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You're at the bar with your friends. Over a couple of cold ones and maybe a handful of peanuts, you talk about sports, politics, and ... consent?

That's exactly what the four women behind Aisle 4, a "curatorial collective" based in Toronto, want to see more of in the world.

Shannon Linde and the other curators work with local artists to create socially-engaged artwork that lives in the real world, not on gallery walls. Finding a way to tackle the topic of women's safety in bars has been on their agenda for a while.


"This has come up quite a bit. I mean, we are four women," Linde says. "People making an effort to change the dangerous climate is not happening as quickly as you would expect."

Aisle 4: Emily Fitzpatrick, Patricia Ritacca, Renée van der Avoird, and Shannon Linde. All photos by Aisle 4, used with permission.

Aisle 4 worked with local artists in Toronto to design a series of eye-catching coasters that would spark conversations in bars around consent, harassment, and assault.

It's no secret any place where lots of alcohol is being consumed can be dangerous. From aggressive, leering Tinder dates, pushy would-be suitors, or even people following them home, women can face an absurd amount of peril for simply wanting to go out and have a drink.

The coaster project, called "On the Table," quietly reminds that "Consent matters" and implores people to "Listen to your gut."

Linde says she knows a coaster isn't going to deter an attacker, for example, but hopefully getting small groups of people talking about the issues openly will have a positive effect.

"A coaster can't change patriarchy but it can remind you that gender is fluid and empathy is imperative." By Hazel Meyer

There's been a bigger push recently to get bar and restaurant staff involved in the fight against harassment.

Plenty of establishments have been in the news lately for adopting "safe words," i.e. a woman can ask for "Angela" or order an "Angel shot" to alert the staff that she needs help.

Critics of these measures say they put the onus on someone to figure their own way out of a dangerous situations, rather than on the people who make them feel unsafe; they also point out that the code words won't do much good once everyone knows what they mean.

On the Table takes a different approach and, quite literally, lays the uncomfortable truth about safety out in the open.

"Consent matters. Listen to her." By Lido Pimienta

"What we're not attempting to do is enact massive social change," Linde says. "Because that's so unrealistic."

She says most of us live in a bit of a bubble, only talking about the important stuff with people we know agree with us. These coasters might be a chance to change that.

"Mostly men are surprised that I might have felt unsafe many times in the past month," she says. "I don't think it's as known what the experience of women is day to day."

"Men are allies." By Jesse Harris

So far, nine bars in the Toronto area have eagerly signed up to use the coasters. More will likely join the effort soon.

The coasters can't be found in the wild just yet (they're currently being printed and will be distributed soon), but Linde says the feedback on the campaign so far has been amazing, and unlike a lot of their work, it has completely transcended the art community.

"This is definitely the most far-reaching project we've done to date," she says.

"Listen to your gut." by Aisha Sasha John

It remains to be seen if the project will have the impact the women at Aisle 4 are hoping for.

But at least they've done their part by creatively trying to further an important conversation. Whether everyone chooses to listen ... that's the bigger question.

Joy

Nurse turns inappropriate things men say in the delivery room into ‘inspirational’ art

"Can you move to the birthing ball so I can sleep in the bed?"

Holly the delivery nurse.

After working six years as a labor and delivery nurse Holly, 30, has heard a lot of inappropriate remarks made by men while their partners are in labor. “Sometimes the moms think it’s funny—and if they think it’s funny, then I’ll laugh with them,” Holly told TODAY Parents. “But if they get upset, I’ll try to be the buffer. I’ll change the subject.”

Some of the comments are so wrong that she did something creative with them by turning them into “inspirational” quotes and setting them to “A Thousand Miles” by Vanessa Carlton on TikTok.

“Some partners are hard to live up to!” she jokingly captioned the video.

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All images provided by Adewole Adamson

It begins with more inclusive conversations at a patient level

True

Adewole Adamson, MD, of the University of Texas, Austin, aims to create more equity in health care by gathering data from more diverse populations by using artificial intelligence (AI), a type of machine learning. Dr. Adamson’s work is funded by the American Cancer Society (ACS), an organization committed to advancing health equity through research priorities, programs and services for groups who have been marginalized.

Melanoma became a particular focus for Dr. Adamson after meeting Avery Smith, who lost his wife—a Black woman—to the deadly disease.

melanoma,  melanoma for dark skin Avery Smith (left) and Adamson (sidenote)

This personal encounter, coupled with multiple conversations with Black dermatology patients, drove Dr. Adamson to a concerning discovery: as advanced as AI is at detecting possible skin cancers, it is heavily biased.

To understand this bias, it helps to first know how AI works in the early detection of skin cancer, which Dr. Adamson explains in his paper for the New England Journal of Medicine (paywall). The process uses computers that rely on sets of accumulated data to learn what healthy or unhealthy skin looks like and then create an algorithm to predict diagnoses based on those data sets.

This process, known as supervised learning, could lead to huge benefits in preventive care.

After all, early detection is key to better outcomes. The problem is that the data sets don’t include enough information about darker skin tones. As Adamson put it, “everything is viewed through a ‘white lens.’”

“If you don’t teach the algorithm with a diverse set of images, then that algorithm won’t work out in the public that is diverse,” writes Adamson in a study he co-wrote with Smith (according to a story in The Atlantic). “So there’s risk, then, for people with skin of color to fall through the cracks.”

Tragically, Smith’s wife was diagnosed with melanoma too late and paid the ultimate price for it. And she was not an anomaly—though the disease is more common for White patients, Black cancer patients are far more likely to be diagnosed at later stages, causing a notable disparity in survival rates between non-Hispanics whites (90%) and non-Hispanic blacks (66%).

As a computer scientist, Smith suspected this racial bias and reached out to Adamson, hoping a Black dermatologist would have more diverse data sets. Though Adamson didn’t have what Smith was initially looking for, this realization ignited a personal mission to investigate and reduce disparities.

Now, Adamson uses the knowledge gained through his years of research to help advance the fight for health equity. To him, that means not only gaining a wider array of data sets, but also having more conversations with patients to understand how socioeconomic status impacts the level and efficiency of care.

“At the end of the day, what matters most is how we help patients at the patient level,” Adamson told Upworthy. “And how can you do that without knowing exactly what barriers they face?”

american cancer society, skin cacner treatment"What matters most is how we help patients at the patient level."https://www.kellydavidsonstudio.com/

The American Cancer Society believes everyone deserves a fair and just opportunity to prevent, find, treat, and survive cancer—regardless of how much money they make, the color of their skin, their sexual orientation, gender identity, their disability status, or where they live. Inclusive tools and resources on the Health Equity section of their website can be found here. For more information about skin cancer, visit cancer.org/skincancer.

The mesmerizing lost art of darning knit fabric.

For most of human history, people had to make their own clothing by hand, and sewing skills were subsequently passed down from generation to generation. Because clothing was so time-consuming and labor-intensive to make, people also had to know how to repair clothing items that got torn or damaged in some way.

The invention of sewing and knitting machines changed the way we acquire clothing, and the skills people used to possess have largely gone by the wayside. If we get a hole in a sock nowadays, we toss it and replace it. Most of us have no idea how to darn a sock or fix a hole in any knit fabric. It's far easier for us to replace than to repair.

But there are still some among us who do have the skills to repair clothing in a way that makes it look like the rip, tear or hole never happened, and to watch them do it is mesmerizing.

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Pop Culture

Artist uses AI to create ultra realistic portraits of celebrities who left us too soon

What would certain icons look like if nothing had happened to them?

Mercury would be 76 today.

Some icons have truly left this world too early. It’s a tragedy when anyone doesn’t make it to see old age, but when it happens to a well-known public figure, it’s like a bit of their art and legacy dies with them. What might Freddie Mercury have created if he were granted the gift of long life? Bruce Lee? Princess Diana?

Their futures might be mere musings of our imagination, but thanks to a lot of creativity (and a little tech) we can now get a glimpse into what these celebrities might have looked like when they were older.

Alper Yesiltas, an Istanbul-based lawyer and photographer, created a photography series titled “As If Nothing Happened,” which features eerily realistic portraits of long gone celebrities in their golden years. To make the images as real looking as possible, Yesiltas incorporated various photo editing programs such as Adobe Lightroom and VSCO, as well as the AI photo-enhancing software Remini.

“The hardest part of the creative process for me is making the image feel ‘real’ to me,” Yesiltas wrote about his passion project. “The moment I like the most is when I think the image in front of me looks as if it was taken by a photographer.”

Yesiltas’ meticulousness paid off, because the results are uncanny.

Along with each photo, Yesiltas writes a bittersweet message “wishing” how things might have gone differently … as if nothing happened.
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