Mom's creative reaction to her daughter's dirty sock on the floor hilariously escalates

Every parent knows the woe of kids leaving their dirty clothes lying around. When I was a kid, my dad would see my pile of clothes on the bathroom after I took a shower and cry, "Oh no! Annie melted!" I thought that was a clever alternative to yelling at me to pick up my stuff, but it doesn't hold a candle to the way a Washington state mom handled a dirty sock left behind by her daughter.

Xep Campbell shared how her and her 10-year-old daughter Kestrel's creative one-upsmanship escalated on Facebook, and people are loving it.

"On the evening of Thanksgiving when I went to bed I noticed one of Kestrel's socks on the bathroom floor," Campbell wrote. "I decided not to toss it in the hamper but instead see how long it would stay there, sort of a sociological experiment. Today, a week later, it remained, so I decided it must be intentional and deserved recognition as such. I made this little label hoping it would motivate her to pick it up. Oh no."


Xep Campbell/Facebook

The label reads like a sign at an art installation—"The Forgotten Sock, Mixed Media, Nov 25, 2020. On loan from the collection of the artist."

Xep Campbell/Facebook

"She sent me a text message asking if I had done it.," Campbell wrote.

Xep Campbell/Facebook

"When I got home she said 'I made a pedestal for it!' She gamed my shame."

Xep Campbell/Facebook

Game on.

"I figured as long as it was on display, it deserved an audience so the barnyard animals arrived," wrote Campbell. "They find it very fascinating."

Xep Campbell/Facebook


Xep Campbell/Facebook

That alone would have been enough to draw a chuckle from anyone. But it didn't end there.

You know those "mysterious" metal monoliths that have been making the news?

Xep Campbell/Facebook

Oh yes, she did.

Xep Campbell/Facebook

And it just kept going. "I came back from walking the dog and this had appeared," Campbell wrote. More art for the animals to enjoy.

Xep Campbell/Facebook

And then? This happened. "It's a miracle!!!" Likely the only nativity scene of its kind, ever.

Xep Campbell/Facebook

And it kept growing. "They heard about the party." Oh. My. Goodness.

Xep Campbell/Facebook

"I should point out this is a *very small* bathroom," Campbell added. "I asked when the sock might go away. She said 'how long do art exhibits usually last?'

Xep Campbell/Facebook

The creative escalation of the abandoned sock story has delighted tens of thousands as the post has gone viral.

Campbell tells Upworthy that she tries to live life in a way that results in a net positive gain for herself and anyone she comes in contact with—a philosophy that clearly extends to her relationship with her daughter.

"I always try to take the creative route whenever possible," she says. "There is a lot of beige in the world that needs to be countered. There are also endless possibilities to be creative with even the most mundane aspects of life. I tend to go for the weird option when it's there."

As one example, when Campbell had to have brain surgery, she invited her friends to a zombie-themed roller skating party where they ate giant, brain-shaped jello. She says that Kestrel isn't fazed by any of her mother's antics because she's grown up with it. "She definitely appreciates the absurd, though." Campbell adds.

Not only is this story wildly entertaining, but seeing a unique approach to an extremely common parenting situation can help all parents expand their toolbox. Not only is this sock-turned-art-turned-manger-scene a fun way to make a memory with a child, it's also likely to be far more effective at helping her remember to pick up her clothes off the floor than simply reminding her for the dozenth (or hundredth) time to use the hamper. Normally a kid might overlook something they left behind, now any time her eyes hit a piece of clothing on the floor, her brain will remember this goofy scene and at least notice that it's there.

Well done, mama. Thanks for the entertainment and the positive parenting example.

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Judy Vaughan has spent most of her life helping other women, first as the director of House of Ruth, a safe haven for homeless families in East Los Angeles, and later as the Project Coordinator for Women for Guatemala, a solidarity organization committed to raising awareness about human rights abuses.

But in 1996, she decided to take things a step further. A house became available in the mid-Wilshire area of Los Angeles and she was offered the opportunity to use it to help other women and children. So, in partnership with a group of 13 people who she knew from her years of activism, she decided to make it a transitional residence program for homeless women and their children. They called the program Alexandria House.

"I had learned from House of Ruth that families who are homeless are often isolated from the surrounding community," Judy says. "So we decided that as part of our mission, we would also be a neighborhood center and offer a number of resources and programs, including an after-school program and ESL classes."

She also decided that, unlike many other shelters in Los Angeles, she would accept mothers with their teenage boys.

"There are very few in Los Angeles [that do] due to what are considered liability issues," Judy explains. "Given the fact that there are (conservatively) 56,000 homeless people and only about 11,000 shelter beds on any one night, agencies can be selective on who they take."

Their Board of Directors had already determined that they should take families that would have difficulties finding a place. Some of these challenges include families with more than two children, immigrant families without legal documents, moms who are pregnant with other small children, families with a member who has a disability [and] families with service dogs.

"Being separated from your son or sons, especially in the early teen years, just adds to the stress that moms who are unhoused are already experiencing," Judy says.

"We were determined to offer women with teenage boys another choice."

Courtesy of Judy Vaughan

Alexandria House also doesn't kick boys out when they turn 18. For example, Judy says they currently have a mom with two daughters (21 and 2) and a son who just turned 18. The family had struggled to find a shelter that would take them all together, and once they found Alexandria House, they worried the boy would be kicked out on his 18th birthday. But, says Judy, "we were not going to ask him to leave because of his age."

Homelessness is a big issue in Los Angeles. "[It] is considered the homeless capital of the United States," Judy says. "The numbers have not changed significantly since 1984 when I was working at the House of Ruth." The COVID-19 pandemic has only compounded the problem. According to Los Angeles Homeless Services Authority (LAHSA), over 66,000 people in the greater Los Angeles area were experiencing homelessness in 2020, representing a rise of 12.7% compared with the year before.

Each woman who comes to Alexandria House has her own unique story, but some common reasons for ending up homeless include fleeing from a domestic violence or human trafficking situation, aging out of foster care and having no place to go, being priced out of an apartment, losing a job, or experiencing a family emergency with no 'cushion' to pay the rent.

"Homelessness is not a definition; it is a situation that a person finds themselves in, and in fact, it can happen to almost anyone. There are many practices and policies that make it almost impossible to break out of poverty and move out of homelessness."

And that's why Alexandria House exists: to help them move out of it. How long that takes depends on the woman, but according to Judy, families stay an average of 10 months. During that time, the women meet with support staff to identify needs and goals and put a plan of action in place.

A number of services are provided, including free childcare, programs and mentoring for school-age children, free mental health counseling, financial literacy classes and a savings program. They have also started Step Up Sisterhood LA, an entrepreneurial program to support women's dreams of starting their own businesses. "We serve as a support system for as long as a family would like," Judy says, even after they have moved on.

And so far, the program is a resounding success.

92 percent of the 200 families who stayed at Alexandria House have found financial stability and permanent housing — not becoming homeless again.

Since founding Alexandria House 25 years ago, Judy has never lost sight of her mission to join with others and create a vision of a more just society and community. That is why she is one of Tory Burch's Empowered Women this year — and the donation she receives as a nominee will go to Alexandria House and will help grow the new Start-up Sisterhood LA program.

"Alexandria House is such an important part of my life," says Judy. "It has been amazing to watch the children grow up and the moms recreate their lives for themselves and for their families. I have witnessed resiliency, courage, and heroic acts of generosity."

Simon & Garfunkel's song "Bridge Over Troubled Water" has been covered by more than 50 different musical artists, from Aretha Franklin to Elvis Presley to Willie Nelson. It's a timeless classic that taps into the universal struggle of feeling down and the comfort of having someone to lift us up. It's beloved for its soothing melody and cathartic lyrics, and after a year of pandemic challenges, it's perhaps more poignant now than ever.

A few years a go, American singer-songwriter Yebba Smith shared a solo a capella version of a part of "Bridge Over Troubled Water," in which she just casually sits and sings it on a bed. It's an impressive rendition on its own, highlighting Yebba's soulful, effortless voice.

But British singer Jacob Collier recently added his own layered harmony tracks to it, taking the performance to a whole other level.

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Images courtesy of John Scully, Walden University, Ingrid Scully
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Since March of 2020, over 29 million Americans have been diagnosed with COVID-19, according to the CDC. Over 540,000 have died in the United States as this unprecedented pandemic has swept the globe. And yet, by the end of 2020, it looked like science was winning: vaccines had been developed.

In celebration of the power of science we spoke to three people: an individual, a medical provider, and a vaccine scientist about how vaccines have impacted them throughout their lives. Here are their answers:

John Scully, 79, resident of Florida

Photo courtesy of John Scully

When John Scully was born, America was in the midst of an epidemic: tens of thousands of children in the United States were falling ill with paralytic poliomyelitis — otherwise known as polio, a disease that attacks the central nervous system and often leaves its victims partially or fully paralyzed.

"As kids, we were all afraid of getting polio," he says, "because if you got polio, you could end up in the dreaded iron lung and we were all terrified of those." Iron lungs were respirators that enclosed most of a person's body; people with severe cases often would end up in these respirators as they fought for their lives.

John remembers going to see matinee showings of cowboy movies on Saturdays and, before the movie, shorts would run. "Usually they showed the news," he says, "but I just remember seeing this one clip warning us about polio and it just showed all these kids in iron lungs." If kids survived the iron lung, they'd often come back to school on crutches, in leg braces, or in wheelchairs.

"We all tried to be really careful in the summer — or, as we called it back then, 'polio season,''" John says. This was because every year around Memorial Day, major outbreaks would begin to emerge and they'd spike sometime around August. People weren't really sure how the disease spread at the time, but many believed it traveled through the water. There was no cure — and every child was susceptible to getting sick with it.

"We couldn't swim in hot weather," he remembers, "and the municipal outdoor pool would close down in August."

Then, in 1954 clinical trials began for Dr. Jonas Salk's vaccine against polio and within a year, his vaccine was announced safe. "I got that vaccine at school," John says. Within two years, U.S. polio cases had dropped 85-95 percent — even before a second vaccine was developed by Dr. Albert Sabin in the 1960s. "I remember how much better things got after the vaccines came out. They changed everything," John says.

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