Artist creates stunning—but temporary—wildlife portraits with natural, foraged materials
Hannah Bullen-Ryner uses just nature and her hands to make creatures that are meant to blow away.

Hannah Bullen-Ryner's gorgeous creations aren't built to last.
Some people create art as a way of immortalizing a piece of themselves, to leave behind some creative evidence of their existence and communicate through their art long after they are gone. But what of those who create art that isn't meant to last?
Hannah Bullen-Ryner, a full-time mother to twins, walks to the woodlands and fields about 10 minutes from her flat in Hertfordshire, England, each day as a ritual. She sits immersed in nature, in all kinds of weather, and creates whatever creature decides to "visit" her out of whatever natural items she can forage.
She uses no tools—no scissors, clippers or glue. All she has are her hands and her camera to capture her creations before they are scattered by the wind or washed away by rain.
Sometimes her land art "visitors" blow away within seconds of her creating them, but Bullen-Ryner isn't bothered.
"Right now it is the ephemeral nature of my work that makes it special to me," she shares on her website. "I lay my emotions down on the ground and they blow away. That is a very cathartic experience."
The only materials she uses are things she finds in nature—twigs, leaves, petals, rocks, shells—some of which she saves and reuses and some of which get carried off by the wind to "visit" someone else.
Bullen-Ryner used to be a painter and a photographer, and her painter's eye comes through clearly in her land art. However, it's an entirely different beast to create a brush stroke just as you want it to be and to use individual pieces of whatever you find to "paint" with.
"I flow every single day unless the weather is too crazy," Bullen-Ryner shares. "It has become a spiritual ritual and something that really improves my mental health. I decide after I have sat down, placed my gathered elements down and cleared a space...sometimes I don't know until after I have already begun and other times I use reference photos to work from. It very much depends on my mood too. Sometimes I want to make something cute and uplifting, other times it's more dark or energetic."
Some of her creations involve minimal materials for a more impressionistic animal, such as this lion.
Others look almost like an actual painting, like this wee badger.
"I create to share my love of nature and to soothe my soul," she writes.
And believe it or not, most of these creations could fit in the palm of your hand.
"My work is very, very small," Bullen-Ryner shared with Street Art Utopia. "I need very tiny ingredients and I am never not looking. I’m a magpie and have tiny pebbles and things constantly, in every single pocket. I also recycle elements over and over and over again. I store them in half coconut shells that I leave on site and cover with an old fence post. If petals have dried I dunk them in some water until they are workable again."
Oh, by the way, here there be dragons as well.
Bullen-Ryner sells prints of her favorite photos on her Etsy shop just once a month and only for a few days or until they sell out. (Her mother runs her Etsy shop and Bullen-Ryner writes that she "can't risk breaking her.")
You can follow Hannah Bullen-Ryner and see more of her ephemeral animal friends on Facebook and Instagram.
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Resurfaced video of French skier's groin incident has people giving the announcer a gold medal
"The boys took a beating on that one."
Downhill skiing is a sport rife with injuries, but not usually this kind.
A good commentator can make all the difference when watching sports, even when an event goes smoothly. But it's when something goes wrong that great announcers rise to the top. There's no better example of a great announcer in a surprise moment than when French skier Yannick Bertrand took a gate to the groin in a 2007 super-G race.
Competitive skiers fly down runs at incredible speeds, often exceeding 60 mph. Hitting something hard at that speed would definitely hurt, but hitting something hard with a particularly sensitive part of your body would be excruciating. So when Bertrand slammed right into a gate family-jewels-first, his high-pitched scream was unsurprising. What was surprising was the perfect commentary that immediately followed.
This is a clip you really just have to see and hear to fully appreciate:
- YouTube youtu.be
It's unclear who the announcer is, even after multiple Google inquiries, which is unfortunate because that gentleman deserves a medal. The commentary gets better with each repeated viewing, with highlights like:
"The gate the groin for Yannick Bertrand, and you could hear it. And if you're a man, you could feel it."
"Oh, the Frenchman. Oh-ho, monsieurrrrrr."
"The boys took a beating on that one."
"That guy needs a hug."
"Those are the moments that change your life if you're a man, I tell you what."
"When you crash through a gate, when you do it at high rate of speed, it's gonna hurt and it's going to leave a mark in most cases. And in this particular case, not the area where you want to leave a mark."
Imagine watching a man take a hit to the privates at 60 mph and having to make impromptu commentary straddling the line between professionalism and acknowledging the universal reality of what just happened. There are certain things you can't say on network television that you might feel compelled to say. There's a visceral element to this scenario that could easily be taken too far in the commentary, and the inherent humor element could be seen as insensitive and offensive if not handled just right.
The announcer nailed it. 10/10. No notes.
The clip frequently resurfaces during the Winter Olympic Games, though the incident didn't happen during an Olympic event. Yannick Bertrand was competing at the FIS World Cup super-G race in Kvitfjell, Norway in 2007, when the unfortunate accident occurred. Bertrand had competed at the Turin Olympics the year before, however, coming in 24th in the downhill and super-G events.
As painful as the gate to the groin clearly as, Bertrand did not appear to suffer any damage that kept him from the sport. In fact, he continued competing in international downhill and super-G races until 2014.
According to a 2018 study, Alpine skiing is a notoriously dangerous sport with a reported injury rate of 36.7 per 100 World Cup athletes per season. Of course, it's the knees and not the coin purse that are the most common casualty of ski racing, which we saw clearly in U.S. skier Lindsey Vonn's harrowing experiences at the 2026 Olympics. Vonn was competing with a torn ACL and ended up being helicoptered off of the mountain after an ugly crash that did additional damage to her legs, requiring multiple surgeries (though what caused the crash was reportedly unrelated to her ACL tear). Still, she says she has no regrets.
As Bertrand's return to the slopes shows, the risk of injury doesn't stop those who live for the thrill of victory, even when the agony of defeat hits them right in the rocks.