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Film and Style Matters, Focus Features

Rita Hayworth in 'Gilda' (left) Lily-Rose Depp in 'Nosferatu' (right)

We’ve talked previously about why you might have noticed that the costumes on even the most high budget of fantasy shows on television seemed to have dropped in quality over the years. In some (bleak) ways, this makes sense. There’s simply more television than ever before, and television is consumed so fast for entertainment…it’s easier to cut corners and have no one bat an eye.

But is it also true for even critically acclaimed films? According to costume designer, cosplayer, and vintage fashion enthusiast Landon Reid, the answer is blatantly obvious.

In a video titled “Why Modern Movie Costumes Suck (Yes, I Said It.)” Reid compared the painstakingly handcrafted costumes of Gilda (1946), starring Rita Hayworth, to Robert Eggers’ Nosferatu, which was nominated for and Oscar for Best Costume Design in 2025.

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Why Modern Movie Costumes Suck (Yes, I Said It.) 📜 DESCRIPTION: This is my tiny, passionate rant about something nobody seems to care about—but I do, so we’re doing it. Costumes in classic films like Gilda and Gentlemen Prefer Blondes were treated like sacred art—designed with care, fit with precision, and given time and budget to shine. Compare that to the chaotic costuming in Birds of Prey or even Nosferatu (yes, I went there)—and you’ll see just how far we’ve fallen. I get it—corners need to be cut. Budgets are tight. But when costumes stop serving character, story, and fantasy, what are we even doing? Let’s talk about why a little glamour—and a little discipline—goes a long way. 🎬 Let me know in the comments if you notice this too, or if I’m just yelling into the void. @valeriescateyescream @The Way We Wore #MovieCostumeRant #WhyCostumesMatter #OldHollywoodStyle #FilmCostumeDesign #Gilda #GentlemenPreferBlondes #CostumeFail #ModernMovies #FashionInFilm #BirdsOfPrey #Nosferatu #RantWithMe #FilmNerd #CinematicStyle

“The costumes [in Gilda] are so intricate and gorgeous,” gushed Reid, adding that they didn’t technically need to be that way, since most of the pieces had only a few seconds of screentime. One piece that he particularly admired was a pinstripe suit Hayworth wore, which showed zero seams and had pinstripes that “matched perfectly” and narrowed in at the waist.

Meanwhile, Reid showed a still from Nosferatu where the stripes on Ellen Hutter (Lily-Rose Depp)’s dress are so unaligned that it’s honestly hard to not get distracted by them once you notice it.

That said, Nosferatu costume designer Linda Muir has spoken at length about the extensive research and attention to detail put in the costumes of Nosferatu, including using detachable sleeves which were a trendy commodity of the time period. Considering that Ellen Hutter’s world is constantly set askew by waking dreams and supernatural terror, these misaligned strips would have been a creative choice of some kind.

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As one person commented, “It’s an intentional character design choice to show how everything was…perfect from the front but behind the scenes, it’s not.”

Reid also talked about another iconic vintage ensemble: Marilyn Monroe's pink bow dress from Gentlemen Prefer Blondes. You know, the "Diamond's Are a Girl's Best Friend" dress. Reid noted the tiny details like the matching pink gloves which were created from the same fabric used for the dress, not purchased. Not just that, but two different color fabrics were used on the gloves so that when Monroe moved, “you’d be able to see every gesture.”

Proving his point, Reid then cut to a clip from the 2020 Birds of Prey movie, where Harley Quinn (Margot Robbie) recreates the "Diamond's Are a Girl's Best Friend" dance number, wearing Monroe’s signature pink dress and gloves. Only Robbie is wearing a pair of spandex gloves that sort of matches her dress, but clearly the dress and the gloves were made of two different fabrics.

Similar to Nosferatu, one could argue that Harley Quinn is also a character that’s just a little bit off (deranged, some might say) with a sort of tacky playful charm. So this cheaper knock-off depiction of Monroe kind of works…but perhaps that’s a little too generous.

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Reid went on to note that he in no way is badmouthing the artists that went on to making these modern-day costumes, but more so allotted it to, you guessed it, “time, money, and the fact that fast fashion has ruined our textile industry.” Even big budget films vying for an Oscar don’t have access to good textiles anymore, apparently, because studios no longer allow artists the necessary time and resources to really excel at their craft.

Instead, they adopt a “fix it in post” mentality, said Reid. He even argued that it’s a major reason why cosplayers, who are passionate about the craft and pay attention to small details, often end up “recreating movie looks that are of better quality than the movie they were actually recreating from.”

“Do we have bigger problems in the world than movie costumes being made hastily and sloppily? Yes,” quipped Reid. But at the same time, as technology and capitalism continue to cut corners in the name of profit and degrade the inherent value of human made artistry…it also doesn’t seem like that small of a deal either. More like another symptom of a broken system.

Be sure to give Reid a follow on Instagram, TikTok, or Youtube for even more passionate rants . And while you're at it, go watch a classic movie, and see what all the fuss is about.

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Often, parents of children with special needs struggle to find Halloween costumes that will accommodate medical equipment or provide a proper fit. And figuring out how to make one? Yikes.

There's good news; shopDisney has added new ensembles to their already impressive line of adaptive play costumes. And from 8/30 - 9/26, there's a 20% off sale for all costume and costume accessory orders of $75+ with code Spooky.

When looking for the right costume, kids with unique needs have a lot of extra factors to consider: wheelchair wheels get tangled up in too-long material, feeding tubes could get twisted the wrong way, and children with sensory processing disorders struggle with the wrong kind of fabric, seams, or tags. There are a lot of different obstacles that can come between a kid and the ability to wear the costume of their choice, which is why it's so awesome that more and more companies are recognizing the need for inclusive creations that make it easy for everyone to enjoy the magic of make-believe.

Created with inclusivity in mind, the adaptive line is designed to discreetly accommodate tubes or wires from the front or the back, with lots of stretch, extra length and roomier cut, and self-stick fabric closures to make getting dressed hassle-free. The online shop provides details on sizing and breaks down the magical elements of each outfit and accessory, taking the guesswork out of selecting the perfect costume for the whole family.

Your child will be able to defeat Emperor Zurg in comfort with the Buzz Lightyear costume featuring a discreet flap opening at the front for easy tube access, with self-stick fabric closure. There is also an opening at the rear for wheelchair-friendly wear, and longer-length inseams to accommodate seated guests. To infinity and beyond!

An added bonus: many of the costumes offer a coordinating wheelchair cover set to add a major boost of fun. Kids can give their ride a total makeover—all covers are made to fit standard size chairs with 24" wheels—to transform it into anything from The Mandalorian's Razor Crest ship to Cinderella's Coach. Some options even come equipped with sounds and lights!

From babies to adults and adaptive to the group, shopDisney's expansive variety of Halloween costumes and accessories are inclusive of all.

Don't forget about your furry companions! Everyone loves to see a costumed pet trotting around, regardless of the occasion. You can literally dress your four-legged friend to look like Sven from Frozen, which might not sound like something you need in your life but...you totally do. CUTENESS OVERLOAD.

This year has been tough for everyone, so when a child gets that look of unfettered joy that comes from finally getting to wear the costume of their dreams, it's extra rewarding. Don't wait until the last minute to start looking for the right ensemble!


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Last year, best friends Casey Pearlman and Yasmin Idris were chatting about what their two religions have in common during a car ride.

Casey is Jewish, and Yasmin is Muslim, and a spectacular new word was born: Juslim.

The term — coined by Casey's dad, Jeff — was a perfect descriptor for any ideas or values that the two faiths share.


Yasmin Idris (left) and Casey Pearlman (right). Photo courtesy of Catherine Pearlman, used with permission.

Fast forward to Halloween 2016, and the two 13-year-olds from California may have just won the holiday by turning the term into an original costume creation.

Internet, meet the Juslims: an intolerance-fighting superhero team for the ages.

Photo courtesy of Catherine Pearlman, used with permission.

"The delightful thing about their costume is that it was thoughtless," Casey's mom, Catherine, said. "It was so authentic to the nature of who they are and their friendship."

Jeff shared a photo of his daughter and Yasmin as the Juslims online.

And even for him — a best-selling author with thousands of Twitter followers — the photo took off, going viral overnight.

Reactions to the photo have been "absolutely amazing and mind-blowing," Catharine said, garnering attention from places like Egypt and the U.K. — even landing a coveted retweet from author J.K. Rowling.  

"If you’re a kid and you make a fun costume with your friend, and you don’t think anything of it," she said. "And then there’s people all over the world who are responding to your homemade superhero costume, it’s pretty special."

Twitter users began chiming in on what the costumes meant to them using the #Juslims hashtag.

What's truly remarkable to Catherine, however, is that her daughter's friendship with Yasmin couldn't be more ... unremarkable.

And that's probably a reassuring breath of fresh air to many people who've been discouraged by a divisive election season.

Photo courtesy of Catherine Pearlman, used with permission.

"To me, their biggest statement is that it wasn’t a statement to them," Catherine said. "They don’t feel different to each other. They feel like eighth-grade girls."

Their superpower — watching each other's backs — is another reason why the pair totally owned Halloween 2016.

"We’re a super team," Yasmin told BuzzFeed. "Like, friends forever."

You cautiously follow a dark hallway into a cramped, cinder block room.

Through the dim lighting, you can see that it looks to be a hospital room of some kind. On one side, an elderly patient lies lifeless, strapped to a gurney. (It's just a doll, but still — it's super creepy.)

Then you see her. An old woman, sitting in a wheelchair wearing a floral robe. She's bludgeoning a nurse with a bloody wrench as she wails: "You can't make me eat any more peas and carrots! I won't do it!"


Mary-Lou Williams knows her way around a wrench. All photos by Kevin Williams, used with permission.

If you're me, you run screaming from the premises and never return.

But this actually happens every night at the Warehouse of Fear in Siloam Springs, Arkansas, one of the areas most popular Halloween attractions.

That haunted house grandma is no teenager in makeup, though. She's Mary Lou-Williams, a local 93-year-old who knows how to have a good time.

2016 marks her fifth year as an actress with the haunted house, which her son, Kevin, helps manage.

She's not the world's biggest Halloween fan, but when her son asked her to help out, she figured, why not? "When you get older like I am, anything you can do, you better hop at the chance," she said.

The whole, twisted gang. Mary-Lou is right-center in the red pants.

During the first year of the attraction, Mary-Lou played an unassuming women in a quiet but spooky living room scene. Her feet rested on a bear skin rug. The bear, by the way, had killed her character's husband. And you were going to be next.

This year, Mary-Lou has finally graduated from merely uttering cryptic things to haunted house goers. Now, she's the one swinging the wrench, and she's giving it everything she's got.

"They'll be some of them so scared, they don't want to go into the next room," she joked. "It's just fun."

Murderous nursing home patient might be Mary-Lou's oddest job to date, but her life story is anything but boring.

In 2015, Mary-Lou played the role of a mental patient at the Warehouse of Fear.

She worked in factories most of her life, she said, including a cannery, then a muffler shop. Later, she found work at a laundromat. In between, there were various gigs loading and unloading packages. She worked until she was 78 years old.

In other words, Mary-Lou is not a woman who shies away from a tough job.

She gets paid a small hourly rate to work the haunted house, but that's not what motivates her.

"I just like doing it, and I like all the people," she said. "They're all really nice."

Now, she spends her days with her family, taking cabs to the market, and getting pedicures. And, of course, she also frightens the bejesus out of the local youths come Halloween, too.

"I thank the Lord to be able to do it," she said. "There's a lot of young people that's worse off than I am, so I just enjoy every minute of it."

Once the rush of fear has died down, a lot of the visitors are happy to meet and talk with Mary-Lou, too.

Many of them, even ones who have never met her, call her grandma.

That's what keeps her coming back year after year.