Utah lawmakers made a rap video. This is why we can't have nice things.

Picture this: Legislators for the great state of Utah gather in their chamber wondering, “How do we get young people to care about laws?”

And then, a mysterious voice from the shadows whispers, “Make a rap. It will be fun," before spraying a cloud of some kind of cartoonish "agreeability mist" into the air and scampering back to an evil lair.

And somehow, before the agreeability mist wore off, these seemingly reasonable lawmakers set to work on writing, filming, editing, and releasing the best/worst rap video of all time.


That is the only way to explain how this could have happened.

OK, maybe not. But it’s probably the story they should stick to. GIFs via Utah House of Reps/Twitter.

Legislators from the Utah House of Representatives debuted their first hip-hop single Feb. 28.

It’s a "Fresh Prince of Bel-Air" send-up called "Fresh Prints of Bills Here" and it's about how a bill becomes a law. It is — and I say this with near 100% certainty — the best thing you will see all week. (Or maybe the worst?)

There are fake bills.

A surprising amount of Comic Sans.

(Or if you're familiar with local government, maybe it's not surprising.)

Damn it, Jerry! GIF from "Parks and Recreation."

There's a poorly choreographed thumbs-up.

But not as poor as the fit on this MAGA cap.

The wordplay is FIRE. They even rhyme "there" with "chamber"

(Yeah, they made it chame-bear. THERE ARE NO RULES!)

Plus, there's this Jason Sudeikis doppleganger, in a backward hat, making what he undoubtedly thinks is a cool rap hand gesture. IT IS HARD TO BELIEVE THIS CONTENT IS FREE.

And we can't forget Rep. Susan Duckworth, who appears to be the only person who can stay within 10 feet of the beat.

Go off, Susan!

Basically the video has everything but black people. (But can you blame Rep. Sandra Hollins for sitting this one out?)

But (and I'll admit this is a big but) if you can get past the dancing, cringeworthy rhymes, and hilarious hats, the video actually has a lot to offer.

Sure, a mostly negative reaction to the political parody was swift, with Stephen Colbert discussing it on his show and one of Utah's U.S. Senate candidates, Jenny Wilson, promising to never appear in a rap video if she's elected.

But if "Schoolhouse Rock!" was before your time, this video offers a succinct and useful breakdown of the legislative process.

It's also a great way for people to get to know their elected officials. In a 2015 survey, nearly 77% of respondents could not name one of their state senators. Yikes! These are the people responsible for a lot of the laws and policies that affect our daily lives. Knowing who represents you (and how they're doing) is key to making sure your voice is heard. This video offers a chance to match names to faces or at least names to stuck-out tongues — and that's a start.

To the good people of Utah, as ridiculous and cringeworthy as this video is, hats off to you.

Specifically, the backward one. Take it off. You'll thank me later.

Check out the video in full. Who am I kidding? You'll have to. It's impossible to turn away.

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Disney has come under fire for problematic portrayals of non-white and non-western cultures in many of its older movies. They aren't the only one, of course, but since their movies are an iconic part of most American kids' childhoods, Disney's messaging holds a lot of power.

Fortunately, that power can be used for good, and Disney can serve as an example to other companies if they learn from their mistakes, account for their misdeeds, and do the right thing going forward. Without getting too many hopes up, it appears that the entertainment giant may have actually done just that with the new Frozen II film.

According to NOW Toronto, the producers of Frozen II have entered into a contract with the Sámi people—the Indigenous people of the Scandinavian regions—to ensure that they portray the culture with respect.

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Though there was not a direct portrayal of the Sámi in the first Frozen movie, the choral chant that opens the film was inspired by an ancient Sámi vocal tradition. In addition, the clothing worn by Kristoff closely resembled what a Sámi reindeer herder would wear. The inclusion of these elements of Sámi culture with no context or acknowledgement sparked conversations about cultural appropriation and erasure on social media.

Frozen II features Indigenous culture much more directly, and even addressed the issue of Indigenous erasure. Filmmakers Jennifer Lee and Chris Buck, along with producer Peter Del Vecho, consulted with experts on how to do that respectfully—the experts, of course, being the Sámi people themselves.

Sámi leaders met with Disney producer Peter Del Vecho in September 2019.Sámediggi Sametinget/Flickr

The Sámi parliaments of Norway, Sweden and Finland, and the non-governmental Saami Council reached out to the filmmakers when they found out their culture would be highlighted in the film. They formed a Sámi expert advisory group, called Verddet, to assist filmmakers in with how to accurately and respectfully portray Sámi culture, history, and society.

In a contract signed by Walt Disney Animation Studios and Sámi leaders, the Sámi stated their position that "their collective and individual culture, including aesthetic elements, music, language, stories, histories, and other traditional cultural expressions are property that belong to the Sámi," and "that to adequately respect the rights that the Sámi have to and in their culture, it is necessary to ensure sensitivity, allow for free, prior, and informed consent, and ensure that adequate benefit sharing is employed."

RELATED: This aboriginal Australian used kindness and tea to trump the racism he overheard.

Disney agreed to work with the advisory group, to produce a version of Frozen II in one Sámi language, as well as to "pursue cross-learning opportunities" and "arrange for contributions back to the Sámi society."

Anne Lájla Utsi, managing director at the International Sámi Film Institute, was part of the Verddet advisory group. She told NOW, "This is a good example of how a big, international company like Disney acknowledges the fact that we own our own culture and stories. It hasn't happened before."

"Disney's team really wanted to make it right," said Utsi. "They didn't want to make any mistakes or hurt anybody. We felt that they took it seriously. And the film shows that. We in Verddet are truly proud of this collaboration."

Sounds like you've done well this time, Disney. Let's hope such cultural sensitivity and collaboration continues, and that other filmmakers and production companies will follow suit.

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