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Making fun of Parkland survivors is in bad taste. Turns out, it's also bad for business.

Conservative media commentators are getting a crash course in decency from the Parkland shooting survivors. The latest example is Fox News host Laura Ingraham, who mocked survivor David Hogg on her Twitter account for not getting into the colleges of his choice, writing:

"David Hogg Rejected By Four Colleges To Which He Applied and whines about it. (Dinged by UCLA with a 4.1 GPA...totally predictable given acceptance rates.)"

People quickly took notice and many of them weren't happy.


Hogg responded by asking people to contact the advertisers who pay for Ingraham's show, another example of how much better the Parkland teens understand social media than their critics.

The Parkland students are showing adults there's a new level of accountability in 2018.

No doubt Hogg and his supporters were angry. But instead of lowering themselves to Ingraham's level, he went for direct action. Ironically, he also used a guiding principle of conservative thought against Ingraham by "letting the market speak."

And speak it did.

This isn't new ground for the Parkland teens. As Hogg's own pinned tweet from March 11 explains:

Can we please not debate this as Democrats and Republicans but discuss this as Americans? In the comments if you see someone you dissagree with do not attack each other  talk to one another, this applies to me too. WE MUST WORK TOGETHER TO SAVE OUR FUTURE.

Advertisers quickly began announcing they were pulling their dollars from her show. As the story went viral, Ingraham finally published an apology to her over 2 million Twitter followers, writing:

"Any student should be proud of a 4.2 GPA —incl. @DavidHogg111.  On reflection, in the spirit of Holy Week, I apologize for any upset or hurt my tweet caused him or any of the brave victims of Parkland. For the record, I believe my show was the first to feature David immediately after that horrific shooting and even noted how "poised" he was given the tragedy. As always, he’s welcome to return to the show anytime for a productive discussion."

Ingraham's apology didn't sound sincere. But she had to do it anyway.

It's hard to take Ingraham's apology at face value. Like so many other half-baked apologies from celebrities and politicians, she expressed remorse not on principle but "for any upset or hurt." She then quickly pivoted to taking credit for having previously interviewed him, and offered to have him back on her show — something that would undoubtably be good for her ratings and advertisers.

Hogg himself doesn't buy it, writing:

I 100% agree an apology in an effort just to save your advertisers is not enough. I will only accept your apology only if you denounce the way your network has treated my friends and I in this fight. It’s time to love thy neighbor, not mudsling at children.

Holding Ingraham and others accountable is the right thing to do and shows a better way forward.

It's totally fine to disagree with Parkland survivors and their ideas. It's not fine to make personal attacks that have nothing to do with the issue at hand.

It should be the standard for anyone in any debate.

That Hogg and his fellow students are leading the way here is yet another way they're showing all of us that there's a different way to do things.

Hold on, Frankie! Mama's coming!

How do you explain motherhood in a nutshell? Thanks to Cait Oakley, who stopped a preying bald eagle from capturing her pet goose as she breastfed her daughter, we have it summed up in one gloriously hilarious TikTok.

The now viral video shows the family’s pet goose, Frankie, frantically squawking as it gets dragged off the porch by a bald eagle—likely another mom taking care of her own kiddos.

Wearing nothing but her husband’s boxers while holding on to her newborn, Willow, Oakley dashes out of the house and successfully comes to Frankie's rescue while yelling “hey, hey hey!”

The video’s caption revealed that the Oakleys had already lost three chickens due to hungry birds of prey, so nothing was going to stop “Mama bear” from protecting “sweet Frankie.” Not even a breastfeeding session.

Oakley told TODAY Parents, “It was just a split second reaction ...There was nowhere to put Willow down at that point.” Sometimes being a mom means feeding your child and saving your pet all at the same time.

As for how she feels about running around topless in her underwear on camera, Oakley declared, “I could have been naked and I’m like, ‘whatever, I’m feeding my baby.’”

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10/10. The Mayyas dance.

We can almost always expect to see amazing acts and rare skills on “America’s Got Talent.” But sometimes, we get even more than that.

The Mayyas, a Lebanese women’s dance troupe whose name means “proud walk of a lioness,” delivered a performance so mesmerizing that judge Simon Cowell called it the “best dance act” the show has ever seen, winning them an almost instant golden buzzer.

Perhaps this victory comes as no surprise, considering that the Mayyas had previously won “Arab’s Got Talent” in 2019 and competed on “Britain’s Got Talent: The Champions.” But truly, it’s what motivates them to take to the stage that’s remarkable.

“Lebanon is a very beautiful country, but we live a daily struggle," one of the dancers said to the judges just moments before their audition. Another explained, “being a dancer as a female Arab is not fully supported yet.”

Nadim Cherfan, the team’s choreographer, added that “Lebanon is not considered a place where you can build a career out of dancing, so it’s really hard, and harder for women.”

Still, Cherfan shared that it was a previous “AGT” star who inspired the Mayyas to defy the odds and audition anyway. Nightbirde, a breakout singer who also earned a golden buzzer before tragically passing away in February 2021 due to cancer, had told the audience, “You can't wait until life isn't hard anymore before you decide to be happy.” The dance team took the advice to heart.

For the Mayyas, coming onto the “AGT” stage became more than an audition opportunity. Getting emotional, one of the dancers declared that it was “our only chance to prove to the world what Arab women can do, the art we can create, the fights we fight.”

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