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Charlize Theron fires back at claims that she got 'bad plastic surgery'

She blames the rumors on Hollywood's double standard when it comes to aging.

charlize theron plastic surgery, charlize theron

Charlize Theron does not mince words.

No, Charlize Theron hasn’t had “bad plastic surgery.” Like many women (scratch that, make it all women, all people in fact), her face simply looks different as a byproduct of growing older.

"My face is changing," the “Atomic Blonde” actress told Allure. “People think I had a facelift. They're like, 'What did she do to her face?' I'm like, 'B----, I'm just aging! It doesn't mean I got bad plastic surgery. This is just what happens.'"

While Theron doesn’t condemn cosmetic procedures, what she “despises” is a societal double standard where “men kind of age like fine wines and women like cut flowers.”


This isn’t the first time Theron has used that analogy to highlight the glaring discrepancy between how we collectively allow men to gain value as they grow older, while women are given an invisible expiration date.

Back in 2012 for a Q&A with WWD, she said, “It’s like we wilt for some reason. And men are like fine wines — the older they get, the better they get,” adding that the misconception is “such a lost opportunity because that’s when I think women are really in the true moment of their sensuality.”

That latter point is one echoed by several other fellow actresses of a similar age and beyond, such as Kate Winslet, Andie MacDowell and Jane Fonda, who have all shared anecdotes of feeling more confident, more sexy and overall more in their element during life’s later chapters.

And while ageism certainly affects both the sexes, there’s no denying that the beauty industry specifically profits from the notion of women “wilting” after 30—and that’s being generous, coming from someone who was already up-to-date with all the anti-aging trends at the ripe old age of 23.

via GIPHY

At the same time, society has also taken to shaming women (female celebrities in particular) for “getting work done”—often labeling them as vain, superficial, insecure, fake, etc. It’s a precarious place to be in, being either shunned for growing older or lambasted for trying to avoid it.

America Ferrera said it best in her "Barbie" monologue: “It’s literally impossible to be a woman.” That goes for beauty icons and regular folks alike.

As for Theron, her changing face is seen as a good thing—doubles standards be damned. What she does take umbrage with is how it’s affected her fitness.

“More than my face, I wish I had my 25-year-old body that I can just throw against the wall and not even hurt tomorrow. Now, if I don’t work out for three days and I go back to the gym, I can’t walk. I can’t sit down on the toilet,” she told Allure.

Stars—they really are just like us.

Read Theron’s full interview with Allure here.

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Larissa Gummy was first introduced to the work of the Peace Corps in high school. All it took was seeing a few photos shared by her ninth-grade teacher, a returned Peace Corps Volunteer, to know that one day, she would follow in those footsteps.

This inspiration eventually led Larissa away from her home in Minnesota to Rwanda in East Africa, to give back to her family’s country of origin and pursue her passion for international development. Though her decision confused her parents at first, they’re now proud and excited to see what their daughter has accomplished through her volunteer work.

And just what was that work? Well, it changed from day to day, but it all had to do with health.

Mostly, Larissa worked for Rwanda’s First 1,000 Days Health project, which aims to improve the conditions that affect the mortality rate of kids within the first 1,000 days of being born (or almost three years old). These conditions include hygiene, nutrition, and prevention of childhood diseases like malaria and acute respiratory infections (ARI). Addressing malnutrition was a particular focus, as it continues to cause stunted growth in 33% of Rwandan children under the age of five.

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These powerful before-and-after photos reveal just how beautiful aging can be.


Centenarians — people 100 years or older — are a rarity. Their lives are often scrutinized as holding the key to aging.

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In the series, Langer juxtaposes his portraits with another portrait of the subject from decades earlier. He recreates the original pose and lighting as closely as he can — he wants us to see them not just as they are now, but how they have and haven't changed over time. That is the key to the series.

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Fiona Apple speaking at the 1997 MTV Video Music awards.

In 1997, singer-songwriter 19-year-old Fiona Apple was a massive breakthrough artist on MTV, having recently scored big hits with “Shadowboxer,” “Criminal” and “Sleep to Dream” from her debut album, “Tidal.”

However, even though she was still a teenager, she was already suspicious of celebrity culture.

When accepting the award for the single "Sleep to Dream" at the MTV Video Music Awards, she gave an impromptu speech taking dead aim at the music industry. She asked the young people watching to stop emulating the stars they see in music videos and to be themselves.

Her speech was a bold move by a young woman in a room full of celebrities, rock stars and industry people. At the time, it looked like she was committing career suicide in front of the world. Twenty-six years later, it seems even more audacious in a world where the notion of being sellout is a Gen X relic and the entire culture is dominated by influencers.

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An 8-year-old snuck his handwritten book onto a library shelf. Now it has a 56-person waiting list.

Dillon Helbig's 81-page graphic novel— written by "Dillon His Self"—captured the hearts of his local librarians and their patrons.

Dillon Helbig's 81-page graphic novel captured the hearts of his local librarians.

Writing a book is no easy task, even for adult professional writers. Many would-be authors dream of a day when their work can be found on library shelves, unsure if it will ever come.

But for 8-year-old Dillon Helbig, that day has already arrived—in truly unconventional fashion—thanks to his own determination to make it happen.

Dillon wrote his 81-page graphic novel, "The Adventures of Dillon Helbig's Crismis" (written by "Dillon His Self") in a hardcover journal with colored pencils over the course of a few days. He even put a label on the back of the book that reads "Made in Idho" [sic] and put an illustrated spine label on it as well. Then, without telling anyone, he brought it to his local library in Boise, Idaho, and slipped it in among the books in the children's section.

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The world heard about it on January 17 when Twitter user Henpecked Hal shared a picture of the napkin with her partial phone number written on it. "My 22-year-old cousin met his dream girl at a bar and it's going pretty well,” Hal wrote in the tweet.

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