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They look like they belong in a modern art museum.

Photo from J Henry Fair, used with permission.

But this isn't an oil painting.


The kaleidoscope above is actually "red mud" waste from processing bauxite ore, the world's main source of aluminum.

For years, J Henry Fair, a photographer and activist, has been taking aerial photographs of industrial sites, capturing how humanity affects the numerous interlocking systems that make up our environment.

The images are surprising, thought-provoking, and even a little intense.

In Louisiana, that red mud is channeled to large, shallow pools like this one, where it slowly evaporates and dries out.

Photo from J Henry Fair, used with permission.

The mud can be highly alkaline and contain elements such as arsenic and mercury. Most of the time, the mud is kept contained, but an industrial accident in 2010 near Budapest, Hungary, sent more than a million cubic meters of toxic waste into the Marcal river.

In Canada, gigantic tanks hold millions of gallons of tar sand oil.

Photo from J Henry Fair, used with permission.

Once you extract oil sands, you need to "upgrade" it by removing particulate matter. This gigantic tank in Canada, seen from above, stores 400,000 to 500,000 barrels of oil. The inspection catch can be seen in the center.

This tank has rusted and been painted over multiple times, forming a shifting pattern of colors.

Photo from J Henry Fair, used with permission.

It looks like a close-up of an alien eye.

This is what it looks like when coal ash is diverted from the atmosphere and into water instead.

Photo from J Henry Fair, used with permission.

Coal provides about 30% of the United States' electricity. Filters and scrubbers can capture the ash and particulate matter produced by burning coal, preventing it from entering the atmosphere. But the pollution has to go somewhere. Much of it ends up in holding ponds instead.

This coal ash holding pond in Pennsylvania is the largest in the United States.

Photo from J Henry Fair, used with permission.

This pond is in Shippingport. It's a "high hazard" impoundment. If it failed, people could be in danger.

On the other side of the state, fracking fluid is collected in lined pits.

Photo from J Henry Fair, used with permission.

The fluid includes ground-up rock, lubricants, chemicals, and sometimes radioactive material from the fracked shale layer.

Fair notes that the overspray, seen at the top of the photo, is a regulatory violation. Any fluid that escapes could seep into the local water system.

This ochre-colored pattern is actually from the BP oil spill in the Gulf of Mexico.

Photo from J Henry Fair, used with permission.

In this photo, light petroleum from the Deepwater Horizon accident lingers just below the ocean surface. Dispersant chemicals eventually broke up the surface spill, sinking it toward the ocean floor.

This is a picture of the tailings of a Swedish iron mine.

Photo from J Henry Fair, used with permission.

Fine waste material mixes with water and is pumped into impoundments, essentially large ponds or dams.

Finally, this emerald view is actually an impoundment at a pesticide factory.

Photo from J Henry Fair, used with permission.

Fair's flight services for all these striking images were provided by Lighthawk and Southwings.

These images show a side of our habits we don't often see.

We use the materials produced at these sites every day — aluminum cans, plastics, coal-powered electricity — but we've put great distance between the actual production and the consumer. Yet our effect is still present.

"Once you really know and accept the consequences of something, then you have to make a moral judgment," Fair says. The good news is that if you don't think it's worth it, it's not hard to change.

"We all feel a sense of futility. The questions are so big that we all feel like there's nothing I can do. But in fact, everything adds up. Everything matters," Fair says. It can be as simple as eating chicken instead of beef or buying a different brand of toilet paper.

Fair is turning the project into a book.

Titled "Industrial Scars," it's being published by Papadakis and features a foreword by Bill McKibben of 350.org. You can also find more of Fair's work on his website.

Photo from J Henry Fair, used with permission.

Watch the trailer for the book below:

Joy

Nurse turns inappropriate things men say in the delivery room into ‘inspirational’ art

"Can you move to the birthing ball so I can sleep in the bed?"

Holly the delivery nurse.

After working six years as a labor and delivery nurse Holly, 30, has heard a lot of inappropriate remarks made by men while their partners are in labor. “Sometimes the moms think it’s funny—and if they think it’s funny, then I’ll laugh with them,” Holly told TODAY Parents. “But if they get upset, I’ll try to be the buffer. I’ll change the subject.”

Some of the comments are so wrong that she did something creative with them by turning them into “inspirational” quotes and setting them to “A Thousand Miles” by Vanessa Carlton on TikTok.

“Some partners are hard to live up to!” she jokingly captioned the video.

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All images provided by Adewole Adamson

It begins with more inclusive conversations at a patient level

True

Adewole Adamson, MD, of the University of Texas, Austin, aims to create more equity in health care by gathering data from more diverse populations by using artificial intelligence (AI), a type of machine learning. Dr. Adamson’s work is funded by the American Cancer Society (ACS), an organization committed to advancing health equity through research priorities, programs and services for groups who have been marginalized.

Melanoma became a particular focus for Dr. Adamson after meeting Avery Smith, who lost his wife—a Black woman—to the deadly disease.

melanoma,  melanoma for dark skin Avery Smith (left) and Adamson (sidenote)

This personal encounter, coupled with multiple conversations with Black dermatology patients, drove Dr. Adamson to a concerning discovery: as advanced as AI is at detecting possible skin cancers, it is heavily biased.

To understand this bias, it helps to first know how AI works in the early detection of skin cancer, which Dr. Adamson explains in his paper for the New England Journal of Medicine (paywall). The process uses computers that rely on sets of accumulated data to learn what healthy or unhealthy skin looks like and then create an algorithm to predict diagnoses based on those data sets.

This process, known as supervised learning, could lead to huge benefits in preventive care.

After all, early detection is key to better outcomes. The problem is that the data sets don’t include enough information about darker skin tones. As Adamson put it, “everything is viewed through a ‘white lens.’”

“If you don’t teach the algorithm with a diverse set of images, then that algorithm won’t work out in the public that is diverse,” writes Adamson in a study he co-wrote with Smith (according to a story in The Atlantic). “So there’s risk, then, for people with skin of color to fall through the cracks.”

Tragically, Smith’s wife was diagnosed with melanoma too late and paid the ultimate price for it. And she was not an anomaly—though the disease is more common for White patients, Black cancer patients are far more likely to be diagnosed at later stages, causing a notable disparity in survival rates between non-Hispanics whites (90%) and non-Hispanic blacks (66%).

As a computer scientist, Smith suspected this racial bias and reached out to Adamson, hoping a Black dermatologist would have more diverse data sets. Though Adamson didn’t have what Smith was initially looking for, this realization ignited a personal mission to investigate and reduce disparities.

Now, Adamson uses the knowledge gained through his years of research to help advance the fight for health equity. To him, that means not only gaining a wider array of data sets, but also having more conversations with patients to understand how socioeconomic status impacts the level and efficiency of care.

“At the end of the day, what matters most is how we help patients at the patient level,” Adamson told Upworthy. “And how can you do that without knowing exactly what barriers they face?”

american cancer society, skin cacner treatment"What matters most is how we help patients at the patient level."https://www.kellydavidsonstudio.com/

The American Cancer Society believes everyone deserves a fair and just opportunity to prevent, find, treat, and survive cancer—regardless of how much money they make, the color of their skin, their sexual orientation, gender identity, their disability status, or where they live. Inclusive tools and resources on the Health Equity section of their website can be found here. For more information about skin cancer, visit cancer.org/skincancer.

The mesmerizing lost art of darning knit fabric.

For most of human history, people had to make their own clothing by hand, and sewing skills were subsequently passed down from generation to generation. Because clothing was so time-consuming and labor-intensive to make, people also had to know how to repair clothing items that got torn or damaged in some way.

The invention of sewing and knitting machines changed the way we acquire clothing, and the skills people used to possess have largely gone by the wayside. If we get a hole in a sock nowadays, we toss it and replace it. Most of us have no idea how to darn a sock or fix a hole in any knit fabric. It's far easier for us to replace than to repair.

But there are still some among us who do have the skills to repair clothing in a way that makes it look like the rip, tear or hole never happened, and to watch them do it is mesmerizing.

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Pop Culture

Artist uses AI to create ultra realistic portraits of celebrities who left us too soon

What would certain icons look like if nothing had happened to them?

Mercury would be 76 today.

Some icons have truly left this world too early. It’s a tragedy when anyone doesn’t make it to see old age, but when it happens to a well-known public figure, it’s like a bit of their art and legacy dies with them. What might Freddie Mercury have created if he were granted the gift of long life? Bruce Lee? Princess Diana?

Their futures might be mere musings of our imagination, but thanks to a lot of creativity (and a little tech) we can now get a glimpse into what these celebrities might have looked like when they were older.

Alper Yesiltas, an Istanbul-based lawyer and photographer, created a photography series titled “As If Nothing Happened,” which features eerily realistic portraits of long gone celebrities in their golden years. To make the images as real looking as possible, Yesiltas incorporated various photo editing programs such as Adobe Lightroom and VSCO, as well as the AI photo-enhancing software Remini.

“The hardest part of the creative process for me is making the image feel ‘real’ to me,” Yesiltas wrote about his passion project. “The moment I like the most is when I think the image in front of me looks as if it was taken by a photographer.”

Yesiltas’ meticulousness paid off, because the results are uncanny.

Along with each photo, Yesiltas writes a bittersweet message “wishing” how things might have gone differently … as if nothing happened.
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