New York Jets quarterback Aaron Rodgers should have thought twice about making false allegations about late-night host Jimmy Kimmel. It’s probably not a great idea for an NFL quarterback to pick a public fight against a man who spent decades taking shots at people in the news.
It all began when Rodgers speculated that Kimmel would be on the Jeffrey Epstein client list, basically insinuating that he’s a pedophile, on the January 2 episode of ESPN’s “The Pat McAfee Show.” It was a tasteless, baseless accusation that Kimmel denies and he hasn’t appeared in any of the unsealed court documents.
After the accusation, Kimmel noted that Rodgers’ “reckless words put my family in danger.” When he returned to do his monologue on Monday, January 8, Kimmel gave a thoughtful and funny takedown of Rodgers, painting him as a man who is “too arrogant to know he’s ignorant.”
He added that Rodgers probably suffers from the Dunning-Krueger effect. This psychological phenomenon occurs when a person’s lack of knowledge and skill in a particular area causes them to overestimate their own competence.
“He genuinely thinks that because God gave him the ability to throw a ball, he’s smarter than everybody else. The idea that his brain is just average is unfathomable to him. We learned during COVID somehow he knows more about science than scientists,” Kimmel continued.
“And by the way, I’m not one of those people that thinks athletes and members of the sports media should stick to talking about sports,” Kimmel said. “I think Aaron Rodgers has the right to express any opinion he wants. But saying someone is a pedophile isn’t an opinion nor is it trash talk, sorry Pat McAfee.”
Rodgers responded by denying that he accused Kimmel of pedophilia. “I don’t give a s— what he says about me,” Rodgers said. “As long as he understands what I actually said and that I’m not accusing him of being on a list, I’m all for moving forward.”
From Pakistan to Tanzania, the most effective education solutions are community-led. Here’s how local leaders, in partnership with Malala Fund and supported by Pura, are mobilizing entire communities.
When asked to describe what Tanzania smells like, Grace Isekore closes her eyes and breathes in deep. For a moment, she’s somewhere else entirely. Tanzania is a rich tapestry of sights and scents, from the smell of sea mist that permeates the coastline to the earthy cardamom and cloves she cooks with in her kitchen. But when Grace emerges from her reverie, her answer is unexpected.
“Tanzania smells like peace,” she says, her eyes still closed. “I see a beautiful country where we are free to move, free to speak. And there is peace within the community.”
For Grace, that sense of peace isn’t just something she smells; it’s something she works toward every day. As a project coordinator with Pastoral Women’s Council (PWC), a women-led organization that empowers pastoralist communities in northern Tanzania, she has seen firsthand how girls flourish when they have the opportunity to attend school. Like scent, education not only connects girls to their own culture, but also helps broaden their horizons, realizing new possibilities for themselves and others. That transformation reshapes entire communities and ripples outward, with the potential to change countries and transform the world for the better.
Different scents, different approaches, and communities driving change
Spices in Tanzania. Captured by James Roh for Pura
For Grace and others around the world, education is freedom, as well as a pathway to a stronger community. Rooted in that shared belief, Pura, a home fragrance company, was inspired to build on their four-year partnership with Malala Fund to create something truly unique: a fragrance collection that connects people through scent to communities in Tanzania, Nigeria, Pakistan, and Brazil, where barriers to girls’ education are among the highest.
Using ingredients from each region, the new Pura x Malala Fund Collection uses scent to transport people to these regions directly. “Future in Bloom,” for example, invokes Pakistan’s lush valleys through notes of jasmine, cedarwood, and mango; while Tanzania’s fragrance, “Heart on Fire,” evokes the spirit and joyfulness of the girls who live there through cardamom, lemon, and green tea.
The new Collection honors the work Malala Fund does every day, partnering with locally-led organizations in these four countries to ensure every girl can access and complete 12 years of education. Each scent celebrates the joy, tenacity, and courage of the women and girls driving change on the ground, while also augmenting Pura’s annual grant to Malala Fund by donating eight percent of net revenue from the Pura x Malala Fund Collection to Malala Fund directly.
Just as each country’s scent is unique, so too are their needs related to education. But with support from Malala Fund and Pura, local leaders are coming up with creative ways to mobilize entire communities (parents, teachers, elders, and the students themselves, in their pursuit of solutions, understanding that educating girls helps everyone thrive. Here’s how their efforts are creating real, durable impact in Tanzania and Pakistan, and creating a ripple effect that changes the world for the better.
Parent-teacher associations help Maasai girls and their communities in Tanzania problem-solve
A girl’s school in Tanzania. Captured by James Roh for Pura
Northern Tanzania, Grace’s home, is home to pastoralist communities like the Maasai, a nomadic people who have moved with the seasons to nurture the land and care for their livestock for centuries. The nomadic nature of this lifestyle creates significant and unique barriers to girls’ education. Longstanding gender roles have enabled Maasai to survive in the harsh environment and have placed great value on both women and men. Over time, as nomadic life has been threatened by the privatization of land and stationary education models have been implemented, the reality of pastoralist livelihood has shifted and introduced new complexities. Now, the sheer distance to schools is both a practical challenge and one that often comes with danger from the landscape, predators, and potential exposure to assault along the journey. Girls shoulder the responsibility of household chores and there is often cultural pressure around early marriage – both leading to boys’ education being prioritized over girls’.
“There are very, very good [pastoralist] cultural practices, which are passed from generation to generation,” says Janet Kimori, an English teacher at Lekule Girls Secondary School in Longido, Tanzania. But when cultural practices act as educational barriers, “you have to sit down and look for where you are going to assist. As a school, as an individual, the school administration—all of us will chip in and know how we are going to deal with this problem.”
PWC works to ensure girls are able to exercise their right to an education while also preserving pastoralist culture. One successful approach, the organization found, has been the formation of Parent Teacher Associations (PTAs), created with help from Malala Fund. In PTA meetings, students, parents, teachers, elders, and government officials meet, discuss educational barriers, and come up with community-led solutions that preserve and honor their culture while advancing educational outcomes.
PTA meeting in Tanzania. Captured by James Roh for Pura
One recent PTA meeting highlights how these community-led solutions are often the most effective. At Lekule Girls Secondary School, the lack of fresh water forces girls to walk long distances to collect water for the school’s kitchen during the school day, and these long journeys not only disrupt class time but can leave girls vulnerable to sexual assault in isolated areas. Through facilitated discussion, PTA members landed on a solution: installing a borehole to pipe in fresh water to the school. Reliable access to water creates a better learning environment for the girls, but it also benefits the community at large, as local governments are then more likely to invest in health clinics and other community resources nearby.
With a solution in place, the PTA was then able to discuss ideas and map out a course of action. The women would raise money for the cost of the borehole, while the men would recruit workers to dig the hole and lay the pipe. Together, they would ask government officials to match their investment.
The benefits of PTA meetings within the pastoralist communities are undeniable. “The girls are talking and addressing issues in a confident way, and parents feel they are part of the resource team to solve challenges happening at school,” Grace says. One unexpected benefit: The larger cultural impact these PTA meetings have created. Thanks to the success of PTAs within pastoralist communities, the models are now being endorsed on a national level, and schools across Tanzania are starting to use them to solve problems in their own communities. When a community creates opportunities for girls to learn, everyone benefits.
Safe spaces in rural Pakistan help students and their parents connect, then drive change
Safe space for girls meeting in Pakistan. Captured by Insiya Syed.
A continent away in Pakistan, the country’s northernmost region of Gilgit-Baltistan seems like a land untouched by time. The region’s looming mountains, snow-capped peaks, lush valleys and crystalline lakes draw nature lovers and landscape photographers from around the world, but living among this kind of breathtaking scenery has its drawbacks. Schools in the region are few and far between, and the area’s harsh climate often makes roads inaccessible for travel. Poverty and gender-based discrimination are additional obstacles, making school even further out of reach, and girls are affected disproportionately. Going up against these barriers requires a persistent, quiet strength that’s found in the women who live there and reflected in Pakistan’s signature scent.
Saheli Circles are how local leaders in Gilgit-Baltistan are bridging the gap between girls and education. An Urdu term for “female friend,” Saheli Circles are after-school safe spaces where girls explore subjects like art and climate change, while also developing skills that help them manage emotions, set goals, and build positive relationships. Girls study in groups, visit the library, play sports, and tackle filmmaking and photography projects, all designed to develop self confidence and teach the girls how to advocate for issues that matter to them. But the work doesn’t stop there.
“What we’re trying to achieve here will only be impactful if it trickles down to the home environment and the school environment,” says Marvi Sumro, founder and program director of Innovate, Educate, and Inspire Pakistan (IEI), the local organization that developed the Saheli Circles model and partnered with Malala Fund in 2021 to make it a reality. Ever since, Saheli Circles have grown to involve teachers, elders, and parents to encourage relationship building that’s essential for young girls and adolescents. “Our spaces can give mothers and daughters an opportunity to interact a little differently—do an art activity, or have a cup of tea together, or some good conversation,” Marvi says.
The relationship building is what makes the biggest positive impact throughout the community. Recently, one Saheli Circle was able to bring together parents, teachers, and administrators to advocate for better education at their local school, and together they convinced the department of education to hire a science teacher. Another Saheli Circle organized a fund where members of the community can contribute monthly to pay for uniforms, books, and other school expenses for the girls in their village, eliminating those small, hidden costs that are often a barrier to education for many. A third Saheli Circle was able to produce a short film about how gender-based household chores can take away valuable study time from girls, leaving them at a disadvantage. “The girls put the film together and showed it to the mothers, and the response from the mothers was just beautiful,” Marvi says.
Girls smiling in Pakistan. Captured by Insiya Syed.
The education and relationship building that the girls receive in Saheli Circles connects them to larger opportunities and economic freedom that are not possible in their hometown. “For girls in Gilgit-Baltistan, education is extremely important because of the fact that we’re so far away from where the economy is, where the opportunity is. Education becomes this bridge for us, for our girls, to access all the opportunity and economy that exists in [larger cities].”
From rural Tanzania to remote Pakistan, local organizations prove every day that prioritizing girls’ education benefits everyone. Communities that lift up girls are able to secure resources like clean water and well-staffed schools, as well as build stronger relationships.
These outcomes are only possible because of the women and girls who work tirelessly in these regions to overcome barriers and drive progress. The Pura x Malala Fund Collection is a way to honor them, celebrate their achievements, and unite people the world over around a shared belief that education is freedom. Like scent, that belief can build, travel, and has the possibility to transform the world.
Experience the Pura x Malala Fund Collection here, and connect with the stories of real girls leading change across the globe.
It seems like at least once a year, the debate over BMI (body mass index) resurfaces. Experts are quick to point out that it’s a flawed system: at best, it ignores key factors that shape a person’s body composition; at worst, it creates real health consequences, influencing eligibility for weight loss medications, insurance rates, joint-replacement surgery and fertility treatment. Then the conversation fades, life moves on and not much changes.
And yet, despite the constant debunking, the belief in BMI still marches on. This time, it was hurled at the USA rugby star and Olympian Ilona Maher. More specifically, someone commented “I bet that person has a 30% BMI” on one of Maher’s TikTok videos.
Could this person have simply been pointing out the inherent flaw of BMI and that Maher, an elite athlete, would be considered “overweight” using this system? Perhaps. But this is the internet we’re dealing with, so Maher (and others) interpreted it to be an insult.
Under that context, Maher wasn’t having it, and chose “not to just ignore the haters.”
“Hi, thank you for this comment. I think you were trying to roast me, but this is actually a fact. I do have a BMI of 30. Well, 29.3 to be exact,” Maher said in response video…which became something of a roast itself.
Maher talked about how she had been considered “overweight” her entire life, and even recalled being “so embarrassed” to turn in a physical form to the office which had “overweight” written on it.
“I chatted with my dietitian, because I go off facts, and not just what pops up here. You know, like you do.” she quipped while tapping her temples.
What the numbers actually tell us
Maher is 5-ft.-10-in. and 200 lbs, which is considered “overweight” by BMI standards. But as she explained, about 170 of those 200 pounds are “lean muscle mass.”
“Do that math in your head…you probably can’t,” Maher said sarcastically.
It’s easy to see through this example how bogus BMI really is, especially for athletes.
Essentially, “BMI doesn’t tell you what I can do.”
“It doesn’t tell you what I can do on the field. How fit I am. It’s just a couple of numbers put together,” she said. “It doesn’t tell you how much muscle I have, or anything like that.”
Maher concluded by faux lamenting, “I do have a BMI of 30. I am considered overweight. But alas, I am going to the Olympics, and you’re not.” Maher went on to win a silver medal at the 2024 Paris Olympics.
The U.S. women’s rugby team with First Lady Jill Biden and members of the U.S. delegation to the 2024 Summer Olympic Games The White House/Public Domain
Why This Hit Home for So Many People
While Maher’s clapback was certainly satisfying, it also provided some much needed reassurance to folks. So many commented on how this outdated concept has affected (or still effects) their own body image or that of a loved one.
“How can I get my teenage daughter with a high BMI (but fit!) to understand this?! She feels shamed even at the doctor for her BMI.”
“Dancer here, I’ll never forget at 13 being told I had the BMI of 24 of ‘overweight.’ I broke down and the nurse said it didn’t mean anything and all I could think was then WHY are you making me do this?!”
A registered dietitian explains why BMI is so flawed. YouTube
“I had to ask the doctor’s office to put a note on my child’s file to not bring up/talk about BMI in her check ups. It isn’t an accurate representation of health!”
“Thank you for sharing your weight, bc seeing lbs numbers in different bodies has been so helpful in me loving mine. I’m nowhere near an athlete’s body but damn, the numbers really do us in.”
Until a more affordable solution pops up, BMI will continue to rear its ugly head in doctor’s offices and in our psyches. Maybe this is a reminder that our bodies are so much more than height and weight every now and again is a good thing. And if it comes from an Olympian…even better.
Maher also shut down any notions that her BMI was high due to anything other than muscle with a Sports Illustrated cover shoot in August of 2024. Um, yeah.
Actor Alan Rickman gave us so many memorable characters, from the terrorist Hans Gruber in Die Hard to the oft ill-tempered antihero Severus Snape in the Harry Potter films, to the unfaithful husband who broke Emma Thompson’s heart in Love Actually.
Though he was often cast as a villain, Rickman’s distinctive voice and irresistible screen presence made audiences love him. He brought a unique human touch even to his most odious bad guy characters, a quality that makes perfect sense when you hear Thompson, his friend and co-star in seven films, talk about his character in real life.
In a moving tribute upon the release of his diaries in October 2022, Thompson shared insights into the virtues and quirks that made Rickman “blissfully contradictory.”
Alan Rickman signing autographsu00a0at the Brooklyn Academy of Music, January 2011. Photo Credit: Marie-Lan Nguyen via Wikimedia Commons
Thompson is at the top of her award-winning writer game here, and her words about Alan Rickman are filled with heart, wit, respect, admiration and love. It’s truly a eulogy for the ages.
Watch (or read the full transcript below):
People love Thompson’s tribute to her friend and some have even shared their own stories of their encounters with Alan Rickman:
“A close friend of mine bumped into him in a theatre in London many years ago. My friend instantly recognised Mr Rickman and from nowhere, instantly found the courage to ask him for his autograph. Having neither pen nor paper for this, he asked Mr Rickman if he would mind waiting a moment whilst he collected the items from somewhere, anywhere! The moment became at least 10 minutes or so, and when my friend ran back to a now empty theatre foyer, he noticed one solitary figure. Mr Rickman had waited patiently for my friend to give him what he asked for.”
“I was lucky enough to work with him on a film. At lunchtime I joined the line for a meal and as I payed and went to turn to look for a table, someone knocked into me from behind and my drink went flying. I turned and it was Alan, he apologized put his hand on my shoulder and said let me get you another. He came back with a cup of tea and I was so overwhelmed. I was shocked how he was so down to earth and a real gentleman.”
“I meet him once in Boots and said hello, he realised it was a reflex to recognising a known face. He picked up an item we both were looking at, smiled and said “well hello there are we going to arm wrestle for this?” That deep tone rendered me mute, I realised it was Mr Rickman and instantly denied needing this forgotten thing, apologised for well nothing really, smiled and backed away. He was a giant of a fellow on and off the stage and will be missed.”
“Everything she said is true. I was fortunate to have dinner with him and his wife and his drama teacher. He was charming and friendly and shared some great ideas about directing, which I use today in my theater group. He is missed by many.”
Indeed he is.
Here’s the full transcript of Thompson’s tribute:
“The most remarkable thing about the first days after Alan died was the number of actors, poets, musicians, playwrights and directors who wanted to express their gratitude for all the help he’d given them. I don’t think I know anyone in this business who has championed more aspiring artists nor unerringly perceived so many great ones before they became great. Quite a number said, latterly, that they’d been too shy to thank him personally. They had found it hard to approach him. And of all the contradictions in my blissfully contradictory friend (hold on, Thompson), this is perhaps the greatest this combination of profoundly nurturing and imperturbably distant.
He was not, of course, distant. He was alarmingly present at all times the inscrutability was partly a protective shield. If anyone did approach him with anything like gratitude or even just a question, they would be greeted with a depth of sweetness that no one who didn’t know him could even guess at. And he was not, of course, unflappable. I could flap him like nobody’s business and when I did he was fierce with me and it did me no end of good.
He was generous and challenging, dangerous and comical, sexy and androgynous, virile and peculiar, temperamental and languid, fastidious and casual, the list could go on. I’m sure you can add to it. There was something of the sage about him, and had he had more confidence and been at all corruptible, he could probably have started his own religion.
His taste in all things from sausages to furnishings appeared to me anyway to be impeccable. His generosity of spirit was unsurpassed and he had so much time for people I used to wonder if he ever slept or ever got time for himself. A word not traditionally associated with Alan is gleeful, but when he was genuinely amused he was absolutely the essence of glee. There would be a holding back as the moment built, and then a sudden leaning forward and a swinging around of the torso as a vast, impish grin flowered, sometimes accompanied by an inarticulate shout of laughter. It was almost as if he was surprised by himself. It was my life’s mission to provide those moments. I remember Imelda Staunton nearly killing him by telling him a story about my mother and an unfortunate incident with some hashish—it’s a really good story, I won’t tell it now—I’ve never seen him laugh more before or since. It was a bit like watching someone tickling the Sphinx.
One Christmas Eve party I had a sprig of mistletoe hanging up at home, and I was loitering under it and turned to find Alan bearing down on me. I lifted up my chin hopefully. He smiled and approached. I puckered. He leaned in under the mistletoe and a sudden change came over his face. His eyes started to glitter and his nostrils to quiver. He lifted up a hand, reached in, and pulled a longish hair out of my chin. ‘Ow!’ I said. ‘That’s an incipient beard,’ he said, handing me the hair and walking off.
That was the thing about Alan—you never knew if you were going to be kissed or unsettled, but you couldn’t wait to see what would come next. And the trouble with death is that there is no next. There’s only what was, and for that, I am profoundly and heartbrokenly grateful. So the last thing we did together was change a plug on a standard lamp in his hospital room. The task went the same way as everything we have ever done together. I had a go. He told me to try something else. I tried. It didn’t work, so he had a go. I got impatient. I took it from him. I tried it again. It still wasn’t right. We both got slightly irritable, then he patiently took it all apart again and got the right lead into the right hole. I screwed it in with a screwdriver. We complained about how fiddly it was, and then we had a cup of tea. Took us at least half an hour, this thing, and he said after, ‘Well it’s a good thing I decided not to become an electrician.’
I’m still heartbroken that Alan’s gone, but these diaries bring back so much of what I remember of him. There is that sweetness I mentioned, his generosity, his champion of others, his fierce, critical eye, his intelligence, his humor. He was the ultimate ally in life, art, and politics. I trusted him absolutely. He was, above all things, a rare and unique human being and we shall not see his like again.”
First off, audiences knew they’d instantly be in for a treat when Sagi and Rhythm recreated the band’s famous pose for “Bohemian Rhapsody.” But it only got better from there in a routine that featured a mash-up of “Bohemian Rhapsody” and “Don’t Stop Me Now.”
Roni and Rhythm performing to Queen.
The dance duo wowed judges and audiences alike with synchronized steps, turns, flips, and even a cool bridge pose trick (seriously, this was a dog owner’s dream come to life). Simon Cowell jokingly asked “How do we know the dog is a real dog?” because Rhythm was just that good. The duo went on to finish as runners-up in the Season 19 finale, with Simon Cowell calling their semifinal performance a perfect “10.”
Roni and Rhythm in the AGT semi finals.
Rhythm is a dancer
Sagi would later end up sharing that Rhythm earned his name from an early age, already tapping his little feet on her bed at only 6 weeks old. By that point, Sagi had already had experience training therapy dogs, which undoubtedly gave her a good foundation for working with her little “tornado storm.”
Perhaps it shouldn’t come as that much of a surprise that Rhythm is so gifted. After all, border collies are notorious for being able to pick up skills quickly, and there have been several border collies that have broken world records—including records for intelligence, balance, and skateboarding (yes, really).
But Sagi seems to credit their chemistry less on Rhythm’s species traits, and more on his individual personality. “It’s so much fun to have a partner that wants [to perform] as much as you,” she said. “He wants to do it all, and he wants to do it now, and he wants to do it as good as he can.”
High praise in the comments section
“This was the most amazing dog act I’ve seen!” one person wrote.
“That precious dog Rhythm is SO talented and smart!!! I don’t understand how he knows what to do when his back is to her?!! This dog is truly dancing and just extremely talented!!!” added another.
Another said, “This dog is the most energetic and enthusiastic I’ve ever seen.”
Of course, Rhythm wasn’t getting all the love. One person wrote, “I don’t usually like dog acts, but this was impressive. Roni is very creative with what she does and obviously a great dancer herself and trainer.”
“Unbelievable…those steps omg.”
“It’s how the dog is ACTUALLY running around HAPPY!”
“That doggie deserves a million treats. Fantastic!”
“Yet I have to say to my dog sit 87 times before he actually sits, probably also from being tired of standing not because I said it.”
Even when they’re just rehearsing and dancing together at home, watching Rhythm and his human move together so harmoniously is truly incredible to watch:
Coming of age at the same time as the Internet is a wild experience that can be hard to explain to younger generations. At a recent stand-up event, comedian Josh Johnson found himself in a mixed-age crowd discussing early Internet use. He quickly realized just how difficult it would be to explain how people got online in the early 2000s.
For one, the process of getting onto the World Wide Web would likely sound made up to anyone under 30. And honestly, is there anyone who fully understands how it worked? Still, the comedian gives it his best shot, and hilariously struggles through it in a clip shared on his Instagram.
“When I got the Internet, it was on CD,” Johnson reveals. “To this day, I don’t know how that worked. What…what…what is on the CD? What is that, because I thought you had to have…”
That’s when he realizes he’s going to struggle with the explanation. Johnson warns the audience the process is going to be annoying, drawing even more laughter from those watching.
“Some of you are young, and this is going to sound fake, but you used to…” he says before pausing to laugh with the audience. “No. You used to get Internet…okay…you would get an offer in the mail. They would mail you Internet. You would open the mail, and it would be Internet in the mail, but it would be a CD.”
He then explains that a CD is a compact disc, and that Internet companies like AOL would send them through the mail as free trials. They could also be picked up at grocery stores near the checkout lanes.
The comedian says that when you received the CD, “you would put it in the computer and for whatever reason, you got like 30 hours of Internet, which was a lot back then. I know y’all use it up in a day, today, but 30 hours used to be a lot of Internet, and you would surf the web. It was called surfing. We had a name for the World Wide Web, that’s where the WWW comes from. Do you want to hear any other facts that sound like they’re from the Middle Ages?”
The more he explains, the more ridiculous it sounds out loud. With the Internet now easily accessible through Wi-Fi—not weird discs that mysteriously connect you—the old way feels almost unbelievable. But it’s true. There are likely storage boxes and landfills full of free Internet trial discs, long forgotten after cable Internet replaced dial-up.
People can’t get over how the world worked in the early days of the technology boom.
“Wait until the youths find out Netflix used to send DVDs to rent through the actual mail,” a commenter writes.
Another person writes, “Not to mention we would have several different internet providers because of all the ‘free trial’ disks. Each month or whenever you ran out of internet from the previous disk…what a time to be alive.”
Someone else jokes, “They weren’t just mailed. They came flying in like letters to Harry Potter’s front door…”
One person says, “My frugal midwestern mom had us on dialup for ages bc she hoarded all the AOL free trial CDs. I will hear that dialup tone on my death bed good lord.”
“And had bout 8 different email addresses so you could keep getting multiple free trials,” another person writes.
The highlight of the performance was when Barry got ready to strum his guitar for a performance of “How Deep Is Your Love,” the 1977 megahit from the “Saturday Night Fever Soundtrack,” but instead chose to sing the song a cappella.
Their signature sound
Barry starts the song solo in his beautiful falsetto, but then, when his brothers join him, they create a wonderful harmony that only brothers can make. The show’s host, Des O’Connor, a notable singer himself, even joins in for a few bars.
Earlier in the performance, the brothers played their version of “Islands in the Stream,” a song made famous by Dolly Parton and Kenny Rogers in 1983 that was written by the Bee Gees. In 1998, the song was enjoying a resurgence as its melody was used in the song “Ghetto Supastar” by Pras of The Fugees.
Writing for music icons
Robin Gibb later admitted that the song was initially written for Marvin Gaye to sing, but he was tragically murdered in 1984 by his father. The band also had Diana Ross in mind while composing the tune.
During the appearance, the band also sang “Guilty,” a song that the Bee Gees wrote for Barbara Streisand and Barry produced in 1980.
You can watch the entire performance here:
The Gibb brothers started making music together when they were children, and after their first public appearance together at a local movie theater in 1956, they were hooked on performing.
“It was the feeling of standing in front of an audience that was so amazing,” said Barry. “We’d never seen anything like it. We were very young, but it made an enormous impression. We didn’t want to do anything else but make music.”
After the family moved to Australia in 1958, Barry, Maurice, and Robin were “discovered” at the Redcliffe Speedway, where they had asked to perform between races. Even over the tinny PA system, their harmonies made an impression. Speedway manager Bill Goode introduced the trio to DJ Bill Gates, who set them up with a recording session.
From a land down under
If you’ve ever wondered how the Bee Gees got their name, that was it: Bill Goode, Bill Gates, Barry Gibb, and the brothers’ mother Barbara Gibb all had the initials B.G. After a strong reception on the airwaves in Brisbane, Gates forwarded the brothers’ recordings to a Sydney radio station. They got a lot of airtime there as well, and the band had a run of success performing in Australia, but it wasn’t until their return to England in 1967 that they became the international sensation we all know today.
Manager Robert Stigwood had received tapes from the Gibbs brothers and called them up within weeks of their arrival in the U.K.
“I loved their composing,” Stigwood told Rolling Stone in 1977. “I also loved their harmony singing. It was unique, the sound they made; I suppose it was a sound only brothers could make.”
More than just disco
And, as they say, the rest is history. The award-winning 2020 HBO documentary, “The Bee Gees: How Can You Mend a Broken Heart” tells the story of the band with loads of footage from throughout their 40-year career, which includes not only their disco-era fame, but the various phases of their musical journey and the countless songs they wrote for other artists.
As one commenter wrote, “People that call the Bee Gees a ‘disco group’ don’t have a clue. They had 10 albums out before they ventured into ‘disco.’ Their song catalogue is amazing and some of their very best songs were written long before Saturday Night Fever. Those ‘disco’ songs are classics as well. It is nice to see they are finally getting the recognition they deserve.”
This article originally appeared two years ago. It has been updated.
When the 2024 Summer Olympics ended, few knew we weren’t quite done marveling at elite-level humans at the top of their game. America’s Got Talent returned from its two week hiatus in August 2024 with eleven incredible acts, but it was R&B singer Liv Warfield who stole the show with her rendition of “The Unexpected,” a song that just so happened to be written specifically for her by Prince. No big deal.
Warfield had already wowed audiences with her initial audition, which earned a Golden Buzzer from Simon Cowell. But her follow-up performance had Cowell saying, “If this was the Olympics for singing, you would have won the gold medal.”
Liv Warfield after receiving the Golden Buzzer. Photo credit: NBCUniversal.
Judges Sofia Vergara and Howie Mandel echoed similar praises. Vergara called Warfield’s set “perfection,” while Mandel, a self-proclaimed Prince fan, told Warfield that “The Purple One knew what he was doing when he gave you this gem. That was a million-dollar performance.”
And it’s not hard to see why Warfield got such high remarks. Beyond her unbelievable vocals was her undeniable star power and ability to transport us all back in time to the days of 70s rock n’ roll.
As one viewer put it, “If Prince and Janis Joplin had a baby = Liv Warfield!”
Just watch:
From Prince to AGT
Warfield’s connection to Prince began in 2009, when she joined his New Power Generation band. Though she noted that “backing up Prince was a dream,” not to mention the fact that she’s already made several chart topping achievements on her own, she still felt like her ultimate potential had yet to be reached, hence her AGT audition. Now, her quarterfinal performance has made Cowell declare another defining moment in her career.
“It felt to me like all those years you’ve been climbing the ladder to where you want to be, it all came out in those three minutes,” he said.
Indeed, what a testament to the power of steadily going after your dreams. Raw talent is great, but even with God-given gifts, there’s still so much work that goes into being ready for big opportunities. Though she didn’t win the competition in the end, Warfield is already a winner through and through.
Learning from the master
Warfield is continuing on her musical path in her hometown of Chicago and was invited to perform the Star-Spangled Banner at a Chicago Cubs baseball game in May of 2025.
Thank you @cubs for inviting me out to sing. ✨Beautiful Day, Beautiful People,Energy at @cubs game! With my @zinzannichicago Family❤️✨. Although sis, was hiding out like the 🦀 that I am. 😂😂🤘🏾 Love y’all! Yesterday was necessary 🫀. PR Queen @aidanhenri 😘✨🫶🏾 @princenolov3 😘
Her Prince roots are alive and well in her stage performances as she performed in a tribute concert series during the summer of 2025. She also has multiple albums under her belt, beginning with “Embrace Me” in 2006 and continuing through her 2023 album “The Edge.”
Warfield has credited Prince with her musical development, telling NPR in 2014:
“He’s influenced me first and foremost, as a performer. Just kind of like taking chances first. It took me a while. Like I thought I was a good performer, but when I got part of the New Power Generation, I was like, ‘Whoa this is a whole new world for me.’ And even in the writing and arranging, and him just teaching me how to really listen to the music. Listen to every instrument, give space, and I wasn’t really thinking about those things. I just wanted to hear everything. I thought, ‘If everybody plays, it’s good.’ … Sometimes it could sound like noise, but he just really kind of developed my ear.”
Liv Warfield performing on AGT. Photo credit: NBCUniversal
Just more proof that musical legends live on not only in the music they leave behind but in the talent they help nurture and develop.
This article originally appeared two years ago.It has been updated.
Online, you’ll find hundreds of newfangled hacks to get food crispy and golden brown without the oil. But one new method taking over TikTok isn’t new at all. In fact, it’s centuries old.
Enter: salt frying. Recently, Roice Bethel (@roicebethel) went viral after sharing a clip of himself dropping chicharrones and popcorn kernels into a frying pan filled to the brim with salt and salt alone. Then voila, each of the foods puffed out, ready to eat…leaving some viewers dumbfounded.
In truth, the technique of using salt (or sand) to cook certain foods has been around for millennia in countries like China, India, and Greece. And you’ll still find it among street food vendors today. In India, for instance, far far (or fryums), made from potato starch, tapioca, and/or wheat flour, are often made this way.
In China, chestnuts roasted in large woks filled with hot sand are a seasonal winter staple, prized for their subtly smoky flavor. And in Bangladesh, peanuts are traditionally toasted in pans of hot black sand, which helps them roast evenly without burning.
Similar techniques have also appeared in parts of the Middle East and Mediterranean, where cooks have long relied on heated salt beds to gently cook or warm foods. Historically, these methods were especially useful in places where cooking oil was scarce or expensive, making salt and sand practical alternatives. Not to mention that watching foods cooks this way is also a treat for the eyes.
In Turkey, sand has also been a tried-and-true way to make coffee, seen below.
How salt frying works
Really, salt or sand frying isn’t so much frying as it is dry roasting. Frying food in oil makes food crispy by rapidly dehydrating the outer layer. The intense heat triggers the Maillard reaction, which is responsible for browning and complex flavors, and causes surface starches to gelatinize and harden while the inside stays moist.
When heated, salt and sand act as equally excellent heat conductors. Both can store and distribute heat evenly, surrounding food on all sides and eliminating hot spots. This creates a consistent cooking environment that mimics the effect of deep frying, only without added fat.
As Kurush F. Dalal, an archaeologist and culinary anthropologist, told Food & Wine, “it’s an incredibly cost-effective and very controllable process,” especially since you can reuse the salt you fry with. Tell that to the southerners among us who save every drop of their bacon grease!
Salt frying tips
Now, if you’re excited to try this cooking style out yourself, there are a few caveats—the most important being that this really only works on dry ingredients. Salt will stick to any damp ingredients and completely ruin the taste of the dish.
Second, it is advised to use coarse salt, according to Food & Wine. And at least one person on Reddit suggests that no matter what salt or sand you use, “let it heat for 15 minutes to let the volatile compounds evaporate (like iodine).”
Lastly, you’ll need a large, deep fryer-friendly utensil, like a wok or cast-iron skillet, that can hold a lot of salt or sand.
So, while it may look like a viral magic trick, salt frying is really just ancient ingenuity making a well-deserved comeback. Some things are timeless for a reason.
It’s hard to believe it’s been over 10 years since the great Robin Williams left our world. The man left a fantastic legacy of laughs, from his time on TV’s Mork and Mindy to his performances in comedy hits such as Mrs. Doubtfire and Disney’s Aladdin.
Williams was also an incredible dramatic actor, giving memorable performances in films such as Dead Poets Society and Good Morning, Vietnam.
But the Comic Relief star always shined brightest when he improvised on stage, whether on talk shows or in stand-up comedy. One appearance on Martha Stewart Living from 2004 resurfaced last year because of how quickly he improvised jokes while cooking with Stewart. It’s also great because Stewart plays the perfect straight woman to Williams, although she has a tough time holding it together.
Their chemistry was spicy
Whenever Stewart mentions an ingredient, whether cumin or brown sugar, Williams turns it into a comedic riff. He also jokes in Spanish and does a few accents that feel off-color over 20 years later, but they’re delivered with the best intentions. Williams also walks a bit of a tightrope during the segment while he tries to keep his humor appropriate for daytime TV while reacting to Stewart, who is “rubbing the meat.”
“I feel incredibly honored to have grown up in an era where we had this wonderful man,” the most popular commenter on the YouTube video wrote. “His ability to change characters on the fly is remarkable,” another added. “His spontaneous humor is unmatched! He was an incredibly smart, kind and funny man. He is sorely missed!” another commenter said.
Who were Martha Stewart’s favorite guests on her show?
Years later, Stewart would admit that Williams was one of her favorite guests on the show. “We had so much fun because he was the fastest wit and the fastest mind and his mind was like a computer,” Stewart told AOL in 2022. “No matter what I said, he had a retort and he was so quick. I was marinating meat and he loved that—can you imagine what he did with ‘marinating meat’ and ‘rubbing the meat’ and ‘ooh la la?’ Watch the segment; it’s really good.”
Martha Stewart relationship advice hits different.
MARTHA, the definitive documentary on the life of the self-made icon, is now playing. pic.twitter.com/wJ55XHZiZU
What’s The Many Lives of Martha Stewart film about?
Although Martha Stewart has rarely been out of the spotlight over the past five decades, she was in the news after releasing the 2023 Netflix documentary about her life, The Many Lives of Martha Stewart.
The film follows Stewart’s journey from teen model to Wall Street stockbroker to the queen of entertaining and good taste. Eventually, she would become America’s first self-made female billionaire. The documentary also discusses the insider trading scandal that sent her to prison in 2004.
The film also reveals Stewart’s guiding philosophy. “I have two mottos. One is: Learn something new every day. And the second one is: When you’re through changing, you’re through,” Stewart says in the film. “Change that garden if you don’t like it. Rip it out and you start all over again.”
If you want to relive the hilarious moments between Stewart and Williams in your kitchen, here’s a recipe for the Chili Espresso Steak Rub.
This article originally appeared two years ago. It has been updated.
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