Check out how one college is teaching students how to prevent rape: with a video game.

"The ONLY way that we can eliminate power-based violence in our society is to focus on why and how it flourishes and exists in a culture."

A new game developed at Carnegie Mellon University aims to change the way people react when they witness sexual harassment and violence.

The game is called Decisions That Matter, and it follows a group of college-age friends on the night of a party. Along the way, members of the group face a number of challenges and uncomfortable situations that people of all ages might find themselves in every day, ranging from street harassment to unwelcome advances from a stranger or friend.

In each situation involving harassment or assault, the player must choose how to react.

For example, in the street harassment scenario, the player has to decide whether to say something to the stranger, dismiss the stranger, or ignore the stranger.


I spoke over e-mail with CMU's coordinator of gender programs and sexual violence prevention Jess Klein to learn more about the game's history.

Essentially, each semester, a CMU class called Morality Play: Laboratory for Interactive Media and Values Education takes up a cause. Professors Andy Norman and Ralph Vetuccio selected sexual violence prevention as this semester's theme and went to Klein for some assistance.

"They wanted to come up with some sort of multimedia tool that would help students understand and educate them on sexual violence prevention, but also a tool that would be useful to the folks on campus working directly with survivors and violence prevention," Klein said. "I am that person!"

Previous Morality Play classes have examined topics like income inequality and privacy.

So many existing "anti-rape" tools put the focus on the victim, and few address the perpetrators and bystanders. They wanted this to be different.

"I was upfront with them from the very beginning with regards to how I felt about 'prevention products,'" Klein said. "The apps, the nail polish, the 'anti-rape' underwear – it's just all too much, and those products ultimately put the onus of prevention on the survivor."

All else aside, the biggest problem with "anti-rape" products that focus on the victim is that they don't address the cause of rape: people who rape.

"The ONLY way that we can eliminate power-based violence in our society is to focus on why and how it flourishes and exists in a culture," said Klein. "... Instead of risk-reduction tactics, or 'secondary prevention,' we must practice primary prevention — eliminating power-based violence on a cultural and social level through education."

"Being an active bystander is about intervening long before anything can happen, giving folks the tools to have conversations about sexism, the role of masculinity, rape culture, challenging rape myths, and more." — Jess Klein of Carnegie Mellon University

A focus on primary prevention needs to include educational tools for bystanders and witnesses.

"One of the key areas of primary prevention is bystander intervention," Klein explained, "although it must be done the right way. Being an active bystander is not just about teaching someone tools to intervene when an assault is happening. Being an active bystander is about intervening long before anything can happen, giving folks the tools to have conversations about sexism, the role of masculinity, rape culture, challenging rape myths, and more."

According to Klein, catcallers are usually ignored. Because of that, they're not held accountable for their treatment of women and might eventually engage in worse behaviors.

"There is no product on the market that I have witnessed that focuses solely on the bystander experience, especially the way that it is presented with Decisions That Matter."

If nothing else, Klein hopes that players can empathize with the characters and situations shown in the game.

"I hope that people can really see themselves in these situations and think hard about what they would actually do," she told me. "I absolutely believe that it will help people better understand the nuances and the complexities of sexual violence, but also show that sexual violence is on a continuum. Catcalling is a form of sexual violence. Unwanted touching or groping is a form of sexual violence. These things are violations of people's choices and their bodies. I also believe that this will help people understand the importance of intervening or not intervening."


If the game manages to equip even a single person with the tools they need to step in as a bystander in these situations, it will be a huge success.

Decisions That Matter is an innovative tool in the fight against sexual violence that educates without being condescending and is something men and women of all ages should check out. It doesn't paint the perpetrators as cartoonish villains, and it shows that there's not always a right or wrong answer in these situations. It is an eye-opening experience.

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Disney has come under fire for problematic portrayals of non-white and non-western cultures in many of its older movies. They aren't the only one, of course, but since their movies are an iconic part of most American kids' childhoods, Disney's messaging holds a lot of power.

Fortunately, that power can be used for good, and Disney can serve as an example to other companies if they learn from their mistakes, account for their misdeeds, and do the right thing going forward. Without getting too many hopes up, it appears that the entertainment giant may have actually done just that with the new Frozen II film.

According to NOW Toronto, the producers of Frozen II have entered into a contract with the Sámi people—the Indigenous people of the Scandinavian regions—to ensure that they portray the culture with respect.

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Though there was not a direct portrayal of the Sámi in the first Frozen movie, the choral chant that opens the film was inspired by an ancient Sámi vocal tradition. In addition, the clothing worn by Kristoff closely resembled what a Sámi reindeer herder would wear. The inclusion of these elements of Sámi culture with no context or acknowledgement sparked conversations about cultural appropriation and erasure on social media.

Frozen II features Indigenous culture much more directly, and even addressed the issue of Indigenous erasure. Filmmakers Jennifer Lee and Chris Buck, along with producer Peter Del Vecho, consulted with experts on how to do that respectfully—the experts, of course, being the Sámi people themselves.

Sámi leaders met with Disney producer Peter Del Vecho in September 2019.Sámediggi Sametinget/Flickr

The Sámi parliaments of Norway, Sweden and Finland, and the non-governmental Saami Council reached out to the filmmakers when they found out their culture would be highlighted in the film. They formed a Sámi expert advisory group, called Verddet, to assist filmmakers in with how to accurately and respectfully portray Sámi culture, history, and society.

In a contract signed by Walt Disney Animation Studios and Sámi leaders, the Sámi stated their position that "their collective and individual culture, including aesthetic elements, music, language, stories, histories, and other traditional cultural expressions are property that belong to the Sámi," and "that to adequately respect the rights that the Sámi have to and in their culture, it is necessary to ensure sensitivity, allow for free, prior, and informed consent, and ensure that adequate benefit sharing is employed."

RELATED: This aboriginal Australian used kindness and tea to trump the racism he overheard.

Disney agreed to work with the advisory group, to produce a version of Frozen II in one Sámi language, as well as to "pursue cross-learning opportunities" and "arrange for contributions back to the Sámi society."

Anne Lájla Utsi, managing director at the International Sámi Film Institute, was part of the Verddet advisory group. She told NOW, "This is a good example of how a big, international company like Disney acknowledges the fact that we own our own culture and stories. It hasn't happened before."

"Disney's team really wanted to make it right," said Utsi. "They didn't want to make any mistakes or hurt anybody. We felt that they took it seriously. And the film shows that. We in Verddet are truly proud of this collaboration."

Sounds like you've done well this time, Disney. Let's hope such cultural sensitivity and collaboration continues, and that other filmmakers and production companies will follow suit.

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