Andrew Lloyd Webber just announced that he is airing Broadway shows for free online
If you’re a fan of the stage and lamenting the lack of theater performances for the foreseeable future, here’s some good news. Famed Broadway musical writer Andrew Lloyd Webber shared a video announcing that Universal is launching a new YouTube channel dedicated to stage-to-screen musicals. The channel is called “The Shows Must Go On,” and…
If you’re a fan of the stage and lamenting the lack of theater performances for the foreseeable future, here’s some good news.
Famed Broadway musical writer Andrew Lloyd Webber shared a video announcing that Universal is launching a new YouTube channel dedicated to stage-to-screen musicals. The channel is called “The Shows Must Go On,” and it will air a different show every Friday—but just for 48 hours.
The first musical, airing April 3, will be Joseph and the Amazing Technicolor Dreamcoat, starring Donny Osmond and Joan Collins. Next week, for Good Friday April 10, the channel will air Jesus Christ Superstar. The rest of the schedule will be announced at a later time.
With theater ticket prices out of the reach of many—even when we’re not in the midst of a global pandemic—this is a great opportunity to see a stage production for free. You can find the YouTube channel here.
From Pakistan to Tanzania, the most effective education solutions are community-led. Here’s how local leaders, in partnership with Malala Fund and supported by Pura, are mobilizing entire communities.
When asked to describe what Tanzania smells like, Grace Isekore closes her eyes and breathes in deep. For a moment, she’s somewhere else entirely. Tanzania is a rich tapestry of sights and scents, from the smell of sea mist that permeates the coastline to the earthy cardamom and cloves she cooks with in her kitchen. But when Grace emerges from her reverie, her answer is unexpected.
“Tanzania smells like peace,” she says, her eyes still closed. “I see a beautiful country where we are free to move, free to speak. And there is peace within the community.”
For Grace, that sense of peace isn’t just something she smells; it’s something she works toward every day. As a project coordinator with Pastoral Women’s Council (PWC), a women-led organization that empowers pastoralist communities in northern Tanzania, she has seen firsthand how girls flourish when they have the opportunity to attend school. Like scent, education not only connects girls to their own culture, but also helps broaden their horizons, realizing new possibilities for themselves and others. That transformation reshapes entire communities and ripples outward, with the potential to change countries and transform the world for the better.
Different scents, different approaches, and communities driving change
Spices in Tanzania. Captured by James Roh for Pura
For Grace and others around the world, education is freedom, as well as a pathway to a stronger community. Rooted in that shared belief, Pura, a home fragrance company, was inspired to build on their four-year partnership with Malala Fund to create something truly unique: a fragrance collection that connects people through scent to communities in Tanzania, Nigeria, Pakistan, and Brazil, where barriers to girls’ education are among the highest.
Using ingredients from each region, the new Pura x Malala Fund Collection uses scent to transport people to these regions directly. “Future in Bloom,” for example, invokes Pakistan’s lush valleys through notes of jasmine, cedarwood, and mango; while Tanzania’s fragrance, “Heart on Fire,” evokes the spirit and joyfulness of the girls who live there through cardamom, lemon, and green tea.
The new Collection honors the work Malala Fund does every day, partnering with locally-led organizations in these four countries to ensure every girl can access and complete 12 years of education. Each scent celebrates the joy, tenacity, and courage of the women and girls driving change on the ground, while also augmenting Pura’s annual grant to Malala Fund by donating eight percent of net revenue from the Pura x Malala Fund Collection to Malala Fund directly.
Just as each country’s scent is unique, so too are their needs related to education. But with support from Malala Fund and Pura, local leaders are coming up with creative ways to mobilize entire communities (parents, teachers, elders, and the students themselves, in their pursuit of solutions, understanding that educating girls helps everyone thrive. Here’s how their efforts are creating real, durable impact in Tanzania and Pakistan, and creating a ripple effect that changes the world for the better.
Parent-teacher associations help Maasai girls and their communities in Tanzania problem-solve
A girl’s school in Tanzania. Captured by James Roh for Pura
Northern Tanzania, Grace’s home, is home to pastoralist communities like the Maasai, a nomadic people who have moved with the seasons to nurture the land and care for their livestock for centuries. The nomadic nature of this lifestyle creates significant and unique barriers to girls’ education. Longstanding gender roles have enabled Maasai to survive in the harsh environment and have placed great value on both women and men. Over time, as nomadic life has been threatened by the privatization of land and stationary education models have been implemented, the reality of pastoralist livelihood has shifted and introduced new complexities. Now, the sheer distance to schools is both a practical challenge and one that often comes with danger from the landscape, predators, and potential exposure to assault along the journey. Girls shoulder the responsibility of household chores and there is often cultural pressure around early marriage – both leading to boys’ education being prioritized over girls’.
“There are very, very good [pastoralist] cultural practices, which are passed from generation to generation,” says Janet Kimori, an English teacher at Lekule Girls Secondary School in Longido, Tanzania. But when cultural practices act as educational barriers, “you have to sit down and look for where you are going to assist. As a school, as an individual, the school administration—all of us will chip in and know how we are going to deal with this problem.”
PWC works to ensure girls are able to exercise their right to an education while also preserving pastoralist culture. One successful approach, the organization found, has been the formation of Parent Teacher Associations (PTAs), created with help from Malala Fund. In PTA meetings, students, parents, teachers, elders, and government officials meet, discuss educational barriers, and come up with community-led solutions that preserve and honor their culture while advancing educational outcomes.
PTA meeting in Tanzania. Captured by James Roh for Pura
One recent PTA meeting highlights how these community-led solutions are often the most effective. At Lekule Girls Secondary School, the lack of fresh water forces girls to walk long distances to collect water for the school’s kitchen during the school day, and these long journeys not only disrupt class time but can leave girls vulnerable to sexual assault in isolated areas. Through facilitated discussion, PTA members landed on a solution: installing a borehole to pipe in fresh water to the school. Reliable access to water creates a better learning environment for the girls, but it also benefits the community at large, as local governments are then more likely to invest in health clinics and other community resources nearby.
With a solution in place, the PTA was then able to discuss ideas and map out a course of action. The women would raise money for the cost of the borehole, while the men would recruit workers to dig the hole and lay the pipe. Together, they would ask government officials to match their investment.
The benefits of PTA meetings within the pastoralist communities are undeniable. “The girls are talking and addressing issues in a confident way, and parents feel they are part of the resource team to solve challenges happening at school,” Grace says. One unexpected benefit: The larger cultural impact these PTA meetings have created. Thanks to the success of PTAs within pastoralist communities, the models are now being endorsed on a national level, and schools across Tanzania are starting to use them to solve problems in their own communities. When a community creates opportunities for girls to learn, everyone benefits.
Safe spaces in rural Pakistan help students and their parents connect, then drive change
Safe space for girls meeting in Pakistan. Captured by Insiya Syed.
A continent away in Pakistan, the country’s northernmost region of Gilgit-Baltistan seems like a land untouched by time. The region’s looming mountains, snow-capped peaks, lush valleys and crystalline lakes draw nature lovers and landscape photographers from around the world, but living among this kind of breathtaking scenery has its drawbacks. Schools in the region are few and far between, and the area’s harsh climate often makes roads inaccessible for travel. Poverty and gender-based discrimination are additional obstacles, making school even further out of reach, and girls are affected disproportionately. Going up against these barriers requires a persistent, quiet strength that’s found in the women who live there and reflected in Pakistan’s signature scent.
Saheli Circles are how local leaders in Gilgit-Baltistan are bridging the gap between girls and education. An Urdu term for “female friend,” Saheli Circles are after-school safe spaces where girls explore subjects like art and climate change, while also developing skills that help them manage emotions, set goals, and build positive relationships. Girls study in groups, visit the library, play sports, and tackle filmmaking and photography projects, all designed to develop self confidence and teach the girls how to advocate for issues that matter to them. But the work doesn’t stop there.
“What we’re trying to achieve here will only be impactful if it trickles down to the home environment and the school environment,” says Marvi Sumro, founder and program director of Innovate, Educate, and Inspire Pakistan (IEI), the local organization that developed the Saheli Circles model and partnered with Malala Fund in 2021 to make it a reality. Ever since, Saheli Circles have grown to involve teachers, elders, and parents to encourage relationship building that’s essential for young girls and adolescents. “Our spaces can give mothers and daughters an opportunity to interact a little differently—do an art activity, or have a cup of tea together, or some good conversation,” Marvi says.
The relationship building is what makes the biggest positive impact throughout the community. Recently, one Saheli Circle was able to bring together parents, teachers, and administrators to advocate for better education at their local school, and together they convinced the department of education to hire a science teacher. Another Saheli Circle organized a fund where members of the community can contribute monthly to pay for uniforms, books, and other school expenses for the girls in their village, eliminating those small, hidden costs that are often a barrier to education for many. A third Saheli Circle was able to produce a short film about how gender-based household chores can take away valuable study time from girls, leaving them at a disadvantage. “The girls put the film together and showed it to the mothers, and the response from the mothers was just beautiful,” Marvi says.
Girls smiling in Pakistan. Captured by Insiya Syed.
The education and relationship building that the girls receive in Saheli Circles connects them to larger opportunities and economic freedom that are not possible in their hometown. “For girls in Gilgit-Baltistan, education is extremely important because of the fact that we’re so far away from where the economy is, where the opportunity is. Education becomes this bridge for us, for our girls, to access all the opportunity and economy that exists in [larger cities].”
From rural Tanzania to remote Pakistan, local organizations prove every day that prioritizing girls’ education benefits everyone. Communities that lift up girls are able to secure resources like clean water and well-staffed schools, as well as build stronger relationships.
These outcomes are only possible because of the women and girls who work tirelessly in these regions to overcome barriers and drive progress. The Pura x Malala Fund Collection is a way to honor them, celebrate their achievements, and unite people the world over around a shared belief that education is freedom. Like scent, that belief can build, travel, and has the possibility to transform the world.
Experience the Pura x Malala Fund Collection here, and connect with the stories of real girls leading change across the globe.
The Bee Gees were one of the most popular pop groups in the world from the late ‘60s to the late ‘70s. In the early years, they had big hits such as “How Can You Mend a Broken Heart,” “I Started a Joke,” and “To Love Somebody.” In the late ‘70s, they found a new sound, disco music and made massive hits for the dance floor, including “Staying Alive” and “More Than a Woman.”
However, between those booming Bee Gee eras, their career seemed to be on the way down. By 1973, their most recent album, “Life in a Tin Can,” and single, “Saw a New Morning,” had flopped, and they began to play smaller clubs. But that didn’t mean they couldn’t win people over with their incredible harmonies. Case in point was their March 23, 1973 performance on “The Tonight Show Starring Johnny Carson.”
Carson introduced the band by touting its history as songwriters. “My next guests have had quite a career. Their compositions have been recorded by people like Frank Sinatra, Elvis Presley, Andy Williams, Glen Campbell, Tom Jones and hundreds of others,” Carson said.
The band opened their set on stage performing “Wouldn’t I Be Someone” and “Saw A New Morning” and then sat down for a chat with Carson, discussing why they don’t like playing large arenas and how they got started performing together as children. After the break, they returned with an acoustic guitar and performed their first number 1 hit, “Massachusetts,” from 1967, with Robin Gibb on lead with his brothers Barry and Maurice chiming in perfect harmony.
If you look closely in the background, Maurice is having fun goofing off when he’s not on vocal duties. At the end of the performance, Carson appears to be a bit choked up as he adjusts his tie.
“Massachusetts” was written about the great migration of young people to San Franciso in 1967, as the hippie movement began to take off in the mid-to-late ‘60s. Interestingly, the Bee Gees had never been to the state.
Tried to hitch a ride to San Francisco
Gotta do the things I wanna do
And the lights all went out in Massachusetts
They brought me back to see my way with you
“There are two different memories, Robin remembers us doing it in a boat going around New York City. And I remember us checking in at the St. Regis with Robert, going to the suite, and while the bags were being brought in we were so high on being in New York, that’s how ‘Massachusetts’ began,” Barry recalled the song’s creation in the “Horizontal” liner notes. “I think we were strumming basically the whole thing, and then I think we went on a boat round New York. I don’t know if we finished it, but I think that’s where the memories collide. Everybody wrote it. All three of us were there when the song was born.”
The song was initially written by the band for The Seekers, but they were unsuccessful in getting it to the band, so they recorded it themselves.
The Bee Gees would have a career turnaround in 1975 when they experimented with a new, more soulful sound with the song “Jive Talkin.” This became a big hit and propelled them into the world of disco, where they would become one of the era’s most popular acts.
The Bee Gees’ historic career ended when Maurice passed away in 2003 at age 53. Robin followed in 2009 at age 62. Barry, 79, is the final surviving member of the band.
This article originally appeared two years ago. It has been updated.
Anyone who has ever had a job has fantasized about going out in style on their last day. Some dream of telling off their superiors; others hope their coworkers will open up and tell them how much they’ll be missed.
Mati Baran said goodbye in the most original way possible by delivering an over-the-top lip-sync performance, complete with video accompaniment, to “The Winner Takes It All” by ABBA.
The performance was fitting for Baran. When he’s not working as a graphic designer, he performs as Rabba Cadabra at drag shows and lip-syncing competitions in the London area. The video was a huge hit on TikTok, earning more than 4 million views.
The video begins with Baran standing in front of a large office monitor, while another version of himself sings the ABBA tune on the screen. Hilarity ensues as Baran begins interacting with the recording, staging a tug-of-war for the audience’s attention. The two Barans even come to blows, slapping each other across the face before eventually reconciling. “This is amazing,” one coworker shouts in the video. “This is so good!” another adds.
The performance was unforgettable
Baran’s coworkers were blown away by his performance.
“They were ecstatic. I couldn’t have asked for a louder audience, to the point where I was getting worried they couldn’t even hear the music,” Baran told Upworthy. “Even the surrounding workplaces situated next to us came to watch because of the noise they were making. The whole day was quite emotional for my closest friends at work and me, and I was surprised to see that some of them even started crying during the bridge of the song. I’m always happy when silly things somehow bring deeper emotions in people.”
“I’m sorry, my dear, but you’re not leaving, shantay, you stay!” KatKat wrote. Others said Baran was the perfect personality hire. “Personality hire award goes to:” Olenka wrote. “Personality hire final boss,” Em added.
The ABBA song was a great choice for his goodbye
Baran said that ABBA was the perfect choice for the emotional moment.
“I knew I wanted something dramatic and a bit over the top emotionally,” he said. “This song just came to mind one morning, and right away I knew it had to be it. It just felt right, and everyone loves ABBA!”
The song’s opening lyrics were perfect for the moment:
I don’t wanna talk About things we’ve gone through Though it’s hurting me Now, it’s history
I’ve played all my cards And that’s what you’ve done too Nothing more to say No more ace to play
In a world where workplace goodbyes can be awkward and easily forgotten, Baran’s performance ensured his coworkers will remember him forever. It shows that with a bit of courage and attitude, a sad goodbye can become an unforgettable celebration.
Back in 2017, Māori singer Ora Taukamo, known as “Aunty Ora,” wowed judges on The Voice: Australia with her rendition of Adele’s “One and Only,” somehow making it even more soulful than the original.
It was then that judge Delta Goodrem asked Taukamo what she did outside of singing.
Taukamo answered, “I teach the haka.”
Intrigued, judge Kelly Rowland asked, “Can I learn the haka?” Taukamo giggled while saying, “Sure!” Then, Rowland, Goodrem, and the two other Voice judges, Boy George and Joe Jonas, stepped up on stage for an impromptu lesson.
The group put their hands on their hips, bent their legs into a squat position, and began stomping on their right foot in unison while hitting both hands on their thighs. As their percussion began setting, Taukamo began leading them through a chant.
The moment was cool enough on its own, but made even more heartening by the way it instilled pride among fellow New Zealanders.
“You make me feel proud to be a Kiwi you lovely woman!”
“I aroha ahau ki taua haka. (I loved that haka.) Really nice how the panel joined in. Beautiful voice.”
“Taahua… making Aotearoa proud.”
“Adore you !!! Aroha (Luv) your whanau (family- all of the 5 million) in Aotearoa New Zealand.”
Taukamo would eventually end up going home on the show after singing these showstoppers: “Circle of Life” from The Lion King, “One Moment in Time” by Whitney Houston, a ”Love Me Tender” cover by Norah Jones, “Open Arms” by Journey, “All of Me” by John Legend, “I Believe I Can Fly” by R. Kelly, a “With A Little Help From My Friends” cover by Joe Cocker, “Goodbye Yellow Brick Road” by Elton John, and “Total Eclipse Of The Heart” by Bonnie Tyler.
Aside from her powerhouse vocals and her impressive haka teaching abilities, Taukamo is remembered for her infectiously positive energy, which che clearly infuses into her craft in order to lift others’ spirits up. This can clearly be seen on her Facebook bio, where she writes, “Your voice is a tool to help heal others.🎙️Sing from your heart at all times and just be yourself, most of all be natural.”
That philosophy came through in that brief, joyful exchange on stage.
The haka is more than choreography. It carries history, identity, and connection, and Taukamo shared it in a way that welcomed others while honoring where it comes from. Watching the judges laugh while trying to follow her lead created a sense of togetherness that reached far beyond the studio audience.
Moments like this show how culture can be shared with care and enthusiasm. A few minutes of music and movement turned into something people across the world could feel a part of. Taukamo may not have taken home the top prize, but in this way, her impact was all the more meaningful. She left behind a performance that people still talk about, one that celebrates voice in every sense of the word.
It’s no secret that there are certain mannerisms and speech patterns we often associate with being gay. The phenomenon of so-called “gay mannerisms” and voice has actually been the subject of quite a bit of scientific research. One study from 2002 found that people were able to accurately predict the sexual orientation of a speaker just by hearing their voice about 62% of the time. Researchers theorize that some, but certainly not all, gay men may adopt more feminine mannerisms and voice patterns as a form of subconscious social signaling.
It’s much more complicated than that, though. The way gay men speak and behave is as diverse and varied as the community itself: which is to say, very.
But one more pressing question remains: If “gay mannerisms” can be categorized and studied, can those of the heterosexual male be quantified? And, more importantly, can they be learned?
Comedic experiment ensues
Content creator Kai Cameron was up to the challenge. The openly gay TikTok star recently launched a tongue-in-cheek 30-day challenge where he attempts to learn how to do and say things “like a straight man.”
On Day 1, Cameron’s brother teaches him how to sit down like a straight man. On Day 4, they move onto answering the phone. Day 7 features more advanced material: entering a party the way a straight man would. Cameron learns to sway his hips less, talk in a deeper tone of voice, and suppress any hint of enthusiasm.
On Day 11, Cameron was ready to tackle the simple but crucial task of saying “Goodbye,” to a friend. His instructor in the clip, this time actor and filmmaker Peter Falls, demonstrates a textbook, nonchalant “Alright, see ya later,” with a barely perceptible hand-gesture-wave-kind-of-thing. Straight guys will instantly recognize it and notice Falls’ impeccable form.
The words come easily enough for Cameron, but he gets stuck on the hand movements. “Can you do the finger thing again?” he asks, before trying it with a dramatic wave. “That’s way too much,” Falls says.
After a little more practice, though, Cameron’s mostly got it. He confidently walks forward, chest puffed out, body stiff, and drops his voice a few octaves before muttering “See ya, man,” with a small (for him) flick of the wrist.
Does the video series mine humor at the expense of people who exhibit “gay mannerisms?” On the contrary: thousands of commenters say that it’s rare to see such a brilliant dissection of the straight man.
Many noticed that so much of the demeanor comes from the eyes:
“U just have to lose the light in your eyes,” one commenter wrote.
“I love how the light leaves your eyes everytime and then comes right back,” said another.
“It’s the dead eyes when channeling straight man,” another echoed.
Other viewers went even deeper and more philosophical:
“No whimsy, no enthusiasm, nothing,” someone said.
“Watching [your] content has taught me a lot about what it looks like from the outside to be a straight guy. Just beat up by life. Body language which clearly indicates no one cares about you, so you stay reserved,” one commenter noted.
“I think some cultures have done a ton of damage by brainwashing boys and men into hiding vulnerability, sensitivity or even just being themselves. That takes a psychological toll. A lot of men don’t stay reserved because no one cares but because society (other men) teach them that tough men have to keep it all in. It is not healthy for you,” another said.
A third summed it up: “Basically just act depressed while doing all things and you got it!
The fascinating origins of voice, body language, and mannerisms
Cameron’s social media video series is incredible comedy and entertainment, but it’s also a brilliant educational demonstration.
“Straight voice” isn’t just the absence of the more feminine qualities of “gay voice.” It is, itself, a learned and socially constructed behavior.
“When men enjoy doing things that are typically associated with women or femininity such as shopping, grooming their nails, giggling, etc., they are often quickly labeled as gay or soft and are negatively evaluated by many members of society,” Ayana Ali, a clinical social worker and therapist, told AskMen.
Even many gay men feel self-conscious about their voice and mannerisms, and may even mask them to adopt more traditionally masculine qualities in certain situations.
It’s an incredibly complex web of social conditioning, how we’re raised, biology, sociology, culture, gender norms, and more.
But it’s never been more hilariously deconstructed than in Cameron’s 30-day challenge.
In 2013, Hadfield captured what it feels like to see our home from space in a song he performed with Barenaked Ladies. While he played guitar and sang from the ISS, the band and the Wexford Collegiate School for the Arts Glee Club (aka “Wexford Gleeks”) performed alongside him from Earth.
The song is called “(I.S.S.) Is Somebody Singing,” and it’s all the more moving in light of the images from Artemis II.
Here’s a sampling of the lyrics:
Pushed back in my seat
Look out my window
There goes home
That ball of shiny blue
Houses everybody anybody ever knew
The song takes us on a journey: we fly out to space, around the Earth, and return home again, all while looking out the window at our beautiful planet. The visual of people singing from Earth, their “voices bouncing off the Moon,” takes on even greater significance now that we’ve returned there.
A view of Earth from near the Moon, taken during the Artemis II mission. Photo credit: NASA
Even though the video is 13 years old, people are revisiting it now with new appreciation:
“I keep coming back to this everytime there’s a significant step forward in space exploration! and it’s the perfect time to watch this for Artemis II!”
“Coming back to this after watching the Artemis II launch, and it feels so magical knowing they’re going back to the moon for all of us. These launches really make me feel connected to all of humanity.”
“Cried to this as the Artemis crew returned to earth. Watching the earth grow larger through the window, seeing the glow of reentry, the clouds passing by and the big red and white parachutes.”
Commander Reid Wiseman looks out at Earth from the Orion spacecraft. Photo credit: NASA
Some people have asked how it was possible for the musicians to play live together without a delay. In interviews with astronauts on the ISS, there is often a lag in communications. But that’s less of an issue for a song like this than one might expect. Most likely, Hadfield played and sang live from the ISS, while the band and choir followed along with the transmission as they heard it.
“I actually know some performers who have performed with Chris Hadfield (not Hatfield) while he was on the ISS—Trent-Severn, three women from Ontario. It’s actually quite easy. He plays his guitar and sings. It’s beamed down from the ISS to a ground station, then transmitted by whatever method works (internet, phone lines, satellite link) to get to the destination, where it goes into the sound board. The sound man or woman sends it to the main PA speakers and to the stage monitors so that the performers can hear it. And they just play along with it as they hear it. It doesn’t matter that he actually played it a second or two before. They just play in time with it as it arrives where they are.”
What is challenging, apparently, is the singing itself in space. Hadfield explained that it’s “like singing with a head cold” because of the way the fluids in your body drain—or rather don’t drain—without the assistance of gravity.
The singing astronaut had another musical performance go viral in 2013. In fact, he made a whole music video from the ISS, covering “Space Oddity” by David Bowie. Hadfield said he always felt the song should be sung aboard a spaceship. (He added that if Bowie had been there, he would have done a better job.)
Thanks to Chris Hadfield for giving us these wonderful musical connections to human space exploration.
Since he was twelve years old, Alexander Quinones had a dream: to open a restaurant. At 19, he invested $5,000 of his own savings, along with graduation money and support from his mother, Julie Stevens, to bring that dream to life. Thus, Detroit Loves Tacos 2 was born.
And yet, that dream was on the brink of fading. The fledgling restaurant struggled to attract customers, and Quinones was making just enough to cover daily expenses and pay his one employee. Closure seemed imminent.
“We had a difficult discussion that day. We’re gonna have to close if something doesn’t give,” Stevens told WXYZ-TV.
“I felt like I was failing in life a little bit. I put all my money into this, I put all my time into this. So it really, really hurt me,” Quinones added.
That was when the young business owner did something vulnerable: he made a heartfelt plea on TikTok, where he got candid about his situation.
He said his restaurant wasn’t built on “shortcuts” or “big investors,” but instead was the result of someone “working every single day, long nights with a vision.”
“Everything is made fresh with love and ready to serve,” he added, thanking those who have already visited and urging those who haven’t to “come by and check out what we’re doing.”
19 years old with a dream . 🌮✨ We are officially just getting started at 25750 Ecorse Rd! Come help a young entrepreneur build something special in Taylor. Every tag and visit counts! #fyp#local#taylormichigan#viral#youngentrepreneur
Quinones’ story seemed to be the missing ingredient in his success. Not long after his video went viral, his restaurant was flooded with customers, and he has even sold out several times. As he adjusts to the increased demand, he hopes to remedy that soon. He is also now considering expanding the business, including opening additional locations and launching food trucks. Not bad, considering the restaurant was about to close its doors just days earlier.
Of course, it wasn’t just Quinones’ virality that made him successful. People who have visited the restaurant remark on the quality of his food.
“I just ordered catering from Detroit Loves Tacos last week for a lunch meeting at work! The corn was top notch and the beans were amazing with the big chunks of onion! We also got ground beef, chicken, and vegetarian tacos. The rice was so good too. Everyone was raving about how good it was,” one commenter wrote.
Another said, “10/10!! Hands down the best birria tacos we’ve ever had.”
This is TikTok used for good. A struggling business had something real to offer, just no visibility. The platform changed that. And bam, the community showed up, because it feels good to support someone’s dream. Sometimes, it really is that simple.
Started with a dream, a whole lot of faith, and days where I didn’t know if it would all work out… but I kept going. Seeing this on the news isn’t just a moment to it’s everything I’ve prayed and worked for. This is for everyone who believed in me, supported me, and showed love from day one. And for anyone chasing something… don’t stop. It’s coming. ❤️ More to come… this is just the beginning. 📍 25750 Ecorse Rd 🕒 Mon–Fri 11–8 | Sat 12:30–8 📲 313-633-1905 🚗 Available on DoorDash. #fyp#local#viral#taylormichigan#YoungEntrepreneur
For business owners, the thought of posting on social media can feel awkward, burdensome, and, at times, impossible to navigate in a way that feels worthwhile. But Quinones’ triumph is a welcome reminder that when it comes to finding your audience, a little authenticity really does go a long way.
People are praising two London bartenders for how they navigated a situation at their bar that raised some red flags, despite a plot twist that changed the whole scenario. In a video shared by Sam Finch, a woman ordered a gin and tonic. Soon a man approached and started dancing up on her. Finch observed that she was “not vibing with it.”
The guy kept dancing in her face, and she pushed him away with her hand. Finch asked her if she was okay, and she gave him a thumbs up. Still, he felt the situation was weird because the guy would not take a hint.
Finch consulted with his fellow bartender: “Do you think she knows this guy?”
But they kept observing and consulting with one another about whether the woman was really okay. As the man’s behavior continued, the bartenders decided to check in more directly with the woman. They asked her if she knew the man, and when he stepped forward, they firmly asked him whether the two knew each other.
The man responded in the most unexpected way: “She’s my sister.”
The bartenders burst out laughing as the reality hit them.
“You guys thought I was a creep?!” the man said.
“OMG yes, he’s my brother!” the woman corroborated. “You were going to kick him out, weren’t you?”
“Yeah, literally,” the bartenders responded as they all had a good laugh over the misunderstanding.
People appreciated seeing the scene play out for the humor in it, of course. A man annoying his sister being mistaken for a man being a creep? That’s pretty darn funny. But people also loved seeing such a good example these bartenders set for making sure someone was safe.
The commenters loved how the bartenders responded
“I think I can speak for all women when I say: Thank you, and please keep doing this. This time it made everyone laugh at the end, but there will be many times when we’ll be really grateful that we don’t have to fight alone. No need to apologize for checking in. This is how men should be! You’re great.”
“From the bottom of my heart, thank you for checking.”
“I’m certain they BOTH appreciated you all checking on her.”
“I’d rather you ask and be wrong than assume and be wrong.”
“Please don’t ever stop checking in these moments. I’m so glad this time it was a laugh!”
“Never stop noticing! Once a bartender saved one of my besties because he noticed a bad situation, thanks guyss.”
“Better to ask and have a funny ending than to not ask and wish you had. Well done gentlemen.”
As a guy who has intervened to protect a young woman from a creepy, aggressive guy… this is very good to see.
Hopefully, this encourages/inspires other young men to stand up for strangers in need – women or otherwise. https://t.co/51LTMkob5n
We see this scenario all too often: A man approaches a woman in a way that makes her feel uncomfortable, and she can’t easily get away. But the way these bartenders handled it was great. They were aware. They observed. They asked if she was okay. They kept observing even after she indicated she was, and they intervened when they were still unsure. Bravo.
Safety is a communal responsibility, and it was reassuring to see these two young men take it seriously. If we all look out for one another and speak up when we’re unsure if someone’s okay, the world will be a much safer place for everyone.
It’s not always easy for teachers to come up with cohesive, compelling ways to teach their students even basic concepts. But something as abstract and dense as, say, the Circle of Fifths? Good luck!
And yet, a teacher named Benjamin Kapilow was undoubtedly up to the task.
What is the Circle of Fifths?
The Circle of Fifths visually organizes the twelve chromatic pitches in Western music into a visual, clock-like diagram. Understanding this diagram helps explain how virtually all musical elements are organized and connected. So, having mastery of it enables musicians to sight-read, aka translate sheet music, instantly.
However, music students are often instructed to simply memorize the Circle of Fifths without getting to learn how it applies to an instrument or singing, making it feel like a random assortment of conceptual ideas rather than a tool.
That’s where the “Circle of Fifths” song comes in.
In a now-viral video shared to Instagram, we see Kaplow’s entire music class grooving to a song he wrote himself to give them hands-on learning of the sight-reading concepts he had introduced earlier that week: including solfege patterns (you might know them as “do, re, mi, fa, sol, la, ti”) in minor syncopated rhythms, wherein accents are placed between counts instead of the strong downbeats, which gives a song a bouncy feel.
Beyond the impressive craftsmanship, what’s so endearing about this (that many viewers appreciated) is that Kaiplow had a clear “vision” for each of his students during this performance, assigning certain solos and lines to just the right person. Still, it was clearly a collaborative effort.
“I love that the teacher clearly knew their students and gave each student the line they thought they’d eat the hardest,” one person aptly put.
Another joked, “Is y’all’s teacher Lin-Manuel Miranda?”
And for those of us who still have no idea what’s going on but dig the tune, you’re not alone.
“Still don’t understand the circle of fifths, but this slaps lmao,” commented one person.
Creating DIY lesson plan songs is something Kapilow regularly does for his class because it’s fun, ensures no one knows the song already, and can readily test students’ sight-reading skills.
“Then I can target what they need to work on in the song,” he told Upworthy, adding that, technically, “Circle of Fifths” just shows up in the lyrics, since the actual lesson about it will happen later in the semester.
These days, we hear a lot about how hard it is to keep students engaged in the classroom. But then you see something like this, and it makes you remember that fun and novelty remain tried-and-true teaching tools. Bless the teachers who pour their creative juices into their curriculum and really infuse joy into what they teach.