this make me emotional 😭 her rocking out in the hanbok omg 👏

    “Epic on so many levels”

    “Feel like your sister rocking out in her wedding dress needs to be highlighted as well”

    It all started with a joke

    Sommer tells Upworthy that the road to virality began with a joking Snapchat about his mom’s “midlife crisis” moment. “I found that snap more recently and posted it, and it got a lot of attention, which I was surprised to see,” he says with a laugh.

    Elly had already been learning drums, but she cranked up her practice time after brainstorming the friends-and-family wedding performance. “She won’t admit it, but she was so nervous,” Sommer adds, “especially since it was her first time playing in front of a crowd.”

    This was a special moment for a lot of reasons, and the song choice was meaningful, too. Sommer, Hanna, and RJ used to play together in a high school band, often covering “Say It Ain’t So.”

    “I think I covered that song at least 50 times over the years with different bands,” Sommer notes. “So we all already knew it, except my mom.”

    Given his longtime love of emo, pop-punk, and alt-rock, seeing Weezer’s reaction was definitely a trip.

    “We were all in awe,” he says. “I didn’t even notice until my other younger sister, Zoë, sent it to me on Instagram. We all were so excited that one of our favorite bands was able to actually see us play.”

    In summary, the bar has officially been raised for cool moms, wedding music, viral drummers, and family bands.

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