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Rachael Leigh Cook is back with the sequel to 1997's "your brain on drugs" PSA we didn't know we needed until now.

You might think that if she were going to bring back a famous character, she'd go for Laney Boggs from "She's All That" or maybe Josie from "Josie and the Pussycats," but this is even better (and honestly, much more important).

Cook in the 1997 PSA. Photo from Partnership for a Drug-Free America/YouTube.


You might remember the original ad, courtesy of the Partnership for a Drug-Free America, in which Cook smashes her way through a diner with a frying pan to illustrate all the ways that doing drugs will ruin your life. It was a powerful TV spot with an effective message: Use drugs at your own peril!

But there's one issue: The original ad left out some important details about who is affected by the War on Drugs, what effect it actually had, and why we need to put an end to it.

In the new PSA, Cook again picks up a frying pan, this time to lay out a solid case for putting an end to the soul-crushing consequences of the newly revived War on Drugs.

Millions of people use drugs, but not all of them will get caught. Cook's updated PSA tells the story of the lives of two drug users: one who gets caught and one who doesn't.

A user convicted of a drug-related crime might struggle to find employment, housing, or even education. These crimes can be relatively small — such as possession of a single Oxycontin pill, possession of two joints, or trafficking — with hefty, decades-long sentences and a wrecked future.

[rebelmouse-image 19527460 dam="1" original_size="750x390" caption="Image from Green Point Creative/YouTube." expand=1]Image from Green Point Creative/YouTube.

The War on Drugs fuels mass incarceration, targets people of color, destroys communities, and costs billions of dollars. So why do we do it?

Maybe that's why Cook looks and sounds just as righteously pissed-off as she did in the '97 original, and maybe that's what we all need to do — because the War on Drugs just doesn't make sense.

[rebelmouse-image 19527461 dam="1" original_size="750x390" caption="Cook in 2017. Image from Green Point Creative/YouTube." expand=1]Cook in 2017. Image from Green Point Creative/YouTube.

Watch the updated PSA below, and learn more about how you can get involved in the fight against the War on Drugs at the Drug Policy Alliance.

Hold on, Frankie! Mama's coming!

How do you explain motherhood in a nutshell? Thanks to Cait Oakley, who stopped a preying bald eagle from capturing her pet goose as she breastfed her daughter, we have it summed up in one gloriously hilarious TikTok.

The now viral video shows the family’s pet goose, Frankie, frantically squawking as it gets dragged off the porch by a bald eagle—likely another mom taking care of her own kiddos.

Wearing nothing but her husband’s boxers while holding on to her newborn, Willow, Oakley dashes out of the house and successfully comes to Frankie's rescue while yelling “hey, hey hey!”

The video’s caption revealed that the Oakleys had already lost three chickens due to hungry birds of prey, so nothing was going to stop “Mama bear” from protecting “sweet Frankie.” Not even a breastfeeding session.

Oakley told TODAY Parents, “It was just a split second reaction ...There was nowhere to put Willow down at that point.” Sometimes being a mom means feeding your child and saving your pet all at the same time.

As for how she feels about running around topless in her underwear on camera, Oakley declared, “I could have been naked and I’m like, ‘whatever, I’m feeding my baby.’”

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10/10. The Mayyas dance.

We can almost always expect to see amazing acts and rare skills on “America’s Got Talent.” But sometimes, we get even more than that.

The Mayyas, a Lebanese women’s dance troupe whose name means “proud walk of a lioness,” delivered a performance so mesmerizing that judge Simon Cowell called it the “best dance act” the show has ever seen, winning them an almost instant golden buzzer.

Perhaps this victory comes as no surprise, considering that the Mayyas had previously won “Arab’s Got Talent” in 2019 and competed on “Britain’s Got Talent: The Champions.” But truly, it’s what motivates them to take to the stage that’s remarkable.

“Lebanon is a very beautiful country, but we live a daily struggle," one of the dancers said to the judges just moments before their audition. Another explained, “being a dancer as a female Arab is not fully supported yet.”

Nadim Cherfan, the team’s choreographer, added that “Lebanon is not considered a place where you can build a career out of dancing, so it’s really hard, and harder for women.”

Still, Cherfan shared that it was a previous “AGT” star who inspired the Mayyas to defy the odds and audition anyway. Nightbirde, a breakout singer who also earned a golden buzzer before tragically passing away in February 2021 due to cancer, had told the audience, “You can't wait until life isn't hard anymore before you decide to be happy.” The dance team took the advice to heart.

For the Mayyas, coming onto the “AGT” stage became more than an audition opportunity. Getting emotional, one of the dancers declared that it was “our only chance to prove to the world what Arab women can do, the art we can create, the fights we fight.”

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