It’s pretty common—standard, even—for celebrities to enhance their smiles and address issues like discoloration, crooked teeth, or gaps by getting veneers. However, as many have lamented on social media, having our screens constantly bombarded by perfectly porcelain teeth not only affects viewer’s ability to fully immerse themselves into what they’re watching (especially if we’re talking about period pieces) it also sends the message that imperfections aren’t normal, or someone with their natural teeth can’t be attractive.
Reading this, it’s easy to think, well of course that’s not true. But as we have seen time and time again, television does have its way of subtly reshaping our views on beauty, if we’re not careful. And that’s why dentist and ‘White Lotus” fan Dr. Rhona Eskander (@drrhonaeskander) took to Instagram to highlight how the show is reversing this narrative for the better—with two fan favorite characters in particular.
First up, we have Amy Lou Ward, who plays Chelsea, and has already been making headlines for proudly sporting her natural smile. In the clip below, Eskander applauded her “interesting, quirky” teeth, and explained that she had “class 2 Div 1 bite,” which simply means her upper teeth are more forward than her lower teeth, in addition to distemas, or gaps.
Eskander considers Ward to be an example that hygiene is far more important than symmetry, saying that “having teeth that are quirky and different but look lonely and clean are just as beautiful…and can be incredibly charismatic!”
Next, we have Chelsea’s gal pal this season, Chloe, played by actress Charlotte Le Bon. According to Eskander, Le Bon has a class 2 Division 2 bite,” which means “her two lateral incisors are coming out more forward than her central incisors,” and she’s got some “crowding.”
But again, Eskander points out, having ‘perfectly imperfect teeth” doesn’t detract any beauty from either of these women, but only adds to their individuality. And it’s something not only a dentist can appreciate, but everyday folks as well, judging by the comments.
“ Yes to individuality, it really does add character. I’m bored of seeing perfect teeth on tv so defo more of this. ”
“I enjoy seeing more natural teeth on tv and movies. It is actually more relatable.”
“I LOVE seeing these gorgeous women highlighted!! Their natural smiles are a big part of what make them stand out so much. Love to see it.”
“They are beautiful, and I am so tired of the homogeneous ‘beauty’ standards.”
“So refreshing to see this…we need more character and individual looks at a time when so many people seem to be morphing into each other!”
At the end of the day, there’s nothing inherently wrong or right about getting these types of cosmetic procedures. And in many cases, it truly can be just the thing needed in order to really feel confident in your own appearance. But it might be wise for anyone contemplating veneers (or any expensive, drastically altering endeavor) to consider why they want it in the first place. If it’s to look like the folks they see on TV…that might be precarious.
And to White Lotus’ credit, imperfect teeth aren’t the only ways in which we get to flawed, complex, real characters—both aesthetically, and how they are written. Which makes a lot of sense, given that writer Mike White sought to explore the many, convoluted and conflicting layers that create a person’s identity. Pretty fitting that characters in the show would therefore inspire conversations surrounding one’s acceptance of their own individuality. Who knew teeth could be so deep.
From Pakistan to Tanzania, the most effective education solutions are community-led. Here’s how local leaders, in partnership with Malala Fund and supported by Pura, are mobilizing entire communities.
When asked to describe what Tanzania smells like, Grace Isekore closes her eyes and breathes in deep. For a moment, she’s somewhere else entirely. Tanzania is a rich tapestry of sights and scents, from the smell of sea mist that permeates the coastline to the earthy cardamom and cloves she cooks with in her kitchen. But when Grace emerges from her reverie, her answer is unexpected.
“Tanzania smells like peace,” she says, her eyes still closed. “I see a beautiful country where we are free to move, free to speak. And there is peace within the community.”
For Grace, that sense of peace isn’t just something she smells; it’s something she works toward every day. As a project coordinator with Pastoral Women’s Council (PWC), a women-led organization that empowers pastoralist communities in northern Tanzania, she has seen firsthand how girls flourish when they have the opportunity to attend school. Like scent, education not only connects girls to their own culture, but also helps broaden their horizons, realizing new possibilities for themselves and others. That transformation reshapes entire communities and ripples outward, with the potential to change countries and transform the world for the better.
Different scents, different approaches, and communities driving change
Spices in Tanzania. Captured by James Roh for Pura
For Grace and others around the world, education is freedom, as well as a pathway to a stronger community. Rooted in that shared belief, Pura, a home fragrance company, was inspired to build on their four-year partnership with Malala Fund to create something truly unique: a fragrance collection that connects people through scent to communities in Tanzania, Nigeria, Pakistan, and Brazil, where barriers to girls’ education are among the highest.
Using ingredients from each region, the new Pura x Malala Fund Collection uses scent to transport people to these regions directly. “Future in Bloom,” for example, invokes Pakistan’s lush valleys through notes of jasmine, cedarwood, and mango; while Tanzania’s fragrance, “Heart on Fire,” evokes the spirit and joyfulness of the girls who live there through cardamom, lemon, and green tea.
The new Collection honors the work Malala Fund does every day, partnering with locally-led organizations in these four countries to ensure every girl can access and complete 12 years of education. Each scent celebrates the joy, tenacity, and courage of the women and girls driving change on the ground, while also augmenting Pura’s annual grant to Malala Fund by donating eight percent of net revenue from the Pura x Malala Fund Collection to Malala Fund directly.
Just as each country’s scent is unique, so too are their needs related to education. But with support from Malala Fund and Pura, local leaders are coming up with creative ways to mobilize entire communities (parents, teachers, elders, and the students themselves, in their pursuit of solutions, understanding that educating girls helps everyone thrive. Here’s how their efforts are creating real, durable impact in Tanzania and Pakistan, and creating a ripple effect that changes the world for the better.
Parent-teacher associations help Maasai girls and their communities in Tanzania problem-solve
A girl’s school in Tanzania. Captured by James Roh for Pura
Northern Tanzania, Grace’s home, is home to pastoralist communities like the Maasai, a nomadic people who have moved with the seasons to nurture the land and care for their livestock for centuries. The nomadic nature of this lifestyle creates significant and unique barriers to girls’ education. Longstanding gender roles have enabled Maasai to survive in the harsh environment and have placed great value on both women and men. Over time, as nomadic life has been threatened by the privatization of land and stationary education models have been implemented, the reality of pastoralist livelihood has shifted and introduced new complexities. Now, the sheer distance to schools is both a practical challenge and one that often comes with danger from the landscape, predators, and potential exposure to assault along the journey. Girls shoulder the responsibility of household chores and there is often cultural pressure around early marriage – both leading to boys’ education being prioritized over girls’.
“There are very, very good [pastoralist] cultural practices, which are passed from generation to generation,” says Janet Kimori, an English teacher at Lekule Girls Secondary School in Longido, Tanzania. But when cultural practices act as educational barriers, “you have to sit down and look for where you are going to assist. As a school, as an individual, the school administration—all of us will chip in and know how we are going to deal with this problem.”
PWC works to ensure girls are able to exercise their right to an education while also preserving pastoralist culture. One successful approach, the organization found, has been the formation of Parent Teacher Associations (PTAs), created with help from Malala Fund. In PTA meetings, students, parents, teachers, elders, and government officials meet, discuss educational barriers, and come up with community-led solutions that preserve and honor their culture while advancing educational outcomes.
PTA meeting in Tanzania. Captured by James Roh for Pura
One recent PTA meeting highlights how these community-led solutions are often the most effective. At Lekule Girls Secondary School, the lack of fresh water forces girls to walk long distances to collect water for the school’s kitchen during the school day, and these long journeys not only disrupt class time but can leave girls vulnerable to sexual assault in isolated areas. Through facilitated discussion, PTA members landed on a solution: installing a borehole to pipe in fresh water to the school. Reliable access to water creates a better learning environment for the girls, but it also benefits the community at large, as local governments are then more likely to invest in health clinics and other community resources nearby.
With a solution in place, the PTA was then able to discuss ideas and map out a course of action. The women would raise money for the cost of the borehole, while the men would recruit workers to dig the hole and lay the pipe. Together, they would ask government officials to match their investment.
The benefits of PTA meetings within the pastoralist communities are undeniable. “The girls are talking and addressing issues in a confident way, and parents feel they are part of the resource team to solve challenges happening at school,” Grace says. One unexpected benefit: The larger cultural impact these PTA meetings have created. Thanks to the success of PTAs within pastoralist communities, the models are now being endorsed on a national level, and schools across Tanzania are starting to use them to solve problems in their own communities. When a community creates opportunities for girls to learn, everyone benefits.
Safe spaces in rural Pakistan help students and their parents connect, then drive change
Safe space for girls meeting in Pakistan. Captured by Insiya Syed.
A continent away in Pakistan, the country’s northernmost region of Gilgit-Baltistan seems like a land untouched by time. The region’s looming mountains, snow-capped peaks, lush valleys and crystalline lakes draw nature lovers and landscape photographers from around the world, but living among this kind of breathtaking scenery has its drawbacks. Schools in the region are few and far between, and the area’s harsh climate often makes roads inaccessible for travel. Poverty and gender-based discrimination are additional obstacles, making school even further out of reach, and girls are affected disproportionately. Going up against these barriers requires a persistent, quiet strength that’s found in the women who live there and reflected in Pakistan’s signature scent.
Saheli Circles are how local leaders in Gilgit-Baltistan are bridging the gap between girls and education. An Urdu term for “female friend,” Saheli Circles are after-school safe spaces where girls explore subjects like art and climate change, while also developing skills that help them manage emotions, set goals, and build positive relationships. Girls study in groups, visit the library, play sports, and tackle filmmaking and photography projects, all designed to develop self confidence and teach the girls how to advocate for issues that matter to them. But the work doesn’t stop there.
“What we’re trying to achieve here will only be impactful if it trickles down to the home environment and the school environment,” says Marvi Sumro, founder and program director of Innovate, Educate, and Inspire Pakistan (IEI), the local organization that developed the Saheli Circles model and partnered with Malala Fund in 2021 to make it a reality. Ever since, Saheli Circles have grown to involve teachers, elders, and parents to encourage relationship building that’s essential for young girls and adolescents. “Our spaces can give mothers and daughters an opportunity to interact a little differently—do an art activity, or have a cup of tea together, or some good conversation,” Marvi says.
The relationship building is what makes the biggest positive impact throughout the community. Recently, one Saheli Circle was able to bring together parents, teachers, and administrators to advocate for better education at their local school, and together they convinced the department of education to hire a science teacher. Another Saheli Circle organized a fund where members of the community can contribute monthly to pay for uniforms, books, and other school expenses for the girls in their village, eliminating those small, hidden costs that are often a barrier to education for many. A third Saheli Circle was able to produce a short film about how gender-based household chores can take away valuable study time from girls, leaving them at a disadvantage. “The girls put the film together and showed it to the mothers, and the response from the mothers was just beautiful,” Marvi says.
Girls smiling in Pakistan. Captured by Insiya Syed.
The education and relationship building that the girls receive in Saheli Circles connects them to larger opportunities and economic freedom that are not possible in their hometown. “For girls in Gilgit-Baltistan, education is extremely important because of the fact that we’re so far away from where the economy is, where the opportunity is. Education becomes this bridge for us, for our girls, to access all the opportunity and economy that exists in [larger cities].”
From rural Tanzania to remote Pakistan, local organizations prove every day that prioritizing girls’ education benefits everyone. Communities that lift up girls are able to secure resources like clean water and well-staffed schools, as well as build stronger relationships.
These outcomes are only possible because of the women and girls who work tirelessly in these regions to overcome barriers and drive progress. The Pura x Malala Fund Collection is a way to honor them, celebrate their achievements, and unite people the world over around a shared belief that education is freedom. Like scent, that belief can build, travel, and has the possibility to transform the world.
Experience the Pura x Malala Fund Collection here, and connect with the stories of real girls leading change across the globe.
“JAW.” Cute, simple, straightforward. You can take any movie with a plural “s” and just remove it for a tiny chuckle. “The Avenger.” “Star War.” “Heather.” But the best responses make you think for a minute before the light bulb goes on and the belly laugh hits:
“The Postman Rang Once The One Time He Stopped By.”
“I for Vendetta”
“Malcom I”
“Jumanjus.”
That last one is a perfect example of why people are loving the responses to this prompt. “Jumanji” isn’t even plural, but applying the rule that gives us cactus/cacti and octopus/octopi, we get “Jumanjus.” Cleverly hilarious.
Some adjustments are just so silly, you can’t help but laugh, like “Indiana Jone.” Many of them use animal groups (pride of lions, murder of crows, school of fish) that you have to decipher or stretch your logic to break down things we don’t think of as plural (wall to brick, wind to air molecule, corporation to sole proprietor). And “I for Vendetta” and “Malcolm I”? Perfect. (As one person said, we don’t have enough Roman numeral humor in the world.)
People loved seeing how creative others were in their responses:
“This thread is for the ‘pleasure to have in class’ kids only and I love it. 😂”
“Gods everyone is so much smarter than me. I’m just over here trying to think of titles ending in S.”
“I’ve never been more ok with everyone been smarter than me. 😂”
“I cannot read this thread while my partner is trying to sleep beside me. I am SHAKING the bed, laughing.”
Why do people find these depluralized titles so funny, though? Likely the same reason we delight in puns and spoonerisms. Wordplay tickles our brains and our funny bones.
As neuroscientist Dean Burnett shared with BBC Science Focus, “Humor is essentially our brain going ‘This isn’t how things usually work… but I’m okay with it!’”
Burnett explains that humor happens in our brains when there’s incongruity between what we expect to happen and what actually happens and we resolve that incongruity.
“Basically, thanks to these complex systems in our brains, humour can be derived from things being surprising, unexpected or wrong in some form, as long at it’s resolved, without negative consequences,” he writes.
That’s essentially what’s happening when we see a familiar movie title altered in a way that we don’t expect but that ultimately makes sense. Whatever the humor trigger, it’s so fun to have so many people enjoy some wordplay together.
In 1969, the Juggy Sound Studio in New York City was forever changed. It was that year and place that Led Zeppelin recorded (at least part of) their album Led Zeppelin II, with the song “Ramble On” its 7th track. The song, co-written by front man Robert Plant and guitarist Jimmy Page (who also produced the track), has remained a staple in their extraordinarily rocking catalogue for over half a century.
So when Robert Plant, at the ripe young age of 77, casually strolled onto the set of The Late show with Stephen Colbert and flawlessly belted out the song, fans sure noticed. Yes, his face has more wrinkles – time will do that to a person. But it’s time itself that made the lyrics to this particular song all the more meaningful.
“Like he wrote it this morning”
Guitar Gods Unleashed took to X to share the video, writing “’Ramble On’ is 56 years old, and Robert Plant just walked onto The Late Show and made it sound like he wrote it this morning.”
The comments are so fitting for such a powerhouse performance. One X-er notes that some rock stars age. But Robert Plant? “You see the aging rock star trying to replay their youth, then you have Robert Plant being Robert Plant, and it rivals the original from a half century ago. Just incredible.”
Lord of the Rings
Another points out the lyrics, which reference J.R.R. Tolkien’s popular book series turned movies, Lord of the Rings. “I like that ‘Ramble On’ has Lord of the Rings references from back when Robert was reading the book series. I had no idea what Lord of the Rings was back when I first became a fan of the song, but eventually I said, “wait…did he mention Gollum and Mordor?”
In a piece for Far Out Magazine, Jack Whatley discussed the fact that many bands are influenced by authors. “The singer used moments throughout the lyrics to express his connection; lines like ‘the darkest depths of Mordor’ and ‘Gollum and the evil one’ are both doffs of the caps to the writer. Many artists have made references to great literature in their time; whether it is The Beatles and C.S. Lewis’ influence on ‘I Am The Walrus’ or The Cure’s nod to Albert Camus.”
The lyrics
The lyrics are so hauntingly beautiful and even more impactful now that Plant is older.
“Leaves are fallin’ all around It’s time I was on my way Thanks to you, I’m much obliged For such a pleasant stay
But now it’s time for me to go The autumn moon lights my way For now, I smell the rain, and with it, pain And it’s headed my way
Ah, sometimes I grow so tired But I know I’ve got one thing I’ve got to do
Ramble on And now’s the time, the time is now Sing my song I’m goin’ ’round the world, I gotta find my girl
On my way I’ve been this way ten years to the day I’m gonna ramble on Gotta find the queen of all my dreams
Got no time for spreadin’ roots The time has come to be gone Though our health, we drank a thousand times It’s time to ramble on
Ramble on And now’s the time, the time is now Sing my song I’m goin’ ’round the world, I gotta find my girl
On my way I’ve been this way ten years to the day I’m gonna ramble on Gotta find the queen of all my dreams
I ain’t tellin’ no lie
Mine’s a tale that can’t be told My freedom I hold dear How years ago in days of old When magic filled the air
‘Twas in the darkest depths of Mordor I met a girl so fair But Gollum and the evil one Crept up and slipped away with her, her, her, her, her, yeah
And ain’t nothin’ I can do, no I guess I’ll keep on
Ramblin’, I’m gonna say Sing my song, I’ve gotta find my baby I’m gonna ramble on, sing my song Gonna work my way, gonna ramble on Gonna ramble on, yeah-yeah”
Another fan shares their thoughts on just how brilliant the performance was. “To craft a new arrangement of a rock classic – a completely new composition – centered around the limitations your aging 80-year-old voice… and create something still so artistic and beautiful… it’s why this man is on the shortest of short lists of the best front men of all time.”
CNN had created a remembrance video for the Back to the Future star, titled “Remembering the life of Michael J. Fox.” Now, it’s fairly standard practice for news outlets to make these sorts of posthumous tributes in advance. But publishing them before the celebrity actually passes away? Not so much.
And yet, on Tuesday, April 7, that’s what happened. But when Fox saw the accidental announcement of his death, he met it with a bit of philosophical humor.
On Threads, Fox wrote, “How do you react when you turn on the TV and CNN is reporting your death? Do you…A) switch to MNSBC, or whatever they are calling themselves these days, (B) Pour scolding hot water on your lap, if it hurts your fine, (C) Call your wife, hopefully she’s concerned but reassuring, (D) Relax, they do this once every year, (E) Ask yourself wtf ?”
@realmikejfox Threads
Ending with just a dash of self-deprecation, he concluded, “I thought the world was ending, but apparently it’s just me and I’m ok. Love, Mike.”
As to be expected, fans were quick to “yes and” Fox’s sense of humor.
“Go outside and ask the first person you come across: ‘Can you see me?’ Glad you’re ok btw!” wrote one person.
Meanwhile, actor Kathy Griffin quipped, “You’re a helluva ghost.”
In CNN’s defense, the tribute, however premature, did respectfully honor Fox’s legacy not only as a beloved actor, but also as an active Parkinson’s advocate.
According to Entertainment Weekly, the narrator in the now-deleted video said of Fox: “He came into our living rooms on the small screen each week as Alex P. Keaton [on Family Ties] and eventually onto the big screen as Marty McFly in [Back to the Future]. But Michael J. Fox had a compelling third act as a Parkinson’s sufferer and stem cell research advocate.”
“His most lasting role may have been as a tireless voice against Parkinson’s, a performance the Academy of Motion Pictures Arts and Sciences honored with the Jean Hersholt Humanitarian Award in 2022,” the clip went on. “In the end, Fox came to understand that his battle against the disease brought out the best in him.”
A CNN spokesperson also stated: “The package was published in error; we have removed it from our platforms and send our apologies to Michael J. Fox and his family.”
On Wednesday, Fox’s rep assured TMZ that “Michael is doing great.”
So great, in fact, that he was out and about in Los Angeles speaking on a panel for the Apple TV series Shrinking, in which he filmed a three-episode guest arc playing a character who also deals with Parkinson’s disease. The guest spot marked his first on-screen appearance since 2020. Harrison Ford, who also plays a character with Parkinson’s on the show, regarded Fox as “an extraordinarily powerful person” after meeting and working with him on set.
So, Michael J. Fox is still kickin’. And he’s still meeting each moment with a tremendous amount of humility and humor, lifting our spirits as he does it.
As the music began, no one knew what the apparatus made of poles and bars surrounding the dancers was for. But it soon became apparent that they would use it to lift themselves off the ground. What started with a simple pull-up, however, turned into an incredible synchronized dance to Justin Bieber’s “Where Are U Now” in which the dancers synchronized their movements without their feet even touching the ground.
AIRFOOTWORKS dancing to Justin Bieber on AGT
The dancers, who hail from Japan, were mentored by Kenichi Ebina, who won AGT Season 8 in 2013. Their performance earned them a standing ovation from all four judges and the audience.
“Everything about the performance was perfect,” said judge Sofia Vergara.
“It was so creative and so different—and so difficult, by the way,” said judge Simon Cowell. “So you have a great mentor. However, even if you’ve got a great mentor, you’ve still got to be able to do what your mentor helps you to do. And you did it immaculately.”
AGT fans agree with the judges
People in the comments were equally blown away.
“How do people find out they have talents like this??? ✋ “
“My toxic trait is thinking I can do this without any difficulty .”
“Insane core strength.”
“OBSESSED with this audition.”
“What kind of core strength is this… flawless, “
Many people were disappointed that none of the judges hit the Golden Buzzer.
“Why no Golden Buzzer?!?!?! If I’ve seen any act more deserving of it, I can’t recall. These guys were AWESOME!!!!!!!”
“Did they run out of golden buzzers? This is worthy.”
“THEY DESERVED THE GOLDEN BUZZER!”
“This performance absolutely deserved a golden buzzer. It was just spectacular.”
“Can only assume all the judges were so enthralled and mesmerized by this performance they forgot there was a golden buzzer.”
The ‘Golden’ performance
AIRFOOTWORKS did, in fact, earn a Golden Buzzer from Howie Mandel during the Quarterfinals sending them directly to the finale, where the group performed to an EDM mix by Steve Aoki. While they didn’t receive enough votes to win the entire competition, they have certainly earned AGT royalty status.
Since their AGT run, AIRFOOTWORKS have continued to take the world stage – reaching the finals of talent competitions in France and Italy, and performing at the Royal Variety Performance in the UK.
For more talent auditions, you can follow America’s Got Talent on YouTube and TikTok.
This article originally appeared 2 years ago. It has been updated.
Odds are you’ve heard Wally de Backer, aka Gotye, and his song “Somebody That I Used to Know.” It’s the Australian musician’s biggest commercial hit, selling more than 20 million copies since its release in 2011, making it one of the best-selling digital singles of all time. Not to mention it inspired several amazing covers, which you might have also stumbled upon.
The music video, in its poignant simplicity, is every bit as iconic. Gotye stands naked facing the camera, as featured singer Kimbra faces him. As they sing, they are slowly “painted” into and out of the background of geometric shapes using stop motion animation. There’s a very Wes Anderson feel to it that adds so much to the story told in the song, making it all the more memorable.
This dance troupe was up to the task
All this to say…it would be a challenge to recreate the magic that’s so inherent in the original. And yet, Netherland-based dance troupe CDK clearly understood the assignment with their highly stylized movement performance set to the well-known art pop ballad.
As thousands of viewers were quick to note, it’s not just the incredible dance moves that made this performance so captivating. It’s the killer combination of choreography, camerawork and costumes that make the piece impossible to turn away from.
“This is pure art,” one person wrote. While another added, “I think I’m going to watch it everyday for the rest of my life.”
Watch CDK’s Stunning Performance Here
This group is clearly at the top of their game, simply by how easy they make it all look (like, I’ve already convinced myself that I can pull off those moves). But what’s more evident is that they enjoy what they’re doing to the nth degree. Over on their Instagram page, you’ll find equally mesmerizing routines set to Billie Eilish, Nicki Minaj, and more.
1: Gotye allows small independent projects, like student films—and probably this dance piece—to use his music free of charge. “If someone wants to use it commercially I look at what the budget is and the creativity of the project,” he said, according to News.com.
2: CDK isn’t the only group to have recently breathed new life into the song. Also in 2024, an electronic remix of the song titled “Somebody (2024),” created by electronic music producers Chris Lake, Fisher, and Sante Sansone, debuted. Much like its predecessor, “Somebody (2024) topped the charts.
This article originally appeared two years ago. It has been updated.
During an episode from the latest season of Love on the Spectrum, Netflix’s heartwarming, critically acclaimed reality series that follows autistic individuals navigating the complexities of relationships, two fan favorites—Madison Marilla and her now fiancée, Tyler White—shared a moment that many couples face regardless of neurodivergence: emotional triggers.
As the two approached their date location, a fan can be heard saying, “Maddie! I love you!” This visibly affected Marilla, who explained that her autism causes “black and white thinking.” So hearing a nickname, like “Maddie,” causes her to feel “anxious and thrown off.” In fact, she noted it’s one of her “biggest sensitivities.”
In an Instagram post, marriage counselors Chris & Jamie Bailey break down how the couple’s handling of the situation was a prime example for anyone who witnesses their significant other getting triggered.
Chris and Jamie noted that in the clip, White stayed calm, moved towards Madison, validated her feelings without judgment, stayed present in the situation, listened to understand, and then, after Madison was able to express herself, he reassured her that they are a team and that he is there for her.
And for her part, Madison “chose to process what was happening instead of reacting.” She also reminded herself that “it was going to be ok” and “moved forward” rather than ruminate.
All relationships deal with triggers
While relationships involving autism or other forms of neurodiversity have their own unique set of challenges, Chris and Jamie noted that every couple will at some point face triggers. When that happens, each partner has a “responsibility.” The triggered person is responsible for their emotional regulation, while the non-triggered person is responsible for offering support. Both Tyler and Madison exemplified what can go right when each partner takes on their individual responsibility—especially staying present.
“What couples often miss is the simplicity of just remaining with your spouse during a trigger, “ Chris and Jamie added.
Judging by the comments, the Baileys were clearly not the only ones who felt Madison and Tyler offered a “masterclass in emotional regulation and communication.”
“This was incredibly impressive. The way she worked through a trigger, the way he supported her and validated it. Well done everyone. We could all learn from this. ❤️”
“Responding before reacting is something every single person I’ve ever met has struggled with. I love how hard she’s working to stay aware of her mind, heart and body and how best to keep them regulated in these really difficult situations.
“This was such an incredible thing to witness. I’m so grateful for Madison’s ability to be vulnerable through this and to allow the world the opportunity to learn from her 😭 I needed this today!
“These two humans are pure good. They totally get each other and provide such a safe space.”
“I love that Tyler didn’t even try to hug her or touch her and he let Madison’s nervous system calm down first. Full respect!!”
Expert-backed methods for dealing with emotional triggers in a relationship
For your own triggers, awareness is the first step. Many people notice physical cues before anything else. It might be a racing heart, a tight chest, or a sudden urge to withdraw or lash out. Naming what is happening, even silently, can help create space between the feeling and the reaction. Simple grounding techniques, like slowing your breathing, focusing on your senses, or giving yourself permission to pause, can make a meaningful difference. Just as Madison demonstrated, reminding yourself that the moment will pass can help shift your nervous system out of alarm mode.
When it comes to supporting a partner who is triggered, the goal isn’t to fix the feeling, but to help create safety. That often looks like staying calm, listening without interrupting, and validating what they are experiencing, even if you do not fully understand it. Avoid rushing them, minimizing their reaction, or immediately offering solutions. Instead, gentle reassurance and presence can go much further than advice.
Of course, this kind of mutual support works best when both people are willing to take ownership of their emotional patterns over time. Conversations outside of triggered moments can help partners learn each other’s sensitivities, boundaries, and preferred ways of being supported.
As Madison and Tyler remind us, when both people are willing to meet each other with awareness and care, even the most uncomfortable moments can become opportunities for deeper connection.
It seems like at least once a year, the debate over BMI (body mass index) resurfaces. Experts are quick to point out that it’s a flawed system: at best, it ignores key factors that shape a person’s body composition; at worst, it creates real health consequences, influencing eligibility for weight loss medications, insurance rates, joint-replacement surgery and fertility treatment. Then the conversation fades, life moves on and not much changes.
And yet, despite the constant debunking, the belief in BMI still marches on. This time, it was hurled at the USA rugby star and Olympian Ilona Maher. More specifically, someone commented “I bet that person has a 30% BMI” on one of Maher’s TikTok videos.
Could this person have simply been pointing out the inherent flaw of BMI and that Maher, an elite athlete, would be considered “overweight” using this system? Perhaps. But this is the internet we’re dealing with, so Maher (and others) interpreted it to be an insult.
Under that context, Maher wasn’t having it, and chose “not to just ignore the haters.”
“Hi, thank you for this comment. I think you were trying to roast me, but this is actually a fact. I do have a BMI of 30. Well, 29.3 to be exact,” Maher said in response video…which became something of a roast itself.
Maher talked about how she had been considered “overweight” her entire life, and even recalled being “so embarrassed” to turn in a physical form to the office which had “overweight” written on it.
“I chatted with my dietitian, because I go off facts, and not just what pops up here. You know, like you do.” she quipped while tapping her temples.
What the numbers actually tell us
Maher is 5-ft.-10-in. and 200 lbs, which is considered “overweight” by BMI standards. But as she explained, about 170 of those 200 pounds are “lean muscle mass.”
“Do that math in your head…you probably can’t,” Maher said sarcastically.
It’s easy to see through this example how bogus BMI really is, especially for athletes.
Essentially, “BMI doesn’t tell you what I can do.”
“It doesn’t tell you what I can do on the field. How fit I am. It’s just a couple of numbers put together,” she said. “It doesn’t tell you how much muscle I have, or anything like that.”
Maher concluded by faux lamenting, “I do have a BMI of 30. I am considered overweight. But alas, I am going to the Olympics, and you’re not.” Maher went on to win a silver medal at the 2024 Paris Olympics.
The U.S. women’s rugby team with First Lady Jill Biden and members of the U.S. delegation to the 2024 Summer Olympic Games The White House/Public Domain
Why This Hit Home for So Many People
While Maher’s clapback was certainly satisfying, it also provided some much needed reassurance to folks. So many commented on how this outdated concept has affected (or still effects) their own body image or that of a loved one.
“How can I get my teenage daughter with a high BMI (but fit!) to understand this?! She feels shamed even at the doctor for her BMI.”
“Dancer here, I’ll never forget at 13 being told I had the BMI of 24 of ‘overweight.’ I broke down and the nurse said it didn’t mean anything and all I could think was then WHY are you making me do this?!”
A registered dietitian explains why BMI is so flawed. YouTube
“I had to ask the doctor’s office to put a note on my child’s file to not bring up/talk about BMI in her check ups. It isn’t an accurate representation of health!”
“Thank you for sharing your weight, bc seeing lbs numbers in different bodies has been so helpful in me loving mine. I’m nowhere near an athlete’s body but damn, the numbers really do us in.”
Until a more affordable solution pops up, BMI will continue to rear its ugly head in doctor’s offices and in our psyches. Maybe this is a reminder that our bodies are so much more than height and weight every now and again is a good thing. And if it comes from an Olympian…even better.
Maher also shut down any notions that her BMI was high due to anything other than muscle with a Sports Illustrated cover shoot in August of 2024. Um, yeah.
Actor Alan Rickman gave us so many memorable characters, from the terrorist Hans Gruber in Die Hard to the oft ill-tempered antihero Severus Snape in the Harry Potter films, to the unfaithful husband who broke Emma Thompson’s heart in Love Actually.
Though he was often cast as a villain, Rickman’s distinctive voice and irresistible screen presence made audiences love him. He brought a unique human touch even to his most odious bad guy characters, a quality that makes perfect sense when you hear Thompson, his friend and co-star in seven films, talk about his character in real life.
In a moving tribute upon the release of his diaries in October 2022, Thompson shared insights into the virtues and quirks that made Rickman “blissfully contradictory.”
Alan Rickman signing autographsu00a0at the Brooklyn Academy of Music, January 2011. Photo Credit: Marie-Lan Nguyen via Wikimedia Commons
Thompson is at the top of her award-winning writer game here, and her words about Alan Rickman are filled with heart, wit, respect, admiration and love. It’s truly a eulogy for the ages.
Watch (or read the full transcript below):
People love Thompson’s tribute to her friend and some have even shared their own stories of their encounters with Alan Rickman:
“A close friend of mine bumped into him in a theatre in London many years ago. My friend instantly recognised Mr Rickman and from nowhere, instantly found the courage to ask him for his autograph. Having neither pen nor paper for this, he asked Mr Rickman if he would mind waiting a moment whilst he collected the items from somewhere, anywhere! The moment became at least 10 minutes or so, and when my friend ran back to a now empty theatre foyer, he noticed one solitary figure. Mr Rickman had waited patiently for my friend to give him what he asked for.”
“I was lucky enough to work with him on a film. At lunchtime I joined the line for a meal and as I payed and went to turn to look for a table, someone knocked into me from behind and my drink went flying. I turned and it was Alan, he apologized put his hand on my shoulder and said let me get you another. He came back with a cup of tea and I was so overwhelmed. I was shocked how he was so down to earth and a real gentleman.”
“I meet him once in Boots and said hello, he realised it was a reflex to recognising a known face. He picked up an item we both were looking at, smiled and said “well hello there are we going to arm wrestle for this?” That deep tone rendered me mute, I realised it was Mr Rickman and instantly denied needing this forgotten thing, apologised for well nothing really, smiled and backed away. He was a giant of a fellow on and off the stage and will be missed.”
“Everything she said is true. I was fortunate to have dinner with him and his wife and his drama teacher. He was charming and friendly and shared some great ideas about directing, which I use today in my theater group. He is missed by many.”
Indeed he is.
Here’s the full transcript of Thompson’s tribute:
“The most remarkable thing about the first days after Alan died was the number of actors, poets, musicians, playwrights and directors who wanted to express their gratitude for all the help he’d given them. I don’t think I know anyone in this business who has championed more aspiring artists nor unerringly perceived so many great ones before they became great. Quite a number said, latterly, that they’d been too shy to thank him personally. They had found it hard to approach him. And of all the contradictions in my blissfully contradictory friend (hold on, Thompson), this is perhaps the greatest this combination of profoundly nurturing and imperturbably distant.
He was not, of course, distant. He was alarmingly present at all times the inscrutability was partly a protective shield. If anyone did approach him with anything like gratitude or even just a question, they would be greeted with a depth of sweetness that no one who didn’t know him could even guess at. And he was not, of course, unflappable. I could flap him like nobody’s business and when I did he was fierce with me and it did me no end of good.
He was generous and challenging, dangerous and comical, sexy and androgynous, virile and peculiar, temperamental and languid, fastidious and casual, the list could go on. I’m sure you can add to it. There was something of the sage about him, and had he had more confidence and been at all corruptible, he could probably have started his own religion.
His taste in all things from sausages to furnishings appeared to me anyway to be impeccable. His generosity of spirit was unsurpassed and he had so much time for people I used to wonder if he ever slept or ever got time for himself. A word not traditionally associated with Alan is gleeful, but when he was genuinely amused he was absolutely the essence of glee. There would be a holding back as the moment built, and then a sudden leaning forward and a swinging around of the torso as a vast, impish grin flowered, sometimes accompanied by an inarticulate shout of laughter. It was almost as if he was surprised by himself. It was my life’s mission to provide those moments. I remember Imelda Staunton nearly killing him by telling him a story about my mother and an unfortunate incident with some hashish—it’s a really good story, I won’t tell it now—I’ve never seen him laugh more before or since. It was a bit like watching someone tickling the Sphinx.
One Christmas Eve party I had a sprig of mistletoe hanging up at home, and I was loitering under it and turned to find Alan bearing down on me. I lifted up my chin hopefully. He smiled and approached. I puckered. He leaned in under the mistletoe and a sudden change came over his face. His eyes started to glitter and his nostrils to quiver. He lifted up a hand, reached in, and pulled a longish hair out of my chin. ‘Ow!’ I said. ‘That’s an incipient beard,’ he said, handing me the hair and walking off.
That was the thing about Alan—you never knew if you were going to be kissed or unsettled, but you couldn’t wait to see what would come next. And the trouble with death is that there is no next. There’s only what was, and for that, I am profoundly and heartbrokenly grateful. So the last thing we did together was change a plug on a standard lamp in his hospital room. The task went the same way as everything we have ever done together. I had a go. He told me to try something else. I tried. It didn’t work, so he had a go. I got impatient. I took it from him. I tried it again. It still wasn’t right. We both got slightly irritable, then he patiently took it all apart again and got the right lead into the right hole. I screwed it in with a screwdriver. We complained about how fiddly it was, and then we had a cup of tea. Took us at least half an hour, this thing, and he said after, ‘Well it’s a good thing I decided not to become an electrician.’
I’m still heartbroken that Alan’s gone, but these diaries bring back so much of what I remember of him. There is that sweetness I mentioned, his generosity, his champion of others, his fierce, critical eye, his intelligence, his humor. He was the ultimate ally in life, art, and politics. I trusted him absolutely. He was, above all things, a rare and unique human being and we shall not see his like again.”
