Mariah Carey inspired a Twitter rally after a Texas bar banned her Christmas song
Mariah Carey’s uber famous “All I Want For Christmas Is You” has been a staple of the holiday since the late ’90s. Who can remember the last time they entered a department store without trying–and failing– to match that impossible whistle tone during the final chorus? It’s about as synonymous with Yuletide cheer as Rudolph,…
Mariah Carey’s uber famous “All I Want For Christmas Is You” has been a staple of the holiday since the late ’90s. Who can remember the last time they entered a department store without trying–and failing– to match that impossible whistle tone during the final chorus? It’s about as synonymous with Yuletide cheer as Rudolph, only sassier.
Well, apparently a (still unidentified) bar in Texas has had quite enough of the holiday pop hit. Someone there taped an unceremonious piece of white paper next to the jukebox that stated plainly “Mariah Carey’s All I Want for Christmas Is You will be skipped if played before Dec. 1. After Dec 1 the song is only allowed one time a night.”
I mean, the whole “when to start playing Christmas music” debate has been a source of contention for years. I personally cringe when November 1 rolls around and carols permeate the radio stations, but clearly this bar had an even stronger stance. The paper was tweeted by a critic for National Review. From there, the tweet went viral.Those familiar to retail had a shared trauma response. “If you haven’t worked retail then let me explain.The song plays 50 times a day on the store radio from November 1 (maybe earlier) to December 25. It’s hell,” wrote one “victim.”
If you haven’t worked retail then let me explain.
The song plays 50 times a day on the store radio from November 1 (maybe earlier) to December 25.
Another (soon to be divorced) man wrote: “I need to print this out for my wife,” which received the prompt response of “How about you let your wife enjoy things she likes before she decides you aren’t one of those things?” Yup, holiday drama is already coming in hot.
One Twitter user responded with “Is this the war on Christmas I’ve heard about?” which caught the attention of Carey herself. Carey’s response? In a word, iconic. The pop singer posted a photo of herself from a 2015 ad for the mobile video game “Game of War,” completely decked out in battle armor and holding a sword. Move over Xena, there’s a new warrior princess in town. And she’s ready to defend her Christmas kingdom.
Another wrote “me on my way to fight for the queen” accompanied by a video of Carey on a jet plane and singing yet another holiday song. That’s some kind of allegiance, if you ask me.
Carey posted another video on Instagram, showing three jack-o-lanterns sitting in a row with the words “it’s not time.” Scary, sinister music plays and a bell tolls. Carey, wearing a sparkly red gown and sky high heels sneaks in through a door holding a giant candy cane the size of a baseball bat (you might see where this is going). With a swing of her candy cane, Mariah destroys one of the pumpkins, changing the message to “it’s time” while her famous-slash-infamous song plays. If a war on Christmas is what they want, a war on Christmas is what they’ll get.
This got even more fan responses, including the person who wrote, in all caps, “MARIAH INVENTED CHRISTMAS.” Not historically accurate, but the sentiment is palpable.If you think that’s something, check out the other Twitter user who wrote “SHE IS CHRISTMAS SHE IS SANTA SHE IS THE GODDAMN TREE.” Seriously, don’t mess with Mariah fans.
Though that one bar in Texas might have won the battle, the victor in this War for Christmas is still Queen Mariah, most definitely. She’s already promoting her new Apple TV special “Mariah’s Christmas: The Magic Continues,” following up last year’s “Mariah Carey’s Magical Christmas Special.” Which might be maddening to some, but to many, it embodies a fun, cheeky, more modern way to invite the holiday spirit. And hey, at least you know TV specials don’t play on repeat while you do your Christmas shopping…
In a small village in Pwani, a district on Tanzania’s coast, a massive dance party is coming to a close. For the past two hours, locals have paraded through the village streets, singing and beating ngombe drums; now, in a large clearing, a woman named Sheilla motions for everyone to sit facing a large projector screen. A film premiere is about to begin.
It’s an unusual way to kick off a film about gender bias, inequality, early marriage, and other barriers that prevent girls from accessing education in Tanzania. But in Pwani and beyond, local organizations supported by Malala Fund and funded by Pura are finding creative, culturally relevant ways like this one to capture people’s interest.
The film ends and Sheilla, the Communications and Partnership Lead for Media for Development and Advocacy (MEDEA), stands in front of the crowd once again, asking the audience to reflect: What did you think about the film? How did it relate to your own experience? What can we learn?
Sheilla explains that, once the community sees the film, “It brings out conversations within themselves, reflective conversations.” The resonance and immediate action create a ripple effect of change.
MEDEA Screening Audience in Tanzania. Captured by James Roh for Pura
Across Tanzania, gender-based violence often forces adolescent girls out of the classroom. This and other barriers — including child marriage, poverty, conflict, and discrimination — prevent girls from completing their education around the world.
Sheilla and her team are using film and radio programs to address the challenges girls face in their communities. MEDEA’s ultimate goal is to affirm education as a fundamental right for everyone, and to ensure that every member of a community understands how girls’ education contributes to a stronger whole and how to be an ally for their sisters, daughters, granddaughters, friends, nieces, and girlfriends.
Sheilla’s story is one of many that inspired Heart on Fire, a new fragrance from the Pura x Malala Fund Collection that blends the warm, earthy spices of Tanzania with a playful, joyful twist. Here’s how Pura is using scent as a tool to connect the world and inspire action.
A partnership focused on local impact, on a global mission
Pura, a fragrance company that recognizes education as both freedom and a human right, has partnered with Malala Fund since 2022. In order to defend every girl’s right to access and complete 12 years of education, Malala Fund partners with local organizations in countries where the educational barriers are the greatest. They invest in locally-led solutions because they know that those who are closest to the problems are best equipped to solve and build durable solutions, like MEDEA, which works with communities to challenge discrimination against girls and change beliefs about their education.
But local initiatives can thrive and scale more powerfully with global support, which is why Pura is using their own superpower, the power of scent, to connect people around the world with the women and girls in these local communities.
The Pura x Malala Fund Collection incorporates ingredients naturally found in Tanzania, Nigeria, Pakistan, and Brazil: countries where Malala Fund operates to address systemic education barriers. Eight percent of net revenue from the Pura x Malala Fund Collection will be donated to Malala Fund directly, but beyond financial support, the Collection is also a love letter to each unique community, blending notes like lemon, jasmine, cedarwood, and clove to transport people, ignite their senses, and help them draw inspiration and hope from the global movement for girls’ education. Through scent, people can connect to the courage, joy, and tenacity of girls and local leaders, all while uniting in a shared commitment to education: the belief that supporting girls’ rights in one community benefits all of us, everywhere.
You’ve already met Sheilla. Now see how Naiara and Mama Habiba are building unique solutions to ensure every girl can learn freely and dare to dream.
Naiara Leite is reimagining what’s possible in Brazil
Julia with Odara in Brazil. Captured by Luisa Dorr for Pura
In Brazil, where pear trees and coconut plantations cover the Northeastern Coast, girls like ten-year-old Julia experience a different kind of educational barrier than girls in Tanzania. Too often, racial discrimination contributes to high dropout rates among Black, quilombola and Indigenous girls in the country.
“In the logic of Brazilian society, Black people don’t need to study,” says Naiara Leite, Executive Coordinator of Odara, a women-led organization and Malala Fund partner. Bahia, the state where Odara is based, was once one of the largest slave-receiving territories in the Americas, and because of that history, deeply-ingrained, anti-Black prejudice is still widespread. “Our role and the image constructed around us is one of manual labor,” Naiara says.
But education can change that. In 2020, with assistance from a Malala Fund grant, Odara launched its first initiative for improving school completion rates among Black, quilombola, and Indigenous girls: “Ayomidê Odara”. The young girls mentored under the program, including Julia, are known as the Ayomidês. And like the Pura x Malala Fund Collection’s Brazil: Breath of Courage scent, the Ayomidês are fierce, determined, and bursting with energy.
Ayomidês with Odara in Brazil. Captured by Luisa Dorr for Pura
Ayomidês take part in weekly educational sessions where they explore subjects like education and ethnic-racial relations. The girls are encouraged to find their own voices by producing Instagram lives, social media videos, and by participating in public panels. Already, the Ayomidês are rewriting the narrative on what’s possible for Afro-Brazilian girls to achieve. One of the earliest Ayomidês, a young woman named Debora, is now a communications intern. Another former Ayomidê, Francine, works at UNICEF, helping train the next generation of adolescent leaders. And Julia has already set her sights on becoming a math teacher or a model.
“These are generations of Black women who did not have access to a school,” Naiara says. “These are generations of Black women robbed daily of their dreams. And we’re telling them that they could be the generation in their family to write a new story.”
Mama Habiba is reframing the conversation in Nigeria
Centre for Girls' Education, Nigeria. Captured by James Roh for Pura
In Mama Habiba’s home country of Nigeria, the scents of starfruit, ylang ylang and pineapple, all incorporated into the Pura x Malala Collection’s “Nigeria: Hope for Tomorrow,” can be found throughout the vibrant markets. Like these native scents, Mama Habiba says that the Nigerian girls are also bright and passionate, but too often they are forced to leave school long before their potential fully blooms.
“Some of these schools are very far, and there is an issue of quality, too,” Mama Habiba says. “Most parents find out when their children are in school, the girls are not learning. So why allow them to continue?”
When girls drop out of secondary school, marriage is often the alternative. In Nigeria, one in three girls is married before the age of 18. When this happens, girls are unable to fulfill their potential, and their families and communities lose out on the social, health and economic benefits.
Completing secondary school delays marriage, and according to UNESCO, educated girls become women who raise healthier children, lift their families out of poverty and contribute to more peaceful, resilient communities.
Centre for Girls’ Education, Nigeria. Captured by James Roh for Pura
To encourage young girls to stay in school, the Centre for Girls’ Education, a nonprofit in Nigeria founded by Mama Habiba and supported by Malala Fund and Pura, has pioneered an initiative that’s similar to the Ayomidê workshops in Brazil: safe spaces. Here, girls meet regularly to learn literacy, numeracy, and other issues like reproductive health. These safe spaces also provide an opportunity for the girls to role-play and learn to advocate for themselves, develop their self-image, and practice conversations with others about their values, education being one of them. In safe spaces, Mama Habiba says, girls start to understand “who she is, and that she is a girl who has value. She has the right to negotiate with her parents on what she really feels or wants.”
“When girls are educated, they can unlock so many opportunities,” Mama Habiba says. “It will help the economy of the country. It will boost so many opportunities for the country. If they are given the opportunity, I think the sky is not the limit. It is the starting point for every girl.”
From parades, film screenings to safe spaces and educational programs, girls and local leaders are working hard to strengthen the quality, safety and accessibility of education and overcome systemic challenges. They are encouraging courageous behavior and reminding us all that education is freedom.
Experience the Pura x Malala Fund Collection here, and connect with the stories of real girls leading change across the globe.
The usually respectful crowd at a “Wheel of Fortune” taping couldn’t hold back after they felt that a puzzle given to finalist Rob Dodson was too harsh. A big reason for their outrage (and why the puzzle was so tricky) was because $1 million was on the line.
Before the puzzle, Dodson chose from a selection of cards that held the prize he would win for solving it. Amongst the cards was the $1 million jackpot, so, understandably, tensions were high. Did Dodson choose the million-dollar card? Will he solve the puzzle under the “What Are You Doing Category”?
Well, things didn’t start too great.
After the usual R, S, T, L, N, and E were put up on the board, Dodson was looking at “_ _ _ _ _ L _ N _.” He quickly guessed C, H, P and A, none of which appeared on the board. He then guessed “funneling” and “finding,” but they didn’t work.
After the solution to the puzzle was revealed, the audience began to boo because they didn’t think it was fair. It had 2 Bs in the short answer, started with a Q and was a word that isn’t used often in casual conversation. The crowd’s reaction was an excellent show of support for Dodson, who encouraged the crowd to keep going by raising his hands.
Host Pat Sajak, 77, pushed back against the boos, jokingly asking the audience, “Who asked you?”
So, would Dodson have won the $1 million if he guessed quibbling? Nope. The card he chose would have earned him an Infiniti car if he had guessed correctly. But all in all, it wasn’t a bad outing for Dodson, a father of 2 from Aurora, Ohio. He managed to win $33,500 against Venetia Brown ($7,550) and Jessica Huffman ($2,000).
The tough puzzle earned a lot of boos on social media as well. X was lit up with people who thought that Dodson got cheated by being given a challenging puzzle with a word seldom used in conversation.
Sajak’s final episode as host aired on June 7, 2024. Sajak has been the host of “Wheel” since 1981. Vanna White, his co-host since 1982, will remain with the show. “I couldn’t be happier to have shared the stage with you for all these years with one more to come,” she wrote on X after Sajak announced this would be his last season. “Cheers to you.”
When we started @WheelofFortune who could have imagined we’d still be at it 41 seasons later? I couldn’t be happier to have shared the stage with you for all these years with one more to come. Cheers to you, @patsajak! https://t.co/yYmo3G0Dtb
Sajak has been a beloved host on “Wheel of Fortune,” earning 19 Daytime Emmy Award nominations for Outstanding Game Show Host and winning three times. In 2019, he set a Guinness World Record for the longest career as a game show host for the same show, beating the previous record held by Bob Barker.
Sajak has been a beloved host on “Wheel of Fortune,” earning 19 Daytime Emmy Award nominations for Outstanding Game Show Host and winning three times. In 2019, he set a Guinness World Record for the longest career as a game show host for the same show, beating the previous record held by Bob Barker.
“I can’t wait to continue the tradition of spinning the wheel and working alongside the great Vanna White,” he said after it was announced he was the new host.
So, how did he do after taking over the coveted role of host? The first week that Seacrest took over for Sajak the ratings took a giant leap, bringing in the most viewers since 2015, making it the number one syndicated show that week. Time will tell if Seacrest can replace Sajak’s magic, but he has time; reports show that he has signed on for the gig into the 2030s.
On March 10, 78-year-old Richard Pulley of eastern Tennessee gingerly walked up the stairs at Brittany Smith’s house to deliver Starbucks to her husband, who is quadriplegic.
“I open up the (Ring) camera, and I see this little old man walking up my steps with a Starbucks bag and … my heart just sank,” Smith told Today. She never had the chance to interact with him because her husband chose the “leave at door” option.
After seeing the video, Smith wanted to get in touch with the man, but all she knew was his name was Richard. So she posted the Ring video to Facebook, asking if anyone knew where he lived.
“Help me find this precious man!” she wrote on Facebook, adding a link to the donation page. “Why is he having to DoorDash his name is Richard! Help me find him.”
Smith located the man, spoke with him, and learned that after retiring at 65, he returned to work as a DoorDash driver because his wife lost her job and they couldn’t afford her healthcare, which costs thousands a year.
“My wife [Brenda] was working for an insurance company, and they ended up letting her go,” Pulley told Today, adding that their Social Security payments weren’t enough to make ends meet.
70 year old retired man, Richard Pulley, had to return to DoorDash to cover medical bills after his wife lost her job & insurance.
A customer (Brittany Smith) saw him struggling on her Ring cam delivering Starbucks, tracked him down, and started a GoFundMe.
So the Pulleys teamed up, with Brenda driving and Richard picking up and dropping off deliveries. “With just one income in the family, you have to push… Just losing that, we had to supplement it,” Richard told WSMV.
Smith stopped by the Pulley residence to give the couple $200, but she knew it wasn’t enough to ease their financial strain. She then created a GoFundMe page to raise money for Pulley so he could “rest again.” “Let’s help Richard go back into retirement!” she wrote on the campaign page.
In eight days, the GoFundMe campaign raised more than $960,000.
GoFundMe funds were life-changing for the Pulleys
The extra money has brought peace of mind to the Pulley family. “It’s taking a lot of pressure off of us. And making life livable once again,” Richard told WSMV. “We appreciate every one of them [donors].”
The campaign has helped the Pulleys gain some financial breathing room, but it has also created a new friendship. “I just love this man,” Smith said. “I want him to be my grandpa,” Smith’s daughter added.
Even though the money has made the Pulleys more comfortable, Richard has found a new sense of purpose in delivering food and doesn’t want to give it up.
“I taught myself how to be a good worker again, although the last couple of shifts have worked out hard because people stop and take pictures with me and all sorts of things,” he told Today. “I’ll get back to work in the next few days.”
New Zealander Tyler Warwick decided to take a stroll down memory lane while visiting a friend from the United States. The experience proved slightly traumatic for his American friend in a weirdly funny way.
Warwick recently uploaded an Instagram video capturing his friend’s reaction to a “traumatic” PSA that aired in New Zealand during his childhood. The video begins with a woman casually strolling through the frame, with children playing in the background.
At first, it looks like a typical commercial for a snack bar: a suburban mom with a Kiwi accent talking about the “right snacks” to keep kids going. But as soon as she shows the snack bar, she trips over a toy dump truck, falling face-first through a glass coffee table. What starts as an innocent commercial quickly turns into a mini horror movie.
The American friend lets out a loud “Oh my God!” followed by an uncomfortable laugh. As the woman lies on the floor, whimpering, a male voiceover says, “Preventing trips around your home can be as easy as tidying up toys.”
“Ok I was completely unprepared for the emotional whiplash,” a viewer writes in the comments.
Warwick shared even more comically unhinged commercials with his friend. In a second video, the Kiwi points out that the ad they’re watching aired during the Rugrats cartoon. In the clip, a man happily climbs a ladder to paint the trim on his house. Suddenly, he plummets from the ladder and lands on his back.
“…Is New Zealand okay?!” a concerned commenter asks.
In another video, Warwick shows his friend a similarly traumatic fall. The commercials have people wondering how often New Zealanders were taking extreme tumbles. Was there no gentler way to reinforce securing ladders, picking up toys, or using a bath mat when getting out of the shower? But apparently, New Zealand didn’t have a monopoly on these memory-searing ads. Some viewers report seeing similar ads as children in Canada, Australia, and Ireland.
An Aussie writes, “In Australia we had a work safe ad of a girl working in a bakery severing a finger in the bread slicer.” A Canadian shares, “Canada had the avoidable accidents ads with teenage girls falling through display cases, a guy impaled with rebar, and a woman dumping a boiling pot all over herself.”
These commercials aired during children’s cartoons as ad breaks. While the ones from New Zealand are jarring, the Canadian ads take it up a notch. In one Canadian workplace safety PSA, now on YouTube, a chef works in a busy kitchen. She studies her engagement ring, then announces there won’t be a wedding—a terrible accident is coming.
Seconds later, she’s moving a large pot of boiling water when she slips on something spilled on the floor, dumping it over her face. She screams as her skin visibly burns.
It seems these three countries may have used the same advertising agency. It’s unclear whether the ads were meant to provoke shock or simply to be seen as honest. Judging by the comments on Warwick’s videos, some people who saw these ads as children still feel a bit traumatized.
One Kiwi asks, “Why were all our ads so terrifying?”
Another writes, “It worked though. I’m still reminded as an adult today from watching this as a kid.”
Further in the comments, one New Zealander puts in a request: “NOW SHOW HIM THE 2002 FIRE AD!!!! That was trauma at its finest!!!!”
“New Zealand…I’m starting to become concerned,” an American chimes in.
For young baseball fans, meeting a Major League Baseball player can be a memorable highlight of a trip to the ballpark. However, one fan not only got to enjoy their favorite hobby with a player, but also walked away with two impromptu autographs from others thanks to him.
MLB veteran Paul Lo Duca met a young baseball card collector named Noah and his brother on the sidelines before a Mets game. He took the time to open a pack of 2008 Topps baseball cards with Noah, even joking that one of his own cards might appear. When the pack was opened, Lo Duca wasn’t among the players—but two of his former teammates were: Mike Piazza and Johan Santana. Without prompting, Lo Duca grabbed the cards and a pen and ran onto the field to have both players autograph them.
Watch til the end! Our number 1 video of the season! We rip a pack of 2008 Topps with Paul Lo Duca! He pulls both a Mike Piazza AND Johan Santana! He then goes and gets both signed! #baseballcards#packrip#sportscards#topps#baseball @Topps @MLB Network @MLB @ESPN @Collect @Fanatics @Baseball Lifestyle @The Athletic @New York Mets
It would have been understandable for Lo Duca to just give Noah a quick hello, maybe even sign a card if one of his had turned up in the pack. Instead, he went out of his way to get signatures from other players for the young fan. Noah graciously thanked Lo Duca for the gesture and even posed for a photo with him.
The comments on the boy’s TikTok were abuzz with praise for Lo Duca and the interaction:
“You never see a professional player interact with a fan this long. He opened a pack and then RAN to get both the cards he got signed. What an amazing guy.”
“That’s so cool, ripping packs with the pros 💪”
“It was unbelievable. The kids will never forget this.”
“This is why baseball will forever be America’s favorite pastime…My friend’s daughter was lucky enough to get a game-used Bryce Harper bat from Harp himself at one game.”
“How can you not be romantic about baseball?”
“Outstanding! Made a lifelong memory for the kids and cost nothing but kindness.”
“I love EVERYTHING about this!!! 💙 I have two grandsons who play baseball and I think I would be literally in tears if this were to happen to them because I know how much they love the game and look up to men like this in the sport! 🧢⚾️”
“This is officially the best card opening pack video I’ve ever seen. Regardless of sport or collectible.”
“Paul is every kid’s dream interaction at the ball park. Class act.”
“Not a Mets fan, but just became a Paul fan!”
“It doesn’t take long for athletes and former athletes to make a story for a kid they’ll never forget. Lots of respect for Paul doing this!”
“He’s just happy to see kids still into baseball cards! Keeping it alive!”
Baseball cards are making a comeback
Since the COVID-19 pandemic, baseball cards and other trading cards have surged in popularity among young fans like Noah, as well as adults. Lo Duca even mentions that he owns a collectible card store. In an era when many young people’s hobbies revolve around screens and online interaction, parents and teachers are largely welcoming the return of trading cards to schoolyards.
Trading cards can have several benefits for kids, including: 1. Fostering a sense of community and social connections through trading and collecting with friends and peers. 2.Encouraging organization and categorization skills as they sort and manage their collections. 3.Developing research and critical thinking skills as they learn about different cards, players, and teams. 4.Promoting patience, persistence, and self-discipline as they hunt for rare or hard-to-find cards. 5.Enhancing knowledge and interest in various subjects, such as sports, history, or pop culture. 6.Encouraging entrepreneurship and business skills through buying, selling, and trading cards. 7.Building self-confidence and pride in their collections and accomplishments. 8.Developing fine motor skills through handling and sorting cards. 9.Learning about the value of money and responsible spending habits. 10.Having fun and enjoying a hobby that can last a lifetime! #lawlerballers#topps#bowman#panini#baseballcards#sportstradingcards#cardbreaks#memories#baseballboys @mlb (Also they have already started a nice little savings!) @topps
While trading cards still require the same parenting and supervision as any hobby, they’re often seen as a way to “trick” kids into learning math. Sports cards like Noah’s offer opportunities to measure and learn statistics, while kids interested in commerce can learn to assess value in collector markets. Even non-sports cards, like Pokémon or Magic: The Gathering, involve similar math both in the cards themselves and in gameplay.
It’s players like Lo Duca who help keep fandom alive, whether it’s baseball, card collecting, or both. As commenters noted, that kind of joy, kindness, and excitement gets passed on to future fans and players alike.
The Oscars are a major event that draws millions of viewers each year. But for Marshall, the March 15 ceremony became a moment of inclusion. As she watched Coogler sign, her emotions grew. The filmmaker took to social media to share her excitement with her followers.
In her Instagram video, Marshall excitedly signs, “That’s director Ryan Coogler signing ‘I love you.’ But there’s more.”
A brief clip of musician Ludwig Göransson saying Coogler’s name plays, prompting the Black Panther director to sign, “I love you. Thank you, brother.” Marshall then reappears to explain that Coogler was signing to people all night. As she shows more clips, her emotions build until she’s nearly in tears.
Marshall adds, “I just learned that his wife Zinzi, is an ASL interpreter… my heart…As a Deaf filmmaker, watching them normalize sign language like that…More please!”
Zinzi Coogler, who co-founded Proximity Media with her husband and Sev Ohanian, didn’t always plan to work in film—in fact, the career wasn’t on her radar. She attended California State University, Fresno, where she studied communicative sciences and deaf studies, according to Marie Claire. After graduating, she worked as an interpreter at the nonprofit Deaf Counseling, Advocacy & Referral Agency. Given their shared professional paths, it’s likely Ryan Coogler picked up some sign language, though it’s unclear to what extent.
The inclusion of ASL isn’t new to the Cooglers. In 2015, Leonard Maltin hosted Ryan Coogler for his film symposium class at the USC School of Cinematic Arts. One student asked why the lead female character in Creed, played by Tessa Thompson, experiences hearing loss.
Maltin shared, “Ryan explained that his fiancée teaches ASL (American Sign Language) and being with her has brought him into that sphere. In other words, a significant facet of the movie is drawn from reality and is not a mere bit of business.”
It seems that ASL is integrated into the lives of the Cooglers, and they regularly incorporate it into their films. This seamless inclusion helps normalize sign language for audiences. Advocates report that the media underrepresents deaf and hard-of-hearing people, as well as ASL users.
In a statement, the National Association of the Deaf said, “Portrayals of deaf and hard of hearing people in film, television, and theater have a significant impact on the public image of our community. There is no shortage of professional deaf and hard of hearing actors to fill these roles. … We call for increased casting of deaf and hard of hearing actors in all roles.”
People who viewed Marshall’s post expressed gratitude for the inclusion of ASL and agreed that representation matters. One person wrote, “Inclusivity is not that hard and makes an incredibly huge impact.”
Advocating for ASL to be taught alongside English, another commenter wrote, “Sign Language should be taught to everyone along English or the main language. Imagine if we could ALL communicate in silence as well! Like calling or texting, we should be able to switch between talking and signing!”
Another person revealed, “His wife has Deaf family members. That’s why he learned (and there’s a lot of stories of him interpreting for Deaf/hoh people without making a big deal of it.) That’s also why there was a push for HBO to have BASL interpreted version of sinners.”
Further in the comments, someone shared their anticipation for the next Creed movie bringing more representation to the big screen. They wrote:
“And in his ‘CREED’ movies one of his main characters has a condition where she is losing her hearing. By CREED 3 there is the introduction of a Deaf character, Creed’s daughter. The two main characters and the daughter use sign language. This daughter seems interested in becoming a boxer…so now that CREED 4 has been announced, I predict the daughter will be the main character. This will be a movie that champions the ASL community, so keep an eye out for CREED 4.”
The notice informed her that a neighbor had filed a complaint about her “inappropriate public displays” and “disturbance of community aesthetics.” She was baffled. She practiced at 6 AM when almost no one else was awake, wore standard workout clothes, and made no noise.
Then it got stranger. When she followed up with the HOA manager for specifics, she learned the neighbor had gone further than a written complaint. They had been photographing her in various poses and submitted the photos as evidence, arguing they were “inappropriate for children to potentially see” and were “promoting Eastern religious practices in a family community.”
A woman meditates while doing yoga. Photo credit: Canva
“I’m literally just doing basic vinyasa flow!” she wrote.
The detail about Eastern religious practices caught significant attention when the post went viral on Reddit, and for good reason. Legal experts and housing advocates are clear on this point: the Fair Housing Act prohibits HOAs from restricting a homeowner’s use of their property based on religion. As one legal resource explains it plainly, an HOA can ban exercise broadly, but it cannot single out yoga specifically because of its perceived religious associations. The same logic applies to holiday decorations — an HOA that bans string lights for Diwali but allows Christmas lights is on legally shaky ground.
Commenters on the post were quick to flag this. “If that whole promoting Eastern religion thing is an exact quote, I feel like that right there is your ticket to fight,” wrote u/cheybananas. “They can’t just outlaw religious practices.”
Others were more focused on the neighbor’s surveillance. Several urged her to file a counter-complaint about someone photographing her on her own private terrace at dawn. “Taking photos of someone on their private residence without their knowledge or consent?” u/ok-pomegranate-6479 wrote. “Involve authorities if you have to, that’s creepy.”
A woman executes an advanced yoga pose on the beach. Photo credit: Canva
The homeowner had already come to the same conclusion on her own. After reviewing her HOA’s bylaws, she found nothing prohibiting yoga or exercise on private terraces, only a vague clause about maintaining community standards. She drafted a formal email to the HOA board requesting the specific bylaw citation they were relying on, along with copies of all photos collected of her. She also made clear she was considering a counter-complaint about the neighbor’s behavior.
“The irony is that yoga is supposed to reduce stress,” she wrote, “but this whole situation is doing the opposite.”
Her experience isn’t unusual. A Rocket Mortgage survey of more than 1,000 HOA homeowners found that more than 3 in 10 feel their HOA has too much power, and 10% have considered selling their home because of it.
This article originally appeared earlier this year.
The word “trending” may have gained a whole new meaning in the Internet age, but trends have always existed as a social phenomenon. A video of teens in the ’90s doing “Cat’s Cradle” has people pondering how trends spread, sometimes worldwide, without social media.
For those who are unfamiliar, Cat’s Cradle is a game of sorts involving a long loop of string wrapped around your hands and fingers in a specific pattern. The game involves transferring the string from one person to another without getting it tangled. Here’s what it looks like:
The video on X triggered a ton of nostalgia in those who remember playing Cat’s Cradle. But the most remarkable thing is that people from all over the world say they played it around the same time:
“HOW is this a universal thing. We did this exact thing, exact same moves, in Norway in the early 90s. Pre internet.”
“That’s a great question. I used to play that game back in the ’90s, too, and I’m from Brazil.”
“Same in Italy.”
“What? This is a global thing, greetings from Chile.”
“This is a game we used to play in Korea. Seeing it for the first time in a long while makes me miss my childhood memories.”
“We did this in Romania too.”
To be fair, Cat’s Cradle has been around for a long time. No one appears to know its exact origin. But a specific reference to the game appears in the 1768 novel The Light of Nature Pursued by Abraham Tucker:
“An ingenious play they call cat’s cradle; one ties the two ends of a packthread together, and then winds it about his fingers, another with both hands takes it off perhaps in the shape of a gridiron, the first takes it from him again in another form, and so on alternately changing the packthread into a multitude of figures whose names I forget, it being so many years since I played at it myself.”
It appears the game has seen surges in popularity at various times—but how? Why did it specifically trend in the ’90s? How did games, fashion, music, dance styles, and more become popular across the country or even the world before the Internet?
Those who remember life before social media have shared recollections of how trends spread on forums like Reddit and MetaFilter. It’s a fascinating glimpse into a nearly forgotten past:
“Everyone at a school would do it. Then, one group of people from this school would go to a youth group, and meet a group of people from a different school. It would become common throughout the youth group.
People from the youth group would go to their own respective schools, and it would spread around the rest of their school mates who don’t go to that youth group – but perhaps go to a different youth group.
Once something got popular enough, it might feature in magazines or even on TV.” – LondonPilot
“Cultural transmission was a lot slower previously. In the 60s it was said New Zealand was five years behind England, later it was three years.
Broadcast radio and later TV sped up cultural transmission immensely. TV shows were transported on film and played on telecine machines at the studios, up to six years behind the original release.
Magazines were a bigger thing than now. International magazine subscriptions by airmail were extremely expensive so surface mail added up to two months to delivery. Many people read magazines via public libraries.
Note none of the above are interactive, and only magazines allowed niche interests. Broadcast media had very few channels (until the US got cable TV) e.g. in NZ in the 70s a in a big city there might be six radio stations and one TV station. Later there were four major TV stations.
There was much less diversity. Record shops had knowledgeable staff who could make recommendations. These were important as an album was a significant investment.
People travelled and brought back new ideas. (In those days, Western countries were different to each other 😉
Schoolkids spread jokes and games – one person could infect a whole school with a good game.” – cyathea
“I think in the pre-internet days some trends and fashions were spread broadly via mass media, but many were regional and local. My wife grew up in small town Midwest and I grew up in the Boston area, both in the 70s to 80s. There were music, fashion and other cultural trends that were part of everyday life for me in the early- to mid-80s that were entirely unknown to her at that time.” –slkinsey
“I think the big thing was that trends moved more slowly. So you’d have a thing that happened on TV and your weekly magazine (Time, Newsweek) would talk about it. Or your monthly humor magazine (Mad, Cracked). A lot more people watched the same channels, so you’d see people dressed on shows and dressed in commercials… I lived in a rural area, and when I’d visit friends in the big city I’d get ideas and some of those would filter down. I assume it was like this for other people, getting ideas from people more cosmopolitan and then the trickle down. Same with radio, there were only so many stations and there would be a culture that built up around each one which might include shows they promoted (you’d go, you’d see other people) and maybe local events or stuff around them.” –jessamyn
“I think social media is more about an acceleration in the spread of trends, as well as an increase in the scope of their spread, than the absence of trend-spreading before. Prior to Facebook/etc, people talked to one another, in person…
Media wasn’t ‘social’ as we mean it today, but it was still… media. That, and people did what people do – watched the ‘in’ person or people among them and often copied/followed along. Based on my memories of summer camp, trends spread there practically in minutes, sans phones or the internet. Some of this had to do with most of the campers originating in the same hometown. They all just… knew… what was “in” (based on all knowing each other, they decided what that was, in turn based on movies, TV shows, etc) and good luck if you weren’t from their town. People set trends, and others follow, or try to follow – whether through gossip and magazines and MTV, or through social media. All that’s changed is the speed in which trends get set, and the size of the area that they reach.” – Armed Only With Hubris
“- Cool kids moving from other parts of the country to my rapidly-growing Minneapolis suburb were a vector for fashion trends in particular.
– Older siblings would see shows at local venues, interact with others in the audience as well as the bands themselves and people traveling with them, and then bring those influences back to their friends and younger siblings.
Record shops played a big role in music trends before the Internet. Photo credit: Canva
– A handful of shops played important roles spreading culture. Music stores were hangout spots where music was discovered and ideas mixed.
– Alternative radio stations and college radio had a big reach even out into the small towns and countryside.” – theory
It’s wild to see these explanations and realize how much the Internet has changed things. Newspapers, magazines, radio stations, and record shops have struggled just to survive in the digital age. Rarely do they serve as influential forces in what’s popular.
The people we used to think of as trendsetters are now “influencers.” Real-life social connections have morphed into social media connections that spread trends in the blink of an eye. It’s hard to remember a time when trends spread slowly, either in person or through influences we all shared. But it sure is fun to remember a time when a simple string game could keep us occupied for hours.
For more than 2,000 years, humankind has known that the Earth is round. That fact was widely demonstrated in 1522, when the Magellan-Elcano expedition sailed around the planet without falling off its nonexistent edge. So for more than 2,000 years, people have made globes to help them navigate the planet and hone their geographic knowledge.
In the second century AD, a major step in globe-making came when Claudius Ptolemy developed a scientific method for locating places using coordinates known as latitude and longitude. Initially, elites exchanged globes with one another. You might also find one in a classroom. But globes began to be mass-produced in the early 19th century, giving more people a way to understand the world from their own homes.
Video shows how globes were made in London in 1955
A charming video by British Pathé, created in 1955, offers an inside look at what it was like to manufacture a globe by hand before machines took over much of the process. British Pathé was a newsreel producer that covered world events from 1896 to 1978, and today its entire archive is available to view for free.
Globe construction in the 1950s was a painstaking process. It began with covering a solid wooden ball with papier-mâché, which was then coated with plaster. Nine separate layers of plaster were applied to the sphere, bringing it to a thickness of 1/8 inch; the entire molding process took more than six hours.
Once dried, the globe was sent to the covering room, where the map was pasted on in small portions, “like restoring the skin to a peeled orange,” the narrator said. After the map was added to the globe’s surface, workers painstakingly smoothed out any lumps and removed excess glue. It was then attached to an axis for display. The entire process took around 15 hours.
In 1955, globes were available in sizes ranging from one inch (£0.60) to six feet (£1,000), which would cost roughly $24 to $35,000 in today’s dollars.
How are globes made today?
Replogle Globes, one of the world’s largest globe manufacturers, shared a video offering a behind-the-scenes look at how globes are made today and how modern machines have made the process much faster.
One big difference from how globes were made in the ’50s is that the maps are printed directly onto chipboard, which is then precisely cut with a hydraulic press and formed into half a sphere. During the pressing process, three-dimensional mountains are embossed into the globe’s surface. After the northern and southern hemispheres are pressed together, they are attached to a central hoop, creating a complete replica of planet Earth.
Globes have been around for more than 2,000 years, and they remain one of the few educational tools that we still use today. You can put a child in front of a computer and show them a representation of the Earth, which they will probably understand. Still, nothing beats running your fingers across a globe and spinning it in your hands to realize what an incredible planet we live on.
