Lebanese dance troupe delivers a breathtaking performance on ‘America’s Got Talent’

The Mayyas walked like the proud lionesses they are.

a screenshot of the dancers performing
10/10. The Mayyas dance. Photo credit: YouTube

We can almost always expect to see amazing acts and rare skills on America’s Got Talent. But sometimes, we get even more than that.

The Mayyas, a Lebanese women’s dance troupe whose name means “proud walk of a lioness” in Arabic, delivered a performance so mesmerizing that judge Simon Cowell called it the “best dance act” the show has ever seen, winning them an almost instant golden buzzer.

Perhaps this victory comes as no surprise considering the Mayyas had previously won “Arab’s Got Talent” and competed on “Britain’s Got Talent: The Champions,” both in 2019. But truly, it’s what motivates them to take to the stage that’s remarkable.

“Lebanon is a very beautiful country, but we live a daily struggle,” one of the dancers said to the judges just moments before their audition. Another explained, “being a dancer as a female Arab is not fully supported—yet.”

Nadim Cherfan, the team’s choreographer, added that, “Lebanon is not considered a place where you can build a career out of dancing, so it’s really hard, and harder for women.”

Still, Cherfan shared that it was a previous AGT star who inspired the Mayyas to defy the odds and audition anyway. Nightbirde, a breakout singer who also earned a golden buzzer before tragically passing away from cancer at 31 years old in February 2021, had told the audience, “You can’t wait until life isn’t hard anymore before you decide to be happy.” The dance team took the advice to heart.

For the Mayyas, coming onto the AGT stage became more than an audition opportunity. Getting emotional, one of the dancers declared that it was their “only chance to prove to the world what Arab women can do, the art we can create, the fights we fight.”


The Mayyas went on to fulfill their promise of a truly hypnotic performance. Starting in a single file line, the women created magnificent shapes while moving flawlessly in sync. At one point, the group even became a pair of eyes (a major crowd pleaser).

The judges—and the audience—were left dumbfounded.

It was no time at all before judge Sofia Vergara leapt up to give the Mayyas their well-deserved golden buzzer. “There are no words to explain to you what we were feeling over here. It was the most beautiful creative dancing I’ve ever seen,” she told the team.

Howie Mandel added, “You said you were going to hypnotize us. When we sat here and we watched the movement and the perfection and the time and effort that went into that, we were hypnotized by what you did.”

You can watch the Mayyas’s spellbinding act below. Prepare to be hypnotized yourself.


This article originally appeared in June.

  • In 1973, the Bee Gees sang an unplugged medley tribute to the Beatles. It’s gorgeous.
    The Bee gees playing a medley of Beatles hits in 1973.Photo credit: via Midnight Special/YouTube

    By 1973, the Bee Gees’ career had hit a low. After a series of hits in the late 1960s and early 1970s, including “To Love Somebody,” “How Can You Mend a Broken Heart,” and “I Started a Joke,” the band was in a rut. Their latest album, Life in a Tin Can, and single “Saw a New Morning” sold poorly, and the band’s popularity declined.

    On April 6, 1973, the Gibb brothers (Barry, Robin, and Maurice) appeared on The Midnight Special, a late-night TV show that aired on Saturday mornings at 1 a.m. after The Tonight Show with Johnny Carson. Given the lukewarm reception to their recent releases, the Bee Gees decided to change things up and play a medley of hits from their idols, The Beatles, who had broken up three years before.

    the beatles, bee gees, 1960s
    The Beatles were the biggest band on Earth in their heyday. Giphy

    The performance, which featured five of the Fab Four’s early hits, including “If I Fell,” “I Need You,” “I’ll Be Back,” “This Boy,” and “She Loves You,” was a stripped-down, acoustic performance that highlighted the Bee Gees’ trademark harmonies.

    “When you got brothers singing, it’s like an instrument that no one else can buy. You can’t go buy that sound in a shop. You can’t sing like The Bee Gees because when you got family members singing together, it’s unique,” Noel Gallagher, who sang with his brother Liam in Oasis, said according to Far Out.

    A year later, the Bee Gees performed in small clubs, and it looked like their career had hit a dead end. Then, at the urging of their management, the band began to move in a new direction, incorporating soul, rhythm and blues, and a new, underground musical style called disco into their repertoire. Barry also adopted a falsetto singing style popularized by Black singers such as Curtis Mayfield and Marvin Gaye.

    This unlikely change for the folksy vocal group catapulted them into the stratosphere and they became the white-satin-clad kings of disco.

    john travolta disco GIF by uDiscoverMusic Giphy

    In the late ‘70s, the band had massive hits, including songs featured on the 40-million-selling Saturday Night Fever soundtrack: “Stayin’ Alive,” How Deep is Your Love,” More Than a Woman,” Jive Talkin’,” and “Night Fever.”

    In 1978, the band made a significant misstep, starring in a musical based on The Beatles’ music called Sgt. Pepper’s Lonely Hearts Club Band, produced by Robert Stigwood, the man behind Saturday Night Fever and Grease. The film was a colossal bomb, although the soundtrack sold well.

    The Beatles’ George Harrison thought the Bee Gees film was about what happens when you become successful and greedy.

    “I just feel sorry for Robert Stigwood, the Bee Gees, and Pete Frampton for doing it because they had established themselves in their own right as decent artists,” Harrison said. “And suddenly… it’s like the classic thing of greed. The more you make the more you want to make, until you become so greedy that ultimately you put a foot wrong.”

    Even though the Bee Gees’ Beatle-themed musical was a flop, former Beatle John Lennon remained a fan of the group. He sang their praises after the public’s growing distaste of disco resulted in a significant backlash.

    john lennon, the beatles
    John Lennon was a fan of the Bee Gees. Giphy

    “Try to tell the kids in the seventies who were screaming to the Bee Gees that their music was just the Beatles redone,” he told Playboy magazine in 1980. “There is nothing wrong with the Bee Gees. They do a damn good job. There was nothing else going on then.”

    The Bee Gees historic career ended when Maurice passed away in 2003 at 53. Robin would follow in 2009 at 62. Barry is the final surviving member of the band.

    This article originally appeared last year.

     

  • Wish you could belt out Broadway tunes at the top of your lungs in public? There’s a nightclub for you.
    Imagine singing along to your favorite Broadway show tunes at a club.Photo credit: Canva

    Broadway Rave is every theater kid’s dream come true.

    When you’re a fan of Broadway musicals, the world is your stage. Or at least, you wish it was. The urge to break out in song always bubbles under the surface, but other than annoying your friends at karaoke or singing into your spatula while you make dinner, there aren’t a lot of opportunities to indulge the impulse.

    Singing by yourself in your kitchen can be fun, but sometimes you want to experience the energy of joining a full chorus. What if there was a place where it’s not only okay to sing show tunes at the top of your lungs, but where everyone else will sing along with you?

    Singing in your kitchen is fine, but not the same as a full chorus. Photo credit: Canva

    Enter Broadway Rave, the nightclub experience for theater kids, Broadway fans, and anyone who prefers an alternative to the traditional clubbing experience. Broadway Raves take place in dance clubs, but instead of house music, you get Hamilton, Heathers, and Hairspray.

    Imagine walking into a club and hearing the sound of your people:

    Is it a rave in technical terms? That’s up for debate. But it certainly is a chance for people who want the energy of a communal social experience without all the stuff that goes along with clubbing. If a Broadway singalong appeals to you more than navigating a dance floor, it might be worth checking out.

    Not that there isn’t dancing. It just might be more The Greatest Showman than “In Da Club.”

    I mean, few Hamilton fans wouldn’t appreciate an opportunity to sing some of those iconic tunes with wild abandon, especially in a group that fully appreciates it.

    Billed as a “musical theatre dance party celebrating the best of Broadway,” Broadway Rave takes place in various cities at different times. You can check their website for upcoming shows. If you don’t find one near you, you can submit a request for a rave to come to your city. They have shows around the United States as well as in Canada and the United Kingdom.

    What musicals do they play songs from? That may depend on the DJ. Here’s what one person shared about their experience:

    “The last time I went I stayed from 9:30 until about midnight. Went and looked up my post from that night.

    They played songs from a bunch of shows, including Hamilton, Heathers, Rent, Dear Evan Hansen, Sweeney Todd, Cats, Six, Mamma Mia, Hairspray, Phantom, Les Miz, Grease, High School Musical, Hercules, Frozen, Waitress, Legally Blonde, Greatest Showman, Book of Mormon, Chess and I’m sure I’m forgetting some.

    It was so much fun.”

    Who would pass up a chance to join in on a group version of Wicked‘s “Defying Gravity”?

    Most reviews of Broadway Rave have been positive, though some people have said the DJ really makes a difference. Shows last around 2.5 hours, and age restrictions vary by venue. Generally, they are either 18+ or 21+, which is a bummer for the high school drama club kids.

    What a great idea, though, to give those of us who don’t really fit the typical nightlife mold a space to let our drama geek flag fly freely and proudly.

    You can find more on Broadway Rave’s website or follow them on Instagram or TikTok.

  • Robin Williams landed his breakout ‘Happy Days’ role after literally flipping the audition on its head
    Robin Williams as Mork on "Happy Days." Photo credit: METV/YouTube

    George Lucas’ Star Wars: Episode IV — A New Hope hit theaters in 1977, capturing the imaginations of people across the globe and launching a renewed interest in science fiction. Gary Marshall, producer of the hit show Happy Days, was looking to keep the series fresh in its fifth season, so he listened to his son—a huge Star Wars fan—who asked if there could be an alien on the show.

    The show’s cast wasn’t too excited about the bizarre episode, which centered on an alien, Mork from the planet Ork, who landed on Earth in an attempt to bring Richie Cunningham back to his home planet. “It really wasn’t a very good script. It was the worst script we ever had,” Anson Williams, who played Potsie Weber on the show, later recalled.

    The actor originally cast as Mork quit just two days before filming, leaving the crew scrambling to find another alien. Al Molinaro, who played diner owner Al Delvecchio on the show, suggested Robin Williams, an actor from his improv class. Williams was brought in to read for the role, and his surprising take on the alien would launch him into superstardom.

    Williams made an incredibly unexpected choice during the audition—one that could have jeopardized his chances of securing the role. When Marshall asked Williams to take a seat, he turned upside down, with his head in the chair and his butt in the air.

    “He did the whole audition standing on his head,” Marshall said, according to Parade. “He was a whole different, fresh view of a guy doing an outer-space alien.” The producer gave Williams the role, explaining that “he was the only alien to audition.”

    “When Robin Williams came on as a Martian, he was all over the place and was improvising some, and they gave him room,” Marshall recalled. “At the end of the episode, 300 people in the audience stood up and applauded, which is not usually done. It didn’t take a genius to know he could do his own show, and we made one for him, Mork & Mindy.”

    During rehearsals, the rest of the cast gave Williams room to improvise, and he quickly created the unique Mork character with his “Na-Nu-Na-Nu” greeting and Star Trek-esque handshake.

    The episode, “My Favorite Orkan,” which originally aired on Feb. 28, 1978, would go on to become one of the most memorable in the series. “It was one of the best shows in the history of the series,” Anson Williams recalled.

    Robin Williams’ performance as the character was so memorable that Paramount rushed an entire show based on the alien, Mork & Mindy, which debuted on Sept. 14, 1978. The Mork character was also invited back on Happy Days the following year for a follow-up episode, “Mork Returns.”

    Mork & Mindy initially surpassed Happy Days in the ratings before experiencing a sharp decline over the next three seasons. In the final season, Mork and Mindy had an Orkan baby, played by Jonathan Winters, who aged backward. By the final episodes in 1982, Williams had become a bona fide movie star, having starred in Popeye and The World According to Garp.

    Williams was such an incredible talent that one audition—where he stood on his head—probably wasn’t the sole reason for his incredible success. But it is a great example of how extraordinary talent expresses itself in ways most people can’t fathom. Kudos to Gary Marshall and the producers of Happy Days for embracing his lunacy instead of laughing Williams out of the studio, and for giving him the space to explode into America’s living rooms.

  • The voice of Woody from ‘Toy Story’ is often the younger, lookalike brother of Tom Hanks
    Jim Hanks plays Woody in much of the "Toy Story" franchise. Photo credit: Jace Diehl/YouTube

    There’s a snake in my boot!” may be one of the most recognizable lines in children’s films across multiple generations. Voiced by the iconic Tom Hanks, Toy Story‘s trusty cowboy toy hero, Woody, has been a beloved character for over 30 years.

    But what people may not realize is that when you hear Woody’s voice anywhere but the films, you’re likely not hearing Tom Hanks. You’re hearing his brother, Jim Hanks. Didn’t know Tom Hanks had a voice actor brother? You’re not alone. An interview with Jim explaining how he’s voiced Woody for three decades is blowing people’s minds.

    Jim Hanks has played Woody more often than Tom Hanks

    When Toy Story came out in 1995, it made history as the first full-length, 3D computer-animated film. Since then, the film franchise has become one of the most successful in history. We not only have four (going on five) movies, but also toys, merch, and themed experiences.

    We know the voice in the film is Tom Hanks. But the voice in Woody toys? That’s Jim. Computer and video games? That’s Jim. Theme park rides? Also Jim. Disney on Ice shows? Jim.

    “I think I went in and did the first toy in ’94 before the first movie came out,” Jim told Jace Diehl. He said he voiced Woody for a short film that came out after the fourth movie, in addition to the various other places Woody can be found.

    People thought it was a myth that Tom Hanks’ brother voices Woody

    “I never really knew that my voice was as similar to Tom’s,” Jim shared. “I have since then seen videos of myself…where I watch myself and go ‘Oh my God, yeah, I do sound like him, even if I’m not trying.”

    Watching the interview, it’s quite remarkable how much Tom and Jim look and sound alike. Tom Hanks has also talked about Jim’s Woody work in interviews, including this one in which Graham Norton thought it was an urban myth:

    Commenters on the Jim Hanks interview video were blown away to find out this bit of Toy Story trivia:

    “I can’t be the only one who didn’t know Tom Hanks had a brother, where the hell have I been.”

    “I feel like I just got Mandela effected.”

    “I’m not entirely convinced that’s not just Tom Hanks with a shaved head.”

    “They should make a docudrama about Jim Hanks played by Tom Hanks.”

    “Seeing Jim talk casually is surreal, because he looks and sounds just about as much Like Tom Hanks as a person possibly can. But at the same time, he has a totally different personality and way of carrying himself.”

    “This is breaking my brain right now. I’m 33, grew up on Toy Story, and I was today years old when I learned that collectively, Jim Hanks has more of a right to the title ‘the voice of Woody’ than Tom Hanks does. Such a talented family.”

    Voicing Woody is a Hanks family affair

    Jim said he thinks of his Woody voice as an impression of Tom yelling at his kid, which makes sense. Even though they are brothers, their voices aren’t identical, so Jim has to work to find Tom’s voice. The way he describes pushing on his diaphragm while having the voice up in his nose, but also deep at the same time, makes it clear he’s a skilled voice actor. He may have a clear genetic advantage, but he has to work to play Woody.

    And if you’re wondering whether the brothers’ work ever comes into their family life, the answer is yes.

    “One time, Tom and I were up visiting my mother, and we called my other brother,” Jim shared. “We were just blabbing  away, and my brother Larry finally says, ‘I just got to say, this is like listening to dueling Woodys.’”

    Countless kids and adults have a lot to thank the Hanks family for, especially knowing that Woody has been a family affair from the beginning.

  • Harrison Ford brings viewers to tears in surprisingly emotional speech
    Harrison Ford has been acting in film and television for over 50 years.Photo credit: Gage Skidmore/Wikimedia Commons
    ,

    Harrison Ford brings viewers to tears in surprisingly emotional speech

    Ford’s Life Achievement Award brought out his heart, humor, and humility.

    Han Solo. Indiana Jones. Rick Deckard. Richard Kimble. Harrison Ford has played characters so iconic they’ve made him a household name for generations. And he’s still acting, playing a lovably cantankerous therapist in Apple TV’s Shrinking. So it’s no surprise that Ford is being recognized by his peers with the 2026 SAG-AFTRA Life Achievement Award.

    What was surprising was seeing Ford deliver a moving, heartfelt speech at the March 1 Actor Awards ceremony—one that lacked any hint of the gruff persona so often associated with him. With humor, humility, and heart, he spoke not only to his fellow actors but to anyone who genuinely loves what they do.

    He began his speech with characteristically dry wit, joking about being there to “receive a prize for being alive.”

    “That said, it is a little weird to be receiving a lifetime achievement award at the half point of my career,” said the 83-year-old. “It’s a little early isn’t it? I’m still a working actor!”

    Ford shared that he had not been an overnight success. He spent 15 years going back and forth between acting and carpentry before finally landing a role in a wildly successful film.

    “None of this happened on my own,” Ford said.

    He thanked Star Wars creator George Lucas and Indiana Jones director Steven Spielberg. He also thanked film producer and casting director Fred Roos, as well as his manager of 30 years, Pat McQueeney, for getting him through hard times in the business.

    “They were both incredibly persistent in their support of me at a time when I really needed it,” Ford said. “I would not be here without them. They are no longer with us, but it feels important that I thank them now.”

    Ford shared that he was “a little lost” in his third year of college.

    “I was failing at school. I felt isolated and alone,” he said. “And then I found a company of people putting on plays. Storytellers. People I once thought were misfits and geeks turned out to be my people. I found a calling. A life in storytelling. An identity in pretending to be other people.”

    Then he spoke about what that life has meant to him, becoming clearly emotional.

    “The work I do with other actors is one of the great joys of my life,” he said. “My career is built on their work, as well as the work of writers, directors, and every single cast member and every crew member I’ve ever been on a set with.”

    He spoke of the “honor” and “privilege” of doing collaborative, creative work for audiences.

    “And because of that privilege, I have come to know myself,” he said. “Ours is a tough business to get into. In my case, it’s been a tough business to get out of, thank God. Because I love what I do.”

    “As actors, we get to live many lives,” he continued. “We get to explore ideas that affirm and elevate our shared experience. The stories we tell have a unique capacity to create moments of emotional connection. They bring us together.”

    Ford said that no matter what stage of their careers actors are in, they share “something fundamental.”

    “We share the privilege of working in the world of ideas, of empathy, of imagination,” he said. “Sometimes we make entertainment. Sometimes we make art. Sometimes, if we’re lucky, we make both at the same time. And if we’re really fortunate, we also get to make a living doing it.”

    And he spoke of the importance of lifting others up.

    “Success in this business brings a certain freedom that comes with responsiblity,” he said. “To support each other. To lift others up when we can. To keep the door open for the next kid, the next lost boy who’s looking for a place to belong.”

    Finally, he spoke with gratitude about his good fortune.

    “I am indeed a lucky guy,” he said. “Lucky to have found my people. Lucky to have work that challenges me. Lucky to still be doing it. And I don’t take that for granted. I want to say thank you, truly, from the bottom of my heart. To my peers, to my extraordinary, beautiful wife, Calista. And my family, who have given me love and courage through all of it. And thank you to SAG-AFTRA for honoring me with this prize. This is very encouraging.”

    Ford was speaking to his fellow Hollywood actors, of course, but his speech carried a powerful, universal message that resonated widely. Many people on X found themselves brought to tears by his sincere, heartfelt words:

    “Harrison Ford, known for his rugged dignity, just gave one of the most touching acceptance speeches I’ve ever heard. Just a man, reflecting on the incredible blessing it is to be able to do what you love and find your place in the world. I cried.” – @PettyLupone

    “Tears welled up in my eyes because he said it from the bottom of his heart… How wonderful it is to have opportunities that help you grow personally and professionally… Beautiful speech.” – @8MilaMila8

    “Beautiful speech. Very moving. He is a national treasure and a cultural icon indeed.” – @beingpt

    “Sobbing my eyes out. Harrison Ford is the first actor I ever became a fan of before I even understood what that meant. His body of work is one thing, but in moments like this, it’s his character that speaks, and we are so lucky to live in a world where he’s on our screens.” – @GissaneSophia

    “There’s something powerful about seeing a legend get raw like that. Harrison Ford has played smugglers, archaeologists, presidents, and heroes, but that speech strips it all back to a craftsman talking about work, gratitude, and responsibility. The line about entertainment versus art hits because it’s honest, most projects are just jobs, but every so often something transcends. And the part about keeping the door open for the next ‘lost boy’ is the real legacy move. Success isn’t just freedom, it’s stewardship. When someone who’s been at the top that long still says ‘I’m lucky,’ that’s humility forged by decades, not PR polish. That’s why it landed.” – @Dan_Brisbois

    Well said. Thanks for over five decades of entertainment and art, Harrison Ford.

  • People share 14 words they first learned through Disney songs that expanded their vocabularies
    Disney songs help people expand their vocabularies. Photo credit: Wikipedia/Canva
    ,

    People share 14 words they first learned through Disney songs that expanded their vocabularies

    “We used to be UTTERLY SPOILED with the level of internal rhyme and skillful poetics that went into kids’ songs.”

    Disney movies have been a part of the American childhood since the studio released its first feature-length animated film in 1937, Snow White and the Seven Dwarfs. Ever since, Disney films have been known for their catchy, clever songs.

    On Reddit, logophiles and Disney fans shared advanced vocabulary words they first learned after hearing them in Disney songs.

    “Wow we used to be UTTERLY SPOILED with the level of internal rhyme and skillful poetics that went into kid’s songs,” one person wrote.

    These are 14 vocabulary words people learned as kids from Disney songs that have stuck with them to this day:

    Genuflect

    Definition: “To bend the knee; to touch the knee to the floor or ground especially in worship; to be humbly obedient or respectful.”
    Movie: Aladdin
    Song: “Prince Ali”
    Lyrics:
    “Prince Ali, fabulous he, Ali Ababwa
    Genuflect, show some respect
    Down on one knee”

    Meticulous

    Definition: “Very careful about doing something in an extremely accurate and exact way; showing or requiring extreme care and attention to detail.”
    Movie:
    Lion King
    Song:
    “Be Prepared”
    Lyrics:
    “So prepare for the coup of the century
    Be prepared for the murkiest scam (Ooh, la, la, la!)
    Meticulous planning (We’ll have food!)
    Tenacity spanning (Lots of food!)
    Decades of denial (We repeat!)”

    Mediocrity

    Definition: “Mediocre, of moderate or low quality, value, ability, or performance; ordinary, so-so.”
    Movie:
    The Sword in the Stone
    Song:
    “That’s What Makes the World Go Round”
    Lyrics:
    “You must set your sights upon the heights
    Don’t be a mediocrity
    Don’t just wait and trust to fate
    And say, that’s how it’s meant to be”

    Expectorating

    Definition: “To eject from the throat or lungs by coughing or hawking and spitting.”
    Movie:
    Beauty and the Beast
    Song:
    “Gaston”
    Lyrics:
    “No one hits like Gaston
    Matches wits like Gaston
    In a spitting match, nobody spits like Gaston
    I’m especially good at expectorating
    Ten points for Gaston!”

    Prattle

    Definition: “Trifling or empty talk; a sound that is meaningless, repetitive, and suggestive of the chatter of children.”
    Movie:
    The Little Mermaid
    Song:
    “Poor Unfortunate Souls”
    Lyrics:
    “The men up there don’t like a lot of blabber
    They think a girl who gossips is a bore
    Yes, on land it’s much preferred
    For ladies not to say a word
    And after all, dear, what is idle prattle for?”

    Dote

    Definition: “To be lavish or excessive in one’s attention, fondness, or affection —usually used with on.”
    Movie:
    The Little Mermaid
    Song:
    “Poor Unfortunate Souls”
    Lyrics:
    “Come on, they’re not all that impressed with conversation
    True gentlemen avoid it when they can
    But they dote and swoon and fawn
    On a lady who’s withdrawn
    It’s she who holds her tongue who gets her man”

    Cabaret

    Definition: “A restaurant serving liquor and providing entertainment (as by singers or dancers).”
    Movie:
    Beauty and the Beast
    Song:
    “Be Our Guest”
    Lyrics:
    “We’ll prepare and serve with flair
    A culinary cabaret
    You’re alone
    And you’re scared
    But the banquet’s all prepared”

    Pachyderms

    Definition: “Any of various nonruminant mammals (such as an elephant, a rhinoceros, or a hippopotamus) of a former group (Pachydermata) that have hooves or nails resembling hooves and usually thick skin.”
    Movie:
    Dumbo
    Song:
    “Pink Elephants on Parade”
    Lyrics:
    “I can stand the sight of worms
    And look at microscopic germs
    But technicolor pachyderms
    Is really too much for me”

    Coup

    Definition: “A sudden decisive exercise of force in politics and especially the violent overthrow or alteration of an existing government by a small group.”
    Movie:
    The Lion King
    Song:
    “Be Prepared”
    Lyrics:
    “You won’t get a sniff without me!
    So prepare for the coup of the century
    Be prepared for the murkiest scam (Ooh, la, la, la!)”

    Qualm

    Definition: “A feeling of uneasiness about a point especially of conscience or propriety; a sudden feeling of usually disturbing emotion (such as doubt or fear).”
    Movie:
    The Hunchback of Notre Dame
    Song
    : “The Bells of Notre Dame”
    Lyrics:
    “You can lie to yourself and your minions
    You can claim that you haven’t a qualm
    But you never can run from
    Nor hide what you’ve done from the eyes
    The very eyes of Notre Dame”

    Reprimand

    Definition: “A severe or formal reproof; criticism for a fault; rebuke.”
    Movie:
    The Little Mermaid
    Song
    : “Part of Your World”
    Lyrics:
    “Bet’cha on land they understand
    Bet they don’t reprimand their daughters
    Bright young women, sick of swimmin’
    Ready to stand”

    Precocious

    Definition: “Exhibiting mature qualities at an unusually early age; exceptionally early in development or occurrence.”
    Movie:
    Mary Poppins 
    Song
    : “Supercalifragilisticexpialidocious”
    Lyrics:
    “It’s supercalifragilisticexpialidocious
    Even though the sound of it is something quite atrocious
    If you say it loud enough, you’ll always sound precocious
    Supercalifragilisticexpialidocious”

    Nabob

    Definition: “A provincial governor of the Mogul empire in India; a person of great wealth or prominence.”
    Movie:
    Aladdin
    Song
    : “Friend Like Me”
    Lyrics:
    “Mister Aladdin, sir, have a wish or two or three
    I’m on the job, you big nabob

    Nom de plume

    Definition: “A name that a writer uses instead of their legal name; pseudonym; pen name.”
    Movie:
    Aladdin
    Song
    : “One Jump Ahead”
    Lyrics:
    “One jump ahead of the slowpokes
    One skip ahead of my doom
    Next time gonna use a nom de plume

  • In 1997, Beatles producer George Martin was stunned by this Brazilian all-girls choir rendition of ‘Because’
    In 1997, George Martin was visibly moved by a choir performing The Beatles' "Because."Photo credit: Screenshots via the_beatlesrevolution on Instagram

    Who deserves the honorary title of “fifth Beatle“? You could make a case for several people: guest keyboardist Billy Preston, early drummer Pete Best, even manager Brian Epstein. But on a musical level, no one was more crucial to The Fab Four than producer George Martin, who worked on all of their albums.

    That close connection only highlights the beauty of a recently unearthed video: In 1997, an all-girls choir surprised a visibly emotional Martin by singing The Beatles’ “Because” at a Brazilian airport

    It’s unclear exactly where the clip originated, but a Brazilian TV network appears to have shared it during a broadcast. Multiple social media profiles have also posted the footage, including Instagram account the_beatlesrevolution, who offered some additional context. The video, they write, shows Martin arriving at the Rio de Janeiro airport to find the Meninas Cantoras de Petrópolis choir sweetly singing “Because.”

    “What a beautiful, brilliant human he was”

    The video opens with Martin approaching the choir, his eyes welling. (It’s a fitting response for a song with the lyric, “Because the sky is blue, it makes me cry.”) He smiles, vigorously applauds, and even wipes the tears from his face. Beatles fans reacted in the comments with a similar warmth, including these top replies: 

    “A genius & a gentleman!! ❤️”

    “My god, the beauty of this moment… I’m weeping.”

    “George Martin – he had one of the most amazing ‘jobs’ ever, the musical history he helped shape was astounding. 🙌”

    “This guy wrote a history! There’s no musician or a Beatles fan that wouldn’t cry to this. Tears with goosebumps!”

    “Wonderful legacy❤️”

    “When you realize that what you’ve achieved with your friends (and what friends!) is truly remarkable”

    “Just a beautiful video. Thank you so much for posting it. Sir George played a huge part in the Beatles story and here we see the joy he had, many years after they broke up, still being loved for his contribution to the Fab Four’s legacy ❤️”

    “I am moved by the performance as well. What a beautiful brilliant human he was. I am grateful he existed in my lifetime.”

    “Because” exemplifies George Martin’s connection with The Beatles

    “Because,” a highlight from 1969’s Abbey Road, was an ideal choice as a Martin tribute. The recorded version, built on lush vocal harmonies, opens with one of his signature instrumental contributions: a chiming electric harpsichord.

    The song also symbolizes his deep relationship with The Beatles: While he was less involved in recording 1970’s Let It Be, which featured final production by Phil Spector, Martin resumed his usual role on their studio swan-song Abbey Road. (For clarity’s sake, The Beatles didn’t complete and release Let It Be until after Abbey Road, even though they recorded it before.) 

    In an archival interview, Martin explained that “Because” features triple-layered three-part harmonies from John Lennon, Paul McCartney, and George Harrison. (While drummer Ringo Starr doesn’t appear on the recording, he did provide a metronomic hi-hat pulse in the others’ headphones.)

    For the song’s arpeggiated riff, Lennon was inspired by Beethoven’s “Moonlight Sonata,” after hearing Yoko Ono play it on piano. In multiple interviews, he recalled telling her to play the chords “backward,” using the result as a springboard into something new. 

  • If you see a person and two dogs in this photo, look again. It’s an optical illusion.
    If you see a man and two dogs, look again.Photo credit: @Rainmaker1973/X, @farhadge/X

    Optical illusions are wild. The way our brains perceive what our eyes see can be way off base, even when we’re sure about what we’re looking at. Plenty of famous optical illusions have been created purposefully, from the Ames window that appears to be moving back and forth when it’s actually rotating 360 degrees, to the spiral image that makes Van Gogh’s “Starry Night” look like it’s moving.

    But sometimes optical illusions happen by accident. Those ones are even more fun because we know they aren’t a result of someone trying to trick our brains. Our brains do the tricking all by themselves.

    The popular Massimo account on X shared a photo that appears to be a person and two dogs in the snow. The more you look at it, the more you see just that—two dogs and someone who is presumably their owner. Turn the photo every which way and it’s still the same conclusion.

    That’s a person and two dogs, right?

    But there are not two dogs in the photo. There are actually three dogs in this picture. Can you see the third?

    Full confession time: I didn’t see it at first. Not even when someone explained that the “human” is actually a dog. My brain couldn’t see anything but a person with two legs, dressed all in black, with a furry hat and some kind of furry stole or jacket. My brain definitely did not see a black poodle, which is what the “person” actually is.

    Are you looking at the photo and trying to see it, totally frustrated? The big hint is that the poodle is looking toward the camera. The “hat” on the “person” is the poodle’s poofy tail, and the “scarf/stole” is the poodle’s head.

    Once you see it, it fairly clear, but for many of us, our brains did not process it until it was explicitly drawn out. This outline helps somewhat:

    As one person explained, the black fur hides the contours and shadows, so all our brains take in is the outline, which looks very much like a person facing away from us.

    People’s reactions to the optical illusion were hilarious.

    One person wrote, “10 years later: I still see two dogs and a man.”

    Another person wrote, “I agree with ChatGPT :)” and shared a screenshot of the infamous AI chatbot describing the photo as having a person in the foreground. Even when asked, “Could the ‘person’ be another dog?” ChatGPT said it’s possible, but not likely. Ha.

    One reason we love optical illusions is that they remind us just how very human we are. Unlike a machine that takes in and spits out data, our brains perceive and interpret what our senses bring in—a quality that has helped us through our evolution. But the way our brains piece things together isn’t perfect. Even ChatGPT’s response is merely a reflection of our human imperfections at perception being mirrored back at us. They say seeing is believing, but when what we interpret what we’re seeing incorrectly, we end up believing things that might not be real.

    Sure is fun to play with how our brains work, though. Also a good reminder that what we think we see, even with our own eyes, may not be an accurate picture of reality.

    This article originally appeared two years ago. It has been updated.

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